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Christian Jerusalem

Section: 12- 4 Sandor School: Don Bosco Technical Institute Makati Subject: 21st Century Literature Christian Jerusalem is a STEM student of Don Bosco Technical Institute of Makati. He is a part of the Electrical Technology class for 2 years. He will graduate from Senior High school and enter college in the year 2019. He aims to be a doctor of medicine in the future.

Fun Facts:

He likes listening to music.

He loves sleeping.

His favorite sport is football.

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Patricia Peralta

Section: 12- 4 Sandor School: Don Bosco Technical Institute Makati Subject: 21st Century Literature Patricia Peralta is an aspiring STEM student from Don Bosco Technical Instituite- Makati. She is bold, fearless but, kind-hearted. She has a heart of a child and a passion of a dreamer. She aims to be a doctor of dental medicine in the future.

Fun Facts:

She likes singing.

She plays guitar.

She plays ukulele.

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John Garcia

Section: 12- 4 Sandor School: Don Bosco Technical Institute Makati Subject: 21st Century Literature John Garcia has been a student in Don Bosco Technical Institute - Makati from Grade 1, since 2007. Over the years, he had developed the reputation of being an honor student becoming a consistent awardee when he started his high school until now. He also joined the Knights of the Altar (KOA) and actively participates during masses of the school. Despite his achievements, he strives to remain humble and is down to earth if you get to know him personally, although tends to be quiet most of the time.

Fun Facts:

He can (somewhat) play the piano and guitar.

Enjoys drawing even if he’s not that good at it.

Knowledgeable in programming and video editing (his elective of choice was Computer Technology - COMTECH).

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Gio Saguid

Section: 12- 4 Sandor School: Don Bosco Technical Institute Makati Subject: 21st Century Literature Gio “Joglenn” Saguid is an ordinary student of Don Bosco Technical Institute – Makati. He started studying in Don Bosco Technical Institute – Makati back in 2007 and continued studying there until he graduates from Senior High School. He was part of Mechanical Technology class batch 15-17 back in his Junior High School years. He was also technical awardee back in 2017. Fun Facts:

His favorite sport is basketball.

He and his team won the championship in their intramurals on their final Junior High School Year.  

He is lazy, likes to sleep, and also eats a lot.

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Twinkle Twinkle Review

Written by John Carlos M. Garcia Kira Kira Hikaru exhibits an extreme situation of the social pressure present in Japan of that time and how it affected individuals who were seen as different or misfit. It tackled on the themes of homosexuality, mental instability, alcoholism, marriage and unorthodox love. It also presents two clashing perspectives, with the truth lying somewhere in between. 

The story is alternately told through the perspectives of the two main characters and couple, Mutsuki and Shoko. They both live a pleasant life at an apartment in Tokyo. Mutsuki works as a hospital physician while Shoko works as a part-time translator. All seems fine except for the fact that their relationship is not normal; Mutsuki is gay and is in a relationship with another man while Shoko is diagnosed to have a mental illness and has a unhealthy dependence on alcohol. The marriage was only a faacade to get their parents off their backs but no stones are left unturned and soon their secrets are exposed. Both believed that the marriage, even if it didn't change them, would put them on a more normal footing with society. Beyond this reason however, despite the hardships and difficulty brought by their odd relationship, Mutsuki and Shoko soon realized that they actually don't want to give up on each other and wanted to keep their relationship as is. The marriage isn't built on very sound footing, and looks to break down under parental and societal pressures and personal weaknesses, but ultimately they came up with a solution of sorts but are definitely far from closure.

The events of the story highlight the institution of marriage as it was in Japan a quarter of a century ago which is very insightful and perhaps the novel offers a bit of a clue what's wrong in society. It only goes to show that people should not be forced into traditional married life and be forced out of their careers. Each individual should be free to live their life as they see fit without the fear of being judged by others and ridiculed by the public. 

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The Beginning

Japanese literature traces its beginnings to oral traditions that were first recorded in written form in the early eighth century after a writing system was introduced from China. The Kojiki (Record of Ancient Matters) and Nihon shoki (Chronicle of Japan) were completed in 712 and 720, respectively, as government projects. The former is an anthology of myths, legends, and other stories, while the latter is a chronological record of history. The Fudoki (Records of Wind and Earth), compiled by provincial officials beginning in 713, describe the history, geography, products, and folklore of the various provinces.

