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This is all @polyarmy and @fiyeroba ‘s fault for making me sad about Glinda again so now I’m posting my whole Glinda Meta here (originally an obnoxiously long dm sent to @gamorahww who is a patient saint)
You’ve asked for it, and now you get……The Glinda Meta™
First: I have been obsessed w/ Glinda's character for like 15 years. She is my roman empire. But I also really LIKE her as a flawed character - something that the fandom has always seemed to be a little uncomfortable with.
She is, to me, what Jane Austen once wrote about Emma:
“I am going to write a heroine whom no one but myself will much like.”
Full meta character analysis under the cut. Uh. Strap in.
(This gets a lil long sorry, but PLEASE HEAR ME OUT -)
To me, the interesting thing is what actually - ACTUALLY - motivates Glinda to act the way she does is so much greater and deeper than a simple desire for success/fame/popularity.
Like obviously in literature/critique of narrative, we have this idea of protagonists vs supporting characters. Supporting characters might have philosophies or goals that drive them (think Nessa and Boq) but those philosophies and goals are usually not developed into self-contradictory nuance the way a protagonist's motivations are. They’re just facts about the character.
And in my option, a big problem in the wicked fandom is that everybody seems to treat Glinda as a supporting character whose motivations are easy to digest. To most fans, she's either the girlfriend who is there to support Elphaba's story by being "loving but conflicted." Or to critics she's entirely selfish and cruel (even as she's fun and interesting), and therefore a semi-antagonist
But if you step back and treat Glinda as a true antihero protagonist of Wicked (for the sake of the mental character study), you see that she's not actually motivated by love or popularity or even success....what drives her is desperation.
Glinda sees her world as a place that cannot be changed and will only work to destroy those who cannot correctly operate in it. And she is SO DESPERATE to avoid that. Elphaba's fate is actually her worst fear - she cannot break away from society and leap to a new fate, because she is the ultimate cynic who thinks there is no way that could possibly work. In fact, it's an enormous testament to her love (however you want to intepret that) of Elphaba that she's even willing to consider leaving during Defying Gravity. For a brief moment, her immense, incredible faith in Elphaba is almost enough to overcome her complete desperation to survive the horrible world she thinks she's in.
And that obviously means that she's not as noble as Elphaba or as brave as Fiyero as a character - she cannot make the choice to leave when both of them do at different points - but that's because she's the most "human" character in the story. Most people are not brave enough to become international terrorists, even in the face of great evil. We might join in a developed cause, but to knowingly walk towards what is likely one's death to change a system you know you’ll actually have very little effect on...that takes a very special kind of person. And while Glinda is a GOOD person, she is too much a cynic and too desperate to survive her crazy world to become that impossible standard of the Rebel or the Hero. She's just a flawed, scared girl, in circumstances she never dreamed she’d be in.
And then the craziest thing happens:
Rather than showing Glinda that she should have been brave and done what E and F did, the narrative instead goes and basically confirms all her darkest fears: Elphaba rebels...and her revolution fails, and Glinda loses her best friend to bitter hatred and insanity for most of Act 2. Fiyero decides to leave and do the right thing by going with Elphaba....and he is almost immediately murdered in a horrible, violent way as punishment for it. This can only reinforce for Glinda that the State/the System/the World is all-powerful, and she must bow to it.
But that's the most fascinating moment for her character, because the very moment she realizes the absolute overwhelming power of the system (March of the Witch Hunters) is also the very moment that chooses to die rather than perpetuating it. She leaves the City to approach Elphaba - whom Glinda thinks POSSIBLY WANTS TO KILL HER - and BEGS Elphaba to not die. Begs Elphaba to stop her self-sacrificial madness. Begs Elphaba to allow Glinda to sacrifice herself instead ("Then I'll go, I'll tell everybody the truth!" "No! They'll just turn against you!" "I DON'T CARE!" - this girl who is entirely motivated by survival is straight up throwing it all on the line ready to walk to her death at the hands of a mob with wide open, unblinking eyes)
And obviously, in doing so, she is making the same choice that Fiyero did earlier in the story, But the huge difference is that Fiyero is a classic case of a "dead from the beginning" character, and he does not have the same motivations as her. He starts as a nhilist already embracing death in Dancing Through Life and his character is not somebody who is desprate to survive - his character is driven by a desperation for a faith. And Elphaba (and her cause) is his faith that he happily martyrs himself for.
By contrast, Glinda is terrified of the system that is trying to kill her, and she is desperate to survive it. She sees the way it takes everything form her, again and again, destroying everything she loves - Elphaba, Fiyero, her own sense of goodness…
(And she is extremely genre-aware that she is in a tragedy: her world isn't fair, and she knows that Elphaba will fail. She knows this will all go wrong.)
But Glinda still has such strength of character that she - in the end - overcomes all of her fear, all of her weaknesses, and humbles herself at the pyre to join the people she loves so much in their fate. She both offers to die for Elphaba and she takes up Elphaba's work and dedicates her entire life to it, consequences be damned. And that comes from a place of ultimate love and goodness, despite all of her flaws and all the temptations dissuading her.
