They/He, Call me Alex or Whump! Asks are Open!(Avatar picture belongs to Tortilla-of-Courage)
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ah right i guess i should post this here too!!! i have a kofi in case you wanna request something (just keep it sfw LOL)
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To test tumblr’s reading comprehension…
you can do ANYTHING to this post, reblog, add polls, start a fuckin roleplay in the notes, like it, I don’t give a shit.
BUT
you can’t add tags
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im developing cataracts in my right eye and ill be getting surgery for it on sunday so art might be paused for a bit next week ...
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my dnd party has run into an npc who may or may not be evil and may or may not decide to betray us and the dm was in chat today like “just so everyone knows…not addressing this comment at anyone in particular…his favorite colors are red and black…wink” so now i’m desperately trying to get a real physical friendship bracelet done before session tomorrow in the vain hope that i can somehow stop this npc from trying to do a murder on my party
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Hey mouthwashing peeps.
Y’know how Anya stole and hid the gun when she realized she was pregnant? Straight up refused to tell Curly where it was bc she didn’t want Jimmy to know where it was and get a hold of it if/when he found out?
Remember how Jimmy stormed out of the med bay when Anya told him and Curly went to find him?
Remember where Curly found him?
He was outside of the cockpit doors.
He was either on his way to the utility cabinet to get the gun or already searched it and was about to go look for it when Curly found him.
So he knew the gun was gone and that Swansea had the axe, meaning the only two weapons on the ship were out of his reach.
He crashed the ship *after* he realized he couldn’t just kill Anya, he had to kill the whole crew. We know he crashed the ship so he wouldn’t deal with the repercussions of his actions, but holy shit.
Anya was scared he’d go ballistic and she was fucking right.
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My dear lgbt+ kids,
You usually don’t need to tell people WHY you find them unattractive, even when you are rejecting them.
There are hardly any circumstances in which giving a speech on why someone isn’t your type physically or why you don’t consider them beautiful/handsome/attractive would do them any good - it would just be hurtful for them. Even if you only wish to make it clear that it has nothing to do with them as a person and has everything to do with your personal preferences, too much honesty would just make you sound like an a-hole here.
So, if you are a cis person and you want to reject a trans person’s romantic/sexual advances because you don’t feel attracted to their body - just do it the same way you would politely reject anyone else for that reason:
Keep it simple, don’t explain yourself and don’t be unnecessarily mean about it.
Depending on the circumstances and your personality, this may mean telling them the simple truth like “I am not interested”/“I don’t feel the same way” or telling them a gentle lie like “I am really focusing on my career right now”. In dating apps, there is also the obvious possibility of just not replying at all… which may feel mean but is actually super common and still a hundred times better than a long text on why trans people are not sexy to you. You wouldn’t like to hear details on how off-putting your body is to someone, either.
Physical preferences and boundaries are okay. Obviously you don’t need to date/have sex with someone you’re not into - just treat trans people like people.
With all my love,
Your Tumblr Dad
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queers- never kill yourself. there might be new mcr
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i think ive got a blood pressure problem i dont think ur spozed to hear blood pumping in your pillow
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Everything You Need to Know About Writing Burns
Burn injuries are a common wound type explored throughout various aspects of literature. Unlike stab wounds burns come in various different forms. Every burn cannot be the same. The substance, intensity, and contact level all play pivotal roles in determining the nature of the burn your character must endure.
I previously did a blog about everything you need to know about stab wounds, which you can find here, and decided to continue this series with burns. So, here's my guide on everything you need to know when writing burns.
Understanding Burn Types
Burn injuries are as diverse as the situations that create them. To depict burns realistically, it's essential to understand the different types, each with its own unique characteristics and narrative significance.
First-Degree Burns
First-degree burns are superficial injuries, often caused by brief contact with a hot surface, a mild sunburn, or scalding steam. These burns primarily affect the outermost layer of skin, the epidermis. While painful, they typically don't result in blisters. First-degree burns can serve as plot devices, adding realistic touches to scenes involving minor accidents or unexpected contact with hot objects.
