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Ohsama Sentai King-Ohger Character Book: Trails of the Kings and Retainers Main Cast Member Interviews (translations below, LONG POST)

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Sakai Taisei (Gira) x Morioka Yutaka (Douga)

"First, please introduce the character the other plays."

Sakai: At first, Douga was the kind of person who would cause tension and confront Gira, but after Gira ascended to the throne and became a close presence, I think Douga became a nice person who's always by Gira's side. The same goes for Morioka-san, who plays the role, as he's a dependable person who I respect very much.

Morioka: Thank you so much. Gira-sama grew up in an orphanage, and I think Douga was surprised to see that this young man, who at first seemed so unfamiliar to him, has become more and more involved as the backbone of the country. He became the current king, and Douga serves as his retainer, but Gira-sama has grown remarkably. In my mind, Gira-sama and Taisei-kun overlap, so I see him as a man that I'd like to serve sincerely, even going beyond our roles.

"Were there any surprising developments or settings for your role compared to when you were first cast?"

Sakai: I think the fundamentals of Gira have always remained the same. Rather than Gira, the exit and reappearance of other characters…I think the surprise of those developments were greater.

Morioka: One thing that remains consistent about Gira, is that he understands other people's feelings and pain better than anyone else.

Sakai: That's right. Even for main episodes of the other kings, Gira would stand next to them and inspire them. As the episodes went on, I realized that he was a person who could relate to what other people were thinking.

Morioka: Douga on the other hand has recently been referred to as an "interesting person" on SNS (laughs). Around episode 9, a celebrity from Chikyu, a genius boy named Kiito-kun with an IQ of 20,000 appeared, and Gira, who was a fugitive at the time, looked just like him in his disguise. Since Douga was there, I was asked to do a performance that showed a different side to him. For me personally, I was surprised, was it okay for Douga to approach and press some celebrity for an autograph?! (laughs).

Sakai: It's hard to imagine from Douga's early appearance.

Morioka: That's right. First of all, it was there that I was able to find a direction for my role. And thankfully, in episode 21, the main episode where Douga is on the move job hunting, I was able to "break out" again.

Sakai: I was also surprised, did you really expect to see Douga like this from the dignified appearance he showed in the first episode?! There was a comedic element to it, and I really think Morioka-san is amazing at portraying so many different sides to him.

"How would you describe the strength of Douga, who serves as the king's sword wielding retainer in the "strongest country" of Shugoddam?"

Morioka: Including in the spin offs, there were quite a few scenes where Douga gets blown away with a single attack (laughs). So, I thought he might be surprisingly weak, but he had an action scene in episode 40, and he was moving relatively well, so I thought that he was a person who could be in charge of the military.

Sakai: I feel that if there were a fight against the kings who aren't armed with the royal armor, Douga definitely wouldn't lose.

Morioka: You think so? I'm really grateful filming action scenes, they're fun to do.

"What are your thoughts on the relationship between Gira and Douga?"

Morioka: Douga was originally the retainer for Gira's older brother, Racules Husty, so there were times when I felt that it was very difficult to determine his position, but things have now been sorted out. Of course, he still has feelings for Racules, but I play Douga based on the idea that Gira-sama is the one who should come first.

Sakai: In most countries other than Shugoddam, the king leads their retainer, but since Gira is new to being king, I feel that he and Douga are growing together, and I think that relationship is a charm that the other countries don't have.

"Please tell us about any particular scenes between Gira and Douga that moved you."

Sakai: For me it's episode 29. There's a scene in which Douga says to Gira, "What the people need, is none other than Gira-sama!" I was so moved by this scene, that I felt emotional while performing.

Morioka: During filming, Taisei-kun said, "Morioka-san! Just now, that really hit me!"

Sakai: I became more aware that I was king, and I was moved by the way Douga's thoughts were conveyed.

Morioka: For me, it's episode 21, which I had mentioned earlier. In this scene, Douga, who had been job hunting in every county on Chikyu, eventually returns to Shugoddam and asks Gira-sama, "Will you let me work here?!" and Gira-sama empathizes with Douga. The combination of Gira-sama's kindness and Taisei-kun's kindness really touched me.

Sakai: That makes me happy!

"Starting with episode 27, the new chapter is set two years after the previous one. There's also a change in that Gira is now officially the king of Shugoddam, but were there any changes in the performance plan?"

Morioka: Yes. At first, I thought that although it had been two years, Douga was of a certain age, and that there would be little change in him, so I acted with the same expressionless face I had before. Then, Kamihori-san (Director Kamihoriuchi Kazuya) asked me to be alittle more softer, saying, "Douga-san, let's have a slight smile here." With that one comment, I interpreted that Douga had become more mature, or maybe more tolerant in the past two years since his partner changed from Racules to Gira-sama. He's been smiling alittle bit, and showing the various sides to him.

Sakai: Director Kamihoriuchi told me, "You don't have to change your performance just because it's two years later." However, in the prison scene in episode 29, the Director created a scene in which Gira bursts into laughter at Douga. When I saw that, I realized that when the Director said I didn't have to change my performance, he meant that I didn't have to think about anything complicated, and that he just wanted Gira to grow alittle. After that, I started to casually do things that I hadn't done in the beginning, such as saying my lines with a slightly lower tone of voice.

"In the variety show "Sokkin Sentai Sokkinger" which is distributed through the Toei Tokusatsu Fan Club (TTFC), Morioka-san mentioned, "In order to not to diminish king Racules's status, I keep my appearance neat," but is there anything you're aware of as Gira's retainer?"

Morioka: Basically, it's the same, but while he was more respectful of Racules, I feel like he's genuinely and sincerely in love with Gira-sama. When he was serving Racules, I thought that Racules had picked him up and put him in his current position, but with Gira-sama, he wants to support him from the ground up and raise him to be a real king. However, I feel that he's drawn in by something Gira-sama has hidden within him, and is prepared to sacrifice his life in a different sense than when he was Racules's retainer. That's why, even though he's a retainer, there are times where he clearly expresses his opinions to Gira-sama. To the viewers, he may seem like a fatherly figure, but I myself think it's different from the feeling of parent and child.

"Do you remember the first time you two met each other?"

Morioka: I remember it well. I'll never forget, it was at the beginning of filming. As I remember, we were filming the scene where the kings came to Shugoddam with their retainers and begin the meeting of the five kingdoms. Taisei-kun came to the scene even though he wasn't supposed to appear.

Sakai: It was the first day of filming after all, so I thought I'd like to greet everyone and look around…

Morioka: Then, I think it was during a commemorative photo, that I noticed a slender, cute boy with silky hair standing next to me, and he greeted me by saying, "I'm Sakai Taisei, I'll be playing Gira." I said, "Oh, it's you!"

Sakai: Ahahaha!

Morioka: A kid with such sparkling eyes…I could already tell that he was a good kid.

Sakai: No, no (embarrassed). What I remember very clearly is the scene filmed at Kiyosumi Shirakawa BASE in the first episode. At that time, I think I was overly enthusiastic and was trying to, "Absorb everything I could!" But, Morioka-san gave me advice in a kind and gentle way, without a hint of looking annoyed. So, from the very beginning, I've had the impression that he's a "bundle of kindness."

Morioka: Haha. Also, the scene where Gira-sama appears for the first time inside Caucasuskabuto Castle and pleads for help with, "If you have this (the OhgerCalibur), you can save everyone, right?!" and, "That's why you (Racules) have got to use it!" was very memorable.

Sakai: It was the most difficult scene…

Morioka: It was the first important scene, a crucial point in the story.

Sakai: I ended up doing about 20 takes for one cut…However, Morioka-san didn't look annoyed and just went along with it.

Morioka: It wasn't just me, everyone who was there, including Racules (played by Masato Yano), was like, "Do your best!" I thought Kamihori-san's direction was amazing, and I was moved by how humble Sakai Taisei's earnest efforts to respond to them were.

"Over the past year, do you feel that Sakai-san's performance has changed?"

Morioka: I feel that it really has.

Sakai: Really?!

Morioka: Not just with Taisei-kun, but I feel this way about the entire cast. Well, Kaku So-san who plays Kaguragi Dybowski has alot of experience, so he's abit different. But, I really think Taisei-kun has changed the most. When we were filming the first episode that was mentioned earlier, Taisei-kun had alot of work to do. Even though he could've approached things from a different angle, he listened exactly to what the Director told him, responding with, "Yes!" and, "I see!"

Sakai: So embarrassing…

Morioka: Now, I can feel that he's listening to what the Director wants, and is trying to break it down so it can be put into the performance

Sakai: Over the past year, I've gradually become able to do this, but there are still many challenges.

Morioka: If anything, I don't have much time left as Douga now (laughs).

Sakai: Stop that! I once previously said directly to Morioka-san that he seems to enjoy acting more than anyone else. Do you actually feel excited as you perform the role, thinking, "What should I do here?"

Morioka: I do. It's fun to think about what I'm going to do. However, I'm very nervous, so I try to be well prepared so that I don't have to worry about how the others will react during the actual performance. So, it's always a battle between "fun" and "nervousness."

"If Douga were to arm himself with royal armor, what kind of warrior would you want him to be?"

Morioka: I'm also a boy, so I think a cool bug would be nice, however, the name Douga apparently comes from the cupreous chafer beetle (douganebuibui).

Sakai: Eh, Is that right?!

Morioka: I was told by fans that it might be so, but I don't know if it's really true or not (laughs). Ah, in episode 25, since Douga rode in Guardian Hercules when the retainers piloted God King-Ohger, I also admire warriors with a hercules beetle motif.

"If you have any questions you'd like to ask each other, please do so."

Morioka: If we were to meet in another production, what kind of show would it be, and what kind of relationship would you like us to play?

Sakai: I'd like to do a yakuza story. I'd like to be Morioka-san's henchman and say something like, (in a low voice) "Aniki!"

Morioka: That's good! It sounds interesting.

Sakai: On the other hand, what kind of production would Morioka-san like to work on with me?

Morioka: Taisei-kun plays the role of a heroine's lover, and I play the role of the heroine's father. I think a production that depicts everyday life would also be good.

Sakai: Sounds good!

Morioka: There's one other situation I'd like to try! I'm a lawyer and Taisei-kun is a suspect, and he'd be like, "Lawyer-san, I didn't do it!"

Sakai: (acting realistically) "Lawyer-san, I didn't do it!"

Sakai & Morioka: Ahahaha!

Sakai: I really want to work together again, so from now on, I'll continue to do my best!

Morioka: Same here. This is my wish, but I want Taisei-kun to become a popular actor who can play a wide range of roles. I think the most important thing for an actor is honesty, and Taisei-kun is a really honest person who absorbs things like a sponge. If he continues like this, I think he'll become what I consider to be the ideal actor.

Sakai: Thank you very much!!

"Finally, please give a message to the fans."

Morioka: The Producers, Director, production team, acting department, and fans have nurtured this program and given us strength. Personally, I've learned alot from the opinions on SNS. I'd be happy if you could continue to support me even after this production is over.

Sakai: King-Ohger is a production that the staff spent a long time discussing and working on to create. Every day, I feel that the cast and staff are working together as one to tackle this work. There are only 5 episodes remaining to air, but there are still great developments waiting to happen, so please look forward to it!

Watanabe Aoto (Yanma) x Chiwata Yuhei (Shiokara)

"Please tell us your impressions of each other's character."

Watanabe: My impression of Shiokara, played by Chiwa-san (Chiwata), is that, "The kinder the person is, the scarier they are when they're angry."

Chiwata:…Hmm?

Watanabe: In episode 35, Yanma and Shiokara's past was depicted, but there's a pretty big gap between Shiokara's current character…In the past, Shiokara was the type of person who was quick to get his hands on something and had a sharp personality. However, he had a gentle gaze toward his own friends, and I think that's still true today. Until that episode, only Shiokara's friendly side was depicted, but I realized that when he gets angry, he's really scary! At the time, I was afraid of interacting with Chiwa-san…

Chiwata: You liar! (laughs).

Watanabe: (laughs). Still, I thought that gap was really cool.

Chiwata: I see. Of course, I’ve had the impression from the beginning that Yanma was cool, but since entering the new chapter, I've come to think that he can see what's going on around him better than anyone else. It's like he has foresight. Within Yanma, I think he has a well established logic that says, "This is what will happen if I do this," where he's able to easily figure out what choices he should make at that moment. Once again, I think he's a very smart person.

"Do you see any similarities between your characters and the person playing the role?"

Watanabe: Shiokara plays the role of the "pipe" that connects Yanma to the citizens of "N'Kosopa's Three Magi," being Minami Hokuto-kun's Akka, Okano Kaito-kun's Usuba, and Hayakawa Nagisa-san's Mayuta. Chiwa-san is also good at communicating with everyone, so I think they're similar. That impression hasn't changed since the beginning.

Chiwata: The similarities between Aoto and Yanma are that they both have cool visuals.

Watanabe: Well, they're both me (laughs).

Chiwata: I see (laughs). Aoto is very direct. I think his humanity is similar to Yanma's because he has a firm core and doesn't bend his beliefs. Aoto, he can sometimes show his cute side. I traveled to South Korea for the first time in Summer of 2023, and when I talked to Aoto before I went, he said, "Nice! Chiwa-san, I like this Korean brand." I thought, "Does that mean you want me to buy it for you?" (laughs).

Watanabe: Wahaha! At that time, I said, "I'll buy it when I have time," but while in Korea, Chiwa-san sent me a picture of a paper bag from that store. It was sent with the message "kneel down" (laughs).

