ameliugh
moonage nightmare
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one million years old
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ameliugh · 3 years ago
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Sun Dreams   -   Poul Anker Bech , 1973.
Danish, 1942–2009
Oil on canvas,
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ameliugh · 3 years ago
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Coptic textile, 6th - 10th century.
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ameliugh · 3 years ago
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qing dynasty snuff bottles, mid 18th-19th century
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ameliugh · 3 years ago
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Animal Flask, late 7th–8th century, probably made in Syria.
Source.
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ameliugh · 3 years ago
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ameliugh · 3 years ago
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Fragments of Iron Age textiles from the Celtic saltmines at Hallstatt, Austria
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ameliugh · 3 years ago
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ameliugh · 3 years ago
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David Ostrowski
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ameliugh · 3 years ago
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tonkotsu original/mi-so-hot/mi-so-not/tonkotsu sho yu
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ameliugh · 3 years ago
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I made this honey ricotta cheesecake with almond fennel crumble and honey comb …….
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ameliugh · 3 years ago
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Offrande à la truffière 
(laine brute feutrée)
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ameliugh · 3 years ago
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Kukbong Kim, Celour, waste concrete powder, binder, water and pigment (Through mineral carbonation, which takes place when the paint reacts with the CO2 in the surrounding air, Celour can reabsorb 27 grams of CO2 for every 135 grams of paint used.)
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ameliugh · 3 years ago
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Untitled, Mark Tobey, 1964, Art Institute of Chicago: Contemporary Art
Untitled effectively embodies its maker’s goal of melding Eastern calligraphy and Western drawing. Mark Tobey studied brushwork in China and Japan, where he lived for a while in a Zen monastery. Around 1935 Tobey arrived at his distinctive “white writing,” or intricate networks of calligraphic marks that densely and evenly animate a surface. When viewed from a distance, these dabs and dashes of pigment interspersed with short, overlapping lines—create a writhing, unified field of energy. In Untitled the subdued palette of lavender, white, gray, black, and burgundy functions similarly—the innumerable strokes and marks only become distinct from close-up. A smoothly painted border, which appears in much of Tobey’s oeuvre, surrounds and offsets the vibrating center. The artist felt that his delicate, teeming webs of “living line” mirrored the connections between East and West, finite and infinite, humanity and the cosmos. Grant J. Pick Purchase Fund Size: 212.1 x 157 cm (83 ½ x 61 13/16 in.) Medium: Oil and collage on canvas
https://www.artic.edu/artworks/23370/
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ameliugh · 3 years ago
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Yuji Agematsu
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ameliugh · 3 years ago
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Daniel Sinsel
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ameliugh · 3 years ago
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Habitats of different butterfly species, mainly in Chile and Peru. Journal of the Lepidopterists’ Society. 2007.
Internet Archive
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ameliugh · 3 years ago
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from the found grocery lists collection
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