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Green and Orange Wicker - Laura Lacambra .
American , b. 1965 -
Oil on panel , 48 x 36 in.
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Amelia Carroll (Australian, b. 1993, Sydney, Australia) - Glen 2, 2022, Paintings: Oil on Canvas
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Reflections , Norwey - Julian Taylor
British , b. 1954 -
Acrylic on canvas . 65 x 50 cm.
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Peter Uka (Nigerian, 1975), Rest Assured, 2017. Oil on canvas, 180 x 135 cm.
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Giftillism: The same as pointillism but using 'the pixel' instead 'the dot' and in eternal movement. Because gif allows it.
Close-up of another creature in its final stage of gestation.
Posting tons of new works, experiments, collaborations and info about cryptoart and gif art in a Twitter I opened some months ago.
Stay tuned for upcoming auctions, exhibitions and many more things: https://twitter.com/ALCrego_
My sites: Tumblr - Giphy - Twitter - Makersplace
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#sometimes I forget a song exists#and when I rediscover it#I'm transported back to a moment I forgot I experienced#feelings I forgot I felt#damn#I listened to this at a specific point in my life#and I feel those feelings#and#haha#Spotify
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nature in the souvenir part II (2021), dir. joanna hogg
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Anna Passini on the balcony of Palazzo Priuli in Venice, c.1866 by Ludwig Johann Passini (Austrian, 1832–1903)
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Rimini - Tobias Weber, 2022 .
Swiss , b. 1974 -
Acrylic on canvas, 180 x 240 cm.
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I know I don't shut up about this but frankly not enough people are angry about the 5-day/40 hour workweek (and I am AWARE a lot of people work even more than that). I feel like a lot more people should be absolutely furious that we only really have two days a week and some occasional hours in the evening to socialise, run errands, do chores, or relax.
It's no wonder so many people are profoundly lonely and disconnected from their communities when maintaining a social life in what little free time we have is incredibly difficult. If you have kids, a second job, a very long commute, or other responsibilities, it's nearly impossible.
We literally aren't meant to live like this and I'll never stop being shocked how many people just take it as the natural state of things and don't want to throw a brick through a billionaire's window every time they think of it.
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Adrienne Gertrude ‘Attie’ Dyserinck, 1876-1942
Sleeping Cat and kittens in a basket, n/d, pastel on paper, 31.9x40 cm
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