Chiwata: Still, I think that kind of honesty is typical of Aoto.

Watanabe: I received some really nice clothes. It made me really happy!

"You're good friends even in your private lives. This time, you appeared in the costumes for the new chapter that started from episode 27. The new chapter is set two years after episode 26, but did you change the way you played your roles?"

Chiwata: At first, I was conscious of wanting to express the fact that two years had passed. However, there was no drastic change in my performance.

Watanabe: When I discussed Yanma's hair style for the new chapter with Director Kamihoriuchi Kazuya, he told me, "I definitely don't want to end the pompadour." So I decided to change my hair color, and went with a blonde pompadour. At first, I imagined that Yanma would be alittle more mature two years later, but when I decided to go with the blond pompadour, I realized that he was still in the process of developing. Immediately after entering the new chapter, when I noticed TomboOhger's actions, his movements were faster and more frequent, making for a very aggressive fighting style. Also, the jacket, which is Yanma's costume before the transformation, has had the length shortened and the sleeves can be slipped through more easily, making it easier to move around.

Chiwata: In the beginning, because you often had to hang the jacket over your shoulders, you used to complain that, "The action is too difficult…"

Watanabe: That's right. So, for me, I try to be more active in my performance, with the awareness that "Yanma's peak has yet to come!"

"As of the publication of this book, episode 45 will have aired, but compared to when you were first chosen for your roles, please tell us about the setting or development that surprised you the most regarding your role."

Watanabe: In episode 35, the Royal Sentai failed to take back N'kosopa from the enemy, Hilbil Leech of the Uchu Five Jester, and the episode ends in a very bad situation. However, the subtitle for the following week was "Hymeno's Matchmaking Strategy," and Yanma was happily going on a matchmaking trip (laughs).

Chiwata: Ahahaha! Even though N'kosopa was in ruins.

Watanabe: I was surprised when I read the script, but I also thought it was really cool. As a man, I thought it was cool that he could be so devoted to the girl in front of him, even if it means he humiliates himself. Besides, when something negative happens to me, it's not as if I can solve the problem by just staying inside and thinking about it. When I find myself in such a situation, I'm the type of person who thinks about it and tries to live my daily life properly, so I empathize with Yanma.

Chiwata: This is also connected to the story of Yanma's foresight that I mentioned earlier. There's no point in crying over the loss of our country, so we should just do what we can do now.

Watanabe: This is probably due to the fact that Yanma became a member of the Royal Sentai, and the area he's supposed to protect isn't just N'kosopa, but also the entirety of Chikyu. It's helpful that Yanma is good at choosing which one to prioritize.

Chiwata: When I read the script for episode 35, I was really impressed. When I started this production, Director Kamihoriuchi told me, "I want Shiokara to be an innocent, energetic and lovable character" and that's what I kept trying to achieve. And then, episode 35 let me do the exact opposite! I was very happy that we were able to show the background of our characters. Actually, Takamina-san (Takano Minato), who wrote the script, also talked to me about episode 35. This included Shiokara's pronoun.

"In the variety show "Sokkin Sentai Sokkinger," which is distributed through TTFC, Chiwata-san said, "When the Director asked me to distort my character, Shiokara's pronoun was changed to Oira."

Chiwata: Yes. At first, in the script, Shiokara's pronoun was "Ore". However, in the opening scene of the first episode, I consulted Director Kamihoriuchi and said, "I want to change the pronoun," and it became "Oira." However, since it was an on set exchange, most of you didn't know about it, and it remained "Ore" in the script.

Watanabe: That's right.

Chiwata: Later, when Takamina-san came to the set, I apologized and said, "I'm sorry for changing the pronoun," and he said, "Don't worry. We'll change it to Oira in the next script." However, in episode 35, there was a mixture of "Oira" and "Ore," and I was told that, "This is intentional, so please act according to the script." I also felt it was rewarding to play the role of Shiokara because I was able to show the gap between Shiokara's current character and his past as a delinquent.

"Please tell us about any particular scenes between Yanma and Shiokara that moved you."

Watanabe: It has to be episode 35.

Chiwata: Yeah, that's mine too.

Watanabe: What Hilbil was targeting was the "I'm on top computer," which controls all of N'kosopa's systems, and is normally operated by Yanma. Hilbil brainwashed the people of N'kosopa by whispering to them to destroy the computer, and Shiokara accidentally took out his earplugs and was brainwashed, but Shiokara desperately fought against it. Seeing Shiokara's desperate resistance, Yanma decides to destroy the computer himself in order to break Shiokara and the others brainwashing…However, I think this is a scene where he becomes much more aware of his role as a king, that he's living together with his people, including Shiokara.

Chiwata: I've been curious about it for a long time. In that episode, Yanma was forced to choose between the country and Shiokara, right? Did Yanma choose Shiokara right away, or did he think about it until the last minute?

Watanabe: Right…To be honest, I thought that Yanma in that scene was naive. The Yanma I know could've sacrificed Shiokara, and I don't think he would've chosen Shiokara from the beginning. After hearing Shiokara's feelings about N'kosopa, I think he destroyed the computer thinking that he was responsible for everything. This is just my guess though.

"When Shiokara woke up, he asked him what had happened and, charmed by Yanma's manly spirit, decided to follow him for the rest of his life."

Chiwata: In Shiokara's mind, there was no choice but to follow Yanma. That's why Shiokara doesn't go against what Yanma says, but at the same time, Shiokara also has a desire to pull Yanma along. That's why when Yanma was brainwashed by Hilbil in episode 44, I really wish Shiokara had been there for him.

"Now then, please tell us what you think makes the combination of Yanma and Shiokara unbeatable compared to the other countries kings and retainers."

Watanabe: Compared to the other countries, I think the amount of time we spend together is second to none. Also, Shiokara knows what Yanma was like when he wasn't king.

Chiwata: That's true. I sometimes think about the age of the characters. I wonder, who's older, Yanma or Shiokara?

Watanabe: It's not clear.

Chiwata: I've never really asked Takamina-san, but I feel like Yanma and Shiokara are closer in age than the other pairs, I also think they give off a stronger feeling of siblings than the other pairs.

"Are there any scenes you'd like to play as N'kosopa's king and retainer?"

Watanabe: The past was depicted in episode 35, right? I'm curious about the story of how Yanma became king after Shiokara and the Three Magi became Yanma's friends.

Chiwata: I'd like to see that! Like how N'kosopa was founded.

Watanabe: There needs to be an "Episode Zero"!

Chiwata: Because, how is it possible that a city so devastated became a country of cutting edge technology in just a few years?

Watanabe: Still, until Yanma became king, he couldn't equip the TomboOhger royal armor…

Chiwata: Wouldn't it be better to depict Yanma taking the throne and arming himself with the TomboOhger royal armor for the first time in the ending?

Watanabe: Oooh! That sounds good.

"Speaking of, if Shiokara were to be armed with royal armor, what kind of warrior would he be?"

Chiwata: Would the motif be based on the Japanese white tailed skimmer (shiokaratonbo), which is also the origin of his name? When Shiokara became a pilot of God King-Ohger in episode 25, he was piloting a pill bug (rolling hammer), so there's also a pill bug motif. For the color, something closer to blue would be good…maybe a light blue?

Watanabe: Cute! (laughs).

Chiwata: But, if the retainers were to arm themselves with royal armor, I think the most exciting thing would be for them to become weapons and have the kings use them. For example, Shiokara could become a gun, and when Yanma uses it, it becomes even stronger.

Watanabe: Sounds interesting!

"Since we have this opportunity, would you be willing to ask each other questions?"

Watanabe: King-Ohger will continue to host shows and other events even after the TV series wraps up, but is there anything you'd like to try?

Chiwata: I want to go around the country on the Final Live Tour and meet the fans of our work. Also, it'd be nice to have character songs for the kings with their retainers of each country.

Watanabe: That's good. Staff, please hear us out!

Chiwata: Well, my question to Aoto is…in the future, what kind of actor do you want to be?

Watanabe: Suddenly it's a serious topic (laughs).

Chiwata: Sometimes we talk about acting, and I think Aoto is really good at performing, so I wonder, what kind of actor do you envision yourself becoming?

Watanabe: I want to be in productions that inspire the viewer. For example, after seeing a work that focuses on family, I think to myself, "I should value my family," or "Maybe I should call my family." I want to appear in works that make people feel happy or take positive action after watching them.

Chiwata: I see. In terms of entertainment, what about action?

Watanabe: I admire it!

Chiwata: You also box, don't you?

Watanabe: Yes. I'll continue to work hard to achieve my goals!

"Finally, please give a message to the fans."

Chiwata: I often receive compliments from various people in the entertainment industry, saying, "King-Ohger is amazing." This is thanks to all the fans who have supported and encouraged us so far. We will never forget our gratitude, and will do our best to make this a work that'll be enjoyed to the very end!

Watanabe: This production also involved alot of extras. In that respect, I feel that this work was created together with the viewers, and I'm grateful for it. There are only a few episodes left, so please follow us until the end!

Murakami Erica (Hymeno) x Yoshimitsu Hiroto (Sebastian)

"This time, it's a character book featuring the kings and their retainers, so we'd like to hear from both of you."

Yoshimitsu: Thank you for having me. (to Murakami) Ah, I've got some candy.

Murakami: Wow, I'll have some if I'm tired of talking. This is the kind of thing about Yoshimitsu-san that's just like Sebas himself. He once gave me a souvenir from when he went to the countryside, and his thoughtfulness is really wonderful.

Yoshimitsu: I have to try to make a good impression. There are alot of young people on set.

Murakami: There you go again with that~ (laughs).

Yoshimitsu: The cast members who play the kings are all around the same age as my children, so I can't help but find them cute. They all have good personalities. The actors who play the retainers also have good personalities, but they all have their own quirks. I guess you could say they're unique.

Murakami: Even the kings are unique (laughs).

Yoshimitsu: The six of them have their own individualities and are considerate. Hyme (Murakami), in particular is flawless. She's extremely positive.

Murakami: That's not true~

Yoshimitsu: You never give up. In the beginning, even though Kamihori-san was very strict with us, she would say, "This gives me a good foundation for the performance I'll do tomorrow." That's amazing, isn't it?

Murakami: Fufufu. I can ask Yoshimitsu-san various things, and he teaches me. When we're filming together and I say, "I don't understand this part…" he immediately makes a suggestion saying, "Why don't you try it this way?" I like our relationship, and I think that kind of thing is very similar to Sebas.

Yoshimitsu: I don't know if my suggestions are right or not.

Murakami: I'm always learning, and it's the kind of stuff that I actually use! (laughs).

"Alot of things were revealed about Sebastian in episode 36, but what kind of explanation did Yoshimitsu-san receive about Sebastian in the beginning?"

Yoshimitsu: Hymeno doesn't usually carry the OhgerCalibur, so I was told to always be there carrying the sword tray. Even if I didn't have any lines, I would come out with the sword tray. I thought to myself, "I don't have to memorize lines, lucky~" (laughs), but thought about various ways of holding the sword tray. For example, after handing over the sword to her, I would quickly pull the tray back. Well, around the middle of the show, I became more resourceful in the way I brought out the sword, and didn't hold the tray as much.

Murakami: Lately, there've been alot of instances where Hymeno is suddenly holding the sword. As for my own narrative, the sword is supposed to come out from the ribbon on her back.

Yoshimitsu: I see. By the way, when playing Sebastian, I often pay special attention to how I stand while holding the sword tray. They changed it halfway through, but the first sword tray was so heavy, that it was difficult for me to stand holding it. However, if my back is bent, it doesn't look like Sebastian, so I was very conscious of taking a step back with my right leg, keeping my back straight, and standing straight like a dancer.

Murakami: Regarding Sebas's performance, when Yoshimitsu-san and I were at the first script reading, Kamihori-san suggested, "Give me one distraught gesture. For example, touching your mustache." I remember when Sebas's iconic pose was born.

Yoshimitsu: Hymeno asks Sebas to do some pretty reckless things, doesn't she? Saying things like, "Create a flower garden overnight." Each time, Sebas would think, "Hmmm, how troublesome." As a gesture for such occasions, he would start touching his mustache. I also consulted with Kamihori-san as we put together the performance.

"Please tell us about your impressions of the character the other is playing."

Yoshimitsu: She's cute. However, I can't help but view her as my co star, not as her character.

Murakami: I see! (laughs). I don't usually talk to people like this directly, so I'm kind of happy!

Yoshimitsu: I look at you (Murakami) from a father's perspective, but if you were my real daughter, I wouldn't marry you off! And yet, I'd also worry that you wouldn't get married…She's so cute and has such a nice personality, that I think it'd be a big shock if someone saw something they didn't like about her.

Murakami: You definitely show your dislikes on a regular basis (laughs).

Yoshimitsu: Really?

Murakami: Things like acting recklessly…

Yoshimitsu: As your character, yes. But, there really isn't anything I dislike about Murakami-san herself. Even after filming for King-Ohger ends, if you or any of the other kids who play the role of kings ever have any problems, you can come to me for advice. Invite me out with, "Let's grab a drink," that's okay too.

Murakami: Thank you very much! Going beyond the relationship between Sebas and Hymeno's characters, I'm glad that you care about me too.

"Murakami-san, how do you feel about the character Sebastian?"

Murakami: I feel a sense of security. When Sebastian appears, I feel like Ishabana is able to maintain peace, and just having him by her side calms Hymeno down. Even in episode 14, when Hymeno mistakenly thinks that Jeramie Brasieri is the enemy of her parents, Sebas tries to calm Hymeno down by gently suggesting some tea.

