alwaysgodownwiththeship - Tumblr blog

[alwaysgodownwiththeship]

Can someone explain what contract they signed? Was this before John left the band/had the divorce meeting?

WAIT this is the divorce meeting.

Hang on. Were these photos before or after John's announcement?

Via Beatles and Cavern Club Photos FB🎸🥁🎸

[alwaysgodownwiththeship]

there’s always some quote from george about how he “quite enjoyed” paul’s shittiest projects (london town, give my regards to broad street) and that’s how you know george loved him fr

[alwaysgodownwiththeship]

I always enjoy learning new things about Paul and Brian’s relationship. I recently came across a photo of 12 images Paul hand drew and annotated to be used as the set designs for Brian's Saville Theatre. One of these was used for the Four Tops first ever UK performance at the venue during November of 1966.

In preparation for the upcoming performance, Brian needed appropriate backdrops for the Theatre. He commissioned Paul to come up with ideas for the stage designs. Paul presented the designs to Brian and John Lyndon, the Director of Productions at the Saville and one of the images was used as the backdrop.

Annotations of each image from Designer Paul below!

12 mirrors in which the audience catch a glimpse of themselves and entrance

This way up

Slow moving machinery

Red curtains behind here, backed with silver, HINGES, this piece of the set falls on the stage revealing red curtains through which performers emerge, smiling.

Festival set, entrance

Silver, gold, entrance hole

Plain comedy set, comedian enters through mouth, not smiling, crawling. Unnumbered design.

Abc, slide view of this

American set. British group

3 black ducks

Set for female vocalist or male, as the case may be

23 lights hang against background of silver, reflecting, and flickering

[alwaysgodownwiththeship]

GOOD LORD. They are really pushing that

A.) SOMETHING happened between them

OR

B.) JOHN WANTED SOMETHING to happen and Paul ignored him then and continued to ignore him now for the most part.

IS IT ALL MAINSTREAM NOW?

Two of Us play notes/thoughts/Easter eggs I noticed

they played solo Beatles tracks as waiting music before the play began so I sat there listening to ‘Monkberry Moon Delight’ with a theatreful of people which was great 

before Paul turns up John is baking(/burning) bread

John is wearing underwear under his dressing gown which obvs had to be but also my suspension of disbelief was CHALLENGED

when Paul rings up to be let in John does a little rhyme to make him prove he is who he says he is. this is not the exact wording but it went something like: "Five little boys in Hamburg did play/All through the night and all through the day/Ingrid the stripper would do anything/But who got the clap? Was it sexy Stu Sutcliffe - or the lead singer in Wings?" and then Paul has to admit it was him who got the clap

when Paul takes his shoes off he also takes his socks off - idk if this is an intentional barefoot Paul thing but it is hilarious later when they're fighting and Paul is about to leave and angrily putting his socks back on

John and Paul have Get Back era hair/beards, which is weird - presumably because they assume people going to see this will also have seen Get Back but might not know their 1976 looks as well?? idk

some of the dialogue and references have been made a bit more British - the skit they do at the piano is now set in a British greasy spoon instead (still with the American accents)

instead of fighting "like the Hatfields and McCoys" they're now fighting like "the Montagues and the Capulets" (👀)

'Sh-Boom' is played on the record player while they smoke weed (Paul uses the album cover to roll the joint)

George and Ringo both get more of a mention! Paul says that George is happy now (John replies that he's not happy, he's reincarnated). John tells Paul a story Ringo told him about going on a bus in NYC and being recognised.

"I'm the best fuck you ever had" is said by John during the fight (Paul replies "If that's your way of saying you were the real brains behind the Beatles-" etc. etc.)

"You should have married me when you had the chance" is said by John during the Yoko/losing my friend bit

"It's only me" as John's way to get Paul not to leave after the fight

when John goes out to get disguises for them Paul sits at the piano and starts playing some notes he finds there (he'd asked about them earlier and John had said they're nothing). we get a few notes of 'Now and Then' before John returns (ghjshgkhgkdshgksd who did this I HATE YOU)

the appearance of the I Love Paul badge!! John wears it on his disguise jacket and Paul asks what it says. John tells him and then Paul replies "Lucky Paul".......

they never go outside in this version - John says he'll go but then thinks better of it. this means that John comes across as even more locked away than he does in the film.

the police bit is sort of done when Paul puts on a leather hat from the disguises and pretends to be a policeman come to question John, who John then talks back at. he also yells out of the window at some police below at one point.

