cryptid-art-diary
get ARTEDā€¼ļø
21 posts
I'm Ayda & this blog is my CAS project šŸ«€ gallery commentaries šŸ§  artwork analysis šŸ‘¹ other media analysis (Header image: Angel in Chains by Odilon Redon)
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cryptid-art-diary Ā· 7 months ago
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Koichi Enomoto ā€” Stay & Resist (oil on canvas, 2023)
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cryptid-art-diary Ā· 7 months ago
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cryptid-art-diary Ā· 7 months ago
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Tag yourself Iā€™m the ā€œOverdressed and Underappreciatedā€. Artist : http://www.mattadrian.com/Ā 
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cryptid-art-diary Ā· 7 months ago
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there is a crazy dude on twitter who takes photos of athletes from different sports and finds them an art piece that fits exactly with the photo and the PRECISION he does it is amazing
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cryptid-art-diary Ā· 7 months ago
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John Brosio (American, 1967) - Two Earthlings (2003)
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cryptid-art-diary Ā· 8 months ago
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ā€œUnfinished Paintingā€ ā€” Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didnā€™t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
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ā€œAIDS Memorial Quiltā€ ā€” Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceasedā€™s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that personā€™s loved ones.
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ā€œUntitledā€ (Portrait of Ross in L.A.) ā€” Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torresā€™ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
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The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
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ā€œElectric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997ā€ ā€” John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovichā€™s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabinoā€™s breath.
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ā€œBlueā€ ā€” Derek Jarman
This was Jarmanā€™s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarmanā€™s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: ā€œJohn. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
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ā€œUntitledā€ (Perfect Lovers) ā€” Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his loverā€™s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his loverā€™s passing, Gonzalez-Tourres wrote, ā€œDon't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.ā€
Please feel free to reblog with more additions
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cryptid-art-diary Ā· 10 months ago
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i hate it when someone asks me what my favorite work of art is because i can't say "the one of the woman chilling on the rocks with a dragon lying in her lap and giving off powerful big dick energy" but how else am i supposed to describe it
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cryptid-art-diary Ā· 11 months ago
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Whenever I see an Ivan Aivazovski painting the sea monster in me goes absolutely feral
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cryptid-art-diary Ā· 11 months ago
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cryptid-art-diary Ā· 1 year ago
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Embroidery Art of Ana Teresa Barboza
Peruvian young artist Ana Teresa Barboza use embroidery on photography to create beautiful and bizarre artwork
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cryptid-art-diary Ā· 1 year ago
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cryptid-art-diary Ā· 1 year ago
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Maria Magdalena by Guido Cagnacci (1601 ā€“ 1663) | Germanic warrior with helmet by Osmar Schindler (1867 ā€“ 1927)
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cryptid-art-diary Ā· 1 year ago
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[Image description: A vocabularyclept poem. Every time the words "good art" appear, they are highlighted in green. Transcription is below.]
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good art sets off downward unstructured and obsessive wishes to destroy empower celebrate ugliness
good art hints at obfuscation, lies, resentment makes you feel weird clarifies the divine right to whining, coping, seething
good art confuses the mind spiral spiral spiral spiral faster
good art is a scam a drug metaphor essential momentum
good art a terrible duty join or burn
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A vocabularyclept poem is a poem which is formed by taking the words of an existing poem and rearranging them into a new work of literature. | original post
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cryptid-art-diary Ā· 1 year ago
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Enchanting Ecosystems Crocheted by Melissa Webb Envelop Interior Spaces with Verdant Fibers
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cryptid-art-diary Ā· 1 year ago
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ā€œcmere boyā€
*sound of clanging pots and pans getting closer*
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cryptid-art-diary Ā· 1 year ago
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i've just had a terrible idea
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cryptid-art-diary Ā· 1 year ago
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[Walton Ford, "Eureka", 2017; watercolor, ink and gouache on canvas]
Absolutely adore this piece by Walton Ford that I got to see at Nordiska Akvarellmuseet. I'm so so sad I didn't realise that I didn't get a good photo of it šŸ˜­šŸ˜­ But regardless, this is phenomenal environmental storytelling. The way this skeleton is positioned to look like a dog in waiting, or perhaps in mourning, and the concern of the birds surrounding it...The emotions poured into it are very potent. Maybe something about how past hopes and goodness fosters room for more togetherness and love in the world. I also adore the color palette with the saturated yellows. Just a quick thing I wanted to share.
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