Second-Degree Burns
Second-degree burns are more complex and can be painful and blistering. These burns affect both the epidermis and the layer beneath, the dermis. They can result from scalds, flames, or chemical exposure. In literature, second-degree burns are ideal for portraying characters' struggles with painful healing and the potential for scarring.
Third-Degree Burns
Third-degree burns are the most severe and life-altering. They extend deep into the skin, damaging or destroying not only the epidermis and dermis but also the subcutaneous tissues. These burns can result from prolonged exposure to flames, chemicals, or electricity.
Third-degree burns can be used to introduce profound challenges and transformations in characters' lives. The road to recovery is long and arduous, often with permanent physical and emotional scars, which can be used for character development.
Intricately depicting these burn types in your writing adds layers of realism and authenticity to your characters' experiences.
Chemical Burns
Chemical burns result from contact with corrosive substances, including strong acids or alkalis. They are typically more complex to portray in literature due to the need for specific knowledge about the chemicals involved. The narrative implications can vary widely, from accidents in laboratories to criminal acts of violence involving acid attacks or other harmful substances.
Electrical Burns
Electrical burns occur when the body comes into contact with electric currents, leading to tissue damage. These burns are unique in that they may not manifest external signs immediately. They can be used in stories involving electrical accidents, lightning strikes, or even superhuman abilities.
Radiation Burns
Radiation burns, often linked to exposure to ionizing radiation, are less common but offer a distinctive narrative dimension. These burns can result from nuclear events, medical treatments, or even futuristic scenarios involving radiation-based technology.
The Burn Substance And The Impact It Plays
When it comes to depicting burns in your writing, understanding the substance involved can significantly impact the narrative. Different substances, from scalding liquids to caustic chemicals, introduce unique challenges and effects on the characters experiencing them.
Scalding Liquids (Hot Water, Coffee, etc.): Scalds are common in everyday life, often resulting from accidental spills or moments of carelessness. These burns are typically first-degree, affecting the outer layer of skin. In your narratives, scalding liquids can add a touch of realism to scenes involving kitchen mishaps, hot beverage spills, or even cruel pranks.
Flames (Fire, Gasoline, etc.): Flames lead to more severe burns, ranging from second to third-degree injuries. Whether it's a house fire or an encounter with a fiery adversary, burns from flames introduce high-stakes situations and profound character development.
Chemical Substances (Acids, Alkalis, etc.): Chemical burns, caused by contact with corrosive acids or alkalis, offer a myriad of storytelling opportunities. These burns are often disfiguring and can result from accidents in labs, criminal acts, or acts of revenge.
Electrical Current: Electrical burns may not manifest external signs immediately, making them unique in burn descriptions. These can result from electrical accidents, lightning strikes, or even futuristic scenarios involving advanced technology.
Radiation Exposure: Radiation burns, linked to exposure to ionizing radiation, are less common but provide a distinctive narrative dimension. They can result from nuclear events, medical treatments, or futuristic scenarios involving radiation-based technology.
Understanding the substance involved allows you to accurately portray the type and severity of a burn, making your narrative more authentic and engaging.
Sensory Descriptions and Variations
When it comes to writing about burns, it's crucial to engage your readers' senses. Burns evoke a range of sensory experiences and effectively describing these sensations can immerse your audience in the narrative. Here are some factors you should take into consideration:
Pain: Burns are notoriously painful. Depending on the degree of the burn, the pain can range from mild discomfort to excruciating agony. Describing the character's pain, its intensity, and how it evolves over time can create a deep emotional connection with your readers.
Heat: Burns often generate intense heat at the injury site. Describe the searing heat or scorching sensation as it radiates from the burn. This adds realism to your portrayal of the immediate aftermath of the injury.
Smell: Burns can produce a distinct odour. The smell of burnt flesh or singed hair can be nauseating or evoke feelings of dread. Including sensory details related to smell can enhance the reader's immersion in the scene.
Texture: The texture of a burn can vary. First-degree burns might feel raw or tender, while second and third-degree burns can result in blistering, peeling, or even charring. Explore how the character perceives the texture of the burn and its impact on their daily life.
