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Please make a post about the story of the RMS Carpathia, because it's something that's almost beyond belief and more people should know about it.

Carpathia received Titanic’s distress signal at 12:20am, April 15th, 1912. She was 58 miles away, a distance that absolutely could not be covered in less than four hours.

(Californian’s exact position at the time is…controversial. She was close enough to have helped. By all accounts she was close enough to see Titanic’s distress rockets. It’s uncertain to this day why her crew did not respond, or how many might not have been lost if she had been there. This is not the place for what-ifs. This is about what was done.)

Carpathia’s Captain Rostron had, yes, rolled out of bed instantly when woken by his radio operator, ordered his ship to Titanic’s aid and confirmed the signal before he was fully dressed. The man had never in his life responded to an emergency call. His goal tonight was to make sure nobody who heard that fact would ever believe it.

All of Carpathia’s lifeboats were swung out ready for deployment. Oil was set up to be poured off the side of the ship in case the sea turned choppy; oil would coat and calm the water near Carpathia if that happened, making it safer for lifeboats to draw up alongside her. He ordered lights to be rigged along the side of the ship so survivors could see it better, and had nets and ladders rigged along her sides ready to be dropped when they arrived, in order to let as many survivors as possible climb aboard at once.

I don’t know if his making provisions for there still being survivors in the water was optimism or not. I think he knew they were never going to get there in time for that. I think he did it anyway because, god, you have to hope.

Carpathia had three dining rooms, which were immediately converted into triage and first aid stations. Each had a doctor assigned to it. Hot soup, coffee, and tea were prepared in bulk in each dining room, and blankets and warm clothes were collected to be ready to hand out. By this time, many of the passengers were awake–prepping a ship for disaster relief isn’t quiet–and all of them stepped up to help, many donating their own clothes and blankets.

And then he did something I tend to refer to as diverting all power from life support.

Here’s the thing about steamships: They run on steam. Shocking, I know; but that steam powers everything on the ship, and right now, Carpathia needed power. So Rostron turned off hot water and central heating, which bled valuable steam power, to everywhere but the dining rooms–which, of course, were being used to make hot drinks and receive survivors. He woke up all the engineers, all the stokers and firemen, diverted all that steam back into the engines, and asked his ship to go as fast as she possibly could. And when she’d done that, he asked her to go faster.

I need you to understand that you simply can’t push a ship very far past its top speed. Pushing that much sheer tonnage through the water becomes harder with each extra knot past the speed it was designed for. Pushing a ship past its rated speed is not only reckless–it’s difficult to maneuver–but it puts an incredible amount of strain on the engines. Ships are not designed to exceed their top speed by even one knot. They can’t do it. It can’t be done.

Carpathia’s absolute do-or-die, the-engines-can’t-take-this-forever top speed was fourteen knots. Dodging icebergs, in the dark and the cold, surrounded by mist, she sustained a speed of almost seventeen and a half.

No one would have asked this of them. It wasn’t expected. They were almost sixty miles away, with icebergs in their path. They had a responsibility to respond; they did not have a responsibility to do the impossible and do it well. No one would have faulted them for taking more time to confirm the severity of the issue. No one would have blamed them for a slow and cautious approach. No one but themselves.

They damn near broke the laws of physics, galloping north headlong into the dark in the desperate hope that if they could shave an hour, half an hour, five minutes off their arrival time, maybe for one more person those five minutes would make the difference. I say: three people had died by the time they were lifted from the lifeboats. For all we know, in another hour it might have been more. I say they made all the difference in the world.

This ship and her crew received a message from a location they could not hope to reach in under four hours. Just barely over three hours later, they arrived at Titanic’s last known coordinates. Half an hour after that, at 4am, they would finally find the first of the lifeboats. it would take until 8:30 in the morning for the last survivor to be brought onboard. Passengers from Carpathia universally gave up their berths, staterooms, and clothing to the survivors, assisting the crew at every turn and sitting with the sobbing rescuees to offer whatever comfort they could.

In total, 705 people of Titanic’s original 2208 were brought onto Carpathia alive. No other ship would find survivors.

At 12:20am April 15th, 1912, there was a miracle on the North Atlantic. And it happened because a group of humans, some of them strangers, many of them only passengers on a small and unimpressive steam liner, looked at each other and decided: I cannot live with myself if I do anything less.

I think the least we can do is remember them for it.

