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The very thought of Kenny playing an instrument brings me joy!
Can Gotham Kenny sing?
Yup! He loves to qvq He can play the saxophone and piano too!
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OOC: This comes courtesy of my good friend @beyonderveiltalesâthe relaxing sounds of Kennyâs mysterious jungle home. And if you listen very closely, you might just hear Kenny somewhere in the distanceâŚ..humming to himselfâŚ..or maybe to you~
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U-um... part of me is nervous to ask this because I don't want to make you copy somethings but... I know you'll probably put your own twist in anyway /)//u//(\ um... could you maybe hypnotize me in a way similar to when kaa and mowgli first met? I'm sorry if it's a bit silly and it's okay if you don't wanna! /)///(\'' I just kinda wanted to ask
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((In response to the criminal question)) Care to tell us one of your favorite stories of this? :3
Ahhhhh, let me see now~
I once came across a trio of brothersâreally nasty, all of them. I guess they were being transferred to a different prison in another country and they managed to escape their handlers. And as it happened, that same night they escaped they had decided to make camp right at the base of my tree, and I discovered them as I was coming back from a successful hunt.Â
Oh, they thought they were in the clear, boasting to themselves about how clever they had been and talking about all the things they were going to do once they got back to civilization. Most of them terrible things, naturally. Well, I decided to have a little fun with them.Â
First, while they sat around their campfire talking, I used my tail to stealthily poke and tickle them, and they assumed each other were to blame, so they started fighting among themselves. That was pretty funny~Â
Now, the tree I happened to be staying in at the time was an old-timer, and there were a lot of hollows and holes in it from age and other animals living in it. There was a hole way up high where I was hidden, and if I spoke into it, it went all through the tree and my voice came out of it sounding really loud and eerie. So I starting singing something low and haunting into it. It scared the pants off of them; I think they literally went green, hahaha! One of them said it was ghosts or some kind of nature spirit coming to steal their souls, and I decided to run with thatâI whispered really menacingly into the tree hollow that I was, in fact, going to take their souls, because of all the terrible deeds they had committed. And thatâs when I showed myself to them and gave them my best scary hiss, baring my fangs and all.
Well, like I said, I had just been back from a successful hunt, and I hadnât exactly had time to clean up afterwards, so you can probably imagine that I was not a pretty sight, hahaha! They screamed and turned tail right there on the spot. I never saw hide nor hair of them again, but I wonder if they changed their ways after that.
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Overused Words in Writing & How to Avoid Them
Weâve all got our comfort wordsâthose trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.
1. âVeryâ and Its Cousins
Why Itâs Overused: Itâs easy to tack on âveryâ for emphasis, but itâs vague and doesnât pull its weight.
Instead of: âShe was very tired.â Try: âShe was exhausted.â / âShe dragged her feet like lead weights.â
đĄ Tip: Use precise, vivid descriptions rather than vague intensifiers.
2. âLookedâ and âSawâ
Why Itâs Overused: Itâs functional but flat, and it often tells instead of shows.
Instead of: âHe looked at her in disbelief.â Try: âHis eyebrows shot up, his lips parting as if words had failed him.â
đĄ Tip: Focus on body language or sensory details instead of relying on generic verbs.
3. âSuddenlyâ
Why Itâs Overused: Itâs often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.
Instead of: âSuddenly, the door slammed shut.â Try: âThe door slammed shut, the sound ricocheting through the empty room.â
đĄ Tip: Let the action or pacing create urgency without needing to announce it.
4. âSaidâ (When Overdone or Misused)
Why Itâs Overused: While âsaidâ is often invisible and functional, using it in every dialogue tag can feel robotic.
Instead of: âI canât believe it,â she said. âMe neither,â he said. Try: Replace with an action: âI canât believe it.â She ran a hand through her hair, pacing. âMe neither.â He leaned against the counter, arms crossed.
đĄ Tip: Donât ditch âsaidâ entirely; just mix it up with context clues or action beats.
5. âFeltâ
Why Itâs Overused: Itâs a shortcut that tells instead of showing emotions.
Instead of: âShe felt nervous.â Try: âHer palms slicked with sweat, and she couldnât stop her leg from bouncing.â
đĄ Tip: Let readers infer emotions through sensory details or behavior.
