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Marlene Dumas’ Dead Girl (2002), on display in Image as Burden (2015) at Tate Modern.

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Hans Haacke's The Gift Horse (2015), currently on display in Trafalgar Square.

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William Morris’ News from Nowhere (1892) on display in Love is Enough (2015) at Modern Art Oxford.

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Evan Roth’s Voices Over the Horizon (2015) show at Carroll/Fletcher.

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Leon Golub's Gigantomacy IV (1967) and Napalm (1969) on display in Bite Your Tongue (2015) at the Serpentine Gallery.

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Dor Guez's The Sick Man of Europe: The Painter (2015), on display in The Sick Man of Europe (2015) at the ICA.

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Ronnie Close in conversation with Ben Burbridge and Stephanie Schwartz at The Photographers' Gallery.

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Henning Christoph's Untitled (1981), on display in Human Rights, Human Wrongs (2015) at The Photographers' Gallery.

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Franco "Bifo" Berardi speaking at the ICA (February 2015).

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Society for the Promotion of Permanent and Universal Peace's Fourth Annual Report of the Society for the Promotion of Permanent and Universal Peace: for 1820 (1820), on display in Duty and Dissent: The Great War and British voices of resistance (2015) at Senate House Library.

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TJ Demos in conversation with Alex Farquharson and Kodwo Eshun at The Showroom (February 2015).

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Mona Hatoum's Measures of Distance (1988), on display in History Is Now (2015) at the Hayward Gallery.

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Ronnie Close: We Are Here (2015), on display at the International New Media Gallery; curated by Tom Snow and myself.

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Henry Tonks' sketches of First World War facial surgery (c.1916-17), on display in War, Art and Surgery (2014) at the Hunterian Museum.

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Judith Butler speaking at the London School of Economics (February 2015).

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Claudio Hils' series Red Land, Blue Land (2000), on display in LCC's Staging Disorder (2015) exhibition.

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Helen Carmel Benigson's video installation in Anxious, Stressful, Insomnia Fat (2014) at Carroll/Feltcher.