crunchyfeathers
crunchyfeathers
Crunchy Feathers
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crunchyfeathers · 4 years ago
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ali tate by a.j. hamilton
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crunchyfeathers · 4 years ago
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1. Small Kindnesses, Danusha Laméris 2. Fans Sing, Dance On NYC Subway After Robyn Concert, youtube 3. Neanderthals had funerals with flowers, study suggests, CBC 4. Nadal and Federer on the tennis court, after Nadal jumped over the net to hug his rival. 5. Heathrow airport opening scene from Love, Actually 6. Good Bones, Maggie Smith 7. LeBron James delightedly hugging a fan who hit a half-court shot
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crunchyfeathers · 4 years ago
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welcome to the party, acrylic, 2014
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crunchyfeathers · 5 years ago
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impromptu ritual
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crunchyfeathers · 5 years ago
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Damian Elwes is one of the most talented artists of the past 75-years.
Here are some selections from his collection of works of other artists’ studios and homes:
Henri Matisse
Peter Doig
Alexander Calder
Keith Haring
Cy Twombly
Gustav Klimt
Georgia O’Keeffe
Alberto Giacometti
Jean Michel Basquiat
Yayoi Kusama
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crunchyfeathers · 5 years ago
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The amazing digital art of Stephen Stark
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crunchyfeathers · 5 years ago
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crunchyfeathers · 5 years ago
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“If you’re poor, the only way you’re likely to injure someone is the old traditional way: artisanal violence, we could call it – by hands, by knife, by club, or maybe modern hands-on violence, by gun or by car. But if you’re tremendously wealthy, you can practice industrial-scale violence without any manual labor on your own part. You can, say, build a sweatshop factory that will collapse in Bangladesh and kill more people than any hands-on mass murderer ever did, or you can calculate risk and benefit about putting poisons or unsafe machines into the world, as manufacturers do every day. If you’re the leader of a country, you can declare war and kill by the hundreds of thousands or millions. And the nuclear superpowers – the US and Russia – still hold the option of destroying quite a lot of life on Earth. So do the carbon barons. But when we talk about violence, we almost always talk about violence from below, not above. […] People revolt when their lives are unbearable. Sometimes material reality creates that unbearableness: droughts, plagues, storms, floods. But food and medical care, health and well-being, access to housing and education – these things are also governed by economic means and government policy.[…] That’s a tired phrase, the destruction of the Earth, but translate it into the face of a starving child and a barren field – and then multiply that a few million times. Or just picture the tiny bivalves: scallops, oysters, Arctic sea snails that can’t form shells in acidifying oceans right now. Or another superstorm tearing apart another city. Climate change is global-scale violence, against places and species as well as against human beings. Once we call it by name, we can start having a real conversation about our priorities and values. Because the revolt against brutality begins with a revolt against the language that hides that brutality.”
— Call Climate Change What It Is: Violence, Rebecca Solnit. (via kuanios)
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crunchyfeathers · 5 years ago
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crunchyfeathers · 5 years ago
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crunchyfeathers · 5 years ago
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Portrait of Lady on Fire (2019) / Orpheus and Eurydice (1862)
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crunchyfeathers · 5 years ago
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Paintings from my project linked here. Also related to the drawings I posted a little while ago!
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crunchyfeathers · 5 years ago
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sleepy girls club™
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crunchyfeathers · 5 years ago
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a little walk
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crunchyfeathers · 5 years ago
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Art by Cécile Berrubé
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crunchyfeathers · 5 years ago
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Markus Matthias Krüger (German, b. 1981, Gardelegen, Saxony-Anhalt, Germany, based Leipzig, Germany) - Sommerdrama (Summer Drama), 2008  Paintings: Oil on Canvas 
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crunchyfeathers · 5 years ago
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Night at the museum, Nicolas Krief
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