6. âReallyâ and âActuallyâ
Why Itâs Overused: They add little to your sentences and can dilute the impact of stronger words.
Instead of: âI really donât think thatâs a good idea.â Try: âI donât think thatâs a good idea.â
đĄ Tip: If a sentence works without these words, cut them.
7. âWalkedâ or âRanâ
Why Itâs Overused: These are go-to movement words, but they can feel bland when used repeatedly.
Instead of: âHe walked into the room.â Try: âHe strolled in like he owned the place.â / âHe shuffled in, avoiding everyoneâs eyes.â
đĄ Tip: Use verbs that convey mood, speed, or attitude.
8. âJustâ
Why Itâs Overused: It sneaks into sentences unnecessarily, weakening your prose.
Instead of: âI just wanted to say Iâm sorry.â Try: âI wanted to say Iâm sorry.â
đĄ Tip: Delete âjustâ unless it adds essential nuance.
9. âThoughtâ
Why Itâs Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.
Instead of: âShe thought he might be lying.â Try: âHis story didnât add up. The timelines didnât match, and he wouldnât meet her eyes.â
đĄ Tip: Immerse readers in the characterâs perspective without announcing their thoughts.
10. âNiceâ and Other Vague Adjectives
Why Itâs Overused: Itâs generic and doesnât give readers a clear picture.
Instead of: âHe was a nice guy.â Try: âHe always remembered her coffee order and held the door open, even when his arms were full.â
đĄ Tip: Show qualities through actions instead of relying on vague descriptors.
Final Tips for Avoiding Overused Words:
1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your characterâs voice and the sceneâs tone.
2. Read your work aloud: Youâll catch repetitive patterns and clunky phrases more easily.
3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.
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Family Reunion - Part 1
(A Gotham AU, featuring @the-nagakenny-archives Gotham AU Kenny)
âISABELLA! GET BACK HERE!â
Get to the car. Get to the car. Get to the car!
A young woman slams the front screen door open, almost tripping down the patio steps. She manages to catch herself onto the railing, the wood creaking heavily under her weight. She quickly rights herself, pushing a lock of dark hair out of her eyes. She leaps off of the porch steps and onto the cold wet grass. Her heartbeat already rising up to her throat. Where is it? Where is it?!
âONCE I GET MY HANDS ON YOU, YOUâD WISH YOU WERE HUNG OVER A BRIDGE!!â
The woman looks over her shoulder and almost stops in her tracks. A tall, bulky man was standing where she was not ten seconds before. The dim porch light outlined his thick and intimidating figure. If there was a full moon out, the woman wouldâve seen pure hatred and spite on his face. His mere presence pushed the womanâs adrenaline into overdrive.
Before she knew it, she rammed into a large metallic mass, falling onto her rear. The car! Without thinking, she scrambles to her feet, pulls out the keys from her back pocket, and shoves a key into the keyhole.
âIf you really think you can leave without my say so, youâve got another thing coming!â The man bellows.
Closer. Heâs getting closer!
The woman turns the key and hears a small click. She opens the car door and climbs inside as the man almost grabs her arm. She quickly locks her door and shoves the key into the emission. The old Honda comes to life, her engine purring like a kitten. She switches the headlights on⌠only to scream.
~~~
âYes Mrs. Doubtfire I understand. Let me go and double check on your order and Iâll get right back to you, alright?â Lillian Ozanne asks, her voice chipper as a bird.
âOh thank you Lillian,â an older woman exclaims through the saleswomanâs telephone. âYou are truly a blessing on Godâs green earth!â
âItâs no problem maâam. I will contact you in about a few minutes.â Not soon after she hangs up, Lily slumps back into her office chair and looks up at the clock on the far wall. 4:57. She sighs. Usually, she would be out the door and walking to her apartment by now, but it looks like sheâll be staying behind for a little while longer. Ten minutes tops.
Itâs been nearly four years since she graduated high school and over two years since Mr. Culpepper hired her as the new customer service representative. At first, Lily was intimidated by the tall, muscular CEO during her interview. However, his charismatic and playful personality struck a chord with her. Even his charming grin and hearty laugh made her chest flutter. Not to mention all of the small talk they would have during her breaks and how she admired his long copper locks. She shakes her head back to reality. Work first, daydreaming later.
