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Installing Dmg On Mac From Terminal

A .DMG file is a container file commonly used to distribute applications for Mac OS X. Installing software from one of these requires you to mount the image and move its contents to your computer’s “Applications” directory.

Step 6 – Convert the Sparse Disk of your macOS install media to a DMG file. After this step we will have a macOS install media in the shape of a DMG file. Feel free to rename, copy and/or move it around as any other file. Execute this in Terminal. How To Install Dmg File On Mac Using Terminal C Mount the Mac OS installer to get.DSStore, BaseSystem.chunklist, and BaseSystem.dmg. Files from InstallESD.dmg file. Use Disk Utility's Restore feature to create a copy of the OS Install ESD image.

One of the most common mistakes I see among new Mac users is fumbling with how to install and open .dmg files or new software. The process for installing new applications on your Mac can be confusing at first because it differs greatly from Windows’ software installation process. Nevertheless, the Mac method of installing software is actually quite simple and intuitive once you are accustomed to it. If your desktop is littered with DMG files and white “drive”-looking icons, read on!

Contents

What are .DMG Files?

DMG stands for Disk Image, and is a format commonly used to distribute files and applications among Apple computers. A DMG file is like a virtual DVD or hard drive. They can be “mounted” on your Mac in order to work with their contents, or even burned to an actual physical disc.

In order to understand the concept of a DMG disk image, think of a storage volume such as a CD, DVD, hard drive, or external drive. A DMG file is like one of these devices in that it serves as a means to encapsulate documents, images, software, and other files. The difference is that with a DMG, there is no physical storage medium. There is only the DMG file, which can be written to a hard drive, burned to a CD or DVD, or sent over the Internet.

In order to work with the contents of a DMG file, you must mount the the disk image to your system. This may sound daunting, however “mounting” a DMG file with Mac OS X is no more complicated than double-clicking it’ icon. The operating system will load the load image and place a new icon both on your desktop, and in the sidebar of the Finder. The icon will have the same name as the DMG, and you’ll be able to browse through its contents like any other folder.

Once you are done working with the contents of the file, you will want to remove or “unmount” it from your system. Do this by opening the Finder and clicking the eject icon next to the virtual drive’s icon. Or, go to the Desktop, click once on the icon, and press CMD+E.

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How to Install and Open .dmg Files on a Mac

Software installation with Mac OS X is very different than in the Windows world. On a Windows PC you run an installer, tick off a few checkboxes, and wait for the progress meter to reach completion. There usually is no such “installation wizard” on a Mac &emdash; you simply drag and drop the program into your computer’s “Applications” directory. The trick is that most Mac applications are distributed as images called DMG files, and many new Mac users end up running applications directly from the image instead of installing them to the “Applications” directory.

Enough explanation, here’s how to install an OS X app from a DMG file:

Installing Dmg On Mac From Terminal Mac

Find the downloaded file, which usually ends up in your Desktop or Downloads folder.

Double-click the .DMG file to mount it. A new Finder window showing its contents should appear.

If the window also contains a shortcut icon to “Applications”, drag and drop the app onto the shortcut.

If not, double-click the mounted volume on your desktop and drag the app icon from there to the “Applications” icon in the Finder sidebar.

Further Explanation

Alright, that was the abridged version. Here’s the long version. I’ve just downloaded the DeskLickr application, and the DeskLickr_1.2.dmg is sitting on my desktop. I double-click it and a new icon labeled “DeskLickr 1.2” appears on my desktop. Here’s what my desktop looks like at this point:

Install Dmg On Mac From Terminal

Since most of the time a new Finder window also pops up when the image is ready for use, this one is now sitting on my desktop:

Different applications are going to show you slightly different Finder windows. Each application’s designers like to add their own artwork. Glitter aside, most applications are trying to tell you the same thing. See the arrow pointing from the DeskLickr icon to the “Applications’ shortcut? It’s telling you to drag and drop the icon into that folder. Once you’ve done so, the app will be installed.

If a program doesn’t provide a shortcut to the Applications folder, you’ll need to pop open a new Finder window. Press CMD+N to open a new window, then drag the program over to “Applications” in the left-hand side of the window.

Also useful: How to CTRL + ALT + DEL on a Mac

House Cleaning

Once the new program is installed it’s time to do some house cleaning. You no longer need the disk image you downloaded, so follow these steps:

Close any Finder windows that have been left open.

Eject the disk image (not the .DMG file). Click on its desktop icon, then press CMD+E.

Delete the .DMG file by dragging it to the trash.

That’s it! Your new Mac application is ready to use. But wait…

Bonus Tip: Add Your New Application to the Dock

I knew you were going to ask, so I figured I would cut you off at the pass. In order to add the new application to the dock, follow these steps:

Open up a new Finder window.

Click on “Applications”.

Locate your new program’s icon.

Drag the icon to your Dock, and drop it wherever you like.

Also Check:Cool Fortnite Names of 2020

This topic includes the following sections:

System Requirements for Installing the JDK on macOS

The following are the system requirements for installing the JDK on macOS:

Any Intel-based computer running macOS.

Administrator privileges.

You cannot install Java for a single user. Installing the JDK on macOS is performed on a systemwide basis for all users. Administrator privileges are required to install the JDK on macOS.

Determining the Default JDK Version on macOS

When starting a Java application through the command line, the system uses the default JDK.

There can be multiple JDKs installed on the macOS system.

You can determine which version of the JDK is the default by entering java -version in a Terminal window. If the installed version is 12 Interim 0, Update 0, and Patch 0, then you see a string that includes the text 12. For example:

To run a different version of Java, either specify the full path, or use the java_home Centrify express for mac smart card reader. tool. For example:

Installing Dmg On Mac From Terminal Command

$ /usr/libexec/java_home -v 12 --exec javac -version

Installing the JDK on macOS

Download the JDK .dmg file, jdk-12.interim.update.patch-macosx-x64.dmg.

Before the file can be downloaded, you must accept the license agreement.

From either the browser Downloads window or from the file browser, double-click the .dmg file to start it.

A Finder window appears that contains an icon of an open box and the name of the .pkg file.