Because Glinda is not Elphaba or Fiyero - she isn't a starry-eyed optimistic rebel or a man with a obsessive, loving faith. She is just a girl. Just Emma. And she is extremely flawed, and has so many fears that push and pull at her in a way the other main characters do not experience. But despite being so painfully, humanly defective, her goodness allows her to do the right thing in the end.
tl;dr - the greatest thing about Glinda’s character is that she is flawed, and she is weak and makes all the wrong choices. But in the end, she humbles herself completely - to the point of offering her own life for Elphaba and taking the whole weight of the world on her shoulders despite all her fear - because she is ultimately good.
And thus in the end, she becomes the person that Elphaba so clearly sees her as throughout the story: good, caring, and able to make real change in the world. She will now try desperately to fully live up to Elphaba's incredible faith in her. And it's so heartbreaking and tragic, but also one of the best character arcs ever.
So I guess it's less "wants to stay safe in her bubble" and more "she sees no option other than to stay safe. The State/System is all-powerful and there is nothing she thinks she can do to change that. But the beauty of the character lies in her decision to step out of that bubble anyways."
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BONUS: Glinda’s flaws in relation to her relationship with Elphaba
(Or why Gelphie is a devastating ship (romantically or not) but not in the way you think)
This section dedicated to the SJB/AA performance that just BREAKS ME.
Elphaba basically sees Glinda through some WILDLY rose-tinted glasses (which is just. such a fascinating insight into elphaba’s character). Which is why a good chunk of the fandom accepts it as fact that Glinda is ~not actually all that flawed~ or is somehow being forced to make the decisions she is (she is not. the narrative point of Fiyero’s character is to prove that lol)
Glinda is very much complicated and does make some truly terrible decisions. Elphaba just sees and believes the good in her, despite everything she does (because it’s a narrative fact that either platonically or romantically she’s clearly a little in love with Glinda. The passes she gives that girl…). I don’t think her weird thing about Glinda is particularly rational, but it is undeniably there
And that makes their relationship feel VERY human. Their flaws don't make them unworthy of each other’s love and respect and friendship. Elphaba's love of Glinda is pretty crazy in light of how much Glinda’s morals and choices differ from her own, but that’s the kind of love that real, sometimes illogical people have. Anybody trying to prove the logic or compatibility of the characters is kinda missing the point - it doesn’t make sense, and THAT’S how you know it’s love.
(Brief aside: similar to Elphaba’s obsession with Glinda, Fiyero is also irrationally obsessed with Elphaba. I mean, she kinda sucks at the whole revolution thing (she's trying!!) and he's clearly starry-eyed ignoring a LOT of her flaws lol. In contrast - for better or worse, Glinda does see Elphaba's flaws and calls them out, just as Elphaba sees Fiyero's flaws and calls him out. It’s a nice little circular relationship)
But…but….is it gay???
Sure. I think so - but I’m a lesbian who has shipped it since I was a preteen lol. But that’s also NOT THE POINT, and focusing on only the romantic angle of their relationship REALLY ignores just how layered and complex it is.
Taking off my squee shipping glasses for a minute: they’re fundamentally just two people in some version of an EXTREMELY intense relationship. I honestly think Glinda reads as a little terrified of how insanely intense her relationship is with Elphaba. She fears walking down that road and fully falling down the path of that intense, all-consuming love. (And we literally learn why later through Fiyero’s ‘death’ and Elphaba’s insanity. Love makes you do some crazy things.)
Regardless of whether you interpret them romantically or not - it’s clear they’re just VERY intense about each other and Glinda is very afraid that Elphaba is her weakness. Unfortunately, Elphaba is also her soulmate and the love of her life. That will ruin Glinda’s life in the end, but it will have been worth it for all the love that was there
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I know Oz Stan Twitter is something else +some book lore
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Megan Hilty as Madeline Ashton and Jennifer Simard as Helen Sharp singing "Hit Me" from Death Becomes Her The Musical.
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Home decor store clerk: sadly the vintage style oval wicker and glass coffee table is display only and is currently not for sale.
Me: understandable. Well I think that’ll be all for me this evening. I have a very important meeting to get to thank you.
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What are you, like four ten? Me? I'm four eleven. I can't believe we're the same species.
ALLISON JANNEY & KRISTIN CHENOWETH ⤷ 6.10 'Faith Based Initiative'
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I have a feeling this will become iconic in due time.
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A tourist murders my sister, steals her shoes, and accepts a mission from my political rivals to literally murder me? And I’m the villain???
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Saying "But they're both pining for a man" against the theory that Glinda and Elphaba are lesbians for each other seems plausible for now but will turn out to be a Straw Man argument.
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Saying "But they're both pining for a man" against the theory that Glinda and Elphaba are lesbians for each other seems plausible for now but will turn out to be a Straw Man argument.
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I don't know where it came from, but several years ago this idea popped into my head unbidden, and for some reason it tickles me. I don't know if it's funny, but I like it and I made it into a zine, I hope you enjoy it.
It lays out really nicely as 3-up spreads on A4 paper, so you can print, staple and fold it, then cut it into 3 zines. It made it really easy to print up 20 of them to trade at this art social thing I went to
micron, rotring and sharpie on printer paper, coloured and screentoned digitally, 2024
If you want a digital or physical copy
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