autobotprime

[autobotprime]

So I am infamous now for the time I pointed out Op and Meg's eyes both are tears of sadness and of rage.

But @seraphim-seeker commented on my Megatron one with this in the tags

So yeah, what about Ratchet?

Ratchet has been described, in the Art of Prime to have soft eyes

Which, when looking at Ratchet, does in fact come across in his design but I wanna point out one very vital factor in his eyes.

These almost teardrop like additions to them.

And, knowing how rare to see them it is , believe me, I had to go through a lot of clips to find shots where it showed these tears I once again cannot help but be reminded of tears, of a medic in mourning.

Mourning what? The loss of his world, of his allies, his loved ones, his patients.

And it is so rare to see these tears, just as rare as it is to see Ratchet be vulnerable, because he puts on the armor and shields that hide his emotions from others.

With the kids for example, he immediately rejects the idea, but grows so close to Raf

one of my favorite gifs that shows how gentle and soft Ratchet once was is this

How he is quick to use both hands to catch Raf, and makes sure he has a hold of him with both, before making sure to shift to one carefully.

And keeping his eyes ON Raf, all times as he carries him.

And as always I mention RID15 for the rare good thing it did in design

It showed how tired he is. He was a war medic, making sure everyone made it back in one piece and made it out alive, and RID15 shows it in a way that makes it also feel so tragic

Ratchet bears the tears, ever eternal, of a doctor who couldn't save many, but saved those that mattered most.

Grumpy he may be, but there is a gentleness to him, no matter what he says to all.

[autobotprime]

GRUMPY OLD MAN TICKLES!!

Click for better quality!

He needs to smile more frfr,, and with the help of his favourite no less.

[autobotprime]

“Why would transformers ever need blankets or pillows??”

Have you never considered the tarps placed on cars and vehicles like blankets,,,, Also I think they deserve some comfort in their life.

Tuck that robot in a blanky rn

[autobotprime]

พลั่วน้องD

[autobotprime]

“You can’t save everyone, kid.”

still from Transformers: Ashes of Cybertron | The Rebel’s Story

Season 3, Ep. 40 “Burning Paradise”

I’ve spent the last 16 months planning, writing and drawing. I’m a third of the way done…and haven’t truly completed a single aspect of this project…so of course I skipped all the way ahead to create a mood piece from the literal climax of the series because I was feeling *anxious*. All 62 episode titles are also the titles of the songs that inspired the series. For this one, “Burning Paradise” by MEJKO was the inspo. Talk about despair.

[autobotprime]

[autobotprime]

Too close Orion 🔫🚚

[autobotprime]

the quiet ones.

[autobotprime]

I like this song, I thought of them.

[autobotprime]

On Writing a Compelling Fetch Quest, as told by TFP

Save for a single recap episode, season two of Transformers Prime is one long high-octane fetch quest, gunning for weapons and tools and eventually the keys to restoring Cybertron.

See this post where I’ve already gushed about this show but I just rewatched season 2 and it does absolutely everything right when so much of the tension could just come from the macguffin of the week.

Full Spoilers Ahead.

—

Season 2 begins with an amnesiac Optimus convinced he’s still best buds with “Megatronus” and that he’s still Orion Pax, factory reset to before he became a Prime with no knowledge of the war or Autobots or Decepticons. In this version of the lore, he was an archivist, the skills of which come into great use as he can decode ancient encryptions that Megatron’s had sitting locked in a vault and unable to crack for, seemingly, eons—unknowingly helping the enemy murder all his friends.

The information contained in this “Iacon Database” prompts the fetch quest that takes up the entire season. After the three part season debut (6 part if you count the 3 part season 1 finale as one long movie) where Team Prime ventures on their own fetch quest to restore Optimus’s memories, the board is nearly set. But first, a couple other episodes catching up with C-tier villains and bringing in some shiny new characters.

In these episodes, Megatron’s second-in-command, Starscream, who’s been rogue for quite some time, loses his ability to transform after trying to screw over Bumblebee. A “loose cannon” for Team Prime returns not quite as a main character, but more present than his lone episode in season 1, and Starscream’s replacement, Dreadwing, makes his debut. And, the other rogue character, Airachnid, is temporarily disposed of.

The board is now set: Autobots, Decepticons, and Starscream.

We begin at episode 11, where Megatron decides it’s a grand idea to infect his ship with zombie fuel to speed up some repairs, and the ship gains a life of its own, decoding the rest of the Iacon Database that Optimus left sitting behind, a job left to a different ‘Con, Soundwave, who’s no Optimus but doing his best. In that episode, the humans of Team Prime sneak aboard the wayward ship, steal the only four coordinates of the Fetch Quest that are available, and get the heck out of dodge.