Double-click the JDK 12.pkg icon to start the installation application.

The installation application displays the Introduction window.

Click Continue.

Click Install.

A window appears that displays the message: Installer is trying to install new software. Enter your password to allow this.

Enter the Administrator user name and password and click Install Software.

The software is installed and a confirmation window is displayed.

After the software is installed, you can delete the .dmg file if you want to save disk space.

Uninstalling the JDK on macOS

You must have Administrator privileges.

Note:

Do not attempt to uninstall Java by removing the Java tools from /usr/bin. This directory is part of the system software and any changes will be reset by Apple the next time that you perform an update of the OS.

Go to /Library/Java/JavaVirtualMachines.

Remove the directory whose name matches the following format by executing the rm command as a root user or by using the sudo tool:

/Library/Java/JavaVirtualMachines/jdk-interim.update.patch.jdk

For example, to uninstall 12 Interim 0 Update 0 Patch 0:

$ rm -rf jdk-12.jdk

Installation FAQ on macOS Platform

This topic provides answers for the following frequently asked questions about installing JDK on macOS computers.

1. How do I find out which version of Java is the system default?

When you run a Java application from the command line, it uses the default JDK. If you do not develop Java applications, then you do not need to worry about this. See Determining the Default JDK Version on macOS.

2. How do I uninstall Java?

See Uninstalling the JDK on macOS.

3. After installing Java for macOS 2012-006, can I continue to use Apple's Java 6 alongside the macOS JDK for Java 12?

If you want to continue to develop with Java 6 using command-line, then you can modify the startup script for your favorite command environment. For bash, use this:

$ export JAVA_HOME=`/usr/libexec/java_home -v 12`

Some applications use /usr/bin/java to call Java. After installing Java for macOS 2012-006, /usr/bin/java will find the newest JDK installed, and will use that for all of the Java-related command-line tools in /usr/bin. You may need to modify those applications to find Java 6, or contact the developer for a newer version of the application.

4. Can I restore Apple Java after uninstalling Oracle Java?

Go back to Apple Java using the following instructions:

Uninstall Oracle Java by deleting the plug-in file. From a command-line, enter:

$ sudo rm -rf '/Library/Internet Plug-Ins/JavaAppletPlugin.plugin'

Create a symlink using the following command, entered on a single line:

$ sudo ln -s /System/Library/Java/Support/CoreDeploy.bundle/Contents/JavaAppletPlugin.plugin '/Library/Internet Plug-Ins/JavaAppletPlugin.plugin'

Installing Dmg On Mac From Terminals In Windows

5. What happened to the Java Preferences app in Application Utilities?

Installing Dmg On Mac From Terminal Server

The Java Preferences app was part of the Apple Java installation and is not used by Oracle Java. Therefore, macOS releases from Apple that do not include Apple Java will not include Java Preferences.

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Paul Oakenfold Tranceport Rar

November 29, 1998

View credits, reviews, tracks and shop for the 1998 CD release of 'Tranceport' on Discogs. ‎British DJ, producer, remixer, and label head Paul Oakenfold is inarguably one of the most important figures in the history of dance music, having done more to popularize the genre than anyone else. He was responsible for breaking house music to British clubbers during the late '80s, then took the g. Available with an Apple Music subscription. Paul Oakenfold - Tranceport (Full Album) by bassRAWR published on 2015-12-10T08:47:41Z Couldn't find this old treasure anywhere, was one of my first real introductions to electronic music and I still get chills listening to it over 20 years later. So decided to upload it so others can enjoy it as well!

New Invader on the Dance Floor

By SIMON REYNOLDS

he Esperanto of electronic dance music, trance is probably the most popular rave sound in the world. Although this kinetic, hypnotic music has maintained a presence on the American rave scene since the style emerged in the mid-90's, trance seems to be rising to a new level of prominence in this country.

Where early trance was generally harsh, minimal and coldly cosmic, more recent strains of the genre emphasize melody, recognizably human emotions and a warmly devotional aura. All this makes trance a populist, accessible alternative to the experimental abstraction of hip rave styles like techno and drum-and-bass. In particular, trance's dewey-eyed sentimentalism seems to be attracting younger American ravers who are still in the honeymoon phase of using Ecstasy, an illicit drug that many users believe heightens feelings of tenderness and empathy.

Encouraged by the expanding American audience for trance, Paul Oakenfold, Britain's leading mainstream trance DJ, has launched an offensive on these shores, with regular club tours and the major-label release of his CD 'Tranceport.' The German trance pioneer Paul Van Dyk also released not one but two albums in America this fall. And there's a growing following for the fiercer underground style known as psychedelic trance, with a flurry of parties in New York and the start of an American offshoot by the English label Blue Room Released.

Trance's roots lie in the pulsating metronomic rhythms of Eurodisco, a sound pioneered by the Munich-based producer Giorgio Moroder in 1977 and popularized by his protege Donna Summer. But trance really emerged as a distinct subgenre of rave music in Berlin and Frankfurt around 1993. Some aficionados identify 'Visions of Shiva,' a 1992 collaboration between Van Dyk and the producer Cosmic Baby, as the first trance tune. Another seminal track was the group Hardfloor's 'Hardtrance Acperience' (1992), which resurrected the classic Roland 303 bass synthesiser sound of the late 80's genre called acid house. With its squeaky timbre and snaking patterns, the 303 remains a trance staple, driving dancers into a Dionysian frenzy.

Recently voted the world's No. 1 DJ in an industry poll conducted by the English dance magazine DJ, Oakenfold is famous for his role in kickstarting Britain's rave movement with his 1988 acid house club, Spectrum. Having dominated British club culture for a decade, Oakenfold is now directing his energy toward America. For the next two years, he plans to play at least 50 DJ dates a year in America. On the recording front, 'Tranceport,' a collection of trance tracks by various artists mixed and blended by Oakenfold, has just been released by the Reprise subsidiary Kinetic, alongside the group Binary Finary's single, '1998,' the year's biggest trance anthem. 'Tranceport' features Van Dyk's remix of '1998.' Van Dyk's two albums, '45 Rpm' (1994) and 'Seven Ways' (1996), sold so well as imports that they have recently been released domestically by Novamute; his new album, 'Avenue of Stars,' will follow next May.