Yoshimitsu: Hymeno responded with, "I don't need it," and Sebas made a sad face. I feel like that exchange went well.

Murakami: Yoshimitsu-san took the lead, so I felt comfortable playing the role.

Yoshimitsu: Now, it's the opposite. Murakami-san has grown so much in one year. At first, she would ask me, "Is it okay to do this?" and I would reply, "Do whatever you like," however, the other day I asked, "Is it okay to do this here?" and she replied, "Do whatever you like."

Murakami: (laughs). At that time, I was putting all my effort into my lines.

Yoshimitsu: That said, I've become able to respond to improved movements with improved lines, so those kind of interactions have become natural.

Murakami: I no longer get anxious.

Yoshimitsu: I'm getting better at it.

Murakami: In the beginning, I'd often think, "What'll happen if I do this, or if it doesn't work out, will I cause trouble for everyone…?"

Yoshimitsu: She's a very considerate person, isn't she? When the extras were standing on set, she said, "Since everyone is standing, I'll stand too."

Murakami: During filming, you have to take care of yourself, but the extras hesitated to sit down and stay hydrated. That's why I wondered what I could do.

Yoshimitsu: As for the Ishabana scenes, Murakami-san is the leader, so if the leader acts like that, the extras will feel more comfortable filming.

Murakami: I was also anxious about putting a burden on so many people, but I started to think, if something were to happen, as long as Yoshimitsu-san was there, everything would be okay!

Yoshimitsu: Lately, I've been thinking about becoming a candidate for Murakami-san's manager. The pay will be higher though.

Murakami: (laughs). I'm grateful that you'd choose me, even if I cause you trouble.

Yoshimitsu: You can cause as much trouble as you want. Just try doing a performance that you like! If they say, "That's annoying, pass," you can just try again.

Murakami: I'm gradually learning to rely on those around me, but if I rely on them too much, I won't be able to rely on myself. From now on, I'm going to have other jobs in this field.

Yoshimitsu: Right. Sebas won't always be by your side.

Murakami: I'd feel relieved if you came to my side like you usually do…

Yoshimitsu: You don't really intend to make me your exclusive manager, do you? (laughs).

"Were there any particular scenes between Hymeno and Sebastian that left an impression on you?"

Murakami: At the end of episode 36, when Hymeno asks Sebas, "Do you ever wish you could go back to being Romane Dearborn?" He answered, "Only when I hide my true face could I live my life the way I wanted to. Now, Sebastian the butler is who I am." I was impressed by that scene.

Yoshimitsu: You know, it didn't feel like I was saying the lines. It just came from my heart. Before we started filming, I was thinking alot about whether it would be better to do a performance based more on Romane Dearborn, but since I've always played Sebastian, it was an easy decision.

Murakami: Upon hearing that, Hymeno smiled and said, "Thank you." Both Hymeno and I were very happy.

Yoshimitsu: In that episode, there's a scene where the special makeup was applied for the first time by the waterside, and the script said "his eyes tear up." But when I was looking at Hyme, even if I didn't consciously try to cry, I just thought, "This kid, she's doing her best…" and I was already starting to tear up from the rehearsal (laughs).

Murakami: I didn't know that (laughs). I also like that waterside scene. As Hymeno puts on his glasses, she says, "Having compassion for others. That's the most beautiful thing you have, and the only thing I want."

Yoshimitsu: It was a performance that tugged at my heartstrings, or rather, it tickled my heart.

Murakami: It's good that Yoshimitsu-san can lift me up on this set, but that won't happen from now on. I think doing a single person performance…it worries me.

Yoshimitsu: Don't worry. You're fully qualified. It's not for me to say though (laughs).

"During the matchmaking episode, there were alot of highlights from both of your performances. The expressions on Hymeno's face when she was being impersonated by Kamejim Unka of the Uchu Five Jesters were also wonderful."

Yoshimitsu: Takano Minato-san, the screenwriter, is relentless. I thought, "How can he make us do such unpleasant things?!" The body swap scenes in episode 28 were also amazing.

Murakami: There are alot of lines, and it's not Jeramie, but it's a scenario that makes you read between the lines.

"If there's a spin off in the future, please tell us if there's any situations you'd like to perform."

Murakami: Hymeno tries to wake up in the morning, but can't, and when Sebas comes to her room and makes her morning tea, she feels relieved…I wanted to film a scene like that. Things like afternoon tea are usually elegant scenes, aren't they? I'd like to perform a tea scene that isn't like that.

Yoshimitsu: I was thinking of doing a backflip. I thought that if I, a 63 year old, did a backflip, I'd be able to convey Sebastian's true youthfulness. However, I don't want to injure myself and inconvenience everyone, and I haven't practiced in awhile, so I decided to stop.

Murakami: I definitely want to see an agile Sebastian.

Yoshimitsu: It'll be fun to do someday…but, will there ever be a "someday"?

Murakami: I don't know~ you might be doing backflips in 10 years.

Yoshimitsu: No, no, you might be a big actress 10 years from now, but this old man will have had enough…

Murakami: Fufufu, I'm looking forward to it.

"Could you please ask any questions you'd like to hear from each other?"

Yoshimitsu: I'd like to be invited to Hyme's wedding, but do you plan on getting married?

Murakami: I have a desire to start a family, so I'm sure I will someday…

Yoshimitsu: If you want to have a ceremony, please reach out to me. I'll provide a proper celebration.

Murakami: You got it! Well, I'd like to ask you a question as well. Yoshimitsu-san is very knowledgeable and knows many things regardless of the subject, why is that?

Yoshimitsu: I've lived a long life. Also, I like to talk, so I talk to alot of people and learn alot from them. Even if I don't know everything in depth, if I know even alittle bit, I can say, "I heard something like that back then," and use it as a basis for my performance. Also, sometimes I go out to eat and treat myself to traditional sushi (not conveyor belt). If I lived a normal life, you have no idea how nervous I'd feel going into a prestigious restaurant. I've never been in first class on an airplane, but I've heard that all the chairs are electric.

Murakami: That's cool. You've got a "let's give it a try" spirit.

Yoshimitsu: Yes, I have to try everything. If I were to play a role where I had to move to a first class seat, I'd be nervous if I had no experience, but if I had experience, I'd be able to do it easily and look like I'm used to it, you know? That's why it's good to have experience in everything.

Murakami: It's a great source of artistic talent. I guess it's all connected to acting.

"Finally, please give a message to the fans,"

Murakami: We've been walking together with the fans of Ohsama Sentai King-Ohger, and I hope we can enjoy it together until the end. We'll be facing off against a powerful enemy, The Uchu King, but one of the strengths of Super Sentai is our unity. Everyone will work together and do their best!

Yoshimitsu: A year goes by so fast. It's sad. As Hyme just said, there's a powerful enemy standing in our way, so the kings, their retainers, and their people won't be able to win unless everyone is united. In episode 25, we were able to combine the 20 person God King-Ohger, but it has to be even better than that, so I feel like it's going to be something amazing. I didn't know much about the Super Sentai series, but I was moved by the fact that it touches so many people. It was a great experience, and I met some great friends. I never thought I'd meet such young and pure people at my age. It's truly been a treasured year for me.

Murakami: I hope you look forward to it. I don't think the Royal Sentai have ever failed our expectations.

Yoshimitsu: In the last spurt, I'll run until my heart stops.

Murakami: Don't let it stop! (laughs).

Hirakawa Yuzuki (Rita) x Hasegawa Kasumi (Morphonia)

"First, please introduce the character the other plays."

Hasegawa: Yuzuchin (Hirakawa) plays Rita Kaniska, the king of Gokkan. In the new chapter starting from episode 27, two years have passed, and their hair and the length of the jacket they wear have become shorter, and their slender legs look much better now. They're super cool!

Hirakawa: Is it just about looks? (laughs).

Hasegawa: I'll also talk about what's within (laughs). At a glance, because they're quiet, they may seem like a scary person, but at heart they're very kind, and they love the character Moffun that appears in the animated series "Together with Moffun." Although they're abit clumsy when it comes to socializing, because they're so bound by the principle of "fairness and equality," they're a king overflowing with love.

Hirakawa: Kasumin (Hasegawa) plays the role of Morphonia, Rita's retainer. Basically, work is tedious for her, but she doesn't slack off, and even if she complains, she gets the job done right. For Rita, she's not only their retainer, but also their emotional support. Rita doesn't say this directly, but her existence is one of a kind.

"Please tell us why you think the combination of Rita and Morphonia is unbeatable compared to the king and retainer combinations of the other countries."

Hasegawa: I think it's the fact that they're not bound by the "ruler and ruled" relationship present between a king and retainer.

Hirakawa: That's right. It feels like they're independent from each other. All the retainers from the other countries seem to be serving their king.

Hasegawa: If you think about it, compared to the other kings, Morphonia just calls them "Rita" (laughs).

Hirakawa: Yeah. Rather than "king and retainer" present in the other countries, what's different is that they interact with each other as individuals. Also, they can communicate their feelings without words.

Hasegawa: Rita doesn't say much. In episode 45, the story of Rita and Morphonia was depicted, and it feels like they've always been together since childhood. I think that because of that experience, they're able to understand each other so well.

Hirakawa: I don't know if it's a harmonizing thing, but they give off a strong feeling of being a duo that knows what they want to say without having to say it out loud.

Hasegawa: I think the attitude for the retainers of the other countries is, "I'll follow!" whereas with Morphonia, it feels like she's trying to walk together.

Hirakawa: That's true. It's not like Rita's in control of everything, and Morphonia isn't the type of person who needs to be shown the path to walk. The Gokkan duo may be the only ones walking side by side.

Hasegawa: Right. She lets Rita walk in front of her as much as possible, but when she want to stand next to them, she just stand next to them without hesitation.

Hirakawa: I guess the key point is whether it's in public or not. When attending a meeting in Shugoddam for example, I imagine that Morphonia is behind them.

Hasegawa: Morphonia is someone who understands TPO. (*being aware of what is/isn't appropriate)

"At the time of this books publication, episode 45 will have aired, and every character has been revealed. Apparently, Rita's parents are still alive and they've met up."

Hirakawa: I never really thought about Rita's parents until it was revealed in episode 38. Even if the setting was that they were dead, it wouldn't change my performance plan as Rita. Rita separates their private life from their professional life on and off, and if they became the presiding judge because they were separated from their parents, that would mean bringing their personal feelings into their work, so I didn't think such a scenario was likely to happen. That's why, when I read the script for episode 38, I just thought, "Ah, they have parents."

Hasegawa: Still, I can't imagine Rita talking to their parents.

Hirakawa: I think it's the same with my own family. Members of my family also take part in legal practices, so I come from a strict family…is what it seemed like.

Hasegawa: Was curfew at 4 p.m. or something? (laughs).

Hirakawa: I don't think that was quite it (laughs). The image of Rita I had in my mind was that of an only child, whose childhood friends were books and dictionaries…or so I felt. In episode 45, Morphonia's past was revealed.

Hasegawa: She's a child born between two criminals. I thought, "I knew it," so even after learning about it, I didn't change my performance plan.

"Please tell us about any memorable scenes between Rita and Morphonia. In the interview for, The Bonds Connected by Moffun and Racules?!, released in November 2023, you mentioned episodes 10 and 38, but has it increased since then?"

Hirakawa: I still think it's episode 38.

Hasegawa: The idol episode was memorable. Rita showed off their glittering idol look, and they cheerfully responded to Minongan Moth of the Uchu Five Jesters with, "Yes~!" We saw a different side of Rita than usual.

Hirakawa: Those scenes were nice, but the last one was good. Gokkan, where it snows throughout the entire year, was depicted with clear weather.

Hasegawa: That's right. That one was good.

Hirakawa: Actually, it seems like that last scene was almost cut.

Hasegawa: Eh?!

Hirakawa: Takamina-san mentioned it on SNS, but during a meeting discussing the scenario, Takamina-san was desperately defending it, saying, "It's absolutely necessary! Please keep it!"

Hasegawa: I see. I'm glad we got it~. In the end, we still improvised the performance.

Hirakawa: The final back shot, where they're walking together under the clear sky, was all improvised.

Hasegawa: After filming finished, I was unusually satisfied.

Hirakawa: The relationship between them also became closer.

Hasegawa: Well, Morphonia didn't understand Rita was doing undercover work, she completely misunderstood them (laughs).

"After watching the actual broadcast, what did you think?"

Hirakawa: I was just relieved. Rita has many "closed" parts, both physically and in terms of their character, so until it aired, I was nervous, wondering what kind of reaction we'd get if they opened up about it. Would be okay? Still, Rita's a character who will have to break down those walls someday, and after episode 38, I felt that their possibilities had expanded. And as expected, I watched the episode air with excitement, wondering if the dancing and singing scenes turned out well. When we were filming, all I could do was put on my best performance, so I was concerned about how the scenes would turn out. How about Kasumin?

Hasegawa: I was really looking forward to the broadcast.

Hirakawa: That's what we kept saying before it aired. We'd say, "It's almost time for the idol episode!"

Hasegawa: I couldn't wait to watch it! I was looking forward to seeing Rita in action, but I was also looking forward to seeing how funny it'd look when Morphonia and the kings try to reason with Rita and find out why they become an idol.

Hirakawa: To put it simply, it was really annoying (laughs). Even more so, everyone's performance was so convincing….

Hasegawa: Everyone was annoying. But that was our role.

