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563. Gino Valle /// Migotto-Pozzi House /// Pasian di Prato, Udine, Italy /// 1953-54
OfHouses guest curated by Unfolding Pavilion. (Photos: © Valle Archive, Google Street View. Source: Pierre-Alain Croset,Luka Skansi, “Gino Valle”, Mondadori Electa: 2010.)
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Rio Acima house renovation. Sao Paulo, Brazil. 2019-2002. Denis Joelsons.
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Lacaton Vassal, Ker emma, maison vacances, 2005
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Eduard Neuenschwander – Einfamilienhaus Im Binzen
1969, Gockhausen (CH)
via #1, #2
© Heinrich Helfenstein
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Merano Residence in Italy, by John Pawson + Markus Scherer + Maurizio Berni + Dan Pearson Studio. #landscaping #landscape #landscapedesign #garden #gardens #greenery #gardendesign #outdoor #outdoors #outdoordecor #exterior #exteriordesign #exteriordecor #home #homedecor #archilovers #inspiration #designer. https://www.instagram.com/p/CpPQvI2yXpO/?igshid=NGJjMDIxMWI=
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Municipal Orphanage (1955-60) in Amsterdam, the Netherlands, by Aldo van Eyck
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Ted'A, Ca na Catalina i in Joan, Llubí, 2022
www.tedaarquitectes.com/
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During her training at the legendary Bauhaus in 1923, Alma Siedhoff-Buscher designed this #Bauhaus Bauspiel as part of the children’s room in the model house “Am Horn” in Weimar, Germany.
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Diagoon experimental housing, Delft, Herman Hertzberger, 1967-70
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Eli Broad House (1971) in Los Angeles, CA, USA, by Paul Thoryk. Photo by Julius Shulman.
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Unitarian Universalist Church (1966) in Cedar Rapids, IA, USA, by Crites & McConnell. Photo by Julius Shulman.
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Lacaton & Vassal - Latapie House, Floirac 1993. Scans via, photos © Hisao Suzuki, Philippe Ruault.
Continuar lendo
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Raamwerk & Van Gelder Tilleman - House and studio for a sculptor, Mariakerke 2015. Via, photos © Stijn Bollaert.
Continuar lendo
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Manuals Monday is back!
Most Mondays we feature an excerpt from a graphics standards manual from the archives.
Today’s featured manual is for the Italian vermouth and sparkling wine maker, Cinzano. In 1984, Vignelli Associates created a new corporate identity program for Cinzano and they kept the original logotype but gave it a “light retouch.”
From the Vignelli Canon:
“The notion of a logo equity has been with us from the very beginning of time. When we were asked to design a new logo for the FORD Motor Company, we proposed a light retouch of the old one which could be adjusted for contemporary applications. We did the same for CIGA HOTELS, CINZANO, LANCIA Cars and others. There was no reason to dispose of logos that had seventy years of exposure, and were rooted in people’s consciousness with a set of respectable connotations.
What is new is NOT a graphic form but a way of thinking, a way of showing respect for history in a context that usually has zero understanding for these values.“
More Cinzano designs from the archives: https://vignellicenter.tumblr.com/search/cinzano
Cinzano’s Identity Program Manual of Graphics Standards [excerpts] Massimo and Lella Vignelli papers Vignelli Center for Design Studies Rochester, New York
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It’s Manuals Monday!
Manuals Monday is back! On Mondays we feature an excerpt from a graphics standards manual from the archives.
Today’s manual is The Knoll Group Identity Guidelines and was designed by Chermayeff & Geismar in 1993 and features the original identity designed by Vignelli for Knoll Inc. in the 1960s.
This manual was donated to us by designer Bill Bonnell, who generously donated his own work to the archives along with a collection of graphic standards manuals.
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