Text
mia goth & she + any / non-binary ⸻ i saw abel monroe coming through the trees. the twenty six year old was fleeing from gallatin, tennessee when they came across novac, and have sought salvation within the motel of purgatory. abel has been in town for three years and has been assigned as a motel cleaner to keep society running smoothly. no matter what, they will find something to fight for.
stats.
name. abel monroe. nickname. give her some. age. twenty-six. gender identity. non-binary. orientation. bisexual. place of birth. gallatin, tennessee. date of birth. 28 october 1996. occupation. motel cleaner. moral alignment. chaotic neutral.
background.
a mother dreams of her child. still bare boned, wrapped in jelly that should be muscle. too soft for her womb, slipping through her belly button as she sleeps. she stops sleeping. her belly swells, holds her baby tightly. in her waking haze, she finds a father: a man who birthed none yet fathers many, who grips her life as tautly as her belly grips her baby. a perfect baby, he says, who will perfectly live.
abel’s first home dies on her birth-bed. mottled skin from blood and cries. heavy in her mother’s arms: a baby skull harder than her reedy collarbone. made barren for her, and her alone. never to see another of her kind. you’ve atoned, he says, for being born. a chosen child in a chosen womb; this would always happen. when abel would watch through her scope, long after her mother died, she would think, meanly, a neutered woman. her purpose fulfilled: her mother sleeps.
the woods call to abel at night. naked feet and dirty smock. a heat that persists under the clouded stars. she answers. the bunker greets her with a heavy, open door. no groans of protest; the rust bears her fingerprints, without her warm touch. a bare two steps, she ventures, before she slips to the bottom of the stairs. as if her foot could catch wrong, within this tomb. fresh cut, now, above her right eyebrow. scarred upon holy ground, they would say.
her mother cradles her loosely, when abel’s hair can braid. if she didn’t hold tightly, she would fall. left mewling at her mother’s feet. and yet, those fingers pick knots from her hair lightly; too afraid to scruff her truly. bite-marks on the meat of her palm. her mother has two hands: one for the lord and the other for her own heart.
they teach her about some rapture, before she has words. like she could know without words, woven into the marrow of her bone. ‘ it’s going to come, abel. can you feel it? ’ she couldn’t. and yet, her mother would recount that pious pregnancy. ‘ i could feel it when i was with you. ’ hatred laces their ideas: for the government, for their embodied purgatory, for each other.
( this language is one she knows. woven within her teeth like spit. )
fatefully alone, abel prowls into the woods, sniffs until she sees a cat. pupils blow wide. an arm pockmarked with scratches and bites later, and the cat purrs in her lap. a distrust of sin steals the cat from her, by a so-called sister of the lord.
soon after, they visit the river together. away from prying eyes. and back abel comes, alone, a frog in hand, a smile on her lips. dirt on her knees and a bruise hidden beneath moon-kissed skin. disciples she doesn’t recognise ask about the girl, but abel cries and cries. young enough to pretend she still doesn’t understand.
enter stage left: the father finds her, again, beside the river. his eyes glint under the moonlight, just like hers. do you miss her, he asks. miss her how, she replies. his thumb finds the unbruised, tender spot on her forehead. do you miss her? tears glass her eyes. no, she replies. his thumb presses harder for a moment, and then he pulls her close. his heartbeat rests at her temple. she holds him tighter; he starts to rock her.
( our father who art in my arms. )
the radio crackles on a day like any other: rapture is upon us. and bury themselves they do, ten feet under. maybe more: abel can’t tell, surrounded by bare, crumbly walls. rats wouldn’t even hunt within their pipes. abel counts the days on her hangnails, trapped between her nails and their beds. a gradient of bitten flesh: crusted and dark, or moist and tender. bloodied by her crooked teeth. the iron tastes good, she thinks as she hides, for two years, from the sun.
burrowed in isolation, she grows itchy. first, in her bloodshot eyes, twitching instead of blinking; and then, on her brittle lips, swollen from her tongue and its swiped spit; until it settles, finally, within her muscles. each movement draws her nails to scratch against the skin that won’t calm. she showers but the water can’t unravel her skin, to drag the itch from deep within her flesh.
the father senses her unease and, one day, unlocks the door that wouldn’t open. can you feel how tainted the air is up here? can you hear how ungodly our land has become? she doesn’t reply. in the house, fifty yards away, there’s a pistol, some knives dulled by disuse. pierces his thigh just as easily. she aims the gun at him, then skyward. the shot reverberates. crawl home, she says, i’ll lock the door behind you. she doesn’t. a parting gift from daughter to father.