Episodes 12-15: Four whole episodes occurring simultaneously, everyone available on both teams, every major player, Starscream included, all racing to these four locations to pick up either mystery weapons or tools of varying mass destruction. Each episode is intercut with dialogue and details from the other units, all coming to a head with the near-death of the Team Prime “Tank,” Bulkhead.

What’s in these four episodes is just a taste of the tension that the rest of the season will take on, kind of like a tournament arc pitting unlikely foes against each other over the MacGuffin of the day. My favorite is Wheeljack (robot cowboy samurai) and Ratchet (grumpy medic) vs Soundwave (aforementioned decrypter replacement who does not speak). The episode is visually gorgeous with a showdown on a cliff at sunset with the most beautiful golden hour for the fight (pictured above).

Every MacGuffin brings a new twist to the fight of their episode, of the four, 1 goes to the Bots, 1 goes to the Cons, 1 goes to Starscream, and 1 gets destroyed.

In the Wheeljack episode, Ratchet comes up with an idea to sneak a virus into Soundwave so they can steal the rest of the Iacon Database from the Cons, which proves a success.

Enter episodes 16-19, where we take a break from the pacing of the fetch quest to bring in another new character, Smokescreen, let Bulkhead heal up, let Wheeljack almost get murdered horrifically by giant bot beetles, and teach a little girl about how revenge does not bring peace. Oh and do away with the C-tier villains, they (almost) all die.

Episodes 20-23 are the last five coordinates for the quest: A fancy new sword to sell toys for Optimus in an absolutely badass episode where he cuts a whole mountain in half, and the 4 literal keys to restoring Cybertron.

The new tension comes from both making sure that Team Prime gets all four keys, and making sure that Megatron does not find out how important they are.

Team Prime gets 1, Megatron gets 1, Team Prime gets another, and then Starscream comes in out of nowhere to steal the 4th, and then sneaks into the base of Team Prime to steal the other 3.

I cannot remember the exact quote but after a yell of absolute anguish and frustration, Optimus collects himself enough to say: “The fate of our world now lies with Starscream, whatever his intention.”

Because, Starscream can’t do shit alone. He just has a very powerful bargaining tool to either buy back the Bots favor, or buy back his place with the Decepticons. Underscoring the importance of who has the keys is this: Whichever side restores Cybertron will have effectively won the war, able to then brand the other side officially as traitors, for a whole new reign of absolute authority. The stakes could not be higher.

Episode 24: The second and far superior flashback episode taking a look exclusively at Starscream’s role throughout the series and all his fabulous shenanigans, as Megatron puts him on trial to decide whether he should just kill his traitorous little SIC.

While these flashbacks are being displayed literally on a screen like they’re connected via HDMI cable, Dreadwing (Starscream’s interim replacement) finds out that not only did Starscream get his twin killed way back in season 1, but then raised his corpse and left the zombie wandering around the fifth dimension, and Megatron knew about it, and lied. (Dreadwing is a fantastic lawful evil character, this post is just ridiculously long already without giving everybody bios)

The episode ends with Dreadwing betraying his whole side to give Team Prime intel, and a magical MacGuffin hammer (that they initially lost in the earlier stages of the Fetch Quest) to level out the playing field, he then goes back to his team and monologues a bit too long before trying to kill Starscream himself (as Megatron still won’t) and gets murdered for his efforts, when he was absolutely right.

At this point, Starscream is back with the Decepticons, they have all they keys (but not yet the knowledge of how they work or where they go to), and they believe that they have a free shot to fly back to Cybertron as the Autobots don’t have any way to get there themselves.

Enter the finale: Episodes 25 and 26. We’re almost there.

The magic MacGuffin hammer Dreadwing gave the Bots can fix or craft almost anything (with limited uses) and they use it to make their wormhole portal into a much beefier version—a space bridge—to portal themselves to Cybertron with every single weapon they’ve collected over the course of the Fetch Quest in their arsenal.

This is a mission they’ll either win, or die trying, they have to steal back the keys and reach the lock before Megatron does, and Megatron just figured out where the lock is.

The Bots manage to do it all, get the keys, take out hoards of faceless minions in their way, they’re a the lock, all they have to do is turn it on.

When out of seemingly nowhere, Megatron executes his backup plan: The whole season, he’s had Soundwave quietly scoping out the Bots’ secret base, and the homes of their human allies. Due to a grave mistake on Ratchet’s part, those humans are not protected at the worst time possible, and they get kidnapped.

Megatron delivers an ultimatum: Cybertron, or three human children?

Rather controversially, Optimus chooses the children, but destroys the lock so Cybertron can’t be revived by either side.

Episode 26 then ends with the reveal that Megatron discovered the location of their base, and as they all scramble to different corners of the earth, Megatron nukes it, and Optimus with it.