Suddenly the telephone starts ringing again. Lily sighs, frustration starting to take form.
âHello! Thank you for calling Culpepperâs Cuddle & Pillow Emporium! Lillian speaking,â she answers in her fake chipper voice.
âL-Lily? Is⌠is that you?â
Lilyâs stomach drops. That voice. Is that-?
âBella? Y-yeah this is Lily.â
Bella sighs with relief. âOH THANK GOD! I thought you were someone else!â
âNo honey itâs just me right now. Howâd you get this number?â
âThere was an ad in the newspaper a while ago. I wanted to call you earlier with it but⌠I wanted to wait.â
Oh right. There was a meeting about that over two months ago. âWell thatâs really sweet of you Bell, but isnât graduation next week?â
âN-no. I graduated two days ago. I was told you were coming.â
Lily couldnât help but grind her teeth together. That slimy, lyinâ son of a-
âStill on the phone, darling?â
Lily almost jumps out of her seat, a yelp escapes her lips. She whisks her head around to find a tall, handsome red head leaning over her office barrier; both of his thick arms perched over the top. The toothy, playful grin on his face made hers pink.
âM-Mr. Culpepper! You almost gave me a heart attack!â
âAhaha, apologies hon. Couldnât help myself,â he chuckles.
âI- y-yes Iâm almost done. Just give me a minute.â She turns back towards the phone.
âBella, are you still there?â
âYeah, are you okay? I heard you scream.â
âIâm fine. Just got startled,â she says as she gives Kenny the side eye. âAre you still home? I can book a flight and-â
âThatâs⌠not really necessary.â
âWhy?â
ââCause⌠Iâm already here?â Bella squeaks.
Lilyâs face drains from color. âY-youâre here? In Gotham?! How? Did mom drop you off or something??â
âI⌠um-â
âWhere are you? Do you know which street youâre on?â
âUh⌠I think I can see a tall building with a neon sign that looks like that ad from the paper?â
âOkay good. Meet me inside of that building. Iâll be down shortly. Do you understand?â
âY-yes maâam. Love you!â
âLove you too sis,â Lily sighs as she hangs up the phone.
âWait a minute⌠was that your sister?â Mr. Culpepper asks as Lily grabs her purse.
âUnfortunately, yes. It is,â she replies. After all of this time, she was finally going to reunite with Isabella. But how did she get there in Gotham in the first place? She couldnât have bought a bus pass. Unless she was saving up the money after Lily left for college. Or mom mustâve dropped her off without telling me. She always loved to surprise me at the worst of times. Like right now.
Lily suddenly stops in her tracks. âOh shoot! Mrs. Doubtfire! I promised Iâd call her!â
âDonât worry Lily, I can get someone to help with that,â Mr. Culpepper reassures her. âJust head downstairs with me. Besides, I am rather curious about this sister of yours. I can only assume sheâs just as bright and beautiful as you.â
Lillian couldnât help but blush again at his comment. He wasnât wrong there.
She follows Culpepper towards the elevator, enters inside, and sighs. Looks like I have a sister to entertain.
~~~
END OF PART ONE!
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I just love how every version of Kenny had a different but iconic personality to them! Absolutely incredible!
Thought I would do something fun with the different versions of Kenny I have---here's their reactions to being called a monster.
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Trust Exercises
Hereâs a short little tale about me helping my pal Dr. Jim trust me a bit better~
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Pride and Primates
(I was reminded of this story a little while backâI actually wrote it as a companion piece to something my friend @crooked-tarot-rp wrote. It features Lion-O from the newer Thundercats reboot and Monkey King Tarot in a bit of a âbindâ, if you catch my meaning. Enjoy! :D)
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The air is cool in the shade of the jungle canopy. You sigh in contentment and lay back against Kennyâs smooth, cushion-like bulk of coils, gazing up at the exotic and verdant foliage and listening to the birds call to each other near and far. âItâs so peaceful here,â you remark dreamily.