#lastintro#religious trauma //#death mention //#body horror //#gun mention //#murder mention //#blood mention //#grooming //#< not sexual. bc i dont fucc with that#she's in a cult basically so all its associated tws#once again .. cannot bear to look at it anymore#if there are mistakes no there are not
1 note
·
View note
Text
SUCCESSION | 4.09 | 4.10 "I feel like people are gonna be like... why isn't it me? You know, like... Sure. I mean, it could have been you, Rome. Could easily have been you. It's just... It's just marginal... presentation shit." — Richie Hofmann, Breed Me
758 notes
·
View notes
Text
her palms mould to the shape of the guns. a cloth in one hand, the pistol grip in the other. her hands never feel how iced they grow, until they grab at another body. jay and his warmth arrive; her hands rise from their honeyed cold. ‘ didn’t have a choice before. not much else to do now. i still wouldn’t want to touch the merchandise with ( … ) well, greasy hands. ’ her imagination fails her then. ‘ what would you want them to pay for overtime – some time outside? ’
— for @bludhound
even though jay had not been assigned to the barracks ( despite his military training ), he still knew the schedule relatively well thanks to his friends who were posted there. one such one was mina, and he was on his way over to walk with her to the food hall now that it was approaching lunch at noon. he'd already said his hellos to the guard and then poked his head into the armory to see if she was ready to go just yet. "are you planning to work through lunch? i don't think they pay for overtime here."
2 notes
·
View notes
Text
comfort unfurls within her; quiet yet startling. frayed at the edges, worn from the years spent with her oldest brother. she should chuckle. it sounds more like a scoff. ‘ a delight, then, to know i’d be getting treated by a doctor that can’t sleep properly. ’ she looks away to the dirt-sodden wall. almost tastes the tatty paper, as she talks between bites. ‘ i had steadier hands than my medic too. so i guess i’m still my own best choice. ’
⸻⸻ 𝙣𝙞𝙘𝙝𝙤𝙡𝙖𝙨 𝙧𝙖𝙞𝙨𝙚𝙨 𝙖𝙣 eyebrow, leaning back in his seat. ‘ mm, well, aren't you a smart one? ’ she wasn't wrong — more sleep would certainly help his predicament, but staying up helped the nightmares even more, and it was much better to be sleep deprived than have to watch his wife and son die by his hand when he closes his eyes. ‘ unfortunately, duty calls. lots of people to heal these days. ’
#◈ . ❪ 𝐦𝐢𝐧𝐚: script. ❫#quarntine#was gna say ignore the glasses but ..#they kinda too cunty to ignore
16 notes
·
View notes
Text
even now, emotion strains maiya’s posture. settled into her muscles: something the girl would struggle to forget. like trying to steal air from a lung. her pace slows a step or two behind maiya. glassy-eyes; her skin cools. a car emptied, shots strewn at the occupiers’ feet. all that mina could dream: the back of their head. black-haired, yet thinner than maiya’s. their frayed gait. a clenched fist. this girl breathes in whines. her eyes harden again. ‘ it hurts, does it? you should remember that when you want to spar again, or you can forget and get another scar. ’ just a flinch could provoke maiya. too eager: her undefended flesh earns its punishment. pain settles, and maiya should learn. a stray hit is still a chosen hit. watch your blind spots. ‘ you won’t learn until you remember. ’ her teammates would react similarly, when she would taunt them. sculpt their anger until it’s quiet. it would click: a scope attaching to a gun. and then, her car won’t get raided. sacked by a swarm of hungry ex-soldiers. mina would make sure of that. she almost grins. a wrinkle doesn’t form. ‘ and you’ll thank me one day, when you can win. is that the incentive you’re missing – you think you’d never win? ’
she supposed she was glad of it, the fact that mina treated her not as a plaything but a true opponent. when maiya trained with others—iris, noé, finch—she was left with barely a scrape. now there was a rather nasty red welt where their sticks had whipped too rough. you’d be dead if you couldn’t. just like her family, buried in the grounds of the chapel, a headstone etched with the same date of expiry like a pallet of milk cartons. somehow, by some miracle, summaiya was still standing. “it’s not that.” she spoke begrudgingly as they transitioned to the hard concrete of the motel parking lot. once there would have been cars lining each painted bay, children clutching pool floaties, dads shouldering heavy bags, mothers clutching itineraries. “i want to be put through the ringer. i want to know what i’m up against. what i don’t need is you being self-indulgent when we’re trying to help each other.” they were set for a rather frosty night—new mexico temperatures were thick, dry, suffocating, and yet a chill would exist between mina and maiya until reluctant apologies were exchanged. if they were exchanged. “it’s no good to anyone.” especially no good to her, who would have to attend the farm come morning one arm short.
