manga reading blog with a twist | previously @allseeingbirchtree
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actually my fave type of characters is a sweet innocent person. a sort of a defenceless lamb in human form. possibly subjected to horrible harm, traumatised or guilt-ridden â or otherwise portrayed as an unquestionably good, sympathetic person. a nice one. itâs the kind of goodness that is generally assigned to victims and miserable ones purely by the virtue of their suffering. but every once in a while you look at them, and thereâs something deeply, unfathomably wrong with them. and itâs so fleeting, and maybe you simply misinterpreted something, or had this weird illusion people sometimes see when they look at something out of the corner of their eye. and itâs not like this âwrongâ necessarily means actually evil all along.
but you see it and then you have to decide: do you incorporate this wrongness into your vision of the character, filling it with complexity, and have to reevaluate your assessment of their motivations, thoughts, opinions â or do you simply ignore it? pass it off as something completely normal for the situation, even though itâs so clearly not?
and when you choose the former, it suddenly becomes so much harder to talk about the character to others.
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pluto rzeczy ktĂłrych nie chce mi siÄ koĆczyÄ ee monster podobaĆ mi siÄ bardziej
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so, my lineup of demonbane OCs, intended as antagonists for kuzaku, is as follows:
- a fearsome remnant of the anticross who a) never was an anticross member to begin with b) lives in post-zanmataisei timeline where the anticross got erased from the universe completely c) doesnât even have a cool roman emperor nickname
- a jaded office lady whose greatest deep-seated regret is failing to become a romanticised sea godâs priestess
- the worst person youâll ever encounter (an age faker)
- a man with world-destroying ambitions who is also very much convinced that heâs a good person. also the resident bookfucker
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commissioned art piece for my friend :) quite proud of this one
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i drew kuzaku & kureha inspired by ave mujica! again! this time featuring a mutsumi/mortis style doll of kureha
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Last post not related to Phantom of the Opera. My two favorite doctors who just happen to be talented goth old and depressed men with marks on their faces, people don't trusth them because they're weird but they just want to be loved.
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sadakiyo is my favourite insane weirdo. his weirdness has layers. at first itâs like âoh. he talks to people who arenât there, lives in a childhood wonderland and gets hysterical about his car getting wet in the rainâ, then, a couple of chapters later, you go ânoooooooo heâs actually so sweet and sad and heâs genuinely trying his best despite having been abused for most of his life, heâs not weird at allâ, and then itâs âoh. his moral dilemma is him wondering whether a dictator who (by sadakiyoâs own admission) has killed millions of people is good or badâ.
#20th century boys#20th century boys spoilers#fukusada is great because sadakiyo quite literally ties his self-perception to his perception of friend#whereas fukubei is like the worst person on earth who thinks heâs the best person on earth#i want their mentally ill masochism tango to continue forever
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![Tumblr media](https://64.media.tumblr.com/d947fa4d2b1354b1c5ef498cd5e87065/32076ccb0edfcd99-fb/s540x810/1b301b01e3044569a25018169be5fd1d5f452003.jpg)
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something something being motivated not by ideals and beliefs but by mere inability to live any other way. something something two ends of the same spectrum.
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created this chart of urasawaâs characters that take up the most space in my head as a warning (you canât talk about any of those people with me around because iâll go on a lengthy tangent, like, instantly). then realized that you must not, under any circumstances, call fukubei special. corrected it in a flash
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thinking about Roberto, Grimmer, the concept of memory and the irretrievable land that is one's childhood. and entomology.
#naoki urasawa's monster#not a thing i talk about often but it drives me insane#need to try and write a character study about them
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very proud to proclaim that i now own an insanely cute plush bat called billy. which is a naming decision that will definitely not doom me
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its ok you can still be a prisoner but like in my basement. i can feed you slop and everything
thank you my beautiful wife. i could never become a prisoner of the regime because i have to be your prisoner
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bought myself a ton of books to celebrate the occasion (the occasion in question is me not being one step away from becoming a political prisoner anymore)
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spent a reasonable amount of time crawling around a used books store looking for eugene oâneilâs plays. as a normal person would
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urasawaâs name game #1: itâs interesting how sadakiyo gets called sadakiyo-sensei by the administrations of friend-controlled schools. itâs a nonsensical name, a combination of his status as an employed adult man and his childhood nickname. itâs not only that he canât grow up, traumatized and isolated and finding comfort in his childhood interests â heâs not allowed to grow up.
friend makes sure that he will stay a child forever, at least through his name, and thus will always be subject to his childish tyranny.
(and, i believe, the friend museum serves the same purpose â never letting him escape the world of his childhood)
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need a tag for urasawaâs name game, so that i could systematize my insanity AND provide all of you with new takes
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i am deeply in love with urasawaâs name game. i want to marry the concept of fukubei denying others both his real name and nickname in order to construe a better, more interesting identity for himself and accidentally losing sight of who he really is. but i canât because i have a girlfriend and she would be jealous
#20th century boys#20th century boys spoilers#naoki urasawa#fukubei#also#billy bat#was really annoying in my friendâs dms about fake chuck culkin having no real name in the story#heâs the one who stole another manâs name but once that name is returned to its owner he literally has nothing left#none of what he had was his own#this man who managed to stand up to you after thirty years of exploitation is chuck culkin and you are nothing at all
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