Paul realises they're never actually going to Luigi's, so John lays the table for him as if they're at a restaurant together (including calling him "Lady McCartney" and "my love")

the bit with the fan is sort of recreated but instead it's John asking Paul whether he truly thinks Wings at the Speed of Sound is the number 1 record in America (which obvs changes it quite a lot)

Julian is brought up - they're toasting to various people/things (ending with "Dr. Winston O'Boogie and Paul Ramon") and Paul says "to Julian" and sort of confronts John about him and how he treated him

during the toasting Paul also mentions "putting hair on a seagull's chest" which John questions and then Paul says it's something his dad used to say

I thought the lift scene/roof scene wouldn't be happening... BUT THEN a lift descended from the ceiling ❤️ the magic of theatre

the kiss still happens and idk but I thought the vibe was a bit different from the film version - less jokey (and no lines after about brushing his teeth/is my name Brian)

Paul: I bought into it that you and me didn't get along well (paraphrasing the Stephen Colbert interview)

they hug at the end of the roof conversation (I was sat very close to this since the actors come in front of the stage to do it and they were both crying and it WAS ALL TOO MUCH 😭😭)

John gets them two guitars to practice with before they go out and they sit opposite each other in chairs and Paul says “I know which one to begin with” and John says “What?” and they lean forward and then the phone rings

when Paul leaves John he’s crying and it’s like okay rip out my heart I guess

the play ends with Paul on the phone to Linda and John on the phone to Yoko, at opposite sides of the stage, and they say “I love you” to their wives but also to each other and it’s ridiculous????

yeah then ‘Give Peace a Chance’ plays which is such a bizarre choice idek

anyway who knows if it's a good play or what the actual people there thought about it because obvs I can have no rational reaction to it but I'm so glad I went to see it because someone on the writing team is one of us I SEE YOU

[alwaysgodownwiththeship]

We hear ad nauseam about Paul and George’s “fight” during Let It Be/Get Back but nowhere near enough about their beautiful tender exchanges like this one:

G: They sell boots that high, but not that tight, and not particularly leather, maybe softer. Groovy ones like, you know those Afghan coats, they’re embroidered, I’ve got boots like that, but the slippers, the slippers feel at home. And it is great, you just tuck your pants in.

P: You want boots of those? Yeah, I’ve got boots of them.

G: You know where you get them?

P: Yeah, you get them off me (gentle laughter).

I’ll give you them, I’ll never wear them.

G: Do you want to hear the song I wrote last night?

It’s just a very short one, called I Me Mine.

P: Yes

[alwaysgodownwiththeship]

Beatles Resources Masterpost

I've never seen anyone collect different Beatles resources all in one place, so I thought it would be nice to create a masterpost for newer or less research savvy Beatles fans looking for where to find them and learn more

Included below are Beatles movies, autobiographies, biographies, magazines, miscellaneous files, archive sites, and much more

This is by no means a comprehensive list of Beatles resources, as there is an often overwhelming amount of sources relating to and informative about the Beatles; this is simply a post to gather more important, prominent, and larger Beatle related texts and media together, as I would love for the online Beatles fan community to be more organized in its research and archive efforts

This is an extremely long post, enjoy!