Hirakawa: Even when we were filming, I was acting thinking, "You're doing something so extra," but the broadcast was filled with that atmosphere (laughs). Like the look on Morphonia's face when she was appealing to Rita with, "I'm the only one who'll always be with you!" (laughs).

Hasegawa: I also thought I looked too desperate myself, which was really funny! (laughs). I had a fun day on the day of the broadcast. Thank you.

"Was there ever a turning point in your performance plans?"

Hasegawa: Our characters changed in episodes that would trigger a change. Specifically, episode 10, 25, 38, and 45. But, I didn't consciously try to change it.

Hirakawa: When filming an episode where the characters get closer emotionally, naturally, things change. The fact that the actors have gotten to know each other over the course of a year of filming also has an effect. This is a good thing, as it's a production that'll broadcast for a year.

"We think that the distance between them has become closer, and their understanding of each other has changed, but how do Rita and Morphonia view each other now?"

Hasegawa: Aren't they partners?

Hirakawa: That's right. I think it's a position that only Morphonia can hold.

"She stays neutral next to Rita, so she's a comfortable presence for Rita."

Hasegawa: Even though they've always been together, they don't seem to interfere with each other. They have just the right amount of distance and trust.

Hirakawa: Everyone has their own worldview and purpose, so they don't go into it any more than necessary. But, they can't replace each other.

Hasegawa: To begin with, if Rita wasn't the king, Morphonia would've run away. She didn't originally want to work as a retainer.

Hirakawa: Rita's the king, so I guess she does it even though it's an intense job. She must've fallen in love with Rita's personality.

Hasegawa: I think so. I think they can be together because she respects them as a person.

Hirakawa: I’m just imagining it, but when first meeting Morphonia, do you think the impression of her was, "What an interesting person"?

Hasegawa: She's changed gradually, and now you'll think, "This person is amazing, she should be king after all."

Hirakawa: Even though she started working as a retainer with that feeling, it's amazing how she's actually helping Rita. Morphonia is excellent!

Hasegawa: She really is!

"If you study seriously, getting a score of 100 points isn't a dream, but we also have the image of her being satisfied with scoring 90 points. Rita on the other hand is always scoring 100 points."

Hasegawa: This is just me imagining, but even though she complains, I think Morphonia is secretly studying behind the scenes. That's why I think she'd score 99 points.

Hirakawa: She can't quite reach it.

Hasegawa: Rita's perfect, but Morphonia isn't. Although she's gotten the hang of things and is able to do her job, she doesn't think she's fit to be a king.

Hirakawa: Is it a mental thing?

Hasegawa: Rather, and I'm not talking about Rita's family from earlier, but Rita can make fair judgments about family matters when it comes to work, but it seems that Morphonia can't do that. I think she'd rather try her best not to judge.

Hirakawa: I can imagine that.

Hasegawa: There's a difference, and I think that's why Rita is the presiding judge.

"In episode 25, Morphonia also participated in battle as a pilot for God King-Ohger, but if she were to arm herself with royal armor, what kind of warrior would you want her to be?"

Hasegawa: If the motif were based on the morpho butterfly, which is the origin of her name (morufochou), the color would be blue…

Hirakawa: You'd become a citizen of N'kosopa!

Hasegawa: I think it'd be good if the characteristics of Gokkan's people were to show.

"We understand that the two of you have become closer over the past year, and we'd like to hear about what you've been doing in your private time."

Hasegawa: I want Yuzuchin to teach me how to make delicious coffee.

Hirakawa: Of course! When it comes to coffee, I can be abit talkative. I'm always going on and on.

Hasegawa: Alright! I want to learn how to make hand drip coffee.

Hirakawa: In that case, I'll have to train you at my house.

"Hirakawa-san, are you particular about coffee?"

Hirakawa: I love it, and am very particular about it. The beans, the equipment, and even the way it's poured.

Hasegawa: The other day, I happened to have a cup of coffee that tasted so good, that I was impressed by how different the same drink can be. Then, I found out that someone who was as immersed in the coffee obsession was so close to me!

Hirakawa: I'm thinking of becoming a certified Coffee Meister, would you like to study with me? (*certification by the Japan Specialty Coffee Association)

Hasegawa: I do, I do!

"Previously, when the two of you visited the King-Ohger booth at the Tokyo Toy Show 2023 event, it seems that nobody noticed you, but do you have any stories of being called out to on the street?"

Hirakawa: I do. When I went to see a stage play by a senior from my agency, one of the audience members noticed me. However, I didn't notice their voice, and a staff member told me about it as I was leaving.

Hasegawa: There's a rumor that I didn't realize that I'd been noticed before. When I went to see a stage play, someone said to me, "Aren't you a Sokkinger?!" and I thought it was a novel comment. I was at a loss for words, and I'm sorry for not giving a proper answer. I want to apologize to the person who approached me at that time.

Hirakawa: It's funny that you're apologizing here (laughs). I may not be able to provide much service when people call out to me in public, but it makes me happy to know that people are watching our work.

"Please give a message to the fans."

Hasegawa: Are you enjoying Ohsama Sentai King-Ohger? I hope you enjoy watching it until its conclusion, because there's going to be an unexpected twist at the end.

Hirakawa: It'll be over soon, but I think you can feel the growth and change both as our characters and as individuals. I think the kings will have the opportunity to meet fans directly at the hero show at Theater G Rosso, but first, I hope that you'll join us to see how the TV series will end. And even after it ends, I hope that this will be a show that is loved for a long, long time.

Kaku So (Kaguragi) x Kanzaki Hajime (Kuroda's actor)

"First, could you please introduce the character the other is playing?"

Kaku: There are many kuroko serving the Toufu lord, Kaguragi Dybowski, who I play. Among them, Kuroda is a special person who's close to Kaguragi. The name Kuroda was revealed midway through, but episode 37 depicts that he was a good friend of Kaguragi even before he became lord. Although he can be a bit clumsy at times, his movements are light. This is some behind the scenes info, but sometimes he uses a trampoline.

Kanzaki: Toufu's lord Kaguragi, who Kuroda serves, has unshakable feelings, but he doesn't show them to those around him. It's unknown if Kaguragi revealed to Kuroda the exchange he had with the previous lord, Iroki, 17 years ago, which was depicted in episode 37. My guess is that he hasn't revealed it…but, since they've been together for a long time, I think he trusts him.

Kaku: That means it's a strong relationship of trust, because even though he doesn't reveal everything, he still follows him. I think he wanted to have the person he trusted the most by his side, so when Kaguragi became lord, he made Kuroda his retainer. However, he wouldn't be able to become the castle's kuroko if he was incompetent in various aspects, so Kuroda must've worked really hard to train and become strong…is what I think.

"Until the past story of episode 37 was depicted, how did you imagine the two of them would open up to each other?"

Kaku: In the beginning, Kaguragi always called him "Kuroda-san," but in episode 10, he calls him "Kuroda." I was talking with Kanzaki-san about the fact that they probably didn't have a master and servant relationship to begin with. I imagined various things, like maybe Kuroda was older than Kaguragi, and that he had taken care of him like a butler since he was a small child.

Kanzaki: Since that part of the story hadn't been depicted, we acted without making a clear decision. However, in the past, Kuroda dressed as a farmer and was seen calling out to Kaguragi in a rough tone, so I think Kuroda is alittle older than him.

"In the early days, Kuroda didn't have any lines, which made his character more imaginative."

Kanzaki: I was thinking he wouldn't talk until the very end (laughs). Compared to the retainers from the other countries, I get the impression that Kuroda takes a step back and looks at his surroundings, which is similar to myself. I often participate in tokusatsu productions as a Suit Actor, but in King-Ohger, I'm in a position between the action department and the actors, so when I see the young cast members talking so lively, I take a step back and think, "How cute" (laughs). Kaku-san is also older than the other regulars who play the kings, but he has alot of cute moments and sometimes acts alittle silly inbetween performances (laughs).

Kaku: That's true (laughs).

Kanzaki: As a member of the action department, I continue to assist the cast members on set even after they've finished their performance, and conversely, I stay on after the action department's performance is over if Kuroda has a scene. That way, I get to see the cast and crew at work, so it's a very fulfilling time for me. Although it's through the kuroko mask, whenever I see Kaku-san's acting up close, I always feel that Kaku-san's performance as Kaguragi Dybowski makes the scene even more intense.

Kaku: That makes me happy (laughs).

"What's the charm of Kaguragi and Kuroda that makes them unbeatable compared to the king and retainer combinations of the other countries?"

Kaku: I don't know what they're going to do. Just the scenes where Kaguragi and Kuroda have a secret conversation and split up is enough to make you feel like they're up to something again, and I think it's exciting.

Kanzaki: I also think that being physically fit is one of their strengths.

Kaku: Definitely, For example, if the kings were absent and their retainers fought each other…then Kuroda might be the strongest. Another key point is that they captivate you with their gorgeous movements.

"In episode 26, when Toufu's crops were being harvested by Ishabana's Shugod, and the people were suffering from heatstrokes, it was interesting to see Kuroda rush in and roll in front of Kaguragi, who contained Hymeno's soul."

Kanzaki: Kamihori-san said, "Please do it. You'll do it, right?"

Kaku: You make an impressive appearance in a way that the rest of the retainers don't.

Kanzaki: Since I can't show facial expressions, I tend to rely on movement. When performing the actions of a monster, even the slightest breathing has to be expressed in a loud voice for it to be conveyed, but since Kuroda's costume is normal, I've made adjustments so that it doesn't come off as over the top.

Kaku: Also, Kuroda has a nice voice!

Kanzaki: Toriumi Kosuke-san's voice is wonderful!

"We'd like to ask you to look back on any memorable scenes between Kaguragi and Kuroda."

Kanzaki: In episode 28, the body swap episode, there's a scene in which Kaguragi, who had Hymeno's heart, makes medicine for the people who have collapsed from heatstroke, and Kamihori-san gave him various orders.

Kaku: When I first read the script, I thought it was going to be a more rushed approach to nursing. However, the Director seemed to want it to feel more calm. I struggled with it alittle.

Kanzaki: It was difficult to find the "pause" to move and give medicine to a sleeping person. Also, in the movie (Adventure Heaven, released in Summer 2023), the scene where Kuroda interrupts Kaguragi and Iroki when they're facing each other is very memorable. I used a trampoline to do some moves that I had little experience with, but the moment it was given the OK, Kaku-san said, "You did it! That was cool!" How kind of my lord…is what I thought.

Kaku: It was really cool, so I definitely want you all to pay attention to that scene. In episode 10, when Kuroda bows, Kaguragi says, "Kuroda, what are you…?," calling him that for the first time. From that scene on, Kuroda became a character that Kaguragi felt closer to, and the image I had of them began to come forward. Until then, I could only vaguely imagine the extent of their relationship, but after that episode, I was able to imagine it clearly.

"Two years passed between episodes 26 and 27, and each character grew two years older, but was there anything you changed about your performance?"

Kanzaki: Kaguragi was absent during the beginning of episode 27, and I was confused when the Director told me, "Kuroda will wear Kaguragi's haori and take his place as lord." I thought Kuroda couldn't wear it because of his character…I told Director Kamihori the same thing, but he encouraged me by saying, "Everyone so excited, saying, Kuroda's the only one who can take Kaguragi's place!" So, I put my mind into it and acted it out. However, the performance itself didn't change.

Kaku: I haven't changed anything since the two years passed, but in the beginning, I was exploring the character of Kaguragi as I played him. At the time, I thought I was doing my best not to let my doubts show, but looking back on it now, I often reflect thinking, "I should've done things in this direction more, huh?" In the beginning, I could only get a vague idea of Kaguragi's personality, but as filming continued, as it became clear how he outwits people and what kind of soul he had, my perception of him changed. If I had my way, I'd like to reshoot from episode 1 in his current state! If I had atleast been given the scripts up to episode 20 before we started filming, I think my performance plan would've been quite different.

Kanzaki: For example, in episode 4, there's the scene in which Kaguragi is armed with the royal armor for the first time in the series, and his face looks completely different now than it did then, as he looks much more sturdy. Like all the actors playing the kings, I thought it was amazing. Of course we in the action department work hard, but to see young actors grow by playing the same character in front of the cameras for a year is something that's rarely seen in other productions, and I think this is the real thrill of being involved with Super Sentai and Kamen Rider, both of which air for a whole year.

Kaku: It's true that it's rare to have the opportunity to play the same role for a whole year.

"Now then, could you tell us what you like about each other's performance?"

Kanzaki: Kaku-san gives off a profound feeling, in terms of power, I like the gap between slow and fast. Also, as I mentioned earlier, despite being an older member of the cast, I find him cute. And then, I don't think there are many people who'd look good in Kaguragi's costume, hair and makeup, so I think it's amazing that Kaku-san has made it his own.

Kaku: Thank you very much. Kanzaki-san is always thinking of various gestures for the shoot, and his large reactions, which easily convey his emotions to the viewer, are interesting and appealing in a way that the other retainers don't have. Then, including Toriumi-san's voice, I think it's a luxury. The character of Kuroda was created by combining the work of action and voice professionals, and every action and voice performance makes it more interesting.

"As of the publication of this book, episode 45 will have aired, but are there any scenes you'd like to perform in a spin off?"

Kaku: I'd be good if there was a depiction proving Kuroda's strength. Kanzaki-san is the one doing the movements, and I believe that Kuroda is strong, but there aren't many depictions that establish that. Also, a scene where the two of them do some farm work would be nice (laughs).

