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Paul Matthews and Emma Perkins are everything to me. They are soulmates and find each other in every universe but they almost never get past the awkwardly flirting stage before the world ends. They are both losers. They find each other every time an apocalypse commences. They are the only normal people in the whole universe. They are doomed by the narrative. They hate musicals. He tips her 5 dollars and she spits on everyones coffee. They are Orpheus and Eurydice coded. They are a spark that never turns into fire. They are intimate but don't like labels. They are the only constant thing in every timeline. They are what it could have been but never meant to be. They meet in that coffee shop again and again forever. He'll order a black coffee and she'll ask him for his name. And the loop will start all over again.
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sorry. emmas grip Tightening on pauls clothes when he starts singing. bye.
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paul's only 3 personality traits are
not liking musicals
only drinking black coffee
loving emma perkins
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*twirls hair* oh my god he’s sooooooooo doomed by the narrative!
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going insane all by yourself handsome?
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#paulkins and i'll tell u why:#theirs is the only relationship that (i feel) is like an intergral Part Of The Plot#the other two could be written not as#romances and it wouldnt change the show i dont think#but paul and emma?? show isnt the same without that relationship
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oh SHIT oh FUCK i didn't think there'd be a SKELE'ON here i'm so FUCKING SCARED of SKELE'ONS
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No thoughts just who will pray for me (who will pray for me?) When I'm gone (when I'm gone) or until another Richie comes along
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I’m tired of the Jane’s a Car slander. I watched it unedited, and it was literally like three minutes of Tom and his wife (who has been trapped in a car) trying to reconnect despite and/or because of her body dysmorphia. Like idk what you guys usually watch outside of Starkid, but Hatchetfield is a horror series. If you pick just about any horror movie, odds are that it’ll have an even more unorthodox sex scene than that, and you’ll be able to see it the whole time. Gothic horror novels routinely dole out worse. Jane’s a Car was tame. It was at the PG-13 level of sexually suggestive. If that scarred you for life, I have to ask why you’re watching R-rated horror musicals in the first place.
#janes a car#so true op#i think one singly 80s horror film would kill anyone who complained about janes a car
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me and the bad bitch i pulled by being on the neighborhood watch
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very in character for pauls cameo to be him fucking up a social interaction and getting beat up. so good to see him
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