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there’s nothing profound about writing a character who’s near-suicidally devoted to taking down her enemies because she’s lost everything and then taking the last person she loves away from her and ending the show with her in anguish. there’s nothing groundbreaking about writing a character desperately struggling for agency & identity & to break away from the organization that abused her only to have her killed off in the process of destroying them, for shock value. and there’s certainly nothing new or fresh or clever about giving queer characters the tragic ending they were always “destined” to have, yet again. but whatever.

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jodie comer and sandra oh gave us one of the best onscreen kisses ever

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Making Dead Things Look Nice (4x07) Killing Eve (2018-2022)

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Whatever the hell’s going on here, it’s bad.

SHUTTER ISLAND (2010) DIR. MARTIN SCORSESE

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Most Anticipated Films of March 2022

The Batman (¾)

After Yang (¾)

Umma (3/18)

X (3/18)

Everything Everywhere All at Once (3/25)

Follow me on Letterboxd!

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Joan Chen & Anne Heche in Wild Things (1995)

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Bless the coming and going of Him May His passage cleanse the world

DUNE: PART 1 (2021)

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Dreams make good stories, but everything important happens when we’re awake.

Dune (2021) // dir. Denis Villeneuve

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Hereditary (2018) dir. Ari Aster

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watched the green knight, yesterday. 

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The Green Knight (2020)

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The Witch (2015) dir. Robert Eggers

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Saint Maud (2019) dir. Rose Glass