*PLEASE READ DISCLAIMERS*

This post does not include links to Beatles music videos or where to listen to their music; however, I highly recommend listening to the updated remasters of The Beatles' albums done by Giles Martin, George Martin's son (the remasters done AFTER 2009) instead of the 2009 remasters when possible

There is a plethora of misinformation online about The Beatles so PLEASE do your own research, using reliable sources

Some sources have disclaimers attached, in case I believe they may to any degree be misleading or require additional context

All sources have been listed within sections chronologically, not in order of importance

If at any point any of the hyperlinks are broken or are not working, let me know and I’ll try my best to fix or update them

Some of the literary sources here are no longer being published, which is why I’m happy to supply the links here to read them online. However, if they are still in print and you’re able, please go borrow them from your local public library! Some of the movies and documentaries linked below can also be found on streaming or bought online; they are linked below for those unable to easily access them or for whatever other reason

There are some other important sources I could not find reuploads or scans of, but are still listed below in case someone is looking for more important sources

If I come across links to said sources I will edit this post and add them as hyperlinks. Additionally, if someone finds a working, safe link for anything listed without a link or for something they believe should be listed, they can message me and I'd be happy to add it

Movies Starring The Beatles as a Group

A Hard Day's Night (1964) dir. Richard Lester

Help! (1965) dir. Richard Lester

Magical Mystery Tour (1967) dir. The Beatles, Bernard Knowles

Yellow Submarine (1968) dir. George Dunning (The Beatles themselves do not voice their cartoon selves in this film)

Fictional/Partially Fictional Movies made by and/or Starring Beatles (A short selection of the films most often mentioned by Beatles fans)

How I Won the War (1967) dir. Richard Lester

Two Virgins (1968) dir. John Lennon, Yoko Ono

Candy (1968) dir. Christian Marquand

The Magic Christian (1969) dir. Joseph McGrath

Imagine (1972) dir. John Lennon, Yoko Ono, Steve Gebhardt (Some of the aspects in this film are fictional, and some are akin to a documentary)

Give My Regards to Broad Street (1984) dir. Peter Webb

Documentaries/Docuseries

Bed Peace (1969) dir. John Lennon, Yoko Ono (Yoko Ono has since said in 2020 she and John were naïve to think that doing the Bed-Ins would change the world)

Let It Be (1970 Original) dir. Michael Lindsay-Hogg

Let It Be (2024 Remaster) dir. Michael Lindsay-Hogg

The Concert for Bangladesh (1972) dir. Saul Swimmer

Imagine: John Lennon (1988) dir. Andrew Solt

The Beatles Anthology (1995) dir. Geoff Wonfor, Kevin Godley, Bob Smeaton (Focuses mainly on pre-1966 Beatles history and does not cover post-breakup events)

ep. 1 ep.2 George Harrison: Living in the Material World (2011) dir. Martin Scorsese

The True History of the Traveling Wilburys (2007) dir. Willy Smax

ep.1 ep.2 ep.3 Get Back (2021) dir. Peter Jackson

Yoko's Films (including films that list John Lennon as a co-director)

Rape (1969) dir. Yoko Ono, John Lennon

Fly (1970) dir. Yoko Ono, John Lennon

Up Your Legs Forever (1971) dir. Yoko Ono, John Lennon

Movies Made about The Beatles

The Rutles: All You Need Is Cash (1978) dir. Eric Idle, Gary Weis (Beatles parody)

I Wanna Hold Your Hand (1978) dir. Robert Zemeckis

The Hours and Times (1991) dir. Christopher Munch (This film is speculative)

Two of Us (2000) dir. Michael Lindsay-Hogg (This film is speculative)

The Rutles 2: Can't Buy Me Lunch (2003) dir. Eric Idle (Beatles parody)

Books Written by The Beatles

In His Own Write (1964) by John Lennon

A Spainard in the Works (1965) by John Lennon

I Me Mine (1980) by George Harrison

Skywriting by Word of Mouth (posthumous, 1986) by John Lennon (Partially autobiographical and partially fictional)

The Beatles Anthology (2000) by The Beatles (Book version of the docuseries)

Postcards from the Boys (2004) by Ringo Starr

The Lyrics: 1956 to the Present (2021) by Paul McCartney

Books Written about The Beatles

A Cellarful of Noise (1964) by Brian Epstein

Yellow Submarine Comic (1968) by Paul S. Newman

The Beatles Illustrated Lyrics (1969) ed. Alan Aldridge

The Beatles Illustrated Lyrics 2 (1971) ed. Alan Aldridge

A Twist of Lennon (1978) by Cynthia Lennon

Loving John (1983) by May Pang

Rock 'N' Roll Times: The Style and Spirit of the Early Beatles and Their First Fans (1983) by Jürgen Vollmer