Despite its crowd-pleasing power, trance tends to be despised by dance cognoscenti, who prefer more avant-garde styles like techno (a synthesizer- and drum-based instrumental music) and jungle (a hyperkinetic hybrid of hip-hop and reggae). These hipsters regard overt melody and explicit emotion (both of which trance features in abundance) as 'cheesy' -- that is to say, too close to normal pop music. In contrast, Van Dyk talks of trying 'to create little songs, not just rhythm tracks' and stresses the importance of expressing feelings through music. Where techno and jungle producers use terminology from astrophysics or biogenetics in the titles of their tracks, Van Dyk's most famous anthem, 'For an Angel,' was inspired by meeting his girlfriend. Trance's melodramatic expressiveness often makes it verge on being a computer-era update of 19th-century symphonic music. In a similar quest for harmoniousness, Oakenfold doesn't simply synchronize tracks by tempo but combines them according to musical key, arrangement and dynamics.

Trance comes in several subgenres. As well as the lushly textured, lovey-dovey end of the spectrum represented by Oakenfold and Van Dyk, there's also a more bombastic strain of trance pioneered by labels like Noom along with a ferocious variant known as filthy acid techno that's popular in Britain's underground network of illegal raves in abandoned buildings. But the most significant subgenre is psychedelic trance. Where Oakenfold and Van Dyk's brand of trance favors wistful, naive melodies, psychedelic trance features ornate riffs and mandala-swirly patterns, plus an array of sonic effects that mimic LSD-induced sensations like synesthesia and quicksilver light-trails. The sound is rising in popularity on both the East and West Coasts of America. In New York, promoters like Tsunami and In-Trance-It hold parties with increasing regularity. Vain, a downtown club, holds a weekly psychedelic night, and House of Trance, a record store in the Village, is devoted to the genre.

Psychedelic trance was originally associated with Goa in South West India, the drug-and-dance paradise that lures raver tourists from across the world. By 1996, clubs had sprung up throughout Europe offering a surrogate version of the Goa experience. In September 1996, the promoter John Emmanuel Gartmann held America's first psychedelic trance rave, Return to the Source -- a now legendary party at the Liberty Science Center in Jersey City. These days Gartmann's company, Tsunami, holds a psychedelic party every second Friday at Vinyl, a club in TriBeCa.

Paul Oakenfold Transport Rarity

In the beginning, Tsunami events drew a crowd that was 80 percent European expatriates, members of what Gartmann calls 'the international traveling set' -- nomads who spend the winter party season going to raves in India and Thailand. For a long time, the only Americans at Tsunami parties, it seemed, were students from Harvard, Princeton and Yale. 'My only explanation is that maybe they'd traveled a lot during their vacations,' Gartmann said. Now Tsunami parties consist of 60 percent American ravers, who are turning on, tuning in and dropping in on the psychedelic scene because of its euphoric energy.

Psychedelic trance parties simulate the Goa experience as closely as possible. In India, parties on the beach or in the jungle run from sunset to dawn, whereupon dancers pick up flutes and conches to invoke the sun. In this spirit, Tsunami raves are structured so that the music progresses from 'night music' (hard and sinister) through spiritually uplifting 'sunrise music' to the sheer elation of 'morning music.'

The fashion and decor that accompany psychedelic trance also originated in India. 'We like to get dressed up for the festival,' said Gartmann. 'Women get adorned. They look like goddesses. It's a celebration, an honoring, infused with the spiritual energy of India.' Dancers wear fluorescent-patterned clothes that glow under ultraviolet light, T-shirts decorated with fractal-like patterns and sweat pants made of paisley and tie-dyed fabric. Some women adopt a beach bum look (white halter-tops, hair swept away from the face using white plastic sunglasses), accessorized with luminous nose rings, bracelets and bindis. Fluorescent face-paint and hair dye are also popular. For men, a common look is the unshaven backpacker style. At Tsunami's parties, the walls and ceilings are covered with gaudy streamers, papier-mache sculptures of magic mushrooms, butterfly mobiles and retina-scorching mandala tapestries.

As might be expected from the name, the psychedelic trance scene is surrounded by neo-hippy rhetoric, a syncretic mish-mash of mystical notions drawn from Buddhism, Hinduism and other non-Western religions. As such, it resonates with the vogue for Eastern spirituality in late-90's pop culture, from the Beasties Boys' devotion to Tibetan Buddhism to Madonna's flirtation with the kabbalah and yoga. Coincidentally, Madonna's latest album, 'Ray of Light,' is steeped in the influence of the poppier end of trance, courtesy of its producer, William Orbit.

Eddie Bang, who works at the New York techno store Satellite, says that for psychedelic trance fans the music itself is like a religion. 'They're tribally devoted to the scene,' he said. In many respects, they are like Deadheads, another movement of mostly white, middle-class youths drawn to gaudy neo-hippy clothing, trance-dancing and tripping on hallucinogens like LSD and Ecstasy.

SPIRITUAL vibes and loud colors aside, what makes the psychedelic scene so attractive to its devotees is the joyous frenzy of the crowd, which bounces and flails with a fervor rarely seen on New York dance floors. And although the music is generally held in critical disdain, psychedelic trance can be exhilirating. Performing live at Tsunami's recent Totally Twisted rave, the British producer Hallucinogen transported the dancers into a sonic maelstrom of phosphorescent filigree. Where many trance artists are minimalists, Hallucinogen is a maximalist. His tracks are continually morphing; every couple of bars, a new arpeggiated riff comes writhing out of the amazingly intricate mix.

Paul Oakenfold Albums List

Paul Oakenfold Transport Rare

Because of its Teutonic roots, trance is sometimes criticized as an unfunky form of dance music. In trance, creativity does operate largely on the level of melody and layering of texture rather than rhythm (the usual province of dance music). But adventurous producers like Hallucinogen are expanding trance's rhythmic palette of clockwork beats and chugging bass lines by weaving in dub reggae-style echo effects and speeded-up hip-hop beats. From the growing sophistication of the music to the irresistible energy it catalyzes on the dance floor, psychedelic trance is ready to explode into wider popular consciousness.

