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as requested- my zine about fat and plus size body types from instagram!💖 happy drawing everyone!

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future link thinking to himself: how do I one-up that fire guy

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zelda: first sidon, now this? link, the guy wants to steal your triforce

link: he can have it. it’s up my ass though, but i’m sure with those hands he’ll find it real quick- 

ganon: the girls back home never treated me like this

—— ya’ll wanted more loincloth ganon, and I live to serve :)) he’s gerudo born, he wears…not much, like the rest of them. and these are the first people daring to make him feel self conscious about it 😂

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Oh how the tables have turned

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Princess Tutu (2002)

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Ways to say ‘I love you’

There is this list by @p0ck3tf0x that I’ve been looking at for years and #5 just screamed fakiru when I went back to the list. But then I realized there were other numbers that fit several other scenes and I wanted to share them. These two really love each other alfkaj. 

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why does anyone in Gotham even bother doing crime like you KNOW the second you leave the bank with the money you just stole Bruce Wayne is gonna be chilling on a bench on the other side of the street in his bat fursuit like “hey bitch u better not be breaking the law”

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ALL-OUT ATTACK + color palettes

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Oh you

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thinking about the time they sent me a seven year old autistic patient to investigate if he was suffering abuse because in every psychological test he kept drawing awful monsters

and I start the consultation already miserable as fuck and I give the kid some pen and paper so I can maybe communicate and see what's on his mind

and then I go WAIT A GODDAMN SECOND I KNOW THOSE MONSTERS

turns out the kid just had a special interest in Five Nights at Freddy's

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I love this so much

I really wanna write a Zelda all about Dadondorf, like

In this cycle, Ganondorf wakes up/reincarnates/is freed early, and as he’s finally gotten sick of the cycles, he finds the infant Hero of Courage and either kidnaps him or orphans him so that he can raise him for himself, with the goal of corrupting him towards darkness and evil

But over time, Link corrupts Ganondorf, and by the time he’s old enough for him becoming the Hero of Courage to begin reasonably getting set in motion, Ganondorf has legitimately become a caring father to him

And then this cycle’s Zelda begins a hunt for the Hero of Courage and the Bearer of Power, because Ganondorf’s awakening all those years ago did not go unnoticed, and this Zelda only believes in the roles Fate has laid out for the three; as such she’s lost perspective on her own rule and has become something of a tyrant.  When she and her entourage reach Link and Ganondorf’s village, she meets them both (by accident; Ganondorf didn’t know she was there) and she takes Ganondorf prisoner with the intent of executing him

And Link has to begin his journey in a way nobody ever intended: to free the land from the tyrannical Princess Zelda, and to rescue Ganondorf from her diabolical clutches

Bonus points for Ganondorf reveling in the quiet love of the parental bond and genuinely being remorseful for his actions in past cycles

Additionally, Link has to wrest the usual Zelda reincarnations from fate’s grasp; he has to convince Impa to rebel, the oracles of the three goddesses to forsake their traditional champion, he has to spend the entire game telling fate that the universe has finally had enough.

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14th century doctors be like “i don’t know what’s wrong with you but you’re a woman so i diagnose you with witchcraft”

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“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”

“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”

“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”

“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”

“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”

“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”

A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.  

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the purest form of serotonin is when a cat looks at u and u go like “what?” and it meows at u

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Ppl without ADHD be like “oh if I get rid of all possible distractions then you’ll be forced to focus on the boring task!” Fool… You underestimate my Power 

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Socialism: You have 2 cows and you give one to your neighbor.

Communism: You have 2 cows; the Government takes both and gives you some milk.

Fascism: You have 2 cows; the Government takes both and sells you some milk.

Nazism: You have 2 cows; the Government takes both and shoots you.

Bureaucratism: You have 2 cows; the Government takes both, shoots one, milks the other and throws the milk away..

Traditional Capitalism: You have 2 cows. You sell one and buy a bull. You herd multiplies, and the economy grows. You sell them and retire on the income.

An American Corporation: You have 2 cows. You sell one, and force the other to produce the milk of four cows. Later, you hire a consultant to analyze why the cow dropped dead.

A French Corporation: You have 2 cows. You go on strike because you want three cows.

Japanese Corporation: You have 2 cows. You redesign them so they are one-tenth the size of an ordinary cow and produce twenty times the milk. You then create a clever cow cartoon image called Cowkimon and market them Worldwide.

An Italian Corporation: You have 2 cows, but you don’t know where they are. You break for lunch.

A Swiss Corporation: You have 5000 cows. None of which belong to you. You charge others for storing them.

Chinese Corporation: You have 2 cows. You have 300 people milking them. You claim full employment, high bovine productivity, and arrest the newsman who reported the numbers.

An Iraqi Corporation: Everyone thinks you have lots of cows. You tell them that you have none. No one believes you and they bomb your arse. You still have no cows, but at least now you are part of a Democracy…….

Counter Culture: ‘Wow, dig it, like there’s these 2 cows, man, grazing in the hemp field. You gotta have some of this milk!’

Surrealism: You have two giraffes. The government requires you to take harmonica lessons.

Apathyologism: You have 2 cows. You do not care.

Fatalist: You have 2 doomed cows…

Atheism: You have 2 cows. There is no God.

A West-Country Corporation: You have 2 cows. That one on the left is kinda cute.

A Brazilian Corporation: You have 2 cows. You pay taxes for 6 cows. You have to sell one cow in order to pay the taxes. Your remaining cow gets sick and dies while waiting for availability in the public vet hospital.

Russia: You have two cows. Since they are both female, if you happen to keep them in the same stable you will pay a 5,000 rouble fine for homosexual propaganda.

PETA: You have two cows. You kill them both. You then use naked women to convince other people that killing cows is wrong.

Moffat: You have two cows. Both of them are your daughters time traveling from the past where they had a brief love affair with Da Vinci making you the rightful Queen of England. As you assume the throne, you throw them off a building.

Hussie: You have 2 cows. You ask for another one. Instead of getting just 1 cow, you get 2,485,506 cows.

Romney: You have 2 cows. You are not the president of the united states.

Once-ler: You have 1 cow. Everyone decides to make 5 different versions of that cow.

Old Spice: You have 2 cows. The cows are now diamonds. I’m on a horse.

An Irish Corporation: You have a million cows because they’re everywhere

Tumblr: You have 2 cows. You ship them together and make GIF posts screaming about how much you love your cows, but they should stop existing because they are so perfect.

Also Tumblr: I give you a hamburger.

Night Vale: You do NOT have two cows. Cows do not exist. What’s a cow? Show me a cow! That’s not a cow! Who let you in here?

Tom Hiddleston: You have two cows. You are very sorry for them.

Thranduil: You do not have two cows, you have an elk. Riding on two cows is not majestic. Also the dwarves are on fire.

Dwarves: You had two cows but now they’re on fire.

Bilbo Baggins: You did not invite those two cows for dinner.

Cows: The shit you go through.

This post: Started off as a post that explained different goverments but then everything changed when the fire nation attacked