The most brilliant literary product of this period was the Man'yoshu (Collection of Ten Thousand Leaves), an anthology of 4,500 poems composed by people ranging from unknown commoners to emperors and compiled around 759. Already emerging was a verse form comprising 31 syllables (5-7-5-7-7) known as tanka. In 905 the Kokin wakashu or Kokinshu (Collection of Poems from Ancient and Modern Times) was published as the first poetry anthology commissioned by an emperor; its preface paid high tribute to the vast possibilities of literature.

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Heian Period (794-1185)

During the Heian Period, the Japanese were fascinated with Chinese culture. The Imperial Court emulated Chinese fashion and customs while they pursued the arts. A noble was expected to be well-versed in literature, poetry, painting, dancing, calligraphy, and more. Noble men used the Chinese language in the same way that Medieval European nobles and priests used Latin. In Heian Japan, Women were not allowed to speak Chinese. The period expected women to remain separate from men. They would converse through fabric blinders dividing rooms. Genji shows how great the difference was between the genders by having characters fall in love with each other based on their handwriting.

Classical Japanese literature generally refers to literature produced during the Heian period, what some would consider a golden era of art and literature. Genji Monogatari (early eleventh century) by Murasaki Shikibu is considered the pre-eminent masterpiece of Heian fiction and an early example of a work of fiction in the form of a novel. Other important works of this period include the Kokin Wakashu (905), a waka-poetry anthology, and Makura no Soshi (990s), the latter written by Murasaki Shikibu's contemporary and rival, Sei Shonagon, as an essay about the life, loves, and pastimes of nobles in the Emperor's court.

The 10th century Japanese narrative, Taketori Monogatari, can be considered an early example of proto-science fiction. The protagonist of the story, Kaguya-hime, is a princess from the Moon who is sent to Earth for safety during a celestial war, and is found and raised by a bamboo cutter in Japan. She is later taken back to the Moon by her real extraterrestrial family. A manuscript illustration depicts a disc-shaped flying object similar to a flying saucer.

In this time the imperial court patronized the poets, most of whom were courtiers or ladies-in-waiting. Editing anthologies of poetry was a national pastime. Reflecting the aristocratic atmosphere, the poetry was elegant and sophisticated and expressed emotions in a rhetorical style.

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Kamakura-Muromachi Period (1185-1600)

In the latter half of the twelfth century warriors of the Taira clan (Heike) seized political power at the imperial court, virtually forming a new aristocracy. Heike Monogatari (The Tale of the Heike),which depicts the rise and fall of the Taira with the spotlight on their wars with the Minamoto clan (Genji), was completed in the first half of the thirteenth century [before 1219 ]. It is a grand epic deeply rooted in Buddhist ethics and filled with sorrow for those who perished, colorful descriptions of its varied characters, and stirring battle scenes. In former times the tale was narrated to the accompaniment of a Japanese lute. The Shin kokin wakashu (New Collection of Poems from Ancient and Modern Times), an anthology of poetry commissioned by retired Emperor Go-Toba, was also completed around this time [ca 1205 ?]; it is dedicated to the pursuit of a subtle, profound beauty far removed from the mundane reality of civil strife.

This period also produced literature by recluses, typified by Kamo no Chomei's Hojoki (An Account of My Hut) [1212] , which reflects on the uncertainty of existence, and Yoshida Kenko's Tsurezuregusa (Essays in Idleness) [ca 1330 ] , a work marked by penetrating reflections on life. Both works raise the question of spiritual salvation. Meanwhile, the profound thoughts and incisive logic of the Shobogenzo (Treasury of the True Dharma Eye) [before 1237 ] , one of the first Buddhist texts written in Japanese rather than Chinese, marked a major development in Zen thought. The Taiheiki (Chronicle of the Great Peace), depicting the 50 years from 1318 to 1367 when two rival imperial courts struggled for power, is a valuable historical record, while the Noh plays perfected by Kan'ami and his son Zeami are of great literary value. Zeami's Fushi kaden (The Transmission of the Flower of Acting Style) [1400] is a brilliant essay on dramatic art.

Medieval Japanese Literature is marked by the strong influence of Zen Buddhism, where characters are priests, travelers, or ascetic poets. Also during this period, Japan experienced many civil wars which led to the development of a warrior class, and subsequent war tales, histories, and related stories. Work from this period is notable for its insights into life and death, simple lifestyles, and redemption through killing.