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Download Maschine Software Mac

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Download & Installation; Installation; Articles in this section. Centrify express for mac smart card application. Uninstalling NI Software from a Mac Computer VIDEO. VIDEO How to Install the MASCHINE 2 Software / Hardware You will find detailed instructions on setting up the MASCHINE 2 soft- and hardware bundle and the KOMPLETE SELECT package on our website under the following link. Downloads maschine 2.12 addendum pdf maschine 2 software download user manual software hardware updater, firmware, drivers download maschine midi presets for external devices download maschine ableton live template.

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Some of these payment methods might not be supported in your country. Compare and contrast hal and hotspur. Learn more.

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Compare And Contrast Hal And Hotspur

The comparison that King Henry makes between Hotspur and Harry is the first of many such comparisons that occur as the balance of power and honor shifts between the two young men. King Henry believes that Hotspur is “the theme of honour’s tongue” but that “riot and dishonour stain the brow / Of my young Harry,” that is, Prince Harry. At first thought, Hotspur seems to be the easy winner, for all Hal does is spend his time with his friends gallivanting around, stealing and drinking. Hotspur, on the other hand, has returned from a battle in which he defeated the Scots led by Glendower. He has taken many. Hal and Hotspur are total opposites in some ways but when examined more closely one sees that their moral values are the same. They are both ambitious and determined to succeed but only one can prevail. At the beginning of the play Henry IV draws a clear contrast between Hotspur and his son, whose reputation is sullied by 'riot and dishonour'. Hotspur and Mortimer are like Hal and Falstaff. Hotspur is using Mortimer's pursuit of power for his own benefit. Falstaff is trying to use Hal's rise to power the same way, but Hal isn't letting him. Hotspur is helping Mortimer (since he is in prison and can't help himself) to get power in the end.

Falstaff and Hal

Importance of their relationship. Father figure Falstaff plays for Hall. Similarities between Falstaff and Henry (both father figures for Hall)

Henry-rebellious. Falstaff-crafty way

Falstaff/Henry, Self power- get it in different ways, Hall portrayed as a noble

Saw how power destroyed Falstaff and his father--> did he learn from that?

Act 1s 2- using Falstaff so when he becomes king- people will look up to him, following in footsteps

Why would the people change their mind about Hall?

Definition of rebellion: Hall- going against social norms, still apply to Henry?

SOME ONE ASKED A QUESTION.... WHY IS NO ONE ANSWERING IT??????

Why would the people change their mind about Hall?

nothing to say yet that they will potentially change their mind

Hall completely rejects Falstaff

Act 1 s 2- glory is more great, if he was more noble when he became king it wouldn't be as special

Change- maybe he really has and maybe the people will see the change and accept it.

Is Hall really rebelling against his father? Act 1 s 2- tavern not to rebel but to understand people, get to know people, so in the future he can potentially meet the means of everyone

Henry- insecure, Hall may be surrounded by insecurity

Are you less likely to overthrow someone you like or one who is an overachiever?

Is Hal just trying to be 'one of the people' so that people wont want to overthrow them? Is this the right thing?

Can Hal be 'one of the people'?

ARE THE 'PEOPLE' GOING TO TAKE HENRY IV'S CROWN AWAY?

Why would the people change their mind about Hall?

Who is rebelling against the King Henry IV? Who is Hal 'doing' this for?

Why should we believe Hal?

Can we move past Act I scene 2?

Hal is hanging out in the Tavern is for himself?

Act II scene 4 - As soon as Hal feels that his future is threatened he 'changes' and goes to court and encourages 'the people' to the wars.

So, hanging out in the tavern is for the protection for his own throne.

Does Falstaff look upon Hal as a good friend?

Act II scene 4 Falstaff talking about Hal as his son and the 'sun' of England.

Important: In Act II scene 4 (after they finish listening to Falstaff lie about the robbery) What are Hal and Falstaff doing?

Falstaff and Hal are 'role playing'. Falstaff is 'playing' the King (Henry). This is supposed to help Hal rehearse the conversation he is going to have with his real father the next day.

Then they switch places and Hal calls Falstaff 'abominable misleader of youth'...

Falstaff's character is a vehicle to show Hal's character.

Is Falstaff's 'goal' to be loved by all? Is he a 'glutton' for attention? Is Falstaff trying to get some reassurance from Hal?

March 26, 2007

Henry and Falstaff as father figures - now a role-reversal - Hal is teaching lessons about power and how to use it. Falstaff is the monarch of the tavern, but people mess with his head (the robbery) so he doesn't have much power despite his authority. Henry struggles with his power because of the rebels and Hotspur interfering. Hal is the smartest - friendship with Falstaff is dishonest - using him to gain power. Act I scene 2 describes scheme to shock the people. Hal only cares about himself - puts someone like Falstaff in the war to make himself look better. Showing that being deceitful is one way to gain power.

Q: Hal is teaching them how to take control of the situations they are in? Hal is the most clever of all of them

Balance of power in Hal and Falstaff's relationship: Hal may need Falstaff to keep people on his side. Falstaff made need Hal even more than Hal needs him - trying to ride his coat tails into power, get an appointment to some position.

Falstaff is using Hal which is why he puts up with so much from Hal (making a fool of him) - trying to get some benefit of being friends with Hal.

Falstaff is jealous of Hal.

Q: Evidence that Falstaff is a father figure? We found the opposite - a father figure wouldn't encourage a son to rob people. During the role play Falstaff talks about how good he is while talking down about the other people in the tavern. More of a relationship where they are using each other which is what brings them together.

Definition of father figure - someone watches your actions and learns how to (or not to) act. Not saying that someone is a father figure because someone else aspires to be like them.

ARE A FATHER FIGURE AND A ROLE MODEL THE SAME THING?

Hal has the power in the relationship because he knows Falstaff's motives. Act II, scene 4 (role play) - Falstaff misunderstands their relationship. Also, when Falstaff tells Hal that now that he has stolen he can't hang thieves when he is king and Hal tells Falstaff he will hang when Hal is king.