Kenny slithers close and props himself on one elbow, leaning his face against his hand, humming a little in his throat. âMmhmm. Perfect for napping or generally vegging out, which I love doing. Not to mention cuddling.â He looks over at you with a mirthful twinkle in his dark brown eyes. âWould you like to?â
It takes you a moment to realize what heâs asking, and then you blush as it dawns on you. Your heart seems to do a back-flip. âO-Oh, IâŚ.yes, please,â you say with a smile and a nod. You feel excitement and nervousness flutter in your chest as he glides closer.Â
âArms or tail?â he asks you, his voice a playful, chuckling lilt.Â
You consider the choicesâyour hand touches the coils youâre laying on, enjoying their smooth, soft texture. That would probably feel heavenly wrapped around you; you can imagine how snug and safe youâd feel in them. Then you look over at Kenny and admire him for a momentâ-his thick, strong arms, the suppleness of his pectoralsâand he suddenly slips you a wink and comes closer. âI think I know the answer,â he says warmly.Â
His arms slowly come around you, bringing you against his chest. Heâs so warm, his skin so soft; he smells faintly masculine, of forests and earth. You nuzzle against his chest, firm and yet cushy, and sigh deeply as you let his warmth surround you. You can hear the steady, powerful beat of his heart, his breath like the waxing and waning of ocean waves in his chest. You feel drowsy in spite of yourself; the sounds and warmth of his body are almost as hypnotic as his eyes.
He leans his head gently atop yours with a low chuckle and cuddles you just like that, while the sun begins to slink low in the branches, amid the calm of late afternoon. Â
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So⌠my mom found this sea gremlin at our front door this morning. She thinks sheâs cute. @shandzii


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Audio is from Ash vs. Evil Dead, with some extra sound editing at the end. Took me over a month to finish this, but I'm happy with the end result. :)
For context, this is Kenny's evil Eldritch variant, and this isn't anything canon, just meant to be made for fun.
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Story! :D
Hey there folks! Someone asked on here before if there had been any stories written about me! Well, it just so happens there are, and I have one for you right here! This is actually the first time I ever met Hill, as a matter of fact! I hope you enjoy it~!
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Writing Tips
Punctuating Dialogue
â§
⸠âThis is a sentence.â
⸠âThis is a sentence with a dialogue tag at the end,â she said.
⸠âThis,â he said, âis a sentence split by a dialogue tag.â
⸠âThis is a sentence,â she said. âThis is a new sentence. New sentences are capitalized.â
⸠âThis is a sentence followed by an action.â He stood. âThey are separate sentences because he did not speak by standing.â
⸠She said, âUse a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.â
⸠âUse a comma when a dialogue tag follows a quote,â he said.
âUnless there is a question mark?â she asked.
âOr an exclamation point!â he answered. âThe dialogue tag still remains uncapitalized because itâs not truly the end of the sentence.â
⸠âPeriods and commas should be inside closing quotations.â
⸠âHey!â she shouted, âSometimes exclamation points are inside quotations.â
However, if itâs not dialogue exclamation points can also be âoutsideâ!
⸠âDoes this apply to question marks too?â he asked.
If itâs not dialogue, can question marks be âoutsideâ? (Yes, they can.)
⸠âThis applies to dashes too. Inside quotations dashes typically expressââ
âInterruptionâ â but there are situations dashes may be outside.
⸠âYouâll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses donât have a comma after them eitherâŚâ she said.
⸠âMy teacher said, âUse single quotation marks when quoting within dialogue.ââ
⸠âUse paragraph breaks to indicate a new speaker,â he said.
âThe readers will know itâs someone else speaking.â
⸠âIf itâs the same speaker but different paragraph, keep the closing quotation off.
âThis shows itâs the same character continuing to speak.â
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Honestly? All were missing here are Lloyd/John shenanigans XD
Very curious about the body swap alien and police guy you mentioned! Can you tell us more? Or are you wanting to wait on sharing those characters?
I can talk a little more about them! The alien is a Yith who uses the human alias âLloyd Cooperâ. Lloyd is supposed to be in the past temporarily on a scouting missionâthe Yith exist thousands of years in the future and they swap minds with beings in the far past to gather informationâbut when Kenny (or I should say âKennyâ, since heâs using that name as an alias too) is accidentally unsealed, he gets stuck in the past because the timeline is all messed up.
Lloyd teams up with a human police officer named John who inadvertently gets mixed up in whatâs going on, and they do whatever they can to try to stop Kenny and seal him back up again.
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