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Wild Karnataka

Karnataka is India's 6th largest state of which has a recorded forest area of 38720 km2 which constitutes 20.19% of the total geographical area of the state.[8] Its ecosystem supports different kinds of forests, ranging from the wet evergreen forests of the Western Ghats, to deciduous forests of the Mysore district to thorn scrub forests and rocky outcrops of Ramnagar and Daroji, extending to the riverine and marine ecosystems, all found in this one state of Karnataka. These forests support 25% of the elephant population and 20% of the tiger population of India, making it home to the largest population of tigers and Asiatic elephants on the planet. This 52 minute film took 1500 days of production with 15000 hours on the field resulting in 2400 minutes of footage from 20 cameras and 50 sequences all shot with an intention to spread awareness, love and respect for the state's majestic and beautiful natural history and heritage.[9][7] Yet all of this was shot at locations that were only a 7-hour drive from the capital district of the state, Bengaluru.

Wild Karnataka

Subject Wild Karnataka displays the varied habitats and species across Karnataka. The film is story driven. Subjects include tigers and elephants, along with lesser-known species like the Lion-tailed Macaque, Hornbills, amphibians and reptiles. Wild Karnataka was the first film in India to be narrated by Sir David Attenborough. The music for the film was composed by Grammy award-winning music composer and producer Ricky Kej.[10]

Production The documentary took about 4 years to produce from more than 400 hours of footage.

The film was shot using cutting edge technology and cameras with 4k broadcast quality. No wildlife in India has ever been seen from an aerial perspective, making the Wild Karnataka team the first to do so. Quiet air-borne cameras were used for this so as to create minimum disturbance for the wildlife around it. Using these equipments we were able to capture great footage and insight into animal behaviour as these equipments did not intrude into the natural living of the wild.[11] This is the first wildlife film in which has an equal representation of women. As opposed to the traditional instances where women work in the production side of a film and as much on the field bringing in a different perspective.[12]

Filmmakers and partners The team behind the film include Prashanth S Nayaka, Praveen, Sugandhi Gadadhar, Raghunath Belur, Adarsh Raju, Pradeep Hegde, Pooja Rathod[12] and Ashwini Kumar Bhat and was headed by award-winning wildlife photographers and film-makers Amoghavarsha J S and Kalyan Varma with the unwavering support of Chief Conservator of Forests at Karnataka's Forest Department, Mr. Vijay Mohan Raj and acclaimed naturalist Sarath Champati.[13]

Even though the theme of the documentary is forest and wilderness, the Forest Department has not made any funding and much of the film's financing has come from eco-tourism resorts and mining companies.[14] The partners include Sandur Iron ore and Manganese Limited, Discovery Village and Jungle Lodges & Resorts.[14] https://aman37.doodlekit.com/blog/entry/7777420/the-gentlemen-movie-review-an-edgy-dose-of-actioncomedy

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Avengers: Endgame

Avengers: Endgame’s mantra is “whatever it takes” — primarily in the context to defeat the mad Titan known as Thanos. But over the past few weeks, that mantra has also been quite appropriate to describe Marvel’s efforts to push Endgame past 2009’s Avatar as the movie with the biggest worldwide box office in history (unadjusted for inflation). And this past weekend, Endgame finally surpassed the reigning champ.

It took 13 weeks at the box office, a post-credits trailer from the then-upcoming Spider-Man: Far From Home movie, and a final rerelease in theaters late last month with new post-credits material.

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Endgame made an estimated $1.19 million at the domestic box office this weekend to push its total worldwide tally to $2.79 billion. Avatar’s haul stands at $2.789 billion. The record is the newest jewel in Marvel’s crown — or Infinity Stone in its gauntlet, if we want to stay on theme with the Marvel cinematic mythology. When the movie came out in April, it set the record ($1.2 billion) for the biggest worldwide opening weekend in history and the biggest domestic opening weekend in history; it also holds the fastest-to-$1 billion title (it only took five days).

But perhaps the film’s biggest achievement is how Endgame’s world-toppling piles of money affirm Marvel’s moviemaking strategy. Twenty-three years ago, in 1996, Marvel had filed for bankruptcy and sold off the film rights to some of its characters just to stay afloat. Left with second-tier characters like Thor and Captain America (Spider-Man and the X-Men were the most popular characters then), the comic book company began to introduce the Marvel Cinematic Universe with 2008’s Iron Man, and slowly built out a tapestry of interconnected films, each one vying to be more successful than the last.

And now, 11 years of Marvel movie magic later, Marvel Studios has the biggest movie of all time. The record-breaking news coincides with this weekend’s announcement of 10 new projects — movies and television shows — that symbolize “Phase 4” of its grand design. It would be quite a feat if any of those movies turn out to be as big as Endgame, but remember, it took 11 years of storytelling to get to Endgame. Give Marvel 11 more years and anything’s possible.