John (2005) by Cynthia Lennon

Wonderful Today (2007) by Pattie Boyd with Penny Junor

Miss O'Dell: my hard days and long nights with the Beatles, the Stones, Bob Dylan, Eric Clapton, and the women they loved (2009) by Chris O'Dell

George Harrison: Living in the Material World (2011) by Olivia Harrison

George Harrison: Behind the Locked Door (2013) by Graeme Thomson

NOTE: Many beginner Beatles fans tend to read books written by authors Mark Lewisohn and Philip Norman as introductions to the Beatles; however, both of these authors can be incredibly biased for and against certain figures in Beatle history and require often hefty amounts of context to properly analyze them in an accurate manner, Norman in particular.

Magazines

The Beatles Book (Only Original 77 Issues) (1963-1969)

Paul McCartney Playgirl (1982)

Paul McCartney Playgirl (1985)

Archive and Timeline Sites

Meet The Beatles For Real (A site with mostly paparazzi, fan, and personal photos of the Beatles and their associates, along with some transcribed interviews, fan stories, and much more)

Beatles Bible (Primarily useful for basic information surrounding The Beatles' music together and solo can be found here, such as album/single release dates, in addition to pictures, a fan forum, and other basic info; not cumulative)

DM Beatles (Basic outlined timelines for 1963-1970 and album/single releases; not cumulative)

The Beatles On Film (A collection of almost every publicly available filmed video of The Beatles, together and solo, logged for reference purposes)

Beatles Interviews Database (Not cumulative)

Harrison Archive (Actively updating archive of interviews, fan encounters, quotes, and stories from or surrounding George Harrison; fun fact: Olivia Harrison, George's widow, follows the Instagram version of this archive)

The Paul McCartney Project (Archive of Paul McCartney interviews, dates for concerts, and more)

Misc. Documents/Videos

Around the Beatles (1964) dir. Rita Gillespie

The Beatles in Rishikesh Home Videos (1968)

The Beatles in Rishikesh Archival Footage and Home Videos (1968)

The John Lennon and Yoko Ono Playboy Interviews Transcript (1980)

The John Lennon and Yoko Ono Playboy Interviews Audio (1980)

John Lennon FBI Files

The Beatles FBI File

The Beatles Accepting Rock and Roll Hall of Fame Induction (1988)

The Beatles/Threetles Reunion at Friar Park (1994)

The Beatles/Threetles Studio Footage (1995)

Paul and George Anthology 3 Studio Interviews for VH1 (1997)

Concert for George (2002)

Animatics and Test Footage for Scrapped Motion Capture Yellow Submarine Remake (2009)

Audio Files

Beatles Christmas Records 1963, 1964, 1965, 1966, 1967, 1968, 1969

The Beatles Artifacts (Different takes/demos of songs along with studio chatter; the link supplied simply lines out what is on all of these Artifacts, as many of them are currently unavailable on Internet Archive)

John Lennon Last Interview (1980)

[alwaysgodownwiththeship]

So didn't realise that people didn't know about the John Lennon 1980 'dear one' thing. As we're all here though I wanted to mention that the phrase 'my dear one' potentially has a bit of a story arc when it comes to John's relationship with Paul. For those familiar with British English, 'my dear one' sticks out as it's not a used term of endearment at all. So where does it come from? It could be a non-straightforward Victorian throwback, but more likely its hearkening to the use of the phrase in Eastern meditation to denote your nearest and dearest. Great, already off to a sweet start (and lines up with Yoko having Paul on the next-of-kin list with Julian and Mimi when John died).

It POTENTIALLY gets a bit more layered than that though once you add in the idea of hugging meditation. Contrary to what Paul says (sorry Paul, I do believe you on most things, just not this) despite being 'Northern men' TM the Beatles were a huggy bunch. John mentions it in the 1967 Hunter Davies interview:

''We used to be embarrassed about touching each other. We’d do an elaborate handshake just to hide the embarrassment… or we did mad dances. Then we got to hugging each other. Now we do the Buddhist bit… arms around. It’s just saying hello, that’s all.''