Falstaff is desperate to become part of Hal's world. Hal knows better than to let Falstaff have that place. Whether they are play acting or having a real conversation Hal always shoots down Falstaff.

Hal has seen who Falstaff is so he knows better than to give Falstaff power. People know more about Falstaff's character than they do about Hal's.

Q: Don't you think Falstaff would want to hide that he is making a power play? Also, Hal tells Falstaff the truth, but Falstaff thinks he's joking. Can someone be a father-figure if the child has control of the parent?

A father figure doesn't always show the child the right thing, no fathers are the same thing. Someone can fill the role of father and not be a great guy and teach the right lessons.

PDCBFTM (Please Don't Come Back from the Moon) - a father figure is something you either aspire to be or aspire not to be. When the fathers leave they are devastated - and it seemed that they didn't want to grow up to be like their fathers, but in the end Nick leaves like his father and Michael is trying not to.

WHAT KIND OF POWER IS BEING TALKED ABOUT IN MOON BESIDES POLITICAL?

Falstaff chooses to oversee, befriend Hal; Hal chose to turn to Falstaff, but he couldn't have done that without Falstaff letting him tag along.

Role Playing, Act II, scene 4: Falstaff does compliment Hal, despite the ridiculing. Henry and Hal don't have much of an emotional connection, Falstaff tries to give that to Hal. Trying to Praise Hal because he needs it.

Hotspur and Mortimer are like Hal and Falstaff. Hotspur is using Mortimer's pursuit of power for his own benefit. Falstaff is trying to use Hal's rise to power the same way, but Hal isn't letting him. Hotspur is helping Mortimer (since he is in prison and can't help himself) to get power in the end.

Falstaff as big brother instead of father.

Hotspur actually has power - he is tough. He has achieved a certain level of power so he can ask Mortimer for things. Falstaff is trying to get stuff from Hal, but he really doesn't have any leverage.

Falstaff thinks he has power over Hal and Falstaff thinks he is winning Hal over, but he really isn't, because Hal banishes him in the end. They are trying to out-manipulate each other and Hal is the smarter one. Falstaff thinks he is getting somewhere - doesn't realize he isn't.

WHAT OTHER ASPECTS OF POWER ARE AT PLAY HERE?

Moon - even though the fathers were gone they still had power, they were able to influence what went on in the city in their absence. The lack of dialogue between Henry and Hal is important - Henry's lack of presence affects Hal quest for power.

Moon - the boys are trying to be unlike their fathers. It's the opposite in the play - Hal has the power of the father's over Falstaff. Falstaff is trying to impress Hal.

Trying to be unlike their fathers is still power, still influence over their decisions.

Moon - when the fathers left, the sons grew up too fast. Like Hal, no father figure, doing everything alone, figure it all out for himself.

Father figures have influence over sons - do we have any proof that Falstaff has any influence on Hal? Is he just a friend and entertainment or does he actually influence Hal?

Do kids become their parents? If so, is Henry IV's rule foreshadowing of what Hal will be like when he becomes king?

March 27, 2007

Q: Does Henry have power over Hal? Where did it start? Why did Henry assert power over Hal? How has Hal gotten away with his behavior?

Maybe he didn't get away with it - Henry said he wished Hal was more like Hotspur. His father is punishing him by gradually losing respect for him. Now Hal wants to earn that respect back because he is preparing for his ascension to the throne.

Even if Hal seems to be more 'kingly,' do you think Henry is really going to believe in his change?

Hal is trying to take control and own up to what his father wants from him.

Hal isn't actually changing - he just wants Henry to think he is.

Can't he just be playing his father the way he was playing Falstaff? He likes to play games - what's to say that because he says he's going to change he really means it or can?

Henry's vs. Hal's approach to building power. People rarely saw Henry saw when they did it was with awe and respect.

Why doesn't Hal study the Court?

Zinn (woo hoo!) - the establishment needs the loyalty of a huge cross-section of the people in order to perpetuate it.

Western - remember how the Kings of France, by the end, had almost no connection to any of the people and how mistreated the vast majority of the people were. Do you think Hal is making a connection with the people so he can be in more control than his father was?

Until now Henry has seemed indifferent - this is the first conversation we have seen between them. If someone doesn't have an opinion about him and when they finally do it is negative it could push him in the wrong direction.

Not getting the support from his father that he wanted - so even though what Henry said was negative, at least he was getting some attention, fatherly advice from his real father means he doesn't need to get advice from Falstaff.

Hal doesn't go back to the Tavern after the conversation with Henry and make fun of his father (like after the robbery) - he goes out and starts giving orders so we can believe that he is changing.

Everything Hal does is really deliberate - he shows he is with the people by hanging out in the Tavern. He is different with Henry to show that he can be king - he is creating two pillars of power, building ground support.

In Act II when Hal says he is going to behave more like himself, is he really the person who hangs out in the tavern or is he really like a king?

Hal knows he needs to fight to prove himself - he wants to fight Hotspur because of Henry's feelings about Hotspur.

Hal behaves deliberately - he is being as bad as he can so he looks even better when he takes over. He knows he is prince and reminds Falstaff that he is prince no matter where he hangs out. Henry's people are turning against each other - they will kill each other and won't have been a part of it, then he can take over. He is conniving - he doesn't want anything to get in the way of his being king.

He knows he can get the people in the tavern on his side so he doesn't need to fight with the nobles.

After the conversation with his father he thinks he can do anything...

Q: What is the rationale for hiding his plan from his father?

He doesn't want his father to tell him no, be good all the time. He doesn't care about getting the support of his father. His behavior indicates that he doesn't want his father's help.

Their ways of getting power are really different so Hal knows that his father would disagree with his plan.

Henry claims that he was rare and special as a replacement for Richard and that's how he won people's loyalty.

How does Falstaff maintain his status in the Tavern?

Sarah F: Types of Power: position (royalty, etc.), knowledge or expertise, character or ethics, rewards, punishment, gender, powerlessness, charisma or personal power, lack of interest or desire, craziness (irrational behavior)

Charisma can be a source of power - Falstaff is charismatic - he manipulates people into hanging out with him, paying his tavern bill, hiding him from the sheriff...even though he doesn't live up to his responsibilities as a knight, he has lost his money, etc. People are still drawn to him.

