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could you imagine being a man, a sis gender man, who is really into sounding other men. It's just the only way for you to get off really. But one day you meet a man that you really like, and you just connect with him on a whole other level. And you guys finally get to the point where not only are you in the bedroom with each other, but you're starting to get more open with each other too. About all the things like. The only issue is, is that this man is transgender. He does not have a penis he has never pursued any sort of bottom surgery. So he still has the whole set, the labia menorah menorah the majora Little China adequate Torres. And he also has a urethra. Now he's willing to indulge in your special weird little thing. You're sounding. And you guys finally get to the bedroom and you have your little sounding pole or whatever it is they use. But you realize some thing very quickly. Do you know where the clitorises you know where the clitoris is, but where… Is the urethra? Riddle me this Batman

i've tried answering this ask in three different ways and each time it deleted whatever i added. labia menorah menorah the majora Little China adequate Torres. Every time i try to find a new angle to work on this answer with i read another sentence that makes me wince so hard i forget 3/7ths of the english language. labia menorah menorah the majora Little China adequate Torres. i literally am trying to think of any kind of response but verbally i keep repeating it. "labia menorah menorah the majora Little China adequate Torres." it's like a spell. it's fucking addicting. it's the only way i know a human being sent it because that was for fucking sure speech to text happening right there for a single sentence. labia menorah menorah the majora Little China adequate Torres.

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glorious ovulation or something idk

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little viktor struggling to catch up to his toy boat and older viktor outrunning an actual ship

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ADAM BRODY photographed by Eric Ray Davidson for Stylist Magazine

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Hot Priest vs Hot Rabbi

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I think one of the best moments of nobody want this. so far is when Joanne gets the ick and Noah realizes what’s wrong and is like girl, you need to get over it. I know that’s not what you’re really upset about. Takes her by the shoulders and says “I can handle you. I really like you.” Like excuse me????

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JUSTINE LUPE as MORGAN NOBODY WANTS THIS | 2024

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Nobody Wants This, Episode 4 (2024) created by Erin Foster

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Adam Brody as Noah Roklov Nobody Wants This, S01E01

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a tv first kiss for the ages… adam brody you are everything !!!!!!!

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One of the reasons Nobody Wants This is so great is because it’s about a relationship with two adults that know how to have a conversation when they’re feeling insecure or upset or if there was a misunderstanding. It’s also very funny and romantic. God tier romcom

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NOBODY WANTS THIS (2024–) ¤ 1.01 dir. Greg Mottola

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NOBODY WANTS THIS — 1x05: My Friend Joanne

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The horror genre is a fantastic litmus test for seeing the overall fears and anxieties of specific eras, like how the invasion of the body snatchers highlighted the red scare of secret communist spies in the 1970s.

With that in mind, I think that the late 2010s and early 2020s have seen a massive rise in something I call "bureaucratic horror", in which the horror stems from working a dead-end office job that treats people like disposable cogs in a corporate machine, with the business itself so large and domineering, that it seems like a Lovecraftian, cosmic horror monster to those forced to work within its domain.

With the middle-class shrinking, office jobs have become emblematic of an almost bygone era. Office jobs are boring and tedious and very few people would dream of becoming an office worker. However, for decades, these jobs offered a type of stable, comfortable, job security that is becoming unfathomable for most young people. Office jobs are viewed as dredge work, which characters harbor open disdain for but there is an inability to quit, due to the allure of a consistent income.

Bureaucratic horror plays on the tension that stems from the resentment and hatred for office jobs, while also dangling a monetary reward just out of reach, and thus these stories portray workplaces as bastions of horrifying scenarios in which the characters must play their part in this capitalist system, no matter what, and that's terrifying.

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SEVERANCE (2022—) 1.03 | In Perpetuity