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i said it was my favorite piece of media that i’ve hyperfixated on since the tender age of 12 and have not let go of since. i didnt say it was a Good piece of media

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Day 01- Dr. James Harvey

I’ve been wanting to upgrade my fundamental skills for a while, so I thought it would be fun to do an Inktober type thing with quick studies. Anyways, I started watching Casper 1995 and Dr. James Harvey is such a great character.

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my family has spoken of this movie wistfully for decades. we saw it, once, perhaps, in an earlier age, and remembered it—not for its plot, passable enough, nor for its remarkable CG achievements (first completely digital protagonist), not for the hapless charm of Bill Pullman. no, we are a family of Building Appreciators. we wanted to look at that *house* again.

and now we have.

a service I have access to finally re-acquired the rights, probably seasonally, to stream the 1995 Casper movie, and I have avidly re-watched it with my mother for architectural reasons.

ye gods, the sets. the sets. I need to speak to the art director and the production design team and the set dressers like. how were the decisions made. cause I need to analyze this house. I couldn't tell if it was sets or a Location for the longest time, because they really heckin' Committed, but the consensus (and my architect uncle joined the council after some time as well) ended up at yes, it's a set, but they looked at the Gaudi apartments in Barcelona and the doors in Prague and the Vienna metro stations because we recognize those curves and proportions.

I suspect I am going to spend awhile Appreciating this thing now that I have acquired it again, but for now, just revel in the Grand Pan of Foyer Reveal.

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my family has spoken of this movie wistfully for decades. we saw it, once, perhaps, in an earlier age, and remembered it—not for its plot, passable enough, nor for its remarkable CG achievements (first completely digital protagonist), not for the hapless charm of Bill Pullman. no, we are a family of Building Appreciators. we wanted to look at that *house* again.

and now we have.

a service I have access to finally re-acquired the rights, probably seasonally, to stream the 1995 Casper movie, and I have avidly re-watched it with my mother for architectural reasons.

ye gods, the sets. the sets. I need to speak to the art director and the production design team and the set dressers like. how were the decisions made. cause I need to analyze this house. I couldn't tell if it was sets or a Location for the longest time, because they really heckin' Committed, but the consensus (and my architect uncle joined the council after some time as well) ended up at yes, it's a set, but they looked at the Gaudi apartments in Barcelona and the doors in Prague and the Vienna metro stations because we recognize those curves and proportions.

I suspect I am going to spend awhile Appreciating this thing now that I have acquired it again, but for now, just revel in the Grand Pan of Foyer Reveal.

[cgighosties]

my family has spoken of this movie wistfully for decades. we saw it, once, perhaps, in an earlier age, and remembered it—not for its plot, passable enough, nor for its remarkable CG achievements (first completely digital protagonist), not for the hapless charm of Bill Pullman. no, we are a family of Building Appreciators. we wanted to look at that *house* again.

and now we have.

a service I have access to finally re-acquired the rights, probably seasonally, to stream the 1995 Casper movie, and I have avidly re-watched it with my mother for architectural reasons.

ye gods, the sets. the sets. I need to speak to the art director and the production design team and the set dressers like. how were the decisions made. cause I need to analyze this house. I couldn't tell if it was sets or a Location for the longest time, because they really heckin' Committed, but the consensus (and my architect uncle joined the council after some time as well) ended up at yes, it's a set, but they looked at the Gaudi apartments in Barcelona and the doors in Prague and the Vienna metro stations because we recognize those curves and proportions.

I suspect I am going to spend awhile Appreciating this thing now that I have acquired it again, but for now, just revel in the Grand Pan of Foyer Reveal.

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oh yeah here’s the sketches from the stream

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truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.

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There's a lot you can do with the memory of a dead child. You can sanctify him, build a shrine to that boy in your heart. Ditch the flaws and edges that made him who he was, those are not needed anymore. He's no longer a person, just the idea of one, why not make it a perfect one? It'd be nicer to him, to only speak about the good stuff and forget the bad and grey.

You can also exonerate yourself through him, he's not going to mind. It's always a tragedy for one to be lost so young, the living are grieving enough as they are. Why turn this tragedy into a blame game? You can just push it onto him, he won't feel bad about it. He won't feel anything at all, not anymore.

Before you judge this, think about it. The grieving father is inconsolable, a pain so indescribable nothing can make it right. Would you point out his shortcomings at this trying time? Of course not! It's best to alleviate his guilt. If the kid was alive, well then it'd be different. The awful victim blaming of a kid trying to do good. But there's no victim here, just a corpse. You can share the responsibility with him.

A dead kid is an awful, unholy thing, but it is also a convenient one. Certainly, much more convenient than a living man, with human flaws and desperate for justice. Graves are perfect for burying things, but ghosts are a wrathful force. They'll haunt the narrative, they'll haunt your dreams and if you'd be so unlucky to offend them, they'll hunt you for sport.

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the first art from Sosya!

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