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Me, starting a video that says it's going to explain how Victorian poorhouses fucked up the concept of charity forever: ok, show me what you've got
Video: it starts with the ideas of the Christian philosopher --
Me: DON'T SAY IT DON'T FUCKING SAY IT
Video: -- John Calvin
Me:
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Here’s the horror comic I drew for this year’s 24 hour comic day/48 hour comic weekend, called “The Night-Mother”.
Content warnings: miscarriage, child loss, violence, death, nudity
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Page 336
Heads up! This will be the last page of 2024, as I will be working pretty much seven days straight this week! Merry early christmas to those who celebrate, and have a happy, safe, and healthy holiday! See you next year!
(Links coming in afternoon reblog!)
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the person asserting the make-a-wish child's right to an aryan doordasher is a she-ra fandom blogger embroiled in callout drama who regularly posts thousand word essays invoking the threat of femicide as the reason taylor swift can't come out as a lesbian. just for the epistemology of the concepts here.
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Discussions of what "counts" as "canon" queer representation fall apart the second you start talking about media older than about five years or so. If your only metric for "canon queerness" is a character looking directly into the camera and explaining their identity in specific, modern, US-American-English terminology, you're not going to get a good picture of what queer media looks like. If your barometer for what counts as "canon" requires two characters of the same gender to kiss on-screen, you're not going to get a good picture of what queer media looks like.
Dr. Septimus Pretorius (portrayed by Ernest Thesiger in 1935's Bride of Frankenstein) was never going to look directly into the camera and explain his sexuality in 2024 terms, but he remains an icon in queer media history. You cannot look at that character (blatantly queer-coded in the manner of the time, played by a queer man in a film directed by another queer man) and tell me that he isn't a part of queer media history.
To be honest, even when discussing modern queer media, I would argue that the popular idea of what "counts" as "canon" is very narrow and flawed. I've seen multiple posts in the past few days that say the Nimona movie is "implied" trans representation, and I just...no, y'all, it's not "implied," it's an allegory. The entire damn movie is about transgender struggle, and the original comic is deeply tied into N.D. Stevenson's own queer journey. It isn't subtle. You cannot look at that movie and pretend that it isn't about trans struggle. It's blatant, and to say that Nimona "isn't canonically trans" is a take that misses the story's entire message, and the blatant queerphobia that almost kept the movie from happening. (I wrote a five thousand word essay about the topic.)
Queer themes, queer coding, queer exploration, and queer representation can all exist in a piece of media that doesn't seem to have "canon queer characters" on the surface. Most queer characters are never going to be able to explicitly state their specific identity labels, be it due to censorship or just due to the fact that scenes like that don't fit in some narratives. Some stories aren't conducive to a big "so what's your identity?" scene.
Explicit, undeniable, "this is my identity in no uncertain terms" scenes are very important and radical, and I'm not saying they shouldn't ever exist. I am saying that you can't consider those scenes the only way for queerness in a piece of media to be "canon."
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Man kills multiple, poor, children at schools: Ough just plain murder, sorry we can't get his sentence any higher there's no way we could :(
Man kills someone with the blood of thousands on his hands, but that someone happens to be rich: YOU'RE A TERRORIST TERRORISM! TERRORISM!!!!! JAIL FOR 100000000 YEARS!!!
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trans men are trans. if you hate trans men, you are transphobic.
if this is difficult for you to parse, start from the beginning of this post and read it again until you digest it.
you can try to 4D chess yourself into thinking it's okay to hate trans men and that somehow doesn't make you transphobic, but you're being transphobic by definition whether or not you think you are, and nobody fucking cares whether or not you think you're transphobic: you are.
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i wish every engineer a “try going around your building in a wheelchair”
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always blows my mind as a european when people talk about states like “yeah theres nothing in ohio/montana/wyoming/etc” because i look at a map like but. but theyre so big. every state could qualify as its own country what do you mean theres nothing there. and then i ask people from those states and theyre like “yeah theres nothing here” what do you mean theres nothing there!!!
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Finding out that Frances Dana Barker Gage, a white woman, rewrote Sojourner Truth’s famous speech to be more stereotypically “Southern slave” (complete with slurs and misspellings like dat, dere, dey) when Sojourner Truth was actually from New York and spoke only Dutch until she was almost ten and wouldn’t have actually sounded that way linguistically and decidedly did not use the phrase “Ain’t I A Woman?” at all is…whew. And on top of everything, she embellished details about Sojourner Truth’s life (like the number of children she had/how many of them were sold into slavery), wrote that ST said that she could take beatings like a man, and the reception of the speech in the room (she claims ST was called a n*gg*r, earlier accounts say the room was welcoming).
Lmaooo peak white feminist antics.
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