Falstaff is deceitful, like Hal.

He is a good liar, he knows how to play to the crowd and deflect attention from his deceit - 'buy us all beer with the money from the robbery'

He knows how to manipulate situations to his advantage - the robbery

He has intellectual power - he is quick, he knows how people function. He surrounds himself with people he can manipulate - only Hal is as quick.

Q: Does Henry think his power is legitimate? God is punishing him by making Hal his son because he didn't deserve the crown.

Act III, Scene 2, he says how much the people like him so that makes him feel legitimate

Desperate parent, shaking his head asking what he has done to deserve a son who acts like Hal. I was what the people wanted, I have helped them, so what is going on with my son, why is he acting like this? So...how well does Henry know Hal? Falstaff seems to know him so much better. Hal has learned from Falstaff how to talk his way out of any situation.

Henry sees his own son as a traitor which is what prompts Hal to change his behavior.

Q: How much of the relationship between Hal and Falstaff is genuine? How much of it is Hal's calculating manipulation?

Falstaff has realized his position doesn't have real power over Hal.

Hal sees Falstaff's weakness in this scene.

Since it was Hal's flashback - if he wanted to show Falstaff's weakness why would he show Falstaff's popularity?

Compare And Contrast Prince Hal And Hotspur

What choices has Branagh made here - in this scene? What is going on in this scene? What is the purpose of this exchange? Who else is in the scene?

How does the scene open?

Who does Falstaff get to leave the room? How?

Compare And Contrast Hal And Hotspur Video

sure, he calls Bardolf 'ugly' - but is that it?

How does he receive Hal when he enters?

He 'run's over' and hugs him.

How does Falstaff say his lines to Hal?

He whispers them because Falstaff needs Hal more than Hal needs Falstaff

Why does Falstaff move Hal away from the crowd?

Why doesn't Hal actually speak his lines?

makes Falstaff more 'sensitive'

Are they really just using each other?

Is Hal's plan not working? His plan to seem bad so that when he turns good he will seem that much better.

Does the fact that Hal is going to be king change other people's behavior when they are around Hal?

If you were a random person in the tavern - who didn't know these people - how would you describe them?

Put yourself in Hal's position - he is just a little older than you - Hal knows that he is going to become king (he is NOT looking to overthrow his dad, he will become king when his father dies).

If you see this 'tavern' period as 'practice' to become king then what is Hal trying to learn how to do?

Why would he need to 'practice'?

Why would he 'practice' in the tavern and not in the court? Who is 'practicing' in the court?

Read passage from one of the sources: Falstaff is flawed but appreciated for his wit, believes he will gain from the new king. Hal is learning how to deal with people in bad situations and turn the situation to his benefit especially when he has to go back and deal with the court.

Hal is learning how to command respect - when Falstaff talks to the Tavern people he stands and they sit so he has power over them. When Hal comes in Hal and Falstaff are on equal footing

FOR THE NEXT 20 MINUTES NO ONE CAN SAY THE WORD 'POWER.' YOU CAN'T SAY 'CONTROL,' EITHER!

Falstaff sees Hal as a son. Hal knows that he has control in the Tavern and he likes it

The people in the Tavern already see Hal as superior, in the Court he is around people who are important, the people in the Tavern have no rank so he can impose on them and they will automatically accept him.

Could he be going to the Tavern because he likes them better than than the possibly corrupt people in the Court.

He needs to practice because this is a replica of a situation when he is king - when he walks into a room people will stop and listen, he can't yet do this in the court because Henry is still in charge.

He's not acting superior to anyone in the court so he isn't practicing - maybe he wants to be seen as a normal person

There is a scene where he feels like he has connected with Mistress Quickly - he knows her, she isn't just the barmaid

Hal has two worlds - the corrupt Court and the Tavern; in the Tavern there is no corruption or plotting against the leaders

There is no corruption in the Tavern because there is no standard for behavior - you can't misbehave. Corruption comes from bad behavior

More truth comes out in the Tavern because they are drunk and not exercising full judgment

People are in the tavern because they choose to be there

Corruption in the Court comes from people wanting Henry off of the throne, Mortimer in charge - the nobles get what they want: money and land

In the tavern there is nothing at stake so he can practice being king - no one has anything to lose, not trying to keep or gain land

In the court you have to be polite to someone's face and the corruption is behind people's back - in the Tavern anyone can challenge anyone and everything is out in the open

One of Shakespeare’s most moving love triangles isn’t romantic, it’s filial. The tension between Prince Hal and his two father figures — King Henry IV and Sir John Falstaff — fuels both parts of Shakespeare’s Henry IV and resonates strongly throughout Henry V, grounding these history plays in emotional richness. How these relationships are depicted onstage and onscreen (most recently, in Netflix’s The King) can frequently shift the emphasis (and with it, the audience’s sympathy) from one side or corner of the triangle to another.

The political is made personal in the very first scene of Henry IV, Part 1, when King Henry laments that the “gallant” and “blest” Hotspur so outshines the “riot and dishonor” of his own son that he wishes “it could be proved / That some night-tripping fairy had exchanged / In cradle-clothes our children where they lay.” But Hal’s only play-acting, or so he says at the end of scene two, in a soliloquy in which he confesses that he will “throw off” his “loose behavior,” “redeeming (himself) when men least think (he) will.” Whether his deception has a goal other than idle amusement, and whether he’s eager (or reluctant) to grow up and start behaving responsibly is very much open to interpretation. If the story of both parts of Henry IV is Hal’s journey from prince to king, there’s a greater emotional impact if Hal travels a great distance rather than just a short hop.

There’s more of the short hop with Tom Hiddleston’s Hal, for instance, in The Hollow Crown adaptation of Henry IV, Part 1; he feels very much like a tourist in Eastcheap. Falstaff is the only person who doesn’t openly defer to him, regarding Hal with an affection the prince doesn’t really seem to return and constantly reminding him about the many favors Hal will do for the fat rogue “when thou art king.” Hiddleston’s Hal never really forgets he’s the prince so there isn’t that sense of the future King of England’s immersion in this un-courtly underworld.