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Will we be able to tell the difference between the shots with the 5 fennic foxes and their stunt double david Tennant, because I want to transitions to be as smooth as possible

Sure. All the acting is done by the foxes. If the character of Crowley is blowing up, burning, or being dropped from a great height then it's David Tennant. Except for the scene where he explodes and that's a friend of the producer's named Raoul. Someone could probably make a flow chart to explain it.

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Hi Neil,

I'm starting out as a professional writer. What's your advice for starting in the field? I'm sure you've been asked this all the time but I felt I may as well ask

This:

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COLD WEATHER TIPS FROM SOMEONE WHO LIVES WHERE IT’S COLD:

I always see posts about layering clothing, but there are so many more creative ways to help keep you warm if you don’t have a lot of warm clothes. But first, a note on layering clothing:

-Your underlayer is your WICKING layer. That means it is a layer specifically to absorb the moisture your body produces. DO NOT USE COTTON AS A BOTTOM LAYER. Use merino wool if possible, but other good substitutions are nylon, polyester and rayon. 

-Your middle layer is for insulation. You want AIR POCKETS in there, NOT tight fitting clothes. This is where you want to put your fluffy sweaters, your fleece, down, fur, flannel, or vests. If you do not have these, you can substitute with multiple layers of long sleeve shirts.

-Your outer layer is for keeping the cold away from your body. If you do not have a jacket, you can put on your thickest piece of clothing and then a raincoat over it. Windbreaker if you have one. 

ALSO

-Jeans are the absolute worst at holding heat. Use only as a last resort. 

-You can’t really ever have too many layers on your feet. Alternate tucking your layers of pants into your layers of socks to keep your ankles warm!

-Wear a hat OVER a hood if it will fit! This will keep your ears warmest.

TAKE OFF/OUT ANY AND ALL JEWELERY/PIERCINGS

-If you have a medical bracelet, DO NOT REMOVE IT. If you can, tuck a layer of clothes between it and your skin.

NON-CLOTHING TIPS:

-Raid your recycling. Gather all cardboard boxes and break them down so that they are flat. Put them on the floor to add more layers between you and the cooling house. Newspaper will also serve the same purpose.

-In an emergency, you can also layer newspaper between clothing layers. Don’t worry about looking stupid if you’re staying warm.

-If you have a tent, set that sucker up in whatever room you have decided to stay in. Stay in it and keep it zipped shut as much as you can, but do NOT cover the vent at the top. You can put the rain fly up, but make sure there is circulating air for you to breathe.

-You are probably not going to feel very hungry at times. DO NOT STOP EATING OR DRINKING. Digestion produces a lot of body heat and the food will give your body energy to keep itself going.

-The best foods are heavy and full of carbs and proteins. Eat nuts, eggs, pasta, meats, and beans. If you are on a diet, now you’re not. If you’re vegetarian… bulk up on those pastas and nuts.

-Try not to sweat. If you are finding yourself getting damp, take off the outer layer just until you start to cool slightly. Then redress! Your bottom layer should dry quickly, and being wet is dangerous.

-On that note, STAY ACTIVE. You are probably going to want to hunker down and snuggle up, but that will make your muscles cramp. Every 15-20 minutes do something that gets you up and about. Walk circles in the room, do a couple jumping jacks, stretch, whatever. Just enough to move some blood around your body. Don’t get sweaty or out of breath, it’s just a little movement.

-CHAPSTICK. ON YOUR LIPS. ON YOUR NOSE. ON YOUR EARS. ON YOUR KNUCKLES. Don’t let your extremities get dry or cracked.

SIGNS OF HYPOTHERMIA:

-Uncontrollable shivering -Slurred speech -Confusion or memory loss -Dizziness or lack of coordination -Inability to be woken from sleep

CHILDREN AND INFANTS!!!! I CANNOT STRESS THIS ENOUGH.

-Children WILL get colder before you. Make sure they are properly bundled up.

-If you need to breastfeed, put a blanket over the both of you and wait a few minutes for the air to warm before removing or shifting your clothing.

-DO NOT COVER AN INFANTS FACE. ESPECIALLY WHEN SLEEPING. Keep them tucked inside your own clothes when possible. As close to your heart and stomach as possible. 

-Put chapstick on children’s cheeks and clean their face often if they are crying or wiping at their nose. This will prevent cracked skin and irritation.

-Make sure your children are staying as hydrated as you! They are going to fuss and not want to drink cold things, but they NEED liquids.

SIGNS OF HYPOTHERMIA IN INFANTS AND TODDLERS ARE DIFFERENT:

-Shortness of breath  -Cold, red skin -Lethargy or listlessness

Finally:

CHECK ON YOUR NEIGHBORS. CHECK ON CHILDREN. CHECK ON THE ELDERLY. STAY SNUGGLED. STAY SAFE.