Kanzaki: Everyday scenes are nice.

"You say you want to see a strong Kuroda, but if a Kuroda were to fight armed with the royal armor, what kind of warrior would you want him to be?"

Kanzaki: The people of Toufu have names with a bee motif, right? Some viewers thought that Kuroda may have been derived from the name of a bee with "kuro" in it. Kaguragi's younger sister Suzume Dybowski is from the vespinae wasp (suzumebachi), and Iroki is from the Japanese yellow hornet (kiirosuzumebachi), so he's got to be a bee warrior. Kaku-san tells me that Kuroda seems strong, but I also like the idea of a cute worker bee with a honey bee motif (laughs).

Kaku: That sounds good. There are alot of kuroko in the castle, so they fight in groups. Let's have Kuroda take on the role of the leader.

"Could you please take this opportunity to ask each other some questions?"

Kanzaki: To begin with, Kaku-san, why did you enter this industry?

Kaku: I was originally interested in theater. Because my parents were athletes, I devoted myself to playing baseball and rugby, but I had to give up these sports due to an injury. However, since I was still young and full of energy, I decided to pursue a career in theater.

Kanzaki: I didn't know that. Even so, you have a really good physique. How tall are you?

Kaku: I'm 185 cm (6'1"). Fujita Yohei-san, a Suit Actor for King-Ohger, is also tall.

Kanzaki: He's 187 cm (6'2"). Although he's the largest in Japan Action Enterprise (his agency), Kaku-san is sturdier. If Kaku-san were to join our agency, he'd be in charge of the Super Sentai Robos (laughs).

Kaku: I adore the Robos! Kanzaki-san, how did you end up where you are today?

Kanzaki: At first, I wanted to do motorcycle stunts. Motorcycle and action stunts are different from performance stunts, but I gradually began to think that acting would be interesting as well. When I looked into how I could study, I found out about the agency I work for now and joined.

"It's already been a year since this production started filming. It might be alittle early to ask, but how do you feel looking back?"

Kaku: It was a very short but intense time. All the regulars are really nice kids.

Kanzaki: Agreed.

Kaku: I think it's a miracle that we've made it this far without incident. This is a production that's deeply touched my life. However, it's not over yet. There's the hero show at Theater G Rosso, and maybe, just like with "Zyuden Sentai Kyoryuger," which we had a collaboration with during this production, it'll be revived 10 years later!

Kanzaki: Just the other day, Yuzuki-chan was talking about that on set and said, "I'll be in my 30s then, huh…" When Hachisuka Yuichi-san (PapillonOhger's Suit Actor) heard that, he said, "I'll be 70!" (laughs).

Kaku: (laughs). If there's a 10th anniversary work, I'm looking forward to seeing what the setting will be like. What's going on with the kings? I wonder if they'll get along or split up (laughs).

"Finally, a message to the fans."

Kanzaki: I think the last part of the show is going to be a wild ride, so please keep your eyes peeled. Also, I'll always be a fan of Kaguragi Dybowski, Kaku So, and Teramoto Shogo, HachiOhger's Suit Actor. I'm personally looking forward to seeing how the Directors will "spice up" Kaguragi in the end.

Kaku: Thank you very much. Just reading the script makes me feel excited, but I'd like you all to see what Chikyu's future will be like. Please watch until the very end!

Ikeda Masashi (Jeramie) x Seki Tomokazu (Gerojim's VA)

Ikeda: Nice to meet you, I'm Ikeda Masashi. It's a pleasure!

Seki: Nice to meet you.

"What the? Is this the place for a conversation to be "nice to meet you"?!"

Seki: Afraid so. I had met the other five kings at the production press conference and on the variety show that I'm a regular on, but at that time, Jeramie still only appeared as the narrator.

Ikeda: I'm glad to finally meet you.

"Getting into it, we'd like to ask you about Jeramie and Gerojim. Could you please introduce the other and the role they play?"

Ikeda: Gerojim is a kind character who loves Jeramie more than anyone else, and tries to understand Chikyu and other people more than anyone else. He's a mysterious being who can disappear like haze or disguise himself as someone else, and there's something about him that I haven't fully grasped yet.

Seki: Gerojim was once treated like an "incomplete" Bugnarak, and a staff member explained to me that he felt sympathy for Jeramie, a half human half Bugnarak. If I were to introduce Jeramie…he's white (laughs). I feel that he's mentally mature, but I also feel that he puts up with alot and forces himself to hold back, so I'm afraid that he'll bottle up too much and eventually explode.

"Seki-san, what other information did you receive about Gerojim's character?"

Seki: Well, nothing in particular…Originally, there were no plans for me to appear. However, at the production press conference, I jokingly said, "I'm going to be in the main story, right?!" but after awhile, they asked, "Even if it's a weak role, it's better to play a role that lasts a long time, right?" I answered, "That's right" and got the role of Gerojim. I thought he'd make his introduction in episode 8, but then he was injected with poison by Racules Husty and was defeated, so I thought, "Huh?" (laughs).

Ikeda: Didn't they tell you about future developments, such as becoming a retainer to a king?

Seki: I didn't hear about it. But after that, I felt like I was going to keep up with Jeramie because of how many times he appeared. For the first recording session, I created my role based on the motif of the mayfly insect and the fragile image that I felt from reading the script, but when I saw the footage, I was surprised to find that the visuals looked quite rugged, and that the movements were powerful. Still, I thought it'd be more interesting to have a gap, so I decided to go with a whispering voice.

Ikeda: No kidding. When I first saw the footage of Gerojim with Seki-san's voice during the recording, I wondered how such a voice came from his body (laughs). The cast members playing the kings who were present had a variety of reactions, including bursting into laughter and being shocked. He has a way of speaking that makes you want to imitate him, so all the staff and cast members have fun imitating him on set.

Seki: That makes me happy! Being imitated means being loved.

"It seems difficult to express emotional intonation in that fragile, weak voice."

Seki: It's difficult during combat.

Ikeda: That's true.

Seki: I can't help but feel abit clumsy. However, especially in a situation where he has to fight to protect Jeramie, he can't afford to remain timid. Even during the recording, they told me, "Make it sound alittle more determined," but doing that would make him sound out of character, and it was surprisingly difficult to make that adjustment. Even in the early stages, it was difficult to say brave things with that voice. After I started working with Jeramie, I felt like I was following him, which suited his personality, or rather, I could play him naturally.

"Although his appearance hasn't changed, he's starting to look cuter."

Ikeda: He's really cute.

Seki: That's also thanks to Jeramie. Because he takes care of Gerojim, the viewers have also come to think of him as a "cute guy."

Ikeda: Seki-san added lines that weren't in the script, right? I'm always surprised when I hear this during recording, but I always think it's amazing how even tense scenes are funny and cute, and how they don't destroy the atmosphere of the scene.

Seki: Thank you very much. However, it's not like I'm just having fun and talking on my own. The staff gives off a feeling of, "We'll leave it to you, so please make it interesting," so I try to respond to that. Even if there are no lines in the script, such as scenes where he's alone with Jeramie, I'll sometimes be told, "Gerojim is shown here too, so maybe you could add some lines…" If someone says that to me, I have to include some dialogue, which makes me feel motivated.

Ikeda: I see.

Seki: I'd like to take this opportunity to say that I've been surprisingly following instructions (laughs).

Ikeda: The staff is also tempted to ask for more because they get more than they expected in return.

"Although this is abit of a departure from Gerojim's story, Seki-san also voices Minongan Moth, one of the Uchu Five Jesters. Minongan's role as an idol producer in episode 38 was also great."

Ikeda: I definitely want to hear about that episode!

Seki: With Minongan, I wasn't just doing whatever I wanted (laughs). First of all, when I was offered the role of Minongan, it was a character that was just grunting, so I thought it would be easy to differentiate him from Gerojim. However, when I read the script for episode 38, I found that he was talking alot, so I practiced using Minongan's scratchy voice before going into the recording studio. Then, the movements of Minongan in the video were completely like that of a certain Producer (J.Y.Park), and the Director told me, "Forget all of Minongan's acting up until now, and make him resemble that certain Producer," and he also said, "You can change the lines in the script to make them more interesting." So…

Ikeda: Ahahahaha! So that's how it happened.

Seki: I did the dub as I wanted, and when I said to Iko Marina, the idol played by Ikoma Rina-san, "If that's the case, Omori-san won't be satisfied!," Producer Omori Takahito, who was present, had allowed me to do all the adlibbing up until that point, but that was the only thing I couldn't do (laughs).

Ikeda: Is it because you specifically mentioned his name? (laughs). What an interesting story!

Seki: In any case, I was eager to respond to their unreasonable demands.

Ikeda: When we were doing the dub for episode 38, I saw footage that included Seki-san's voice, and it was so funny that when it came time for the actual recording, Rita couldn't stop laughing and said, "I can't concentrate!" There's also an episode where he "turned off" Minongan's voice (laughs).

Seki: Oh, that's right (laughs).

"Thank you for the behind the scenes info. Now, let's go back to these two Bugnarak…What do you think is the strength that makes them unbeatable compared to the other countries kings and retainers?"

Seki: It's difficult to tell whether he's alive or dead, but Gerojim seems to be immortal. Jeramie has also lived for over 2,000 years, so the amount of time they can spend together is the best part.

Ikeda: What I find charming about Jeramie and Gerojim is their "preciousness." When I see scenes of them having a conversation, I feel as if I've seen something irreplaceable. This is mainly due to Gerojim's character and Seki-san's voice, but it's what makes them an unbeatable combination compared to the other countries. They're also a combination with a strong desire for world peace. Bugnarak used to fight against humanity, but they inherited the kindness of caring for others from the previous king, Desnarak VIII, and have a dream of coexisting with humanity. They're really wonderful characters.

"As of the publication of this book, episode 45 will have aired, but please tell us about any memorable scenes or lines between Jeramie and Gerojim."

Ikeda: In episode 25, there's a scene where Gerojim persuades Jeramie with, "What you lack, is determination!" I was touched not only as Jeramie, but as myself.

Seki: I enjoyed playing Gerojim in that scene because it not only showed that he wasn't just a yes man, but that he was a good retainer who could express his own opinions. I was also impressed by the scene where the two of them talk to each other on the roof.

Ikeda: That was episode 29. The people of Chikyu had fallen for the Uchu Five Jesters strategy, and in order to stop the people of Chikyu from fighting with the people of other countries, they decided to become villains together…

Seki: I also liked the last scene where they walked away together. But since then, we haven't really seen Gerojim, have we? Where is he now? (laughs). Still, even though he doesn't appear much in the show, I think he's fun to play, as I'm able to create heartfelt scene with Jeramie

Ikeda: For scenes where Jeramie's emotions are stirring, he's often with Gerojim, so I try to imagine Seki-san's voice when filming.

Seki: But, didn't they mute my voice during recording because things got too noisy…?

Ikeda: That was Rita! (laughs)

Seki: I also like episode 25. Didn't the kings and all their entourage ride the God King-Ohger? I love the Super Sentai series, and have appeared in quite a few of them, but only carefully selected members can ride the Robos. This time however, I was able to ride in it. I'm grateful to Jeramie for recognizing Gerojim as his first citizen. Jeramie has made my dreams come true, so I'll also serve him (laughs).

Ikeda: (laughs). I'm glad your dream came true.

"As a professional voice actor, what does Seki-san think of Ikeda-san's voice, who also serves as the storyteller and narrator?"

Seki: For awhile after it started, I thought the narrator was Taniyama Kisho-kun, who does the voice for items such as the OhgerCalibur.

Ikeda: Eh?!

Seki: In the case of Super Sentai and Kamen Rider, the person in charge of voicing the transformation items often doubles as the narrator. But as the episodes went on, I started to feel this wasn't the case, and the staff told me, "The sixth warrior is also the narrator." So that was their direction! I think I would've been really surprised if I had been watching as a viewer. Ikeda-kun's voice is gentle and fits the atmosphere, and I think it's very good for narration.

Ikeda: That makes me really happy. I've never been confident with my voice. I'd never been aware of how my own voice sounded, so when I was chosen to play the role of Jeramie and was told that I would also be the narrator, I was very nervous.

Seki: I think you have a lovely voice. Something like that I don't notice myself.

Ikeda: Through this production, I was fortunate to have the opportunity to receive compliments on my voice, and I've gradually gained some confidence.

"We think Gerojim and Minongan's performance is unique, but did Ikeda-san learn anything from Seki-san's voice acting?"

Ikeda: Everything is a learning experience. I usually lend my voice to the movements of Takada Masashi-san, the Suit Actor for Spider Kumonos, but in the beginning, I couldn't get it right at all. When I heard Seki-san's voice, which perfectly matched the movements of Gerojim and Minongan, I was overwhelmed by the intonation of his performance, it was so amazing that I wondered where I could learn from him….

Seki: It's difficult. The first character I played in Super Sentai was Prince Buldont/Kaiser Buldont in "Chouriki Sentai Ohranger." I became friends with the Suit Actors, and I strongly felt that they weren't just fighting, but also performing as actors. I think we learned alot from discussing how to create the role at that time, sharing our opinions, and creating the role together. When you feel like you're not only playing a character, but also merging into the character as an actor, the words come out naturally.

Ikeda: I think it's important to match them up. I also admire your skill in conveying emotions with just your voice. Because we show our faces and perform, we can convey the message through our facial expressions, but when it comes to just our voices, it becomes very difficult…What do you keep in mind when performing?