As pointed out in @thecoleopterawithana and @monkberries amazing posts, the Buddhist bit is hugging meditation which became popular in the 1960s. In hugging meditation, you

''have to make him or her very real in your arms, not just for the sake of appearances, patting him on the back to pretend you are there, but breathing consciously and hugging with all your body, spirit, and heart. Hugging meditation is a practice of mindfulness. “Breathing in, I know my dear one is in my arms, alive. Breathing out, she is so precious to me.”''

We know physical touch was important to John. One of the plusses of being with Yoko was being affectionate with his best friend, he tells Paul that touching is good whilst hugging him and in the Get Back sessions he delightedly asks Paul about a vivid dream where he was touching Paul (whether platonic or romantic this always read to me as a blatant subconscious desire for increased intimacy with Paul). The desire for intimacy is still present in the 'Real Life/Love' demo in 1977 where John muses about holding a mysterious has-a-baby-expecting-another-lives-on-a-farm someone in his arms as if it was only yesterday (another piece of media I still cannot believe we have on tape).

With John's evident desire for physical intimacy in mind and the focus on holding dear ones in hugging meditation, I don't think it's too far to think that John would associate this term of endearment with a certain level of both physical and emotional intimacy. Whether its a slightly bittersweet ironic recollection of those times together in the late 60s or a sincere statement of their current relationship, Paul as his dear one could be seen as continuation of John's suppressed, resentful but ultimately present desire for reignited intimacy with Paul on multiple levels (again romantic? Platonic? Choose-your-own-adventure there, I'm not in charge of you).

Or I could be talking shit. Who knows? It's just fun to think about!

[alwaysgodownwiththeship]

[alwaysgodownwiththeship]

Classic Beatle response: tongue in cheek answer to a tongue in cheek question.

Vegetarian Paul McCartney talks to vegetables…apparently. 

[alwaysgodownwiththeship]

The paradoxical thing about it is: John replaced Paul with Yoko, but he never chose Yoko over Paul. The PR campaign says one thing, the actual facts and behavior say another. A very fine line which explains a lot of the behaviors during/after the breakup.

[alwaysgodownwiththeship]

It's like Paul is a witness, and John is spelling it out for him.

“It’s like you and me are lovers” is so not the appropriate response to Paul saying there’s a thematic string tying the album together

[alwaysgodownwiththeship]

After all that time thinking Paul was controlling him, John got some perspective in the most horrific fashion

John Lennon + Phil Spector 

“Phil wanted control,” May [Pang] remembers, “That’s basically what it came down to. And he kept holding John at bay—like, It’s my show, not yours. It was an ego trip. Fucking with John’s head. It was unbearable, because I could see the pain in John from this.” One night, Spector arranged to meet at Gold Star to do some vocal overdubs. Lennon arrived, only to pass the evening with Gold Star’s boss Stan Ross, waiting in vain for Spector to turn up. “We kept phoning saying, ‘Where are you?’” Ross remembers. “And Phil’d say, ‘I’ll be there in ten minutes.’ And an hour later it’d be the same thing—‘I’ll be there in ten minutes.’ At the end of the evening I said to John, ‘It’s been a pleasure and I’m sorry we couldn’t do anything.’ He said, ‘He’s a prick.’ Next day I called Phil and asked him, ‘What happened?’ He said, ‘Oh, I had problems and couldn’t leave.’

At one stage in the evening, Lennon had a heated telephone exchange with Yoko back in New York and smashed the receiver against the mixing board, causing some minor damage. Spector later offered to pay Ross for the repair, but Ross decided to keep the desk in its damaged state, “as a souvenir.”

On another night, Lennon became so drunk that Spector was obliged to abandon the session altogether. With George Brand’s help, he bundled Lennon into a car to take him back to Lou Adler’s house.

“They got John upstairs into the bedroom, John was going, ‘Come on, Phil, I love you’—in a drunken, melancholy way. And George was sitting on top of him. In John’s mind, I think he thought he was getting into some kind of three-way sex situation. He couldn’t tell what was happening. So he freaked out. They brought me upstairs and I was in shock to see that they’d tied John up. He was screaming at me. ‘This is it!’ I said. ‘What did you guys do?’ They said, ‘Don’t worry, he’ll be okay, just let him sleep it off.’