—

What I think TFP does really well with the MacGuffins is that, by and large, they themselves are never the point of their episodes. The writers knew audiences wouldn’t be sated with just the objects themselves carrying the story, which is what every fetch quest story should be:

The MacGuffin itself does not mean shit to the audience, 9 times out of 10. It could be swapped out for something else and largely not impact its purpose in the story. What matters is what it means to everyone who wants it, and what they’re willing to do to get it.

In TFP's case, these MacGuffins cannot be replaced. Several show up more than once to give unique advantages to different fights or become incredibly useful 11th hour tools—the setup and payoff with them is fantastic.

Yes, some of these “relics” are dangerous weapons, but in the background of the whole season there is so much subtext. Optimus’s guilt and Megatron’s manipulations over what he did while he had no memory. Various rivalries between sides coming to a head. The Starscream wild card that continued to take everyone by surprise again and again. Optimus’s increasing impatience to finally end this war and set aside the rivalry to try and kill Megatron for real this time, several times.

Regardless of who had what item, the balance of power between both sides was shifting constantly. The Bots would get a slight advantage, and the Cons would match it immediately. The Cons would win a battle, but then infighting would cost them the next one. Optimus’s fancy sword was shattered the very next episode when Megatron made his own using a stolen hand of a dead Prime to power the magic creation hammer—a nice bit of commentary on mutually assured destruction. Megatron never would have gone that far if Optimus didn’t get his own uber powerful weapon first.

Nor was every battle over the MacGuffin-of-the-day the same. Different players, different environments, different rules at play depending on the power of the MacGuffin itself, or the ulterior motives of either side.

And there were consequences, too, as this series is pretty mature. Dreadwing dies pretty graphically, a different dead Bot gets turned into a ghoul and his (totally canon) husband loses his shit over seeing a filthy human wearing his metal skin around.

If you won’t watch this show because you think the franchise is lame, I can’t change your mind, but if ever there was an entry into the franchise that proved how good it could be—and there is a time and a place for the camp of G1—TFP would be it.

[autobotprime]

Optimus discovers humans.

Had a vision after remembering this amazing post by artist, Lomonte

[autobotprime]

I Saw Transformers One Early Last Week, Let’s Talk About It!!! (SPOILER FREE)

EXPECTATIONS

I’m going to be honest, I had very very low expectations for this movie for a multitude of reasons. The first was the cast, particularly choosing celebrity hires instead of professional voice actors for a franchise where dialogue delivery means SO MUCH historically and the present. I like Chris Hemsworth, I do, but I am so attached to Orion Pax that I did NOT see him as someone fit for the role. I was also afraid of it becoming a WFC situation where the VA tries TOO HARD to be Peter Cullen. I am also a huge fan of Elita One, and Scarlet Johansson was not my first choice by any means. The one thing giving me hope was the fact that Scarlet and Chris interact SO WELL in their films together and in press releases and they do give off that Orion and Elita energy sometimes. Regardless, I was skeptical.

Now for the big thing: I was very nervous how they were going to handle the politics and the buildup that leads to Megatronus and Orion’s separation. It is no secret that Pre-War Cybertron in many continuities begins with a very corrupt and fascist Senate. Corrupted Senators, capitalistic manipulation and unethical abuse, dehumanization, corporal punishment, you name it, Cybertron had it. The concepts of functionalism, shadowplay, mnemosurgery, and empurata also come to mind. It is also no secret that the United States is on the brink of total fascism. A lot of Pre-War Cybertron’s themes, particularly the Decepticon cause in its early days as a movement, emphasized the elimination of the oppressive regime and reconstruction with an end to the very infrastructure that caused class division and brutalization of Cybertronian bodies. Not only this, but Megatronus and Orion’s schism often comes because of class, particularly privilege and lack thereof, which is something that often happens in revolution. Those with more privilege often think that reform can happen underneath the system that looms over them, just with a switching of a guard and elimination of a few policies. They are often ones who partook in and benefitted from the system by birth or for the sake of survival. Those who come from the lower classes want to burn the entire system down, understanding in its entirety that its very infrastructure is unstable and is not sustainable, no matter who is in power. Examples of this divide despite deep friendship and similar ideas is Andres Bonifacio and Jose Rizal of the Philippines (as a Filipino). Orion, in most cases coming from a privileged background, saw hope in simple reform after extracting the corrupt portions of the federal structure. Megatronus, who fought his whole life to be deemed as sentient, understood that the entire system was diseased and could not go on. It would just eventually continue its horrid practices. I can go on a tangent about this, as someone who studies and writes on anti-colonialism, but that’s another post for another day. My concern based on the trailers was that it would address NONE of that and there would be some watered down conflict that removed the nuances and political passion behind a lot of other continuities. The trailers, to me, were not giving me enough proof that it would be handled correctly.

