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Bridget Bodenham creates organic shaped vessels and objects, establishing feelings of peace and demonstrating a relationship to the natural environment.
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'Landed'- Installation 2014 Biennial of Australian Art Art Gallery of South Australia
Ian Strange explores themes of internal dysfunction within the suburban home. He incorporates architecture in his large-scale, sculptural instillations.
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PATRICIA PICCININI
1. Newborn, 2010 Silicone, fibreglass, human hair, feral New Zealand possum pelt 19cm h x 24cm x 17cm
2. The Uprising, 2008 Bronze, 79 cm x 90 cm x 96 cm
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A closer view of "Youth" by Ron Mueck, at the National Gallery of Victoria on January 21, 2010 in Melbourne, Australia
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1. "Mask II" by sculptor Ron Mueck, at the San Ildefonso Museum in Mexico City, on September 20, 2011.
2. "Two Women" by artist Ron Mueck at the Brooklyn Museum, on January 31, 2007
3. A visitor to the National Galleries of Scotland stands beside Ron Mueck's "Wild Man" on August 4, 2006.
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Photographs by Noah Kalina Ideas: potentially can make shapes like this with clay using a towel/material?
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Amie Luczkowkski-Gibson https://www.instagram.com/franki_e/
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Yvonne Souter, Ceramic Bust with Wax Finish Earthenware 325 h x 250 w x 170 d
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http://www.designswan.com/archives/terraform-living-sculptures-by-robert-cannon.html
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JUZ KITSON - 'Something Sacred', 2015 Jingdezhen porcelain, southern ice porcelain, terracotta, raku clay, parrafin wax, resin, horse hair, fox fur, cashmere goat hide, cow and deer hide, marino wool, teeth, bone and animal husks, chinese silk thread, treated pine and marine ply. 2.4m x 1.10m approx dimensions. Suspended from ceiling.
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Ceramics by Rami Kim I’m becoming obsessed with having faces or bodily objects incorporated into ceramics. http://www.ramiskim.com/ramikim/
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Georgia Saxelby, “Break”, 2015, Clay, resin Exhibited at ACCELERATOR Gallery 2015 Georgia is a friend of mine who attended National Art School. I find her work, “Break” very powerful in its exploration between what is to be considered “normal” social behaviour within a gallery context. “Break” experiments with the relationship between art, ritual and performance, inviting viewers “let go” as they break and hence reform her work. https://georgiasaxelby.com/ Video documentation of the work: https://vimeo.com/152658166
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