chba3creativeprocesses
Christian Hepburn BA3 Creative Processes
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Crisis City: Act 2
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Image and Time Evaluation
To show the passage of time I created a surrealist diptych photograph portraying a man falling to demonstrate the passage of time. I wanted to create something that comes from the imagination rather than from reality. A fantasy image.
One technique I would like to develop further is the use of photo-manipulation. By combining multiple images in post-processing, I can enhance the surrealistic effect. I am interested in Advertising and this type of image can be seen everywhere in advertising.
I think I’ve captured the sense of time progression through the juxtaposition. By presenting the man falling at different stages, I effectively conveyed the concept of time passing within a single diptych.
I faced challenges regarding focal length. I couldn't capture the whole scene, leading me to use a standard lens to stitch together a panorama, to include all the important details.
If given the chance to complete this project again, I would spend more time on the project, matching the objects in a more realistic way, pay even closer attention to post-production techniques. I would experiment with different subjects, incorporating symbolic elements to portray the passage of time. This could be presented as a series of photographs or possibly even a short film, combining movement and stillness.
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Cameraless/ Response Evaluation
I created a photogram to portray the history of Glasgow's involvement in the sugar and tobacco industry, as well as its subsequent healing and progress.
The most interesting part of the project for me was the process of creating unique, abstract images. I wanted to explore the textures, shapes, and visual effects created by the objects I selected.
During this project, I researched photographers such as Laszlo Moholy-Nagy and Christian Schad. Their innovative use of photograms and experimentation with materials and compositions inspired my own approach. Encouraging me to explore the abstract and experimental nature of creating a photogram.
I believe the most successful part of my project was capturing a mysterious, ethereal quality in my final image. I conveyed a narrative of change and growth, representing Glasgow's evolution over time
I would like to experiment with other alternative processes, such as cyanotype or chemigrams, to further expand the stylistic possibilities.
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10th January
El Lissitzky
Untitled, 1924-1925, 1924-1925
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10th January
cut out silhouette, transfer outline to foil and puncture with pinholes
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8th January - Cameraless/Response Method
Strong linear, graphic and tonal designs.
Objects – shift around the paper or partly remove after one-quarter, half or three quarters of the full black exposure.
Positioning some objects on a glass sheet a few inches above the paper, others in surface contact. Hold tracing paper just below the enlarging lens to make the raised objects form soft-edged shadow shapes. The others remain sharp and are therefore emphasised.
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8th January - Cameraless/Response Method
I will be putting oil in a ziplock bag to make fluid compositions.
I will make stencils. Starting simply, and as I understand the working technique, I will increase the complexity of the arrangements. Ink applied on a thin piece of glass or acetate and then overlaid on the paper. Combining natural, human made, homemade, opaque, translucent, and transparent objects.
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8th January - Cameraless/Response Research
I will scatter marbles on the surface of the paper. Then, after giving half the exposure time needed for a good black, all the marbles will shifted around and the same time repeated. To create a variety of tones I will remove some objects at different times during the exposure.
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Overlooked Evaluation
This project theme was to present a range of diverse characters found on the streets. Personally, I found this theme to be interesting as I could include storytelling through portraiture. It gave me the opportunity to delve into the unique aspects of individuals, offering a glimpse into their inner worlds.
I focused on the visual elements through an array of diverse doors. The inclusion of architectural styles, paintwork, and colours added to the composition. By exploring the individual stories of each door, I can create narratives within each environment. Giving viewers the opportunity to engage with the cultural and historical significance of each door.
I found using a shoot-through umbrella for lighting a major advantage. The umbrella's ability to disperse light evenly, from head to toe, resulted in a flattering and appealing illumination. Its lightweight and portable nature made it ideal for this project, allowing for quick assembly and easy transportation. I understand this setup well and created a variety of lighting effects. Additionally, the umbrella's presence served as an icebreaker and conversation starter, contributing to a relaxed atmosphere and the potential for capturing more authentic and laid-back portraits.
I think I was successful in creating a connected visual and contextual typology of individuals. I developed the desired feelings of connection and interest in the subjects' stories. I also created a stylised look through visual elements and framing, resulting in a cohesive body of work.
I improved my communication and directing skills to bring out desired emotions and expressions, there was a trust and rapport established with the subjects. The portrayal of the people feels authentic allowing for a more truthful representation of everyone’s personality.
The most successful part of this project, in my opinion, has been the ability to capture some truly interesting images. Each photograph tells a unique story, capturing the character of the individuals portrayed. The moody atmosphere interests’ viewers and invites them to delve deeper into the narratives being presented.
During the project, I encountered several challenges. One significant issue I encountered was the inconsistent lighting. Flash played a crucial role in capturing the mood I wanted, but it varied greatly from one location to another. The other problem was that I had limited time for interacting with the individuals and understanding their stories, resulting in a lack of depth and intimacy in some portraits.
Moving forward, the collection of images may have provided a glimpse into the eclectic individuals on the streets, but there will always be more stories to tell and expressions. If given the chance to complete the project again, I would aim to capture different subcultures, fashion trends, and personalities. I would actively seek out individuals who have a personal style and attitude.
When selecting my best image, I analysed the expressions, body language, and overall connection with the camera. The image I chose included a subject who had an expression of contemplation, Leaving room for interpretation and invited the viewers to think about the subjects' thoughts and story.
In creating the book, I thought of a new idea which involves focusing on postcodes to create a cohesive collection. This approach allows me to capture loads of people residing within busy streets, reflecting the character and atmosphere of the street. By doing so, I can create a project that resonates with viewers, inviting them to explore the connections between people and their postcode. I can document the unique energy, culture, and identity of each street.
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12th December- Overlooked - Evaluation
I have a new idea, by focusing on postcodes, I can build a cohesive collection that not only celebrates individuals but also tells a broader story about specific streets.
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8th December - Overlooked - Evaluation
The initial collection of images may have provided a glimpse into the different people on the streets, but there will always be more stories to tell.
If given the chance to complete the project again, I would aim to capture different subcultures, fashion trends, and personalities. I would actively seek out individuals who have a personal style and attitude.. This would contribute to a more comprehensive portrayal of fashion and urban environments.
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26th November - Cameraless/Response Research
MOHOLY NAGY
Man Ray
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25th November - Overlooked - Evaluation
The set of topologies are visually and contextually related through style and location.
The topologies share a similar style that reflects a particular individuality. This including the use of dark and muted colours,. This common style creates a visual link between them..
Different areas have their own unique atmospheres, which influenced the portraits as a set. For example, Hillhead was more vibrant, resulting in a topology that was more eclectic . Meanwhile, Bridgeton was more relaxed. The shared atmosphere contribute to the contextual connection.
Each topology also has unique elements that reflect the individuality of the people living there.
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