Seki: You might think, "Does that change anything?," but one of my key points is to imagine the other person's position in a concrete manner. Your voice will sound different depending on if you act towards an indistinct space or towards a clear point. Instead of "approximately here," try to imagine, "Here I am!"

Ikeda: Thank you so much! I'll keep this in mind from now on. Listening to you talk like this, I realize once again that it's the power of Seki-san's voice that has made the combination of Jeramie and Gerojim so well loved.

"Finally, please give a message to the fans."

Ikeda: In the endgame, we have the unfathomably strong Uchu King, Dagded Dujardin. The main highlight is how the Royal Sentai will defeat him. As for Jeramie's highlight, I'd like you to pay attention to how he concludes the story as the storyteller.

Seki: Gerojim hasn't been seen for awhile, but don't worry. He'll stay by Jeramie's side, never leaving. When you really need him, he'll come right away, so please support him. And also, please support and take care of "my" king.

Ikeda: From now on, as Ohsama Sentai King-Ohger's Jeramie and Gerojim,

Ikeda & Seki: Thank you!

[aimarvelous]

Ohsama Sentai King-Ohger Photo Book: ~King of Kings~ Main Cast Member Interviews Support Cast Special Comments (translations below, LONG POST)

(other pages)

Sakai Taisei (Gira Husty)

-The Director's valuable advice on how to play Gira in a natural way-

I think that we were able to complete filming without any issues due to the support of many people over the past year.

As an actor, I was inspired alot by the many career actors in the King-Ohger cast. In particular, Morioka Yutaka-san, who played Douga, and Masato Yano-san, who played Racules, both of whom I had many opportunities to work with, were very important. However, both of them didn't give me any specific advice on the set. They always had the attitude of, "You're free to do whatever you want to do," and I was grateful for that more than anything.

Filming was done in front of a green screen in the studio, which was a special environment, but since I personally didn't have much experience in filming dramas, I had no objections to it at all. Sometimes we filmed on location, so experiencing the "live scenery" and "atmosphere of the site" was nice, but in our situation, we felt uncomfortable unless we were in front of the green screen (laughs). It had become such a normal thing for us.

As for the performance, at first I couldn't understand the Director's intentions and was just figuring it out in my head, but then Director Kamihoriuchi Kazuya told me, "Feel it with your heart," and that's when it became easier to act. After that, I feel like I was able to take on the role of Gira more naturally throughout those days of filming.

Also, I think we showed "Gira two years later" in the new chapter partly through the visuals and direction, such as his costume and hairstyle, but I also wanted to play the role showing a more relaxed side in my own way.

-The wonderful thing about Gira is that he's always there for others-

What I was most mindful of throughout the year was definitely the relationship with Racules. I wasn't told of any future developments, so I was surprised when I read the scripts for episodes 41 and 42. Even though he's his older brother I played the role with a strong sense of, "Overthrow Racules!" I had heard during filming for episode 20 that he was going to reappear later, but I had no idea he was destined to carry such a cruel burden……That's why I was deeply moved by our joint fight scene in episode 42.

After that, in episode 43, I'll never forget the scene where we hold each other's hands. Compared to Yano-san, I think I'm still inexperienced in some aspects of acting, but I did my best in my own way, so I'd be happy if you could grasp the feelings the two of us have.

From episode 48 to the final episode, many of the cast members who've helped us in the past reappeared, and the motivation on set was even higher than usual. The main Director of the last three episodes was Kamihoriuchi-san, and the six of us who play the roles of the kings have absolute trust in the Director, but he's also someone who's uncompromising in his approach to the play, so I worked hard to "hang in there until the very end."

The final day of filming was the scene in the final episode where the six of us are untransformed. I personally didn't intend to be overly emotional just because it was the final take. However, when the Director said "OK!," the cast and crew involved in the production, including Yano-san, who wasn't supposed to be filming that day, gathered around. I thought, "So many people were watching over us" and became overwhelmed with emotion……I think I probably cried more than anyone else (laughs).

Looking back on all the episodes, I think that Gira was always portrayed as a character who stood by someone's side. He always tries to understand people's feelings, regardless of whether they're a king, retainer, or a citizen, and I thought it was wonderful to see that kind of attitude as I played Gira

As time goes on, please don't forget about Gira!

Watanabe Aoto (Yanma Gast)

-Yanma's coolness is the charm that Director Kamioriuchi possesses-

Currently, when I look back at Yanma from a year ago, I feel alittle embarrassed because he seems so childish (laughs). I've jokingly said to the staff on set things like, "I want to reshoot that scene," but on the other hand, I felt that it was a performance that only I, who had just encountered Yanma, could give. That's just how I feel right now.

As for my role, it was largely created together with Director Kamihoriuchi Kazuya. In the beginning, I read stories about real kings and books by various leaders, and I tried to express them through "moving performances." In response, the Director told me to, "Take a more confident stance," and from that point on, I had the image of, "Even if he doesn't say much, his coolness will be shown through his actions." To be more specific, Yanma has something in common with Director Kamihoriuchi himself. I think that the Director's charm as a person is reflected through Yanma.

What I remember well from early filming was the N'kosopa scene in episode 2. We spent the whole day filming in the cold during the middle of winter with the participation of members of the TTFC (Toei Tokusatsu Fan Club), and it truly felt like a king and his people overcoming their difficulties as one. Episode 2 in particular was the one where I read the script repeatedly after my audition, so I'll never forget the excitement I felt when I saw the finished footage.

Every episode is filled with memories, but the developments that take place two years later starting from episode 27 stirred me up. At first, I thought he was going to be alittle more mature and relaxed, but now that his hair was a blonde pompadour, I decided to play a more active role. In episode 35, when they all go to take back the invaded N'kosopa, I felt Yanma's growth compared to episode 2. The actual successful recapture took place in episode 39. During that time, for the main episodes of Hymeno, Kaguragi, and Rita, Yanma had many funny moments, and as I played him I thought that even though things were tough, he doesn't stay down, which is another cool thing about him.

-The fans are part of the production!-

When he was being manipulated by Hilbil in episode 44, the interaction with Gira had many homages to the past. Usually, there are many opportunities for Yanma to say something preachy, but in this episode it's the opposite, and Yanma catching Gira's fist is also a reverse pattern from episode 17.

Also, defeating Hilbil using the 10 combination King-Ohger for the first time in a long time was a hot development, and in the end, we both said the exact same lines as in episode 2, being, "Lowlifes like you…(-Gira), Should know your place…(-Yanma), On your knees! (-both)."

From episode 48 to the final episode, new assets have been created, and I think that the viewers will enjoy the spectacular visuals until the very end.

In the scene where the "King's Proof" is returned, only my mouth is shown, and the Director told me, "The love you've received is too great, so it's okay if you cry." I intended to act dignified, but those words were like magic, and I was immediately overcome with emotion.

Other hot developments include the reappearance of major characters, and the relationship between the kings and the people they're meant to protect is also noteworthy.

Even after all the battles were over, Yanma still had work to do, and I was able to play the role of Yanma, who's always looking forward until the end.

After working on it for a year, first of all, I'm relieved that filming was completed successfully, and I'd like to take this opportunity to express my feelings of "thank you" to the many people who supported us.

Personally, I believe that King-Ohger was created by everyone, and the fans are also a part of the production. I'd be happy if you could think of us six kings from time to time.

Murakami Erica (Hymeno Ran)

-The key to playing Hymeno is "how to deal with life"-

Hymeno has a selfish side, but if she shows it too forcefully, her position as a king will be in danger. Of course, it's not just being selfish, and the reason was depicted in episode 3, but reading the script and actually doing the performance gave off a different impression, so I explored this through the opinions of the people on set and through interactions with the cast. Also, after learning about the setting in which her parents were murdered in episode 7, I thought that Hymeno's key point was "how to deal with life."

I was acting without knowing what was going to happen next, but it was interesting to see things in a different point of view once all the facts were known, such as the foreshadowing of the anesthetic in episode 8 being revealed in episode 42. It was like reading a serialized manga, and there was a competition among the cast to see who would get the new script first (laughs), and the person who got it first would upload a photo of the script to our group chat.

Personally, my favorite episode was episode 28. I had alot of conversations with Kaku So-san about playing Kaguragi, and I was able to see a side of Kaguragi that I had never seen before, and I think we were able to deepen our understanding not only of our characters, but also of the cast. Other than that, I also enjoyed episode 36. The matchmaking competition was hard to endure because everyone was trying their best to make me laugh, like Yanma's weird face when he was being controlled by Jeramie (laughs). Also, Hymeno, who was being impersonated by Kamejim, casually crossed her legs even though she doesn't usually do that. The uglier the fake becomes, the brighter the real one shines, so I was conscious of the gap between the two while concealing her true identity.

When I got involved with Rita in episode 5, Director Kamihoriuchi Kazuya told me, "I want you to perform the role of Hymeno as if she's aware Rita will be hard to deal with." At first I thought, "Hymeno and Rita are incompatible, huh," but as they got closer and closer through Moffun and the "Wrath of God," I feel that they've become a very special person to Hymeno. That's why when Rita came to Ishabana in episode 30, Rita may have just been fulfilling their duties, but I thought it was cute that they misunderstood that Hymeno had gone out of her way to meet them. To be honest, I was pretty excited to film the tea scene (laughs).

-I was lifted up by Hymeno's inner strength-

The existence of Grodie, the enemy of her parents, was revealed in episode 30 and defeated in episode 47, but before that, I personally thought episode 46 was important. Jeramie decides to use his"King's Proof" to give life to the immortal Grodie, and Hymeno accepts his decision. There's a conversation between the two of them where they said, "It's okay to cry" and, "I'll ruin my makeup." The script was based on the answer I gave to screenwriter Takano Minato-san when he asked me, "What do you want to do?" I suggested that if a little girl was crying and Hymeno came to her, she might say something like, "What a waste of a pretty face" or "Your mascara will be ruined" to keep her positive. When I opened the script, I was surprised to find that she wouldn't be crying, but I was happy because I wanted to show Hymeno's strong will!

In the end, it was an "all star" effort, and I was thrilled that she was reunited with her parents in episode 49. Although the scene took place while both of them were concentrating on providing treatment, they were able to communicate without having to talk, and I felt a sense of closure within Hymeno. In the final episode, it was cool to see everyone stand up against Dagded, there were some unexpected surprises, and we were able to reach a truly wonderful ending.

All 50 episodes are filled with the passion of the cast and staff, and I think that no matter which episode you watch, you won't be disappointed. During all this, I myself was lifted up by Hymeno's inner strength, and I'm so glad that I was able to work with all the cast members until the end. I hope to see you again in the future, such as the FLT, so please continue to support us!

Hirakawa Yuzuki (Rita Kaniska)

-Playing the role of Rita by moving their "mind" with their whole body-

The role of Rita is an "immovable" character, so the performance doesn't focus on movement, and their face is visible only through their left eye and you can't see their facial expressions, so it was difficult in the early days of filming. The solo performances were particularly difficult. In episode 12, there's the trial scene where Jeramie is listening to them, but since only my eye was visible, I was concerned that my blinking or the direction of my gaze might convey nuance that I didn't intend. At that time, Director Kamihoriuchi Kazuya gave me advice of, "If you perform by moving your mind with your whole body, it becomes an expression, so you don't have to be caught up in performing with only your left eye." This gave me confidence and made me think, "Maybe there's more I can do."

When talking about Rita, their relationship with Hymeno is also important. In addition to being king, Rita has the role of Chief International Justice, so there was a part of them that drew a line between themself and others, but after the interaction with Hymeno was depicted towards the end of episode 16, Rita was able to separate their work and private life, and the areas where they could express themself gradually became clearer. I thought that when they had tea together in episode 30, it was another scene that brought them closer together.

Also, Karras and Shiron are like parents to Rita. In episode 16, we learned some of Rita's past, which I thought could be reflected in future performances. After that, everything came together in episode 30. When I read the script and learned of Shiron's death, I was personally shaken, and during filming, I was able to fully feel Rita's feelings while acting. Also, while they were determined to seal Grodie in this episode, Hymeno stopped them from doing so, and it reminded them once again of how valued they are. Episode 30 is an unforgettable episode, not only because of their relationship with Hymeno, but also in the sense that Rita became stronger after preparing to die.

-It was a year of pursuing the role of Rita that I envisioned-

I was very happy to receive lots of feedback on SNS for the Idol episode.

The stage scene was only about two lines long in the script, but the set they created was so beautiful, so I went into filming thinking, "I hope the viewers will enjoy it."

It was the most difficult time for me, learning dances and recording at the same time as filming, but I have the impression that I did my best as "Hirakawa Yuzuki" in this episode, even though I was playing Rita.

Towards the end of episode 45, it was very exciting to see Kaguragi and Rita, who had never had a chance to really interact before, working together. Since we often filmed separately, when we met, Kaku So-san and I would report to each other with, "How did that scene go?"

I was also impressed by the scene in episode 48 where they launch the evacuation plan "Zero." It was really hard even for me to admit that they couldn't defeat Dagded, but I think that's just how much I got into the role.

At the end of the story that spanned a year, six people with very strong personalities come together, and if just one of them were missing, the story could not be completed, so I think it concluded in a way that was truly typical of "Ohsama Sentai."

Looking back, I had wanted to play the role of Rita since the audition stage, and being able to pursue my own vision of Rita for a year was an invaluable and truly precious experience.

Now that filming's over, I feel sad, but I hope that people will look back on the show after it's finished airing, and I hope that it grows into a show that'll continue to be loved forever.