Other notable genres in this period were Renga, or linked verse, and Noh theater. Both were rapidly developed in the middle of the 14th century, the early Muromachi period.

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Meiji Period (1868-1945)

The Meiji period marks the re-opening of Japan to the West, and a period of rapid industrialization. The introduction of European literature brought free verse into the poetic repertoire; it became widely used for longer works embodying new intellectual themes. Young Japanese prose writers and dramatists struggled with a whole galaxy of new ideas and artistic schools, but novelists were the first to successfully assimilate some of these concepts.

In the early Meiji period (1868–1880s), Fukuzawa Yukichi and Water Margin authored Enlightenment literature, while pre-modern popular books depicted the quickly changing country. Then Realism was brought in by Tsubouchi Shoyo and Futabatei Shimei in the mid-Meiji (late 1880s - early 1890s) while the Classicism of Ozaki Koyo, Yamada Bimyo and Koda Rohan gained popularity. Ichiyo Higuchi, a rare woman writer in this era, wrote short stories on powerless women of this age in a simple style in between literary and colloquial. Kyoka Izumi, a favored disciple of Ozaki, pursued a flowing and elegant style and wrote early novels such as The Operating Room (1895) in literary style and later ones including The Holy Man of Mount Koya (1900) in colloquial Japanese.

Romanticism was brought in by Mori Ogai with his anthology of translated poems (1889) and carried to its height by Toson Shimazaki etc. and magazines Myojo and Bungaku-kai in early 1900s. Mori also wrote some modern novels including The Dancing Girl (1890), Wild Geese (1911), then later wrote historical novels. Natsume Soseki, who is often compared with Mori Ogai, wrote I Am a Cat (1905) with humor and satire, then depicted fresh and pure youth in Botchan (1906) and Sanshirô (1908). He eventually pursued transcendence of human emotions and egoism in his later works including Kokoro (1914) his last and unfinished novel Light and Darkness (1916).

Shimazaki shifted from Romanticism to Naturalism which was established with his The Broken Commandment (1906) and Katai Tayama's Futon (1907). Naturalism hatched the "I Novel" (Watakushi-shôsetu) that describes the authors themselves and depicts their own mental states. Neo-romanticism came out of anti-naturalism and was led by Kafu Nagai, Jun'ichiro Tanizaki, Kotaro Takamura, Hakushu Kitahara and so on in the early 1910s. Saneatsu Mushanokoji, Naoya Shiga and others founded a magazine Shirakaba in 1910. They shared a common characteristic, Humanism. Shiga's style was autobiographical and depicted states of his mind and sometimes classified as "I Novel" in this sense. Ryunosuke Akutagawa, who was highly praised by Soseki, wrote short stories including Rashomon (1915) with an intellectual and analytic attitude, and represented Neo-realism in the mid 1910s.

During the 1920s and early 1930s the proletarian literary movement, comprising such writers as Takiji Kobayashi, Denji Kuroshima, Yuriko Miyamoto, and Ineko Sata produced a politically radical literature depicting the harsh lives of workers, peasants, women, and other downtrodden members of society, and their struggles for change.

War-time Japan saw the début of several authors best known for the beauty of their language and their tales of love and sensuality, notably Jun'ichiro Tanizaki and Japan's first winner of the Nobel Prize for Literature, Yasunari Kawabata, a master of psychological fiction. Ashihei Hino wrote lyrical bestsellers glorifying the war, while Tatsuzo Ishikawa attempted to publish a disturbingly realistic account of the advance on Nanjing. Writers who opposed the war include Denji Kuroshima, Mitsuharu Kaneko, Hideo Oguma, and Jun Ishikawa.

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Postwar Period (1945- Present)

World War II, and Japan's defeat, deeply influenced Japanese literature. Many authors wrote stories of disaffection, loss of purpose, and the coping with defeat. Osamu Dazai's novel The Setting Sun tells of a soldier returning from Manchukuo. Shohei Ooka won the Yomiuri Prize for his novel Fires on the Plain about a Japanese deserter going mad in the Philippine jungle. Yukio Mishima, well known for both his nihilistic writing and his controversial suicide by seppuku, began writing in the post-war period. Nobuo Kojima's short story "The American School" portrays a group of Japanese teachers of English who, in the immediate aftermath of the war, deal with the American occupation in varying ways.

Prominent writers of the 1970s and 1980s were identified with intellectual and moral issues in their attempts to raise social and political consciousness. One of them, Kenzaburo Oe wrote his best-known work, A Personal Matter in 1964 and became Japan's second winner of the Nobel Prize for Literature.