Daniel José Molina’s Hal, on the other hand, in the 2017 Oregon Shakespeare Festival production ofHenry IV Part 1, is fully committed to the disreputable Eastcheap lifestyle, reveling in the bad-boy behavior learned from Falstaff and even surpassing him (via the robbery in the woods) by teaching the master a few new tricks. Molina also played Hal in a separate production of Henry IV, Part 2, and his journey from callow youth to struggling noble King, when he ultimately rejects Falstaff, was profoundly moving.

Casting alone can also heavily skew our sympathies. The character of Henry IV doesn’t frequently engage us to the degree Hal and Falstaff do, but when you have Jeremy Irons playing him (as in The Hollow Crown), suddenly you’re on the side of monarchy. Further tilting the balance in favor of the king in this version is Simon Russell Beale’s Falstaff, who, while exquisitely heartfelt and soulful, is grotesque almost to a point where it’s hard to see whatever former glory the old knight might once have possessed.

There are, in fact, as many ways to play Falstaff as there are actors to play him. Orson Welles in Chimes At Midnight might be our most well-known image of the debauched knight and is certainly the central character in Welles’ famous passion project. Roger Allam, who played Falstaff for Shakespeare’s Globe in 2010, was wonderfully comic but young and vital enough to seem like Hal’s wayward older brother rather than the old relic he’s described as. The late G. Valmont Thomas, in the 2017 OSF production, was the most fully realized Falstaff I’ve ever seen: debauched and disreputable, certainly, but not so much that Hal’s attraction to him was unbelievable; absolutely formidable when he needed to be; and both hysterically funny and tremendously poignant when engaging his famous catechism about honor directly with the audience.

Then there’s Tom Hanks as Falstaff in the 2017 Shakespeare Center of Los Angeles production of both parts of Henry IV performed as a single three-hour-and-fifteen-minute play. Even with charismatic theatre pros like Hamish Linklater as Hal and Joe Morton as the King, Hanks’ star power made this inevitably a production focused around Falstaff. One could argue this is supported by even the uncut text, but it’s especially true if that text has been edited from two plays into one, making Henry IV’s coming-of-age tale about a prince becoming a king essentially the tragedy of an old knight rejected by the boy he mentored.

The new Netflix production The King similarly combines both parts of Henry IV with Henry V into a single film, clocking in at 2 hours, 20 minutes. Timothée Chalamet’s Hal barely has time to develop a nuanced relationship with his father before King Henry (spoiler alert!) dies a half-hour in. Chalamet’s performance has been described as “emo” (which is helpfully defined in this delightful interview with Folger editor Paul Werstine that also fact-checks the film for both historical accuracy and fidelity to Shakespeare’s original text), but he traces a clear arc from teenage brooding to genuine suffering as the crown weighs heavier on him and the extent of the betrayal committed against him sinks in.

Joel Edgerton’s Falstaff is more youthful than usual and totally believable as a valiant and successful solder. He’s so capable, in fact, that Edgerton (with his co-author, director David Michôd) reconceives Sir John’s relationship with Hal so the knight becomes not only a trusted wartime councilor but also one of the tactical leaders at the Battle of Agincourt.

The film’s co-writers took it upon themselves to replace Shakespeare’s original language with more prosaic text (in which phrases like “regime change” clang anachronistically), and Edgerton did himself no favors with many Shakespeareans when he defended this decision by saying that “most intelligent people…feel stupid” when they “watch Shakespeare.” The irony is that even the less-heightened speech, when mumbled by Edgerton, is frequently impossible to understand without the help of subtitles.

Hal’s struggle with the responsibilities of power is front and center in The King. The personal legacy left to him is also clearly the political legacy left to England by Henry IV (a fact helpfully over-explained by the king of France in this adaptation). But without Shakespeare’s language, the film is reduced to endless shots of Hal brooding and cogitating, which is maybe not as engaging as the director thinks it is. (Hal doesn’t even get to keep his glorious St. Crispian’s Day speech, which is instead replaced by a joke — “You expect of me a speech?” — and intense repetitive screaming substituting for rhetoric and passion; not only is it hardly Shakespeare, it’s hardly Bill Pullman inIndependence Day.)

In The King, Prince Hal’s journey from prince to king and his relationships with two overpowering father figures isn’t as cathartic and emotionally fulfilling as it could be. Turns out, not only is Shakespeare a better poet, he’s a better dramatist.

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Centrify Express For Mac Smart Card

Centrify Express For Mac Smart Card Application

Centrify Express For Mac Smart Card Download

Get amped for the next PowerHour – hosted by Centrify Customer Success – on Thursday, February 11, 2021 at 11a.m PT/ 2p.m. Our monthly PowerHours aim to help YOU achieve greate. Open the Centrify Express download page; Navigate to the Centrify Express version that matches your MacOS version, and tap to download to your device; If the 'downloading disk' image does not automatically display, double click on the Centrify Express For Smart Card disk image to force it to begin; and finally, Double click on the Centrify. Related Articles KB-1617: Troubleshooting smart card issues on Mac systems KB-6041: How to show current license type in use by adclient KB-6040: How to change the license type in use after adclient successful joined to the AD? KB-3415: How to enable Smart Card logon support on RedHat environments.

In October 2018, Centrify® announced the End-of-Life (EOL) for Centrify Express. Now, IT decision-makers at organizations that had been using Centrify Express are looking for alternatives. In this article, we’ll lay out the important details behind Centrify ending support for their line of Express solutions, detailing what the changes mean for customers and when they are going into effect. We’ll also survey the alternatives to find the best options for migrating away from Centrify Express.

What does the Centrify Express EOL mean?

End-of-Life for Centrify Express means that Centrify will no longer support this line of products. Customers of Centrify Express will find the products are no longer licensed and that they no longer receive security updates. Centrify will also cease providing support, troubleshooting, and hotfixes.

The following parts of the Centrify Express portfolio will be impacted:

Centrify Express for Mac

Centrify Express for Mac Smart Card

Centrify Express for SaaS and Mobile

Note that it appears that Centrify Express for Linux will continue to be supported for the time being.

