Ace/aro/agender, over 25. This blog is where I dump everything cartoon-related I like, and probably some headcanons or stories or art. (Tags: Toontown, Darkwing Duck, Ducktales, Duck comics, House of Mouse, WFRR, Disney, Pixar) If ya see me in TTR as Boots Bananagrin, say hello! (Main: [email protected])
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Four years later I still love this HC, it's canon to me
It’s called the Ratcatcher ‘cause on its first night out Darkwing accidentally ran into Megavolt with it
(Megavolt hates the Ratcatcher and has even gotten into a fight with it once)
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#Love this drawing. Very chill#Donald Duck#Gladstone Gander#I shit you not I almost typo'd their names twice in a row#& the typos were Donald Fuck and Gladstone Glander#So this picture was taken 2.5 seconds before they both beat me up Duck family style
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he is going to kill him
#I love how we're never going to run out of funny Gladstone panels#They're all gold. And I'm wheezing#Donald Duck#Gladstone Gander#Duck comics
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The Lackadaisy Season 1 Poster -
Really enjoyed taking some time out to make this. A gold foil version bearing my signature is available for a limited time only. Picking one up helps us keep our indie production funded and moving forward!
Find it now in the Lackadaisy Shop!
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LMAOOOO get him
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Happy Gladstone Yahs Ythursday everybody
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A Jessie/Misty zine is being made to help raise money for Rachael Lillis! I'll absolutely be doing a piece for this~ Join if you can!
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Dear, sweet, Littlefoot, do you remember the way to the Great Valley? I guess so. But why do I have to know if you’re going to be with me? I’ll be with you. Even if you can’t see me. What do you mean I can’t see you? I can always see you.
The Land Before Time(1988) dir. Don Bluth
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thinking about when i mentioned tom and jerry by title alone to my 65 year old father and his only response was to laugh REALLY hard and say "him and that fucking mouse.." while staring into the distance. and then the conversation was over
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Today I learned 3D animation is a horror show outside the camera's field of view.
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The Pink Phink | Director: Friz Freleng | Studio: DePatie–Freleng Enterprises | United States, 1964
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