Although modern Japanese writers covered a wide variety of subjects, one particularly Japanese approach stressed their subjects' inner lives, widening the earlier novel's preoccupation with the narrator's consciousness. In Japanese fiction, plot development and action have often been of secondary interest to emotional issues. In keeping with the general trend toward reaffirming national characteristics, many old themes re-emerged, and some authors turned consciously to the past. Strikingly, Buddhist attitudes about the importance of knowing oneself and the poignant impermanence of things formed an undercurrent to sharp social criticism of this material age. There was a growing emphasis on women's roles, the Japanese persona in the modern world, and the malaise of common people lost in the complexities of urban culture.

Popular fiction, non-fiction, and children's literature all flourished in urban Japan in the 1980s. Many popular works fell between "pure literature" and pulp novels, including all sorts of historical serials, information-packed docudramas, science fiction, mysteries, detective fiction, business stories, war journals, and animal stories. Non-fiction covered everything from crime to politics. Although factual journalism predominated, many of these works were interpretive, reflecting a high degree of individualism. Children's works re-emerged in the 1950s, and the newer entrants into this field, many of them younger women, brought new vitality to it in the 1980s.

Manga (comic books) have penetrated almost every sector of the popular market. They include virtually every field of human interest, such as a multi volume high-school history of Japan and, for the adult market, a manga introduction to economics, and pornography. Manga represented between 20 and 30 percent of annual publications at the end of the 1980s, in sales of some ¥400 billion per year.

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Kaori Ekuni

Born in 1964, Kaori Ekuni came to prominence initially as the author of young adults’ books before garnering several awards for her short fiction – taking the Yamamoto Shugoro Prize in 2002 for Oyogu no ni Anzen de mo Tekisetsu de moArimasen (‘Not Safe or Suitable for Swimming’), and the Naoki Prize in 2004 for Gokyu Suru Junbi wa Dekite Ita (‘I Was Already Prepared to Wail in Lament’). Her novels include Kirakira Hikaru (‘Twinkle Twinkle’) published in 1991, and Hoyo, Arui wa Raisu ni wa Shio O (‘To Embrace, or to Pour Salt on the Rice’, 2010), which is now regarded as one of her most important works.

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Banana Yoshimoto

Banana Yoshimoto (よしもと ばなな, Yoshimoto Banana) was born in 1964 in Tokyo by the name of Mahoko Yoshimoto ((吉本 真秀子 Yoshimoto Mahoko). Banana, who writes her name in hiragana, chose her pen name in college, after her love of banana flowers, and because the name was “rather cute and androgynous.” She is the daughter of Takaaki Yoshimoto, the well-known poet, critic, and philosopher. She grew up in a liberal family, which could have contributed to her two most common themes: “the exhaustion of young Japanese in contemporary Japan” and “the way in which terrible experiences shape a person’s life.”

Banana is a Japanese woman trapped in the urban jungle that is modern Tokyo. She is preoccupied with problems concerning the youth, urban existentialism, and the boundaries between imagination and reality. Her books are targeted not only towards the young generation, whose problems are most definitely related to her recurring themes, but to the young at heart as well.

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Kenzaburo Oe

Kenzaburo Oe (大江 健三郎, Ōe Kenzaburō) is a prominent figure of modern Japanese literature. Born in 1935 in a quiet village in the forests of Shikoku, he began writing seriously at the age of 23 and won the Nobel Prize for literature almost 40 years later, in 1994.

According to the Yomiuri Shinbun, Oe created “an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today.” Indeed, strongly influenced by French and American literature, Oe writes about the dignity of human beings. He deals with sociopolitical issues, exploring non-conformism and existentialism.

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Miggy Francia

Section: 12- 4 Sandor School: Don Bosco Technical Institute Makati Subject: 21st Century Literature Miggy Francia is a notable musician in his beloved school Don Bosco Makati ever since in his Junior High School. He was part of the Music Ministry before as the bassist for 3 years straight. He was the former Music Club president back in his Junior High School for 2 years and the president of his own organization Audio Arts Club last school year. He was awarded Musician of the Year back in his Moving Up Ceremony in 2017. Fun Facts:

He can play up to 3 instruments which is the guitar, bass guitar, and the drums. He can play them all well.

He can dance and sing as well.

He is left handed.