Fan account of Robert Delaunay, a French artist who co-founded the Orphism movement.
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Poring, 1916, Robert Delaunay
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Untitled, Jacques Villon
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Premier Disque, Robert Delaunay
https://www.wikiart.org/en/robert-delaunay/premier-disque
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MODELE A LA GUITARE, Henri Le Fauconnier
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Ciudades. City, 1911, Robert Delaunay
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Umbrella and Bowler, Fernand Léger, 1926, MoMA: Painting and Sculpture
A. Conger Goodyear Fund Size: 51 ¼ x 38 ¾" (130.1 x 98.2 cm) Medium: Oil on canvas
http://www.moma.org/collection/works/80186
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Rhythm, 1912, Robert Delaunay
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The Hands of Nature Offering Water, 1951, Diego Rivera
Medium: fresco,polystyrene
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Allo! Paris!, Robert Delaunay, 1926, Minneapolis Institute of Art: Prints and Drawings
artist's book with 20 lithographs One of the pioneers of European modernism, Robert Delaunay was primarily a painter, only occasionally delving into printmaking and book illustration. Indeed, Allo! Paris! features his only original book illustrations. The book's subject is the rhythm and vitality of Paris, as manifested in its various architectural landmarks. Delaunay focuses on the Eiffel Tower, which at the time was the world's tallest structure and a potent symbol of modernity. The 20 monochromatic lithographs offer a glimpse of Delaunay's fascination with Cubist fragmentation of space. Size: 11 x 9 in. (27.94 x 22.86 cm) Medium: Lithographs; letterpress; bound volume
https://collections.artsmia.org/art/8880/
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On Brooklyn Bridge, 1917, Albert Gleizes
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Rhythm, Robert Delaunay
https://www.wikiart.org/en/robert-delaunay/rhythm
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Evening Twilight at Acapulco, 1956, Diego Rivera
Medium: oil,canvas,tempera
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Portrait of André Breton, Robert Delaunay, 1922, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Gift of Joseph Pulitzer, Jr. Size: 94 x 62.8 cm (37 x 24 3/4 in.) Medium: Black crayon on tracing paper
https://www.harvardartmuseums.org/collections/object/294693
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Marie-Therese leaning, 1939, Pablo Picasso
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Homage to Bleriot, 1914, Robert Delaunay
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Landscape, 1912, Amadeo de Souza Cardoso
Medium: oil
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Study for The City, 1910, Robert Delaunay
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