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In Between Perception

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Beach   -    Frans Masereel , 1930.

Belgian, 1889–1972

Watercolour Illustration ,

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Illustration by Lynd Ward from Now That The Gods Are Dead. (1932)

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Lynd Ward - Wood Engraving for Alec Waugh’s “Most Women…”, 1931

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Nancy Friedland (Can 1971)

Wait, Wait (2024)

Acrylic on wood panel (76 x 102 cm)

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Rick Amor (Aus 1948)

Shark in a Wave (2002)

Oil on canvas

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Cuno Amiet (CH 1868–1961)

Girl in flowers (1900)

Oil on canvas (46,5 × 32 cm)

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Flute Player and his Wife — Reuven Rubin (1893-1974), Israeli

signed Rubin and signed in Hebrew (lower right)

watercolour and ink on board

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Anna Wehrwein

Anna Wehrwein (American, 1990) - Day Bed (2024)

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Manuel Amado (Portuguese, 1938-2019, b. Lisbon, Portugal, d. Ibid) - Fernando Pessoa III's Room, 1993, Paintings: Oil on Canvas

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Moise Kisling

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Bright Poppies Grow - Andy Lovell

British, b. 1964 -

Silkscreen on watercolor paper , 37 x 36 cm . Ed.75 

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Gwen John (1876-1939), British (Welsh), sister to Augustus John (1878-1961), alongside whom she studied at The Slade School of Art, also under Henry Tonks (1862-1937). She worked for much of her life in France, and the main body of her work consists of portraits.

A Bird Cage (House in a Landscape), c.1920, oil on canvas (National Museum Wales, National Museum Cardiff). A strangely sparing and riddling landscape.

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Dylan Hurwitz. Blue Path (Herring Cove, Provincetown, MA), 2021

Oil on canvas, 62h x 50w in

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Gwen John ‘Vase of Flowers‘ ca.1910.

(Source: commons.wikimedia.org)

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Gwen John (1876–1939) “Girl in Profile”

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Gwen John, Young Woman Holding a Black Cat (c.1920–25)