Phil and George left, with John upstairs screaming every awful thing you could imagine. Everything he wanted to say about Yoko was just coming out. It was just anger at everybody, Phil, Yoko, everybody.”

In desperation, May summoned Tony King to help. By the time King arrived, Lennon had broken free of his ties and was standing at the front door, bellowing, King remembers, “like a mad bull. I got him in the house and he was a mess, sobbing, saying, ‘Why did they do it, how could they do that?’ Then all of a sudden he started fighting me. We were rolling around on the floor. Finally I got him where I was laying on top of him with his arms pushed out to the side, my face six inches away from his, and he was in some kind of blackout. He looked up and saw my face, and he said, ‘I didn’t know you were that strong, dear…’ We both ended up laughing. And that broke it. The house was just a wreck; windows broken, Carole King’s gold records were all over the floor, bent out of shape; Lou’s collection of silver-handled walking sticks were scattered everywhere. The next day we went off to breakfast, and John just kind of laughed it off. He said, ‘Well, that was a funny night, wasn’t it.’ I thought, All right for you to say—I’ve got to repair the bloody house.”

~ Mick Brown, Tearing Down the Wall of Sound: The Rise and Fall of Phil Spector. 

—

“When he did work, John had a great work ethic. He liked to be on time and work, work, and work. Phil Spector was different. At times he would come into a session two or three hours late, dressed in some costume. One night he was a doctor, the next night a karate expert. He drank heavily. He drank a bottle of Vodka every night and held everybody at bay by screaming at them. I hated when he popped those nitrates. They smelled like dirty socks and he would pop them under everyone’s noses.

The worst scene happened one night when Phil was playing his ‘I am God’ routine. He took away John’s glasses, so John had no idea where he was. He literally was frothing at the mouth. John was screaming and he thought that he was being put into this sexual gay thing because Phil’s bodyguard George was trying to tie him up. He thought he was going to do something. He was kicking and screaming. Nothing happened, but it was terrifying to John.” 

~ May Pang in Lennon Revealed by Larry Kane.

—

“Phil, if you’re going to kill me, kill me. But don’t fuck with me ears. I need them.“ 

~ John Lennon (Spector had shot one of his many pistols into the ceiling of a studio bathroom after having tied John up, drunken and raving.)

—

“I was at the A&M studios with my brothers (The Hudson Brothers) and everyone knew that Lennon was in the big studio with Phil Spector, and through the walls you could hear Spector just going off on John. One time, Spector pulled out a large gun and started chasing John through the hallways. John was trying to laugh it off, but it was horrible. I mean Spector’s reputation had preceded him. I was scared to death.” 

~ Mark Hudson in Lennon Revealed by Larry Kane.

[alwaysgodownwiththeship]

OOOOOOOH, I like this connection.

Woke up this morning. Blues around my head. Ain't no need to ask the reason why. Went to the kitchen. Lit a cigarette. Blew the smoke rings in the sky. Just got to let it go. Just got to let it go.

Mm, it's real life. It's real. It's real life. It's real. Let go. Let go. Let go. (scats) Mm, let go. Mm, let go. Well, it's real life. It's real. Yes, it's real life. It's real. Let go. Let go. Like the mighty river flow. From the ocean to the shore. Let it go. Let go.

Picked up the paper. Read the Daily News. Nothing doing anyway. Same old BS. Doot doot doot doot cruise. Nah nah nah nah now. Let go. Let it go. (laughs) No, what am I doing? Why don't you let it go? Why don't you let it go? Mm, it's real life. It's real. Yes, it's real life. It's real. Let go. Let the mighty river flow. Let go. Let go. Oh, rock your balls, you... Woke up this morning. Blues around my head. No need to ask the reason why. Went to the kitchen, and I jumped back into bed. Something nasty in the sky. No need to be afraid. No need to be afraid. It's just real life. Real life. It's just real life. Just real life. Went up the mountain to see what I could see. Nothing doing nowhere. Went to the seaside. Had a cup of tea. Went to.... Why must we be alone? Why must we be alone? It's real love. It's real. Woke up this morning, blues around my head. No need to ask the reason why. Went to the kitchen, and I ran right to my bed. There's something funny in the sky. Why must we be alone? Why must we be alone? It's real life. Mm, it's real life. (whistles) Was I just dreaming or was it only yesterday? I used to hold you in my arms. And now a baby, and another on the way (laughs) la la la la la farm (laughs) Why must we be alone? Wah wah wah wah wah wah wah. (scats) If it don't feel right, don't do it. If it don't look right, look right through it. If it don't feel right, don't do it. Just call him on the phone.

