My purpose in life: to create and inspire. I will post thoughts about my writing, writing advice, and general writerly randomness. Also art, usually of my own characters, but some fanart of book characters too. There will also be random astronomy-related posts, and other occasional nice things.
Last active 2 hours ago
Don't wanna be here? Send us removal request.
Text
Astro Boy studies - Dr Tenma
55 notes
·
View notes
Text
it might seem like my whole life revolves around fictional characters but yes it does
129K notes
·
View notes
Text
good things will happen 🧿
things that are meant to be will fall into place 🧿
661K notes
·
View notes
Text
Astro Boy studies
111 notes
·
View notes
Text
![Tumblr media](https://64.media.tumblr.com/f635625ec27d99fdbec16dd030e5715b/0846b8fc2193d9d2-6a/s540x810/b10bfe27c3815ea111346f52034b3a94ab18d0be.jpg)
#this would be great since I have three months to get out of my building so they can tear it down#pls money cat
34K notes
·
View notes
Text
January books read.
14 notes
·
View notes
Text
its him!!!! my boy!!!!
249 notes
·
View notes
Text
Reblog and put in the tags what’s the stupidest injury you’ve ever had
9K notes
·
View notes
Text
![Tumblr media](https://64.media.tumblr.com/6449d690fb2997408791eaa111a78833/4c621afef5d3c101-ff/s1280x1920/db3f24e93224deffe71952f26897f4f1254ec480.jpg)
once upon a time I did some sketches of animated characters voiced by Freddie Highmore
#my art#fanart#from about ten years ago#arthur and the invisibles#astro boy 2009#justin and the knights of valor
11 notes
·
View notes
Text
The best way I can describe to an allo person how you feel about sex as a topic as a sex-repulsed or averse asexual is that it feels like a hype that never ends. As though Despicable Me came out and everyone around you was sending minion facebook memes to each other for years to come. The stores are full of minion themed products; they're in ads and your friends talk about them all the time. And deep in your heart you're like "I'm glad that they're able to enjoy something I personally don't like and am not interested in :3". But there is always this little voice in the back of your head that's like "If I have to see ONE MORE of these little yellow FUCKERS today then God help us all." You make an active choice to communicate only the former.
32K notes
·
View notes
Text
working on my collection
#astro boy#shelfie#wish I'd gotten all the omnibus volumes when I knew where they were#the other three are going to be harder to find now
15 notes
·
View notes
Text
One of the things that’s really struck me while rereading the Lord of the Rings–knowing much more about Tolkien than I did the last time I read it–is how individual a story it is.
We tend to think of it as a genre story now, I think–because it’s so good, and so unprecedented, that Tolkien accidentally inspired a whole new fantasy culture, which is kind of hilarious. Wanting to “write like Tolkien,” I think, is generally seen as “writing an Epic Fantasy Universe with invented races and geography and history and languages, world-saving quests and dragons and kings.” But… But…
Here’s the thing. I don’t think those elements are at all what make The Hobbit and The Lord of the Rings so good. Because I’m realizing, as I did not realize when I was a kid, that Tolkien didn’t use those elements because they’re somehow inherently better than other things. He used them purely because they were what he liked and what he knew.
The Shire exists because he was an Englishman who partially grew up in, and loved, the British countryside, and Hobbits are born out of his very English, very traditionalist values. Tom Bombadil was one of his kids’ toys that he had already invented stories about and then incorporated into Middle-Earth. He wrote about elves and dwarves because he knew elves and dwarves from the old literature/mythology that he’d made his career. The Rohirrim are an expression of the ancient cultures he studied. There are a half-dozen invented languages in Middle-Earth because he was a linguist. The themes of war and loss and corruption were important to him, and were things he knew intimately, because of the point in history during which he lived; and all the morality of the stories, the grace and humility and hope-in-despair, was an expression of his Catholic faith.
J. R. R. Tolkien created an incredible, beautiful, unparalleled world not specifically by writing about elves and dwarves and linguistics, but by embracing all of his strengths and loves and all the things he best understood, and writing about them with all of his skill and talent. The fact that those things happened to be elves and dwarves and linguistics is what makes Middle-Earth Middle-Earth; but it is not what makes Middle-Earth good.
What makes it good is that every element that went into it was an element J. R. R. Tolkien knew and loved and understood. He brought it out of his scholarship and hobbies and life experience and ideals, and he wrote the story no one else could have written… And did it so well that other people have been trying to write it ever since.
So… I think, if we really want to write like Tolkien (as I do), we shouldn’t specifically be trying to write like linguists, or historical experts, or veterans, or or or… We should try to write like people who’ve gathered all their favorite and most important things together, and are playing with the stuff those things are made of just for the joy of it. We need to write like ourselves.
22K notes
·
View notes
Text
I cannot stress enough how important it is to do silly, frivolous things that serve no other purpose than making you happy.
43K notes
·
View notes
Text
A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.
When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.
fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.
#this is fascinating to me#so much of my writing is ABOUT interiority#the way I look at my favorite characters in other stories is focused on interiority#and beyond that my use of description is often more abstract than strictly visual#so I can't imagine being so focused on visual details to the detriment of everything else
13K notes
·
View notes
Video
Unmute !
53K notes
·
View notes
Text
If anyone wants me to say my opinion on a character with this bingo
![Tumblr media](https://64.media.tumblr.com/5269422b04ea63d08b764a97a4d7f755/e8daf6eab0f1acaf-8e/s540x810/26973b5a84f8dddd5e61cfd8b29f8b4cff8c9d9e.jpg)
17K notes
·
View notes