Sound: The sound associated with burns can be subtle or pronounced. The sizzle or hiss when a burn comes into contact with hot metal, or the muffled cries of a character in pain, can amplify the emotional impact of a burn scene.
Numbness: In some cases, particularly with severe burns, the area surrounding the burn might feel numb due to nerve damage. This contrast in sensation can be a powerful narrative element in a character's journey to recovery.
By using sensory descriptions and variations, you can transport your readers into the world of your characters and make the experience of burns more vivid and memorable.
Anatomy of a Burn Wound
To depict burns convincingly in your writing, it's essential to understand the anatomical aspects of a burn wound. Burns affect different layers of skin and underlying tissues, and the depth of the burn significantly influences the healing process and long-term consequences. Here's a closer look at the anatomy of burn wounds:
Epidermis: The epidermis is the outermost layer of skin and is primarily responsible for protecting the body from the environment. First-degree burns affect the epidermis and are characterized by redness, pain, and mild swelling.
Dermis: The dermis lies beneath the epidermis and is thicker. Second-degree burns extend into the dermis and result in the formation of blisters, intense pain, and possible scarring. These burns can be particularly challenging for characters due to the pain and extended healing process.
Subcutaneous Tissues: Third-degree burns, also known as full-thickness burns, penetrate the dermis and affect the subcutaneous tissues. These burns often result in charring, loss of sensation, and long-term scarring. Characters with third-degree burns may face life-altering challenges and lengthy recoveries.
Muscle and Bone: In severe cases, burns can extend beyond the subcutaneous tissues, affecting muscles and even bones. These deep burns are catastrophic, leading to a range of complications and necessitating complex medical treatment.
Understanding the anatomical layers affected by a burn allows you to provide accurate descriptions of the injury, its consequences, and the challenges faced by characters on their journey to recovery.
How Do You Treat A Burn Wound?
In your writing, portraying the accurate medical assessment and treatment of burn injuries can add depth and authenticity to your narrative. Characters' survival and recovery often depend on prompt and effective medical care. Here's what you need to know about medical assessment and treatment for burn injuries:
First Aid: Immediate first aid is crucial when a character sustains a burn. This includes cooling the burn with cold running water, covering it with a clean, non-stick cloth, and seeking medical attention. Accurate descriptions of the first-aid process can create a realistic sense of urgency in your story.
Medical Assessment: Medical professionals categorize burns based on their depth and extent. The "Rule of Nines" is a common method to estimate the percentage of the body affected by a burn. Accurately describing how healthcare providers assess and categorize the burn can enhance the realism of your narrative.
Wound Care: The treatment of burn wounds involves cleaning, debriding, and dressing the affected area. This can be painful, especially for deeper burns. Your characters' reactions to this aspect of treatment can add emotional depth to your story.
Surgery and Skin Grafts: Severe burns often require surgery and skin grafts to promote healing and minimize scarring. Detailed descriptions of these procedures and their impact on your characters can provide insight into the challenges they face.
Rehabilitation: Characters recovering from severe burns may require extensive rehabilitation, including physical therapy and psychological support. These aspects can significantly influence their character arcs and the overall narrative.
By accurately depicting the medical assessment and treatment of burn injuries, you can make your characters' journeys to recovery more authentic and compelling.
Common Mistakes and Misconceptions
While writing about burn injuries, it's essential to avoid common mistakes and misconceptions. Authors may inadvertently perpetuate inaccuracies in burn treatment. Here are a few common misconceptions to be aware of:
Applying Ice: Contrary to common belief, applying ice directly to a burn can damage the skin further. It's essential to emphasize the use of cold running water for cooling.
Popping Blisters: Characters might be tempted to pop blisters, but this can increase the risk of infection. Describing the correct care for blisters can improve the accuracy of your narrative.
Neglecting Long-Term Effects: Burns can have lasting physical and psychological effects. Ensure your characters' struggles and recoveries reflect the long-term consequences of burn injuries.
By addressing common mistakes and misconceptions, you can create a more accurate and engaging portrayal of burn treatment in your writing.