[alwaysgodownwiththeship]

Well hang on! This is the first I've ever heard about dreams of liverpool and paul in the diaries! Please share more!

Woke up this morning. Blues around my head. Ain't no need to ask the reason why. Went to the kitchen. Lit a cigarette. Blew the smoke rings in the sky. Just got to let it go. Just got to let it go.

Mm, it's real life. It's real. It's real life. It's real. Let go. Let go. Let go. (scats) Mm, let go. Mm, let go. Well, it's real life. It's real. Yes, it's real life. It's real. Let go. Let go. Like the mighty river flow. From the ocean to the shore. Let it go. Let go.

Picked up the paper. Read the Daily News. Nothing doing anyway. Same old BS. Doot doot doot doot cruise. Nah nah nah nah now. Let go. Let it go. (laughs) No, what am I doing? Why don't you let it go? Why don't you let it go? Mm, it's real life. It's real. Yes, it's real life. It's real. Let go. Let the mighty river flow. Let go. Let go. Oh, rock your balls, you... Woke up this morning. Blues around my head. No need to ask the reason why. Went to the kitchen, and I jumped back into bed. Something nasty in the sky. No need to be afraid. No need to be afraid. It's just real life. Real life. It's just real life. Just real life. Went up the mountain to see what I could see. Nothing doing nowhere. Went to the seaside. Had a cup of tea. Went to.... Why must we be alone? Why must we be alone? It's real love. It's real. Woke up this morning, blues around my head. No need to ask the reason why. Went to the kitchen, and I ran right to my bed. There's something funny in the sky. Why must we be alone? Why must we be alone? It's real life. Mm, it's real life. (whistles) Was I just dreaming or was it only yesterday? I used to hold you in my arms. And now a baby, and another on the way (laughs) la la la la la farm (laughs) Why must we be alone? Wah wah wah wah wah wah wah. (scats) If it don't feel right, don't do it. If it don't look right, look right through it. If it don't feel right, don't do it. Just call him on the phone.

[alwaysgodownwiththeship]

I’m dumb and your smart, so I’m srry but can you elaborate on what you mean by your Paul, John, Yoko marriage quote post? It sounds interasting. Thx!

Yes, hello, sorry for the delay in response.

This is the post, if anyone's interested.

There's a handful of quotes from Paul, where he talks about the band breaking up and brings up John getting together with Yoko as a catalyst. He talks about it in sort of vague "John fell in love and thus had to move on" terms, and at times he includes his own marriage to Linda as a part of this broader moving on.

Some people read these quotes as indicating romantic feelings because Paul is setting up his relationship with John and Yoko's relationship with John as mutually exclusive. While I understand that reading, I've always maintained that Paul can feel territorial about John without there necessarily being a romantic aspect to it (and I find that assuming there must be, despite Paul seemingly having zero problem with Cyn is……… weirdly dismissive of her).

But the other aspect of all this is that I don't actually think Paul is saying exactly what he means whe says that. I think, like it or not, Paul didn't really like Yoko (at least not by the time of the actual breakup) and didn't like the changes in John he perceived after they got together. And, obviously, he's not going to say this publicly. So… to some extent I think him saying "John fell in love and moved on and so the band had to break up" is a euphemism for "JohnandYoko wrecked this band."

[alwaysgodownwiththeship]

Paul McCartney interviewed for Scene at 6:30, 7th July 1964

[alwaysgodownwiththeship]

john lennon’s word association questionnaire, 1976.

paul mccartney, the lyrics, 2021.