Kaku So (Kaguragi Dybowski)

-Until I did the difficult role of deceiving and tricking people-

In the beginning I was told that the role of Kaguragi was a character that deceives and tricks people, but at the same time, the Producer said, "Please don't make him someone that people dislike," and I thought, "No, that's going to be difficult" (laughs). In a way, Kaguragi has conflicting aspects, but in episode 4, the resolution within me improved, and I began to enjoy playing the role more.

Also, the "Hweh?" response when he's acting silly in episode 8 wasn't specifically written in the script, and when I first tried to just do the facial expression, Director Yamaguchi Kyohei said, "I want it to have alittle more impact," so I also added the voice. It's thanks to the Director that I was able to emphasize his personality.

Then there's the relationship with his younger sister Suzume. Kamura Mami-san, who plays Suzume, had such a convincing performance from the first day that it made me think, "That's Kaguragi's sister," and through her I was able to bring out the comedic side of my performance alot more.

All the episodes are memorable, but if I had to pick one main episode for Kaguragi, it would be episode 37. While I've always played the role that rides the line between good and evil, that episode gave more weight to the fact that he carries a tragic past, and I myself became more fond of Kaguragi. The honest and pure Kaguragi I played in the flashback scenes are literally just me (laughs), so it was easy to do. His voice is usually deep and threatening, but at that time I tried to show his "difference" by using a tone that was closer to my actual self.

It was also interesting to perform the scene where he and Racules, played by Masato Yano-chan, were trying to expose each other's secrets. However, I wasn't sure about their relationship, and one time when I asked Yano-chan, "Do you know when they'll become friends?," he left me hanging with, "No, I don't know" (laughs). I first found out about their backgrounds when I read the script for episode 42. In retrospect, he was mostly absent in episode 36, was he perhaps discussing things with Racules behind the scenes? The line at the end of episode 37, "Let's take the dirtiest road ahead from now on," was also foreshadowing.

As for Kaguragi, he probably believed in Suzume and followed Racules, and I believe that he carried out his own will even though he was prepared to be deceived.

-Even now, Kaguragi's in my heart!-

Towards the end of episode 45, it became a main episode between him and Rita, someone he had little chance to interact with up until then. It was a new experience for me to work with Yuzuyan, and we enjoyed each other's presence. The scenes where they both communicate their feelings were performed separately because I spoke to their partner Morphonia, but even though they weren't in the same space, it was really cool to depict that they shared the same mindset. Kaguragi may be deceiving on the surface, but deep down, he just wants to make people smile, and I was able to portray that side of him.

The final episode completes the story, but there's also some room that allows you to use your imagination, which is what I like about it. If it ended properly, that'd be sad, wouldn't it? During filming, I worked hard until the end, but I'm personally the type of person who likes to joke around and have fun while doing it. I'm glad that we were able to spend time in a cheerful atmosphere until the very final moment.

Even after all filming finishes, I still have many more opportunities to play Kaguragi, including performances at Theater G Rosso and the FLT, and I still feel as if Kaguragi is in my heart.

Having a stance like Kaguragi's may not be easily rewarded, but I think it's filled with what's important for people to live their lives.

Whenever you feel like giving up or are having a hard time, I'd be happy if you could remember Kaguragi and think, "Let's do our best!"

Ikeda Masashi (Jeramie Brasieri)

-Jeramie, who's been alive for 2,000 years, shows his "composure"-

In my situation as Jeramie, I started out as the narrator, so my job began with voice recording. The other five had already started filming, and looking back, it feels nostalgic, as when I first greeted them, I was overwhelmed by their flashy costumes and everyone's aura. I made my first appearance as Jeramie at the end of episode 11, where I was suddenly performing with a mask on.

My real appearance began in the next one, episode 12, and since his character is set to have lived for 2,000 years, I thought I should have a certain amount of freedom in my performance. At the time, I still wasn't used to being on set, but it's not good to get nervous, so I just gave it my best shot. I was really happy that everyone was willing to talk to me during this time. Thanks to them, I was able to open up right away.

In the beginning, I think Jeramie was a character who he himself was hard to read between the lines (laughs), but as the story progressed, his growth was also depicted, which I personally found very rewarding to perform. In particular, I think that episode 26 was a turning point for Jeramie. Just before Desnarak VIII dies, the scene where they exchange the lines, "You'll become king, and make them see, that the Bugnarak are here" and, "You'll be there too……" is one of my favorites in the entire show. Desnarak VIII is family, as they share the same name "Narak," and the, "You'll be there too" was an expression of his feelings that he didn't want him to die, as Desnarak VIII's existence was a major factor in Jeramie's resolution to become king.

-The final episode had a perfect conclusion and everyone was satisfied-

After entering the new chapter, in episode 29, there was a scene in which I play a major role as the mastermind behind everything. It was difficult to find the right balance, but I acted with so much enthusiasm that I was willing to yell at everyone. As Jeramie, I wish for peace more than anyone else, as I want to protect everyone at the expense of myself, so I faced the situation as best as I could, which was both noble and heartbreaking.

Then, in episode 31, everyone fought to clear my (Jeramie's) name. I feel that Jeramie, who has been lonely for such a long time, had finally made true and kind friends. Also, the line "I love you" that he says to his mother (Nephila) in this episode really moved me. In episode 12, for those words he said, "There's no phrase in this world that's more cliche," but I didn't realize he would capture that foreshadowing so effectively.

There's a scene where he fights together with his mother towards the end of episode 49, and I'd like the parents who watch the show to pay attention to the relationship between us as parent and child.

Also, in episode 47, it was really intense when Grodie was given the "King's Proof." For Jeramie, the "King's Proof" is "eternal life," so he'll no longer be immortal if he uses it……The determination to reach that point was no ordinary feat, and it must've been very worrying. That's why the scene where Jeramie talks with Hymeno in front of the setting sun after making up his mind left such an impression on me. Marie was able to convey her thoughts clearly, so I was able to naturally get into the role, and I think the two of us were able to create a performance that worked well together.

The final episode perfectly portrayed Jeramie's role as the storyteller, which had continued from the first episode, and the story comes to a perfect conclusion based on what had happened so far. I was talking to everyone on set, and deep down, we feel we were able to end the show properly.

More than anything, I'm really satisfied that I was able to spend a year with this group. Throughout the year, I'm sure each of us had our own hard and painful times, but seeing everyone's faces on set made me feel at ease. I'm very grateful to the five of you who played the roles of king.

Ohsama Sentai King-Ohger: The Kings Group Discussion Over the past year of filming, the bonds of the cast have gradually deepened. Looking back on filming, we asked them about their "true opinions" that they can only talk about now.

-Fun memories from the past year-

Kaku: The first topic is "fun memories." Does that mean the casual conversations we all had while filming? (laughs). We all talked in the moment and everyone would laugh and go "wahaha" alot.

Hirakawa: On the other hand, filming alone made me feel really lonely. It was natural for me to be with everyone else.

Murakami: It was part of our daily routine to go out and eat with everyone after we finished filming. It was fun~.

Watanabe: Also, the day before the broadcast was part of the fun!

Sakai: It's really exciting to see your own performance on screen. And then there were the reactions after the broadcast.

Hirakawa: We were popular every week on SNS.

Kaku: Each time, the character with the most active role would be trending.

Ikeda: For me, the recording sessions were also fun.

Murakami: I'd see footage for scenes I wasn't in for the first time during the recording, so that was alot of fun too.

-The many true selves that everyone's seen-

Murakami: After spending time with everyone, the first thing that surprised me was that Taisei actually likes to play pranks.

Sakai: Eh? I've never played one once.

Kaku: That's a lie!

Murakami: You did stuff like add wasabi to our kaisendon (laughs).

Hirakawa: It was really spicy! (laughs).

Murakami: Or before our cue, you'd shout, "Whaa!" from behind us.

Sakai: I never did that~

Ikeda: Yes you did~

Hirakawa: He did that to me too (laughs).

Murakami: It was also abit surprising that Aoto, who I thought was cool at first, would also mess around.

Watanabe: Eh? Really?

Hirakawa: It's also surprising that he pretends not to know. Actually, he's "in charge of being cute" (laughs).

Murakami: Yeah, "the person in charge of being cute."

Watanabe: When I first learned about the cast of the kings, I thought I was going to be the "cute one" (laughs).

Hirakawa: That's what we're saying!

Sakai: For Marie, even when we were filming late at night and everyone was tired, she had a fun aura surrounding her.

Kaku: Her jokes were amazing. We listened to these awkward jokes as we continued to perform at other sites.

Murakami: My nickname became "Mood Breaker."

Watanabe: Eh? This is my first time hearing that!

Murakami: Are you a liar?

Watanabe: That's a really straightforward insult! (laughs).

Murakami: Ahahahaha.

Sakai: The usual pattern is that Marie suddenly says something strange and everyone laughs.

Murakami: At first, I thought, "I have to do this properly," but halfway through I gave up (laughs).

Hirakawa: No, you gave up early on.

Murakami: Ehehe (laughs).

Kaku: For Masashi, he tried his best in the beginning to join in, but soon the two of us started speaking nonsense in our dressing room.

Ikeda: Conversations where you turn off your brain.

Kaku: That's it (laughs).

Watanabe: Definitely, when I passed by Masashi's dressing room, I often heard his voice from inside.

Ikeda: I have a loud voice!

Watanabe: Not a single sound came from the dressing room me and Taisei shared (laughs).

Sakai: You two seemed to be having fun.

Murakami: Yuzuyan is the youngest of the members, but she's like an "older sister" in some ways.

Ikeda: Yeah, she has the image of a caring person.

Kaku: Still, you're the youngest in your family, right?

Hirakawa: Yes!

Watanabe: It's fine now, but when we first met, she wouldn't even look me in the eyes (laughs).

Hirakawa: I'm a shy person, but I usually talk alot to hide my shyness. However, I was really nervous at the beginning of King-Oher (bitter smile).

Watanabe: And now, you're a lively person!

Sakai: I'm also from Kyushu, so I felt a sense of familiarity from the beginning. That's why I don't think you had any major changes from beginning to end, right?

Hirakawa: But, at some point, I started speaking with a dialect.

Sakai: Ah, that's right.

Murakami: Yuzuyan gave her all from the beginning.

Hirakawa: That's because Kaku-san, the oldest of our group, affectionately embraced all of us.

Kaku: Yeah! Say more of that!

Ikeda: Because of that, there was an atmosphere on the set where we could talk about anything.

Sakai: He really brought the five of us together.

Kaku: That makes me happy! Thank you (laughs).

Murakami: How cute~

Kaku: No, this is seriously embarrassing.

Hirakawa: (to Watanabe) Aren't you in charge of being cute?

Watanabe: (laughs).

Kaku: Conversely, I was saved by everyone's good character. That's why I wanted to support everyone. I've always felt that way.

-Feelings I want to share with everyone now-

Kaku: If we were to take this opportunity to say a few words to everyone, I'd first start with Masashi. Thanks for always messing around with me!

Watanabe: I hope Masashi will continue to do well with his friendliness.

Sakai: I want to work together again with you even after this job ends!

Hirakawa: I really appreciate the way you always looked out for everyone during filming.

Murakami: When we all go out together, he takes the initiative to invite us. Thank you for creating so many memories.

Ikeda: Eh! I'm so happy! Marie has always been cheerful, and I hope she continues to do her best with her cheerful and beloved character!

Murakami: Yeah! I'll do my best!

Watanabe: I hope you keep that smile on your face.

Sakai: She has the kind of character that I wish I had as a childhood friend or something. You always had a smile on your face and brightened up the set.

Kaku: For her performance, in the Hymeno episode (episode 36), Hymeno, who was being impersonated by Kamejim, was really interesting. I'd like to see a performance like that in a different production.

Hirakawa: Marie has always supported me with her "harmonizing" spirit. On the other hand, from now on, I hope to be able to help her as much as possible.

Murakami: Yuzuyan is the one who has always been there for me. I think that's her strength, and I hope she continues to be there for many people.

Hirakawa: Of course! Thank you.

Kaku: Despite being the youngest, she was the hardest worker in our group. During the idol episode (episode 38), even though she was having a hard time during filming, she simply said, "I have to practice tomorrow and the day after tomorrow, and then the day after the day after tomorrow I have a costume fitting." That's what gave me courage and energy.

Watanabe: She was more aware of her surroundings than anyone else. You helped me there too.

Sakai: That's right. When I was alittle out of the loop, she'd casually come over to me.

Watanabe: I'd say it's okay to think for yourself from now on.

Ikeda: Right, take care of yourself more.

Watanabe: Be selfish.

Hirakawa: Well then, I guess my goal is to be Hymeno (laughs)

Murakami: For Kaku-san, when the time came, he'd show off his "dependable big brother" nature.

Ikeda: He's got a heart as generous as the universe itself.

Hirakawa: I asked Kaku-san for alot of advice during filming, and he always listened to everything. I'm sure I'll be asking him for advice again in the future.

Kaku: Please do, please do!

Watanabe: When I got heated, he'd calmly give me advice from an adult's point of view. I also got alot of advice from him.

Sakai: I'm not the type of person who can talk to others about things, but there were times when Kaku-san sensed that I was at a loss and approached me. That made me really happy.

Kaku: I was alittle worried that you'd all think, "How annoying" (laughs).

Murakami: Aoto seemed like he was laid back, but even when times were tough or difficult, he always made it a point to help liven up the mood.

Ikeda: Usually, Nabe-chan and I notice the same things. We'd both go, "Hmm?"