Initial Experience

My theater was filled with mostly adults of various ages who were fans of different continuities. Some people were even talking about how they thought the movie was going to suck, including me with my dad, who has been a fan since G1 in the 80s and was going in blind. However, throughout the entire film, the whole theater was laughing, gasping, cheering, clapping, and screaming. Afterwards, there were people who were literally talking about how it was the movie they’d been waiting for after years of disappointment. Someone literally shouted when leaving the theater that he was so excited for September when everyone else could see it. My dad, who has not been a fan of recent Transformers material, talked nonstop about how much he loved it. Me personally, I was BRIMMING with excitement afterwards, which is huge given that I was ready to criticize the movie’s every move. Let me get into why- note this is SPOILER FREE.

Orion Pax

Believe it or not, I really liked TF1’s Orion. He was witty, had the snark of Aligned Orion, and clearly had a goal in mind: to entirely shift the status quo by breaking the class distinction. He was extremely optimistic like most versions, something that is often criticized in the fanbase, and is also criticized in the film. However, the qualities that G1 created and the Bayverse destroyed were THERE. Orion was a DORK. He was KIND. He CARED for people deeply, even if they weren’t necessarily thinking about him. He was a KNOWN PROBLEM-SOLVER. His intelligence is noted MULTIPLE times. He really is authentically Orion. I’ll do a more in-depth analysis in September.

Megatronus/ D-16

Now, THIS MAN WAS AMAZING. I am so used for the source of his anger being solely lower class-based oppression amongst other things relating to that. The film offered another option, which I will not disclose, but I thought it was a wonderful addition. I will keep my mouth shut about D-16’s personality in this film because it’s a secret, but just know this new take on Megatronus was a bit refreshing and gives new material for both fan continuity writers and fanfic writers.

Elita

I was honestly scared to see how they would portray Elita, especially with their track record of solely making her Optimus’s love interest and killing her off. I also was afraid that they would turn her into a white feminism caricature, which I can go into depth about for clarification if anyone needs it. However, the writers take feminism for Elita and take a much more in-depth route. I found her well done. She was giving mother in this film, absolutely brilliant. There will be an analysis on her as well in September, especially since they have so much intended room for her.

Worldbuilding and Additional Characters

I think that with about an hour and a half, it would have been SO HARD to create an entire world of deep political brutality and nuance like the comics directly. So, I think the writers created a framework that was good enough to convey the fascist undertones of Cybertron while also leaving so many avenues to explore and elaborate on for future films, whether they be prequels or sequels. Some characters were added in with a bit of context, but no in-depth explanations. While I would normally say that’s a downside, I think that it was actually really smart on their part. If you tried to add all of these complex stories from the comics in an hour and a half film combined with everything else, it would have likely been underdeveloped and left more questions and holes than answers. By removing that, I think that it was a smart move to expand on in their own time and with good pacing. Besides, the presence of some characters was very enjoyable and kept the audience I was with wanting more from them. Not in a “there wasn’t enough of them” way at all, but instead a “they were so cool in the short time they were here I need more now” way. Everyone in this continuity gets a new and different start. I honestly think it would give fan continuity writers motivation to continue what they’re doing, now that basic and consistent pre-war plot lines have been redone. I think for how long the movie is, they did a great job.

Additional Thoughts

I think that everything was pretty well done. The pacing was especially important, given we were supposed to witness a buildup in such a devastating “divorce”. That isn’t done lightly, and they made sure that they built it up enough to where the final blow was devastating. It was SO DEVASTATING that people in my theater were gasping left and right. The comedy was well done, as someone who hates poorly-written jokes for laughs. It fit into the characters’ personalities well, that’s what made it work well. It didn’t feel forced because that’s just how that particular character is. I also think that, as a fandom, sometimes we get too wrapped up in very specific characterizations of these individuals to the point where we refuse new ideas. I was extremely guilty of this. However, this film was truly made by someone that loved the franchise and knew exactly what the fans wanted. Brian Tyler, who did the score for TFP, also doing the score for this film was proof of that (as someone who absolutely ADORES film scores as a musician) There was a good amount of brutality within the rating of the film, so bayverse fans who are itching for something shockingly horrible are in for a surprise. I also think that it knew its boundaries well and moved not to push them while also being considerate of certain audiences who may be a bit younger. It was a good restart, especially for animated Transformers films, and I think that they can really build it into something great. This was a very sound foundation and I was not disappointed.

ALSO, THERE IS A MID AND POST-CREDIT SCENE SO DON’T LEAVE IMMEDIATELY

[autobotprime]

He kinda bad tho.

[autobotprime]

[autobotprime]

[autobotprime]

fuck steve.

[autobotprime]

The Optimus prime a design!!