Queer nonbinary, mid-30s (they/them), former blogger and aspiring author/screenwriter. a.k.a. MrRhapsodist on AO3 Submit your questions and comments here!
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Hot take: why the Jedi seem so unnatural
There’s something about their movements; it’s too smooth, too sure. They never trip on their feet, never run into anything, and their bodies navigate crowds too easily.
There’s something about their eyes, too, how they seem to bore straight through the soul of whoever they speak to. They sometimes seem to begin to answer a question before it’s even asked, and they always know what words to say to placate the emotions in the room.
There are rumors that the Negotiator and the Hero With No Fear do not need words to communicate, that they can speak without a comm while they are miles away from each other.
The rumors say the Negotiator has a true silver tongue, that the reason he is so successful is not because he is a skilled diplomat but because there’s something else to his voice and words that makes him so convincing.
The rumors say the apprentice of the Hero With No Fear is like a bird in flight when she moves, too graceful to be fully Togruta, her leaps so high it is as if she has the wings of a convor.
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three point tether
the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer
i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be
art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.
you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story
so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour
in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’
so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living
if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo
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It's been a week and a half since Arcane S2 Act 1 came out and in that time I have not ONCE stopped thinking about how Caitlyn Kiramman and Suvi Kedberiket from Worlds Beyond Number are the same goddamn character
Blue hair
Mom/mother figure is a high ranking government/military official with a soft-spoken husband
Born into a position of privilege in a city that's pushing the bounds of magical technological progress
This city sits physically above a separate city that houses more "lower-class" citizens
Childhood friend crafts magical weaponry
Impulsive red-coded "friend" who comes from wildly different circumstances, though they did briefly cross paths as children
City they call home suffers an explosive disaster caused by the childish and reckless counterpart of the red-coded "friend"
Trying to reach out to those oppressed by their city and forge connections, but this goal clashes with the structure and ideology much of the system depends on, and their naivety relative to those outside their city leaves them unable to grasp the full picture
Take on high-ranking positions in or near the military through a combination of powerful parents and pure intelligence and work ethic
Justify the actions of those in power because of a deep connection to their home and the people there, setting aside the perpetrators of violence and oppression as "the bad ones" instead of fully considering the ways in which the system allows these actions to continue
Throw around their name and title to get what they want sometimes
Complicated relationship with privilege and station
Motivated in part by the death of a parent/parents
On and off relationship with red-coded "friend" because while their values align, their methods are vastly different and contradict often
Incredibly nuanced and well-written characters that fans like to nitpick and call mean fascists instead of embracing the complex web of events and influences that lead to their actions
Pretty girls I would like to give a smooch on the forehead to
I don't know what to tell you, man, I fuckin love these guys
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if pinocchio is chaotic entitled then suvi is lawful entitled
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"There was only one bed" is a darkly funny trope to write if Eursulon is one of the people involved in the romance.
Imagining a situation where both of them are secretly spirits (and do not want to reveal this for whatever reason) and they both have the "no beds" curse. A battle of wills ensues where each of them try to justify why the other should sleep in the bed and it is ONLY right that they take the floor.
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What I will always love about Over the Garden Wall, and what to me really makes it an autumn classic, is how the show presents the season as a transition. People like to say it’s a Halloween show, but it’s really an autumn show, autumn in all its faces.
Early in the show, we have autumn as the late, lingering summer. The fields are full, leaves cling to the branches. The world is painted in a greenish-gold, and it feels warm and rich and good.
And over the course of the show we lose that bit of summer. The colours bleach out. The mists come in. The harvest dances and music are done.
And by the end of the show, we get autumn as the harbinger of the coming season. Summer is long behind us. The long winter is ahead.
And I think it’s so appropriate that the show first premiered in November. When else are we more aware of how much the season has changed than when we are past smiling September and October and find ourselves with grey, patient November, watching the days get shorter and the nights grow longer.
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Sometimes a Make Some Noise prompt hits too close to home.
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How do they keep making later and later stages of late-capitalism
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Two simultaneous thoughts watching this video:
This is a good kitty, and I'm glad this photo has been restored across time.
I was half-expecting, if not looking forward to, this turning to be an elaborate setup to a Rickroll.
Found in a 120 year old time capsule.
Full VDO: https://www.youtube.com/watch?v=IoDj4mXdqmc
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So here Jaina is Done™ and decided that the floor of the Rock Dragon is her friend now.
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Do you have any fix-it AUs for Rogue One? 🥰
i know you asked this a while ago, but i couldn't think of anything UNTIL the other day…
(commission info // tip jar!)
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Me, throughout this whole scene:
AABRIA: You're asleep. Go fuck yourself.
Dimension 20: Misfits And Magic 2x08 "The Man We've Been Waiting For"
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Carlos Luna: Producer, Voice Actor, Therapist
Bonus appropriate reaction
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