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I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:

-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.

-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)

-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.

-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.

-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.

-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”

-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)

-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.

I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.

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Shout out to the day i killed the queen via AO3, legendary (name of the fanfic is jigens sick adventure, yes it is a sickfic)

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Request for a patron who wanted Aziraphale enjoying some less-than-accurate literature!

ft. bonus monochrome version 

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Hello Mr Gaiman!

I don't know if you've answered this before, but here it goes: why is Crowley burnt by his own fire when he signs his name in the first episode, when he's taking the antichrist? Since he is not burnt by the hellfire when taking Aziraphale's place.

Hope you're having a great day! Thanks as always!

He isn't.

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Making It Weirder - David Tennant at C2E2 discussing Good Omens

I think Neil Gaiman and Terry Pratchett… they have a very unique writing voice.  I think that’s why they’re so beloved and that’s why they have such huge fan bases.  I think if anyone else had tried to adapt Good Omens for the screen they would have made it normal.  They’d have sort of knocked off the bananas edges.  It would just have made sense to make it more linear and to reduce the number of characters and to take some of the weirder stuff out, because it’s hard to film. And Neil being Neil just went, “No we’re doing all of that, exactly as it is, and do you know what?  We’re going to make it weirder”   

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One of the most important things I have learned today..

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This Tik Tok that just came across my FYP: “Will y’all authors stop using the word ‘cock’?? There’s so many other words!!”

Ma’am, respectfully, that is the least objectionable / most palatable word for that particular reproductive organ

and also respectfully, no, I will not stop 😂

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Why Paldea's Flying Taxi don't use Corviknights

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Aziraphale, hanging out on Noah’s Ark watching the flood waters rise. Hears a noise down in the hull and goes to investigate.

Finds Crowley stowed away in the hull along with several hundred Mesopotamian children ranging in age from infants to late teens.

Crowley, in the middle of passing around a bread basket that endlessly refills itself, looks up like a deer in headlights. “Okay, I can explain this…”

—Later that day—

Crowley, while bottle feeding one of the infants: I mean clearly the Almighty wants these children dead, what with their capacity for evil and stuff, so by saving them all, I’m actually going against the Ineffable Plan.

Aziraphale, hiding a smile: Right. Makes perfect sense.

Crowley: I’m being very evil here.

Aziraphale: Of course you are.

Crowley: …you’re not about to throw them all overboard, are you? Because I will fight you.

Aziraphale: Oh, no. You’ve clearly outwitted me this time. I must accept my defeat with grace. And Noah has enough on his plate with the animals, I shouldn’t burden him with this. You’ve won this round, wily serpent.

Crowley, getting choked up: Y-Yes, that’s right. I’m very wily. And evil. Don’t forget that.

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Lost Hat (A short comic) 

This was the scene that inspired me to draw the comic. The idea has been in my head since June, after the release of the Good Omens episodes. It went lying in my folders for a while, but I’m glad to finally have it finished!  Thank you for reading :)

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PAGES 1, 2, 3 NEXT: HERE FIRST: You’re here! UPDATES SATURDAYS

Heeeeeey! So! I was talking to a writer over on AO3 and they were nice enough to let me make a comic of their fic! It’s about 80 odd pages and will be explicit in the second half (there’ll be ample warnings etc) just so you know what to expect, but it’s a really sweet little fluff about what happened after the not-apocalypse. 

You can go and read the fic yourself HERE! If you want to get a head start, or wait for me to get done with pages! I’ll be posting them in sets of 3 each time, barring the cover. 

Go and see the writer!: @knightofthesevenfandoms

See the finished pages early!: https://www.patreon.com/user?u=22040210

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YOU’VE HEARD OF WINGFIC, GET READY FOR THE NEW WEIRD THING: NESTING FIC.

So I was inflicting myself on @thebibliosphere‘s DMs the other day, as is occasionally my wont, and I was telling her about this new ridiculous headcanon that I have, to wit: Angels engage in nesting behaviors as an elaborate mating ritual.

“Joy,” I said. “Joy. Joy. Joy Joy Joy. That’s what the bookshop is. It’s a nest, Joy. That’s why he’s spent 200 years filling it with things he likes. That’s why he gets super fucking mad when people try to come in and buy bits of it off him.”

I am extremely committed to sparkle motion, so I have prepared for you, darlings, several different angles that one could take on a nesting!fic if one were going to write it.

Keep reading