i’m Parker,i’m white and 20 y/oi’m also bi, polyam, and agender, i use he/it pronouns but any are cool,DNI if you’re a transcum, TERF, or radfem
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Actually making your selfinsert overpowered and friends with all your faves and a hybrid of the coolest species and in a relationship with your crush and the long lost sibling of the villain is called having fun and its cool as fuck
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yippee! is a gateway drug. to other substances such as. wahoo! and yay!
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When encountering someone stuck in an Apology Loop, I do not uselessly ask, or worse, demand that they “stop apologizing.”
Rather, I have found it much more useful to affect a theatrical tone and formally “absolve” them. “Like a Renaissance pope, I absolve you, my child.” Usually the combination of having the absurdity of the situation highlit, combined with a touch of physiological release if I can get a laugh, is enough to soothe their nerves a bit and get them to break the loop. And who knows maybe they feel absolved I dunno I have an authoritative bearing
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Ok so at this point I've had two people roll up to me in manual wheelchairs, well, one of them was somebody pushing somebody who was nonverbal at the time, but it still counts. They asked me why I had zip ties around my tires.
It's winter where I'm living and we have really bad snow. And the snow plow people are really bad at their jobs probably because there aren't snow plow people who clean sidewalks. As a solution I got to thinking about how I could increase the traction on my wheels. And the most redneck thing I could think of was taking a bunch of zip ties and tying them around my wheels. They last surprisingly long, and work surprisingly well. It's basically the same premise as chains for your tires during the winter.
I chose to space them out pretty evenly so there's about one for every spoke. You could probably do more or less depending on how many you want and how much traction you get but I wouldn't go more than three per spoke. I realize that it's a bit later in the winter, and I probably should have made a post about this sooner, but I came up with it about a week ago. So please share this, even if you're not disabled, because there are tons of people I know who are stuck in their houses because they can't get around in the snow. A pack of zip ties costs about $5, which compared to $200 knobby snow tires is a big save, and if you want to invest you could get colored zip ties.
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Hey why does everything link back to who i was at twelve years old.
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adhd is fun bc everything I got taught is backwards
a good day makes good sleep
starting with a lil treat gets the work done
More things to do is less overwhelming
don’t make a plan just get in there
you’ll never take good care of what you don’t like so throw it out (this one is my favorite bc it’s easy to see what you don’t like)
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popular YouTube channels are great and informative until they make a video about a topic you're informed on and then the house of cards comes crashing down as you realize how utterly wrong they are about most things
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Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.
Can you tell what the personalities of these two mice are?
Can you tell now?
Which of these two tigers feels safer to be around?
Which of these three dogs is the funniest one?
If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.
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No offense but I think some of you would be a lot happier writing a fictional atlas or encyclopedia instead of a narrative story
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finding out that someone is secretly a pervert is like when the clouds open up and the sun shines so beautifully over the tree tops and warms your skin
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Oscar de la Renta: 'Crafted like a mosaic, discover the making-of the #odlrfall2024 stained glass gown — ushering in a a new House-signature embroidery technique.'
Constructed from hundreds of polyamide panes, hand-sewn together in an Art Nouveau style reminiscent of Tiffany glass. Ready-to-wear: £36,546.
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Linda has a background in astrophysics (that she keeps secret).
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If I ever respond to you w just a heart emoji it’s not meant to be dismissive. I’m bumping my shoulder against yours bc I like you. I am blinking slowly at you like a cat.
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The author's poorly disguised fetish
The author's proudly displayed fetish
The author's fetish you're pretty sure they don't realise they have
The author's fetish which they're firmly convinced everyone has and is just pretending otherwise
The author's non-sexual special interest which just sounds like a fetish because of their habitually unfortunate phrasing
The fetish the author is making a well-meaning effort to cater to in spite of clearly not understanding it themselves
The author's fetish that never quite makes it into the text because they keep getting sidetracked by the requisite worldbuilding
The author's utterly pedestrian sexual preference which the text treats like a bizarre fetish because they've got shit to work through
The author's seemingly innocuous recurring trope they're going to have a personal revelation about ten years down the road
The author's fetish you missed on a first reading because it's so far out of pocket, it never occurred to you that you could sexualise that
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goodbye 2023👋hello 𓏏𓉔𓇋𓋴 𓇌𓅂𓄿𓂋 𓇋 𓅃𓇋𓃭𓃭 𓎼𓅂𓏏 𓄿 𓅓𓅲𓅓𓅓𓇌 𓃀𓅱𓇌𓆑𓂋𓇋𓅂𓈖𓂧 𓅓𓄿𓇌𓃀𓅂 𓉔𓅲𓋴𓃀𓄿𓈖𓂧 𓇋𓆑 𓉔𓅂𓂕𓋴 𓎢𓅱𓅱𓃭 𓅃𓇋𓏏𓉔 𓏏𓉔𓄿𓏏
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you are 16. you are talking with a gay man in his 50s or 60s, a friend, huge and gentle with a scarf and short fluffy curls of gray hair, who has directed you in two plays staged in your mid-size artsy town. (he has not yet asked you to be in his production of The Laramie Project which will change your life. this conversation will also change your life.)
he is talking about theatre. he is talking about theatre when he was younger. he says, "of course, it was AIDS then." in the pause, you ask him. clumsy and quiet and 16 and "straight," you ask him. what was it like.
he takes a moment in which his face is not like a person's face. "there was a time," he says, "i'm not sure how long, years. when i went to a funeral every weekend." he tells you about two funerals in a day, and choosing between friends when you couldn't make it to both. he does not look at you, he looks at them. his wet grey gaze is so clear that you start to see ghosts. it will be years before you understand why it feels like your grief too. why the ghosts call you family.
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