babybluelove2

[babybluelove2]

made papas jeckole 😹

[babybluelove2]

My haunted Neibolt house I worked on for the past few months and finished in time for Halloween. Painted murals along the walls with It and Dark Tower related themes. Handmade many of the items, including the hutch cabinet in the kitchen and used polymer clay for the clowns, candles, etc. You probably recognize some stuff from my artworks. 

Happy Halloween 🎃

[babybluelove2]

Photos by Avery

[babybluelove2]

“Happy in Gaza. The Palestinian desire for life.”

Photographed by Laura Junka-Aikio, 2004.

[babybluelove2]

7 children threw up at the sight of Leo

[babybluelove2]

[babybluelove2]

[babybluelove2]

i hate what thee online tradwife fascists have done to the term “coquette”…for one the word itself is fun to say but more importantly the style is so nostalgic to me like very much a silly girly campy aloof n playful persona…yall rlly had to inject it with malice and eating disorder propaganda for what reason…

[babybluelove2]

is anyone fuckin with girl!bike

[babybluelove2]

So, tell me — how is it being back in Derry?

[babybluelove2]

Dilara Findikoglu - fw24

[babybluelove2]

[babybluelove2]

yes bev returning to her childhood home is so so important, she’s reopening old wounds and returning to her childhood fears and all of that, but on the flip side we don’t talk enough about bill returning to his childhood home. the fact that he’s back in the town they all hate and fear, and his home, his actual real home, is right there but he can’t go in. it’s not his house anymore. for all of them – the places which held so much love and light for some of them (i’m thinking their sleepovers and board game parties, mike’s love for his parents, the gang helping bev clean her bathroom) but they can’t even go inside and try to refind some of that comfort. ough.

[babybluelove2]

[babybluelove2]

ok i know we all pretend this is a coming of age etc etc but what u guys do NOT understand about the innate INSANITY of stephen king's It is that apart from maybe the silver bullets and the slingshot and, like, the itching powder, there are not very many real weapons used in attempts to defeat It. the entire book relies on the children themselves as weapons. richie's voices, eddie's aspirator, stan's bird book, bill's tongue twister; these are things that are integral to the children, that are completely essential to their personalities. they are eleven years old!! they are eleven years old, they have little quirks just like the rest of us; their little quirks are not quirks but weaponry. they never, ever get to move on from It, from the trauma, because they themselves have been tainted from the age of fucking eleven. it doesn't matter if you forget that something rotten is inside you. even if you aren't aware of it, it's still there. you're an adult, you've left derry, and you're a talk show host like you've always wanted to be, and you're doing your voices for the world, except your voices aren't voices, they're gunpowder. you're the gun. how are the children ever supposed to live real lives, normal people lives, when they have only ever been soldiers? and not only the soldiers, but also the swords the soldiers are carrying? the story would not have been nearly as impactful if it relied on physical machinery as a method of destruction, but it doesn't. the children -- the adult children -- are themselves the only method of destruction. how do you ever go forward? how do you ever grow up? how do you ever move away?

[babybluelove2]

"You should cut that fucking mullet. It's been, like, thirty years, man."

[babybluelove2]

when eddie kaspbrak said “I could never sleep with somebody that I didn't love... and I've never really loved anyone, except you guys”