When will the EOL take effect?

The scheduled date for the EOL of Centrify Express is May 1st, 2019. At that time, the changes laid out above will take effect and the products will no longer be supported.

Why is Centrify stopping support for Express?

This decision reflects a long-term, big picture change in strategy. For Centrify, it’s all about making a clear delineation between their Privileged Access Management (PAM) offerings and their Identity-as-a-Service (IDaaS) solutions.

Centrify has created a new spinout organization, called Idaptive®. Idaptive will focus on IDaaS (i.e. web application single sign-on), and curiously have included some Mac management within this company. Centrify will continue to focus on PAM including Linux management. Both companies are owned by Thoma Bravo but they will operate separately.

The short-term impact of this decision adds complexity for their customers. But Centrify is hoping that there are long-term benefits to a more distinct delineation between Centrify and Idaptive. Interestingly, Centrify’s primary competitor Okta is now including Advanced Server Access capabilities similar to SSH key management and privileged access management. So while it appears that Centrify is decentralizing, Okta is expanding their footprint within one organization.

What are some alternatives to Centrify & Idaptive?

There is no shortage of tools that provide aspects of the former Centrify Express. These solutions exist in a variety of categories – IDaaS, SSO, MDM, directory services – and each of them offers different functionality. The Centrify Express alternative that’s right for you will really depend on the way you were using Centrify Express and on the unique needs of your infrastructure.

That’s why I recommend that you go through one feature at a time and determine which you are hoping to fulfill. Here are some of the major features that you may be looking for:

If your intent is to use a single solution to centralize all of your IT management needs, then consider JumpCloud® Directory-as-a-Service®. The world’s first cloud-based directory service, JumpCloud has been designed from the ground up to centralize and secure the management of modern IT infrastructure. Unlike Centrify or Idaptive, JumpCloud can either act as an Active Directory extension or as a standalone cloud directory.

You can try JumpCloud for free (for up to ten users) by signing up here.

Still Evaluating Your Options?

Centrify Express For Mac Smart Card Application

Many organizations chose Centrify because they wanted to streamline their management of IT resources like Macs. For these customers, the EOL of Centrify Express and bifurcation to Idaptive is the last thing they needed. They don’t want to take on a heavyweight IDaaS solution just to get back the control over Macs formerly achieved with Centrify Express.

At JumpCloud, we think we can help with our Directory-as-a-Service – but we’re also here if you have questions. You can get a demo or contact us to speak with one of our team members directly. We would be very happy to help you determine if JumpCloud may be the Centrify Express alternative you need.

Microsoft® Windows® has been a mainstay of the IT world for decades. Strangely though, what was once a Windows-dominated world has seen a shift in paradigm. Mac® and Linux® systems are being used in droves among today’s modern organizations. Despite this shift, these organizations are often still heavily reliant on Microsoft’s on-prem directory service, Active Directory®, to manage all of their users and systems. AD struggles to manage non-Windows IT resources such as macOS® and Linux systems. For a while, Centrify® Express Services was employed to help with this disconnect, but since it has been put into end-of-life (EOL), IT admins are seeking out an alternative.

There is certainly a lot to unpack regarding an alternative to Centrify Express Services. Let’s first talk about what the product was, and then explore how best to replace it.

What is Centrify Express Services?

Like we said, Microsoft Active Directory (AD) is a widely-used directory service solution. While it is incredibly effective when used to manage on-prem, Windows resources, it struggles when dealing with the host of other solutions being employed by today’s IT organizations (i.e. Mac, Linux, G Suite™, AWS, etc.).

Centrify Express Services was created to specifically aid with the management of Mac and Linux systems. The solution was an identity bridge, that is, an add-on solution to AD that helps the directory service integrate non-Windows systems. For the many organizations that used the service, it helped them with the user and system management aspects of their IT workflow.

Unfortunately for those organizations, Centrify announced that, on May 1st, 2019, they would cease to support Express services, which will primarily affect their Express services for Mac, Mac Smart Card, and SaaS for Mobile. The announcement seemed crippling to the aforementioned IT organizations that rely so heavily on AD, and subsequently Express Services, for identity management. Thus, an alternative to the solution was greatly needed.

An Alternative to Centrify Express Services

Many believed that Centrify’s spin-off Identity-as-a-Service (IDaaS) platform, called Idaptive®, could potentially fill the void left by Express Services. Unfortunately, while it does have some Mac management capabilities, Idaptive just doesn’t include the depth of system management for non-Windows platforms that AD-reliant admins really need.

An ideal alternative to Centrify Express Services would be able to seamlessly integrate not only Mac and Linux systems into Active Directory, but all of the other IT resources being used today as well. Additionally, it would be best for IT admins if this solution also synced passwords, users, and group membership across these resources. Enter JumpCloud®Active Directory Integration.

JumpCloud AD Integration: The Alternative to Centrify Express

The AD Integration feature is now offered as a part of JumpCloud Directory-as-a-Service®, the world’s first cloud directory. JumpCloud can comprehensively manage end users and their access to virtually all systems, applications, networks, and more. AD Integration takes that full functionality and syncs it with pre-existing identities in Active Directory.

How Does AD Integration Work?

AD Integration is a two-way street. The AD Import agent is used to shuttle identities and their related management information (users, passwords, and groups) into JumpCloud and onwards to any resource managed by JumpCloud. The new AD Sync agent relays additions and/or changes to these identities from JumpCloud and JumpCloud-managed resources back into AD.

This seamless integration allows IT organizations to extend their AD instance to virtually all of the tools their end users leverage in their day-to-day work. In essence, AD Integration from JumpCloud is the alternative to Centrify Express Services.

Learn More about AD Integration

Interested in learning more about JumpCloud’s AD Integration and the rest of the Directory-as-a-Service product? Drop us a line! Our team would be happy to provide you with more information. You can also read another one of our blogs to dive deeper into Directory-as-a-Service.

Centrify Express For Mac Smart Card Download

If you would prefer a more hands-on approach, you can also jump right into Directory-as-a-Service, absolutely free. All you have to do is sign up for a JumpCloud account, and the entire platform with ten users to boot is yours to keep, free forever.