5 notes
·
View notes
Text
‘ for himself? if he’s feral enough. ’ unbidden, her childhood dog flashes before her eyes. a dead raccoon in his mouth, blood lining its black mouth. ‘ we’re not desperate enough for it. stinks. ’ a smile plays at mina’s lips as she pets hancock’s warm neck. ‘ d’you think he’d wear it like a trophy? maybe he wants to look tougher, tell you to stop babying him. ’
Iris watched Mina as she spoke, taking in the information. "Do you think the pelt could be salvaged?" She asked, examining the mangled fur. "I could probably take it to Laz. I'm sure he could work his magic on whatever meat there is."
#◈ . ❪ 𝐦𝐢𝐧𝐚: script. ❫#livingiris#animal death mention //#dog person mina strikes again#the only reason for her smiles
22 notes
·
View notes
Text
her sigh hits her like a breeze. his feet were here before his face was, and now –– his face cannot be denied. i should leave now. the thought barely forms. more hum than words. and then, she doesn’t know whether she had the thought at all. her gaze flits to the food in his hands, like a bee finding its flower. narrowed eyes, pursed lips. suspicion abates her hunger. she doesn’t reach for the tree. ‘ you’re not drunk, are you? you’ll be in trouble if you are. ’
open starter where: close to the farm / when: mealtime (utp which one)
the young man had been comfortably seated upon a sturdier branch, his back leaning against the tree trunk as legs dangled freely - he could not imagine a more comfortable set up to devour his meal. and boy was he hungry, truly insatiable. he noticed the presence of another person rather quickly, standing almost directly before him. a boyish grin spread on his lips as the following words left his lips, ' you're more than welcome to join if you want, there's more space up here and a meal is always better shared. '
3 notes
·
View notes
Text
a foot scrapes, absently, against the floor. tiny scruffs, barely a noise itself, like a moth caught in a jar. her thumb presses against her glass of liquor. the nails feel crowded in their beds, by the fat tips of her fingers. a muted sigh. then, the door bangs against the wall. mina’s head turns languidly, rests in her palm. dark eyes calmly watch the woman struggling. how did the crate get this far, she wonders. a stubbornness that dies upon seeing victory? convenient. ‘ y’look like you’ve got it. you’re just ( … ) stanced wrong. ’ and yet, she stands. in a blink, mina stands beside her. a brief once-over. ‘ y’don’t want to lose against a barrel of beer, do you? c’mon ( … ) with me. ’ in another blink, she crouches, casting an expectant gaze up.
- open - Location: The Tap House Large crate in hand, Bellamy used her shoulder to push open the heavy door that separated the "brewery" from the rest of the Tap House. Self reliance had always been something she'd practiced and as such she found it hard to ask for help, even as she almost toppled over with the weight of the crate. "Fuck," she muttered under her breath, as she struggled to lift up the latest stock onto the bar top. She tried again and barely managed to make any progress. She knew she'd overfilled the crate. Damn her hubris and lack of actual muscle. Sighing to herself, she turned to the nearest person and put on a apologetic grin - something that had always served her well during college. "A little help here?"
18 notes
·
View notes
Text
the sheen of her sweat holds with its cooling grip. her quick, moon-kissed run would expend her residual energy, its lingering heat. burning muscles compete against her cold sweat, fighting to be the dominant nerve. and yet, numb she remains. two pains make her right. her head thumps, softly, against the wall of the motel. ears prickling. imagining a twig snap, an echoing groan, a need for company. her eyes open; she stares at the starry sky. ‘ it’s nice being up this late. i’ve always chosen it, ’ mina says plainly. her gaze never strays towards them. a marked lack of curiosity. still, she elaborates. ‘ you can hear them here sometimes. you can hear how far away they are. ’
open starter where: outside the motel when: late at night
sleeping used to be kris' favorite thing. before the outbreak, she loved sleeping away responsibilities. homework? sleep. chores? sleep. bored? sleep? after the outbreak, in the early days, kris would sleep to escape what was going on. but now? they were lucky if they could sleep a full night without nightmares filling their mind. which was why she was outside in the middle of the night, walking around the motel. she was hoping this would tire her out enough to shut off her brain when she finally laid down. it was on their third lap around the building when she notices she wasn't alone on their night walk. "can't sleep either?" they asked their guest.
