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one direction will always be so so so bittersweet to me like they were such a foundation of my teenage years while at the same time those boys were spending most of their days trapped in hotel rooms or waking up at 2 am to record an album and non stop touring and working so much more than anyone let alone a bunch of teenage boys should work and its always been hard to reconcile those two realities especially on a day like today because god when they were good together, they were so good together.
and i just don't think anything like them will ever happen again. 5 boys from basically working class backgrounds thrust into a level of fame the height of which hadn't been seen for decades, all of them becoming the breadwinners of their families before the age of 18. the immense pressure but also the amount of fun they were. the tragedy and joy of it all intertwined. really impossible to put into words
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The line where Sam says “I know you’re carrying that knife. What happens now? You push me? Stab me?”
Screaming, crying, throwing up. The parallels to TMA.
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I haven't seen dancing pumpkin guy ONCE this year, are you guys okay?
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nothing personal but this kind of comment rlly exemplifies to me a disconnect between canon and popular fanon jmart characterization because they almost literally had this conversation in canon - except, their lines are swapped!
jon, for all his scared grouchiness, is a secret romantic, while martin, for all his forced optimism, is at his core a pragmatist
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It's my 12 year anniversary on Tumblr 🥳
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All skirt/dress wearers when we discover they have functional pockets 😍
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Photo
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favorite ttpd lyrics
how dare you think it's romantic, leaving me safe and stranded...
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This is EXACTLY why Bucky Barnes is my favorite character and it brings me so much joy to finally see a little bit of it on screen.
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7 graves, 1 gun
*stolen from tl on twt*
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all the changes taylor made to the eras tour in paris tonight (in order):
“straight from the tortured poets department” soundbite added to the intro
orange lover bodysuit, orange blazer, orange boots
“the archer” CUT from lover era
new silver fearless era dress
red era is now third instead of sixth -moving directly after fearless (skipping evermore, reputation, and speak now)
new/altered red bodysuit (deeper neckline)
new red t-shirt that says “this is not taylor’s version”
speak now era is fourth instead of fifth
new speak now intro
new speak now dress
“long live” CUT from speak now
reputation set is fifth instead fourth
new “delicate” visuals
the reputation snake is white instead of purple
folklore is now sixth instead of seventh
“cardigan” OPENS the folklore set, replacing “the 1”
“seven” spoken word CUT from folklore intro
new yellow folklore dress
evermore and folklore era merged together (folkmore / everlore) into the seventh era
performed “champagne problems” after “betty”
“the 1”, “the last great american dynasty”, “tis the damn season”, and “tolerate it” are CUT from the folklore/evermore set
new folklore/evermore combined setlist: cardigan -> betty -> champagne problems -> august -> illicit affairs -> my tears ricochet -> marjorie -> willow
new 1989 outfit
THE TORTURED POETS DEPARTMENT IS THE EIGHTH ERA!!!!
TTPD era set list: “but daddy i love him” -> “so high school” -> “who’s afraid of little old me” -> “down bad” -> “fortnight” -> “the smallest man who ever lived” -> “i can do it with a broken heart”
surprise songs after TTPD era
new acoustic/surprise set dress
new midnights bodysuit
new eras order: lover -> fearless -> red -> speak now -> reputation-> folklore/evermore -> 1989 -> the tortured poets department -> surprise songs -> midnights
cut songs: the archer, long live, seven, the 1, the last great american dynasty, tolerate it
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This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better
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