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The choreographer [Olivia Anselmo] is, to put it mildly, a couple of generations younger than me, so some of the steps, I could only stand there and look and say, “It looks fantastic. I have no idea how you do that.” So we took it down a little notch, and I added a beer in the hand for some of the steps, so the man had an excuse to stop dancing and then gradually he would lose the beer, and just lose himself as well. That was a nice approach, and she was wonderful to work with. It’s interesting—it’s been 30 years [since I was a dancer], and within those 30 years, so much has happened in that world. They look as if they’re flying, they’re floating. And I was like, “Yeah, great. Let’s add 30 years on that and see what will happen.” - Mads Mikkelsen on the dance sequence in Another Round (2020)
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Antoine et Colette (1962) dir. François Truffaut
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La Jetée, 1962 
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Claude Brasseur, Anna Karina and Sami Frey in “Bande À Part” (1964). Directed by Jean-Luc Godard.
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The 400 Blows, Dir. Francois Truffaut, 1959
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“Three films a day, three books a week & records of great music would be enough to make me happy to the day I die." 
 —François Truffaut
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Nollendorf Platz, Berlin Lesser Ury 1922
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Zora Neale Hurston collects songs from Rochelle French and Gabriel Brown, Eatonville, Florida, 1935. (Photo by Alan Lomax / Library of Congress Prints and Photographs Division)
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Catton House, 1967
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Le beau mariage, 1982
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Les Rendez-vous de Paris, 1995
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Romy Schneider in L’Enfer, 1964
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Vivre sa vie: Film en douze tableaux (Jean-Luc Godard, 1962)
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New stills from “Le Redoutable”
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