#◈ . ❪ 𝐦𝐢𝐧𝐚: script. ❫#shadowfm#assuming a slight connection .. u would never know it tho hehe#also bc they are both armourers! mwah
8 notes
·
View notes
Text
unperturbed, she barely offers her ears to the girl. inhale. tight grip around the bench as she leans, stretching her back and shoulders. deep exhale. her voice bears no inflection, slightly breathy. ‘ people would find us easy. an’ then we’d have to deal with them. ’ mina stands straight again, sparing a glance at the girl. she’s about to lean to the side, to stretch her arms and shoulders. to pass the days faster –– to what? her inhale cracks slightly, a tad too strong. a deeper scowl, somehow. ‘ d’you want us to be found? ’
"i'm bored." frigg groans as she sits down crossing her arms. "what's fun around here? people don't know how to have fun it seems like. sure we're in an apocalypse, but we can still have fun for the time being to make the day go by faster." frigg rolls her head over at the other and beats her eyelashes at them. "if it was between you and me i would think having some sort of groups or outings would make the day go by faster-- i would for sure encourage a girl scout or boy scout group."
47 notes
·
View notes
Text
the air is heavier in the stables. the acoustics ring in her ears, before she encounters the back of someone’s head. and lo and behold: a face she does not want to see. an irritated heat blushes her cheeks, like she’s been found doing something she shouldn’t. a slight scrunch of the nose – it doesn’t even wrinkle – before her features default to its inert gaze, its hard-set jaw. her stride doesn’t falter before she reaches him. ‘ if y’insist. out of my way –– please. ’ she nods her head to the side, gesturing for him to simply move out of her way. a short pause before, there, a step forward: lifted chin and slight head-tilt. an easy, lazy blink. if she cared, she might even grin. ‘ or y’can keep me company. whichever you’d prefer. ’
open starter. location : the stables; kal's work area. time : around 5pm.
he's just finished shoeing his last horse of the day — one of the geldings that the scouts take out to do patrols — when he hears footsteps against the creaky hardwood of the stable floor, coming up behind him. he bristles — it's not common for somebody to need something from him so late in the day, and he's supposed to be off in thirty minutes. he sighs as he rises to full height from where he'd been crouched down, cleaning up, idly wiping the dirt & dust from his hands with a rag. dark, bloodshot eyes dragging across his surroundings until they land on the guest — or, with the way he glares at them, the intruder. " can i help you? " no greeting, tone flat & irritable. a portrait of the word ' UNWELCOMING. '
11 notes
·
View notes
Text
any reverie abandons her in the face of the brunette. another heartbeat. another. unbidden, her legs walk to the woman. light-footed: skipping the first and seventh step of her childhood stairs. roused by something buried within mina. something grotesque: familiar, yet inaccessible. something like fondness. heavy as a heart, as a forgotten memory. ‘ y’didn’t hear me? hmm. i could’ve pinned you by now, mags. ’ an almost teasing timbre. a part of her –– some part left bleeding at mina’s feet, carved out with her own hands –– wriggles and pulls at that beating fondness. you should ask, mina thinks, what’s bothering her. but there it remains, at her feet. beating and unheld. margaret wouldn’t reciprocate; it would be unproductive to ask. ‘ still might –– teach you a lesson. i’ll disappoint you and stay quiet though. ’
@bludhound ( mina ) private starter
margaret's not really looking anywhere, not even at the object her stare has settled in. her gaze is far away, and her head is stuck within itself. it's not optimal, to be left alone with her thoughts, but there are days, few and far between, where it's best for her to be away. clear her head. she doesn't hate crowds, tolerates them at worst, and does well around other people. most days. today was just not one of them. but she seemed to come back to herself when a shadow peeked through her peripheral vision, a quick reflex to look with a hand grasping onto the hilt of her pistol. it's not an infected, not within the walls of novac, but it never hurts to be safe. "you're more quiet than usual, mina."
#◈ . ❪ 𝐦𝐢𝐧𝐚: script. ❫#unsacreds#if you'd prefer a different nickname .. lmk#this hurt a lil bit i cant lie!
2 notes
·
View notes
Text
the dead hour clings like a film of sweat. she should be lying in the dirt, counting the stars until her eyes close. among her teammates, she would wake languid. tingling eardrums; puckered gooseflesh. now, she wakes with tense shoulders and a stiff back, to the soft stirring of her roommates. tonight, her lids touch each other for no longer than a kiss. when she blinks faster, it sounds like dry, flapping wings. two blinks, one second. aimless, in its true form. fitting, then, that she would find herself here, looking at another cold face. eyes as dark as her own. an innocent, little blonde girl, lost without her daddy. ‘ would you like me to? ’ a dispassionate timbre. settles into her slack shoulders. her soft, cold gaze. she, who left mina’s teammate, stealing their life for her own. in every memory, they have no face. singed like their body, that became mina’s tinder for the night. she should feel angrier. lips contort into words, she thinks, her teammate would say. ‘ i’ll get comfortable, just for you. if you want me to –– tayla. would you like to join me? ’
& . closed for @bludhound !