What About The Psychological Impact?
Burn injuries don't just affect the physical well-being of characters; they also have a profound psychological impact. Understanding the emotional and mental challenges your characters face can add depth to your storytelling.
Post-Traumatic Stress: Characters who have survived burn injuries may experience post-traumatic stress disorder (PTSD). Vivid flashbacks, nightmares, and anxiety can be depicted to illustrate their emotional struggles.
Body Image and Self-Esteem: Severe burns can alter a character's appearance, leading to body image issues and reduced self-esteem. Describing how characters come to terms with these changes can be a central aspect of their character arcs.
Fear and Anxiety: Characters may develop a heightened fear of fire, stoves, or any situation that could cause burns. Depicting these anxieties and how they impact daily life can create a compelling narrative.
Depression and Isolation: The emotional toll of burn injuries can lead to depression and isolation. Characters may withdraw from social interactions or grapple with feelings of hopelessness.
Coping Mechanisms: Characters often develop unique coping mechanisms to deal with the psychological aftermath of burns. Some may seek therapy, while others may find solace in creative pursuits or support groups.
By exploring the psychological impact of burns, you can delve into the complex emotional journey of your characters and illustrate their resilience and growth.
Looking At The Forensic Considerations
In crime fiction and mysteries, burn injuries can play a crucial role in forensic investigations. Authors should be aware of the forensic aspects of burns to accurately depict legal and investigative processes. Here are some essential forensic considerations when writing about burns:
Fire Investigation: In cases of suspicious fires or arson, investigators must determine the cause and origin of the fire. Understanding fire investigation techniques and terminology can help create a realistic portrayal of crime scenes involving burns.
Identifying the Victim: Severe burns can complicate the identification of victims. Dental records, DNA analysis, and other forensic methods may be required. Your characters can collaborate with forensic experts to solve such cases.
Evidence Preservation: When writing about burn-related crimes, emphasize the importance of preserving evidence at the scene. The mishandling of evidence can significantly impact the investigation's outcome.
Legal Implications: Explore the legal aspects of cases involving burns. Characters may need to navigate the legal system, testify in court, or seek justice for burn-related crimes.
Historical Cases: Referencing real historical cases involving burns or fires can add authenticity to your narrative. Research well-documented cases for inspiration or incorporate them into your story's background.
Understanding the forensic considerations related to burn injuries can make your crime fiction or mystery more compelling but it also helps ensure you don’t accidentally offend any readers by inaccurately representing real issues.
I hope this blog on Everything You Need to Know About Writing Burns will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Looking For More Writing Tips And Tricks?
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
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10 Non-Lethal Injuries to Add Pain to Your Writing
If you need a simple way to make your characters feel pain, here are some ideas:
1. Sprained Ankle
A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.
2. Rib Contusion
A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.
3. Concussions
This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.
I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.
4. Fractured Finger
A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.
5. Road Rash
Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.
6. Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.
7. Deep Laceration
A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.
This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.
8. Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.
If you want to explore writing burns, read here.
9. Pulled Muscle
This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.
10. Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)
Looking For More Writing Tips And Tricks?
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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Disclaimer: my hatred of geologists is purely theatrical, but if I did have to kill one for some reason, it would be very easy.
I’d brandish my obsidian knife at them and they’d be compelled to approach. “That’s very cool,” they’d say, confident in their superior strength and endurance from all the rocks they carry around at all times. They’d shower me with very interesting facts about obsidian and hover just out of range of the cutting edge, waiting for me to exhaust myself. “But as it is volcanic glass, it’s very fragile, you see, and isn’t well-suited for use as a weap—” and then I’d hit them with the wooden baseball bat in my other hand, which they would not have noticed because geologists can only see rocks and minerals.
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my problem as a writer and as a roleplayer is that I always want characters to do that thing where you hold your hand out, palm to the ground, and kind of tilt it quickly left and right to express uncertainty or a "kinda-sorta"/"yes and no" vibe. but I don't know an official term for this so I always just call it the Noncommittal Hand Waggle
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