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Phil Ochs, 1966, by Alice Ochs

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park dae sung 박대성 + the space between: the modern in korean art

the latter is the exposition namjun helped curate and narrated the audio guide for

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SISYPHUS GETS A 9 TO 5

[spoilers for all of severance season 1. words by northernlion, brain worms by me]

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oh okay

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Snowcap (Microchera albocoronata), male, family Trochilidae, order Apodiformes, Costa Rica

photograph by Jason Tiesman

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Maze of Belial, 2025. by Daniele Valeriani

This is the first work of the year and, precisely because it coincides with the end of one cycle and the beginning of another, it is somehow connected. I see humanity on the brink of collapse in every field. Everything has become increasingly falsified and distorted in an abyss of rampant ignorance that will not only lead us to sink but also to be manipulated. It is becoming more and more difficult to navigate through this swamp of mediocrity. This feeling has inspired this work, which is, of course, imbued with other more mystical meanings. However, I hope that this piece may take on a meditative value for someone and, by contemplating it, serve as a guide to embrace a path that is twisted but far more enlightening, elevating us from the baseness that surrounds us.

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this image is beautiful to me it is holy, this should be in a gallery

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幽玄の世界

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Daryl Cagle, November 23, 2003

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yuri!!!

based on this tweet

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Steven Wuensch - Red Tide, 2024 - Oil on wood panel

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Artem Chebokha

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Agnes Denes. Pascal's Triangle, 1973

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come to me