novac seemed to be a graveyard of her past lives . many people she’d run into over the years had appeared out of nowhere , making tayla believe this might have been her own personal hell . maybe she died years ago , to the infected like she should have from the start . maybe this was her punishment for all the lies that slid through her lips . either way , tayla wasn’t a fan of having to face the consequences of her actions . she sits , still as a statue with a book in her lap while she remained lazed back in her chair . it’s when mina’s figure wanders in that the blonde tears her gaze from the words on the page to the only other person she’d seen in the last hour . expression doesn’t change , stoic nature failing to falter now as chin lifts in acknowledgment of her company . ❛ have a good night . ❜ tone rests nothing short of sour , unsure if mina was headed towards a room or away from the desk . tayla didn’t care all too much either way .
2 notes
·
View notes
Text
Poem for Earth Day. From Matthew Olzmann's book, Constellation Route. (Alice James Books, 2022)
11K notes
·
View notes
Text
the aches latch, only, to her hands. her blood seeks to bruise, yet no other pain spouts. her heartbeat steadies. her body loses the soft thrum of her fight. a slight pulse in her hip: maiya’s hardest hit would come when she would tap out of mina’s pin. blind frustration is too easy, a crutch that keeps the woman from cold, precise wrath. something clogs maiya’s bones, coagulates her blood into honey. sticky and tight. almost begging for a mouth to feast. she can’t move in the way she needs. and that just won’t do, will it? ‘ you can take it. you’d be dead if you couldn’t, ’ mina says simply. her arms hand loosely at her sides, her hands stuffed into her empty pockets. ‘ you could try against the real thing, if i’m not good enough. they would end your pain much quicker. that’d be easier, wouldn’t it? preferable, maybe. ’ within the first minute, you either kill or get bitten –– even in fights with those who could hold their own. in the first nights, out in the cold with her squad, the screams would end as quickly as they would start. the echoing groans, however, would bleed into her dreams.
── streets of novac , summaiya & mina !
they walked almost a foot apart. those drifting past would have thought mina and maiya were strangers, when they were instead trailing novac back to their shared motel room. "i was distracted." she finally mumbled into the twilight, although she knew it was no excuse—if she was ever 'distracted' in the thick of a hoard the woman would quickly become a memory, another candlelit vigil. such mistakes couldn't be made. such mistakes could be accepted in the parking lot, swinging sticks instead of knives, but there would be a time—a time soon—where her opponents weren't friends or mulch-stuffed scarecrows. "you didn't have to go so hard on me either, you know. this is training. i'm not like you." the closest to military training that maiya had ever received was playing soldiers with her sisters, a distant flicker in a scrapbook. she would illuminate the wicks that evening, four brightly burning flames—garvesh, sujaya, saavi, shriya, take me with you. @bludhound
#◈ . ❪ 𝐦𝐢𝐧𝐚: script. ❫#fromfear#i've had them for one reply and i love them already#i'm just assuming .. maiya didn't tell her yet ..#abt her family .. lmk if im wrong
5 notes
·
View notes
Text
‘ useful ( … ) as dog food, yeah. ’ fur gathers in her hands as she pets his head, lowers to scratch his neck once he drops the animal. good hunting, dog. her nose scrunches, looking at the groundhog’s wet, dead mouth. ‘ unless you want to skin, prep and check it. ’
"O-oh, thank you, Hancock." Said dog stands before Iris with a smug look, dead groundhog in mouth. "I'm sure this will be very... useful..." She praises sarcastically, her gloved hands reaching for the offered carcass.
22 notes
·
View notes
Text
he’s in her periphery as she eats. holds a stare: his under-eyes dark from lack of sleep. her own heart remains steady, at night; her eyes lazily blink the nightmares away, in the morning. rewind, play; rewind, play. she watches them, night by night, with the bare interest of a fly leering at a deathbed. ‘ you could just sleep more. you don’t have anything better to do with your time, do you? ’
location: food hall
⸻⸻ 𝙩𝙝𝙚 𝙨𝙪𝙣 𝙝𝙖𝙨 been up for hours now, but that doesn't matter much to nicholas when he's barely slept. he's learned to keep the nightmares at bay over the years, but some night they manage to slip through the cracks and get him when he least expects it. he finishes the last of his barely decent breakfast and stifles a yawn. ‘ what i'd give for a good cup of coffee right now, ’ he muses, ‘ and i mean a good one, espresso shots and all. ’
16 notes
·
View notes