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So there’s this huge dudebro in my class, who, yesterday, sat next to me. And I’m sitting there sweating because like… I’m wearing my shirt with the lesbian flag on it, and he’s the most popular jock in school, and always has this look on his face that say ‘I can and will kill you’. He looks me up and down, stares at me for a minute and then goes, “So. Girls in skirts and long socks, am I right?”
To which I nodded solemnly, both out of agreement, surprise and also a healthy amount of awkward fear. He nodded and went, “You get it.”
I said, “Yep.” He fistbumped me, and on went our lives.
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Scooby-Doo (2002) dir Raja Gosnell
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I think Misha panics inside whenever Jensen gets in the mood like this 😂 Like yeah, he really gets flustered, speechless and nervous n cute because he's not sure if Jensen will follow their script during cons 😂
And his face 😂 fuck getaway before you eat me in front of live audience. Down boy😂
#poor misha
Dom Jensen is 🔥
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please watch this two second clip from santa clarita diet
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stupid leftists and their belief in *checks notes* the intrinsic value of human life
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“I’m going to need that back eventually, Dean.” “Yeah, okay. I think you’re just mad it looks better on me.”
Cas version
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Car sex just got a helluva lot easier.
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Anti-honesty hour. Ask me anything and I will respond with blatant lies.
This actually sounds hilarious
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They are of angel stock afterall. Deep down Crowley prays that God will spare mankind, because he fell in love with them too. He had already fallen for showing doubts about God's plans. But it is unbearable for him to watch his beloved angel punished for his absolutely innocent and pure love towards humankind.
He whispers to Aziraphale: we're on our own side now angel. And I swear I'll protect you with all my being and powers, as long as I live.
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don't give us sad destiel canon in a heart-breaking goodbye, gives us a hopeful start of something special with a well-deserved tomorrow that belongs to the characters in the horizon
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Name’s Hades, Lord of the dead. Hi, how ya doin’?
Hercules (1997) dir. Ron Clements, John Musker.
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