Watanabe: That's true! (laughs).

Ikeda: That made me happy.

Kaku: Also, he had a super funny and cute character. He made me laugh so much.

Hirakawa: In the beginning, I wasn't the type to talk much, but I was happy to open up to Aoto!

Sakai, Murakami, Kaku & Ikeda: Right?!

Watanabe: No, I think I opened up first.

Hirakawa: We opened up to each other. At first, I thought we'd never get along (laughs).

Watanabe: Eeeh~?

Hirakawa: I kept watching you from different angles, and then you spoke up unexpectedly. I spoke up too.

Ikeda: Such words! (laughs). (*she used alot of onomatopoeia)

Sakai: Aoto and I are the only ones who are the same age.

Ikeda: That's true

Sakai: Especially in the pilot (episodes 1-5), I still wasn't used to things, but I was really inspired by Aoto's good acting.

Watanabe: No, on the contrary, I was focused on Taisei.

Murakami: Taisei had a huge burden on his shoulders as the main character, and it must've been extremely difficult for him, but I thought it was really amazing that he didn't come off that way at all.

Ikeda: Yeah, I definitely respect that.

Hirakawa: You must've had a much harder year than us. Still, you never said "It's tough" or, "I'm tired" at all.

Sakai: No, there were times when it was tough.

Hirakawa: It's amazing that you never showed it.

Kaku: Taisei had alot of trial and error in the beginning, but halfway through, I learned alot from him, including how to switch between emotions and how to act. What'll happen when you play a different role in the future? Right now, I'm very excited about Taisei, and wonder what kind of actor he'll become in the future.

Murakami: After all, he's the "leader."

Ikeda: Thank you for being the leader of King-Ohger!

Sakai: Same here, thank you everyone!

Murakami: Even after this job ends, I want to see you all again.

Watanabe, Hirakawa, Kaku & Ikeda: We'll definitely get together again!

Retainer Cast Special Comments From the cast members who fulfilled their roles as competent followers, supporting the kings of each country, their comments have arrived.

Morioka Yutaka (Douga) Profile: A strong retainer who served as part of the entourage for Racules. After that, he went job hunting in the other countries but wasn't hired, so he became the retainer for the next king, Gira, and protected the country.

"Please tell us what you respect about Douga."

Morioka: He's someone who values etiquette, does his absolute best in everything he does, and lives his life honestly through his own convictions. He has a strong will that allows him to sincerely offer advice to his king, but I also like the fact that there's a part of him that's somewhat out of the ordinary and we get a glimpse into his cute side.

"What are your impressions of Gira and Racules (including Sakai Taisei and Masato Yano), and were there any memorable moments during filming?"

Morioka: I think that both of them have a perfect link between their own personalities and those of the roles they played. Sakai Husty-sama is kind to everyone, and his natural side that's visible in his hard work is endearing, which makes me smile when I see him on set. Yano Husty-sama built his performance with great delicacy and precision. He truly is Racules. Their appearance have a certain "aura" that allows me to be their retainer without forcing myself to be aware of it.

"Give a message to the character you played!"

Morioka: Douga, you must be exhausted from the many things you had to do to support your country and family…..Sometimes, it's good to spend time relaxing and not think about anything.

"What was your most memorable moment in King-Ohger?"

Morioka: It'd be episode 21, the episode where Douga's job hunting. I have fond memories of the staff working together to support me to the best of their ability, even in the silliest scenes, including the wonderfully strange costumes and props as I traveled around each country. Then, after the short but intense performances with the other retainers of each country, there was the serious last scene with Gira-san. It was great and I'm truly grateful.

"A message to all the retainer members of the other countries!"

Morioka: Shiokara, don't address the kings with "you." Sebastian, despite your appearance, I'm in awe of your physical ability. Kuroda, I'd like to learn from you your excellent fighting skills. Morphonia, you should try to be alittle more motivated everyday. (*form of "you" meaning you're inferior to the speaker)

"Please give a message to the fans of King-Ohger."

Morioka: This was my first time participating in the Super Sentai series, and I was surprised and moved by the amount of energy and love shown by all the tokusatsu fans, and I was able to make it through this because of everyone's support. I can only express my gratitude. Your words on SNS and other sites have been well received. Please continue to love King-Ohger!

Chiwata Yuhei (Shiokara) Profile: When they first met, he saw Yanma as a yankii with a bossy attitude, but admired him after learning of his manly spirit. After that, as Yanma became king of N'kosopa, he became his retainer.

"Please tell us what you respect about Shiokara."

Chiwata: There's alot, but the most important would be his charm. You could call it junior colleague energy, but I think he's good at building relationships and closing the distance with people. I was never good at such things, but as I got older, I began to realize the importance of it and started to practice, and little by little, my weakness turned into my strength. However, I'm still not as good as Shiokara-kun, so I'd like to use him as a reference (laughs).

"What are your impressions of Yanma (including Watanabe Aoto), and were there any memorable moments during filming?"

Chiwata: I feel that Yanma is a character whose emotional growth was depicted throughout all the episodes. I think it's cool that he's able to calmly, sometimes violently, confront everything that happens to him, and then use what he learns from it to take the next steps in his life. I think this is also due to Aoto's acting ability, so Yanma and Aoto are one and the same! The most memorable moment was in episode 10. I still vividly remember thinking that the way he created the atmosphere of the scene was wonderful, just like Aoto.

"Give a message to the character you played!"

Chiwata: Thank you so much for your hard work! Keep up with the most coolest Yanma-kun and follow him wherever he goes!

"What was your most memorable moment in King-Ohger?"

Chiwata: It's episode 35. I was very happy that Shiokara's character, which had been built up, was given depth, and that his past of being very different was depicted. It was a really hot development, and as an actor, there were many scenes that required alot of passion, so even preparing for it was fun. Until the actual performance, I would read the script everyday and think, "How would Aoto react if I did this?" Normally, I don't discuss the scripts with Aoto, so imagining it was part of the fun. What's more, we wouldn't know the title of an episode until the week before it aired, so when I saw the title, "Don't Cry Slack Jawed Tanuki," I was moved. The last bit of the episode was a perfect fit. Furthermore, I was overwhelmed with emotion when I heard that it was (screenwriter) Takano Minato-san who came up with the idea. I was also very happy that this episode won a special award at the "Toei Tokusatsu Fan Awards 2023."

"A message to all the retainer members of the other countries!"

Chiwata: Originally, I don't think the Super Sentai series featured so many sub characters. This is because there are already six members making up the main cast. However, I think the reason why the retainers have become so beloved is due to the fact that we all played appealing characters, and continued to support the main cast, who played the kings, in different ways in each country. This resulted in the popularity of "retainers". And for that, I'm grateful. Thank you so much!

"Please give a message to the fans of King-Ohger."

Chiwata: First off, thank you so much for sticking with us for the past year. I still think about how fortunate I am to have been involved in this production in the long history of the Super Sentai series. It was a great experience for me to see everyone's excitement online every week, and to then go to the set feeling like I was carrying everyone's voice with me as I performed. In this show, each character stands out, and I've seen the characters moving freely in everyone's minds through fanart, and I feel that this was a production that has been truly loved by everyone. There were alot of things that made me feel like, "Ah! I see, I definitely think Shiokara would say that! I think I'll do it! I want to play Shiokara like this!," and they were alot of fun to see. I also felt a real love for the people who participated as extras and prepared costumes for the different countries. Thank you so much. The Super Sentai series is revised every year, but I hope that King-Ohger will remain in your hearts forever. And, for those of you who are children now, I'd like you to go back and watch it again when you grow up. I'm sure you'll see it differently. Until then, let's meet again soon!

Yoshimitsu Hiroto (Sebastian) Profile: His real name is Romane Dearborn (aged 25). Under orders from Hymeno, he was given a "butler looking" elderly appearance through special makeup, and changed his name to "Sebastian" when he became Hymeno's retainer.

"Please tell us what you respect about Sebastian."

Yoshimitsu: I think that Sebastian's willingness to fulfill any of Hymeno-sama's selfish requests is worthy of respect. Sebastian's life was saved by Hymeno-sama, so he must be absolutely obedient to her orders. Well~ I think Sebastian understands the kindness and compassion that goes beyond Hymeno-sama's selfishness.

"What are your impressions of Hymeno (including Murakami Erica), and were there any memorable moments during filming?"

Yoshimitsu: I think that Murakami Erica-san is an impeccable young lady. There are no complaints when it comes to her appearance. She's bright and has a great personality! In addition, she's positive. Even when she's depressed because the performance isn't going as well as she'd like, she doesn't let it get her down, saying, "I've gained this experience, so I can use it in the next performance." In the first place, I don't have time to hold back (laughs). She had a hard time sitting down on set. When I asked her to "sit down," she replied, "Because all the extras are standing, I can't sit," which shows just how considerate she is. She's a really good kid!!

"Give a message to the character you played!"

Yoshimitsu: When playing Sebastian, my hair is slicked back, I wear glasses, and I have a mustache. His appearance is balanced by the fact that he wears a tailcoat, but while in casual clothes, with his "slicked back hair, glasses, and mustache," wouldn't he stand out? On the train ride home from the set, there wouldn't be that many people who'd sit next to me, right? (laughs). Well, that's because I did ride the train looking like that.

"What was your most memorable moment in King-Ohger?"

Yoshimitsu: Was it episode 25 with the 20 person combination? If I'm remembering right, I rode in God Scopion. It was a fresh new experience for me, both the cockpit and the controls. Also, episode 36, where Romane Dearborn appears, personally left a deep impression on me. It was Sebastian with his special makeup removed. We find out how the super handsome Romane Dearborn ended up in the special makeup, and why he serves Hymeno-sama as a butler who changed his name to "Sebastian"……It's my favorite episodes because it depicts the bond between Hymeno-sama and Sebastian.

"A message to all the retainer members of the other countries!"

Yoshimitsu: To all the retainers, thank you so much for getting along with me. Douga-san and Boshimar-san are relatively closer in age with me, so when filming ended in the evening, we used to go out and drink alot. Morphonia-chan was my partner who liked to talk with me alot about old man stuff. I also talked to Shiokara-kun and Kuroda-kun about various things. From now on, please continue to support Sebastian!

"Please give a message to the fans of King-Ohger."

Yoshimitsu: Thank you very much for your support of King-Ohger over the past year. No matter how interesting a show is, it's not complete unless everyone watches it. This time, King-Ohger has been seen by so many people, and I think everyone involved in this production feels happy. If it remains in your heart and you remember it someday, King-Ohger will live on forever!! Thank you so much.

Hasegawa Kasumi (Morphonia) Profile: She's Rita's retainer and candidate to ascend to the throne as Gokkan's king. While she has a lazy personality, she's always concerned about Rita and never gives up on her work despite complaining.

"Please tell us what you respect about Morphonia."

Hasegawa: Even though she complained about it, no matter how difficult the environment or situation was, she was able to do her job. And, she never gave up on communicating with Rita. If it were me, I would've given up halfway (laughs). I also respect her quick thinking and ability to look ahead. She's a surprisingly capable kid (laughs).

"What are your impressions of Rita (including Hirakawa Yuzuki), and were there any memorable moments during filming?"

Hasegawa: I think Rita was and still is an interesting person. It's great that we're able to see them in many different situations, with the self they show on the outside and the real them. They're pure in a good way. When I first met Yuzuchin, I thought, "Waaah! It's Rita!! Rita's appeared!!" (laughs). When you talk to her, she's even friendlier, kinder, and more dependable than Rita. My partner. Also, I guess our most memorable moment was……the kabedon. I couldn't stop laughing (laughs).

"Give a message to the character you played!"

Hasegawa: When Chikyu is at peace, please relax and enjoy eating oranges under a kotatsu. Make sure to apply for paid vacations and eat lots of delicious food. Also, please continue to support Rita.

"What was your most memorable moment in King-Ohger?"

Hasegawa: It's episodes 10, 25, 38, and 45. I was impressed by the gradual deepening of her relationship with Rita. While reading the scripts, I felt that the way Rita and Morphonia relationship grew closer was very endearing. I remember that even when I was actually performing, there was a warm feeling within me. And the more we filmed these scenes, the more I came to love Rita.

"A message to all the retainer members of the other countries!"

Hasegawa: Douga-san, We look forward to welcoming your career change at Gokkan any time. Boshimar-san, I've had almost no interactions with the real Boshimar-san, so let's meet in Hakabaka if you get a chance. When the opportunity arises of course. Shiokara, I've been curious about this for awhile now, but what's up with your curly bang? Sebastian, you've been a great help to my Rita. Thanks for your continued support. Kuroda-san, next time, please treat me to some delicious food. Gerojim, you're alittle bigger than the others, so please consider your range when moving. That tail will hit you.

"Please give a message to the fans of King-Ohger."

Hasegawa: Thank you for supporting King-Ohger up to this point! Even though there were many strong "personalities" among the kings, they were able to reach the same goal in the end. Through this production, I also learned the strength of valuing one's own individuality and respecting the individuality of others. I hope that King-Ohger, which was created by many people including myself, will remain in everyone's memories. And with that, see you later!!

Kanzaki Hajime (Kuroda's Actor) Profile: A male kuroko who serves as the retainer to Toufu's king, Kaguragi. Although his face isn't shown, his movements are gorgeous and he's got a very nice voice.

"Please tell us what you respect about Kuroda."

Kanzaki: It's possible that he's known Kaguragi for a long time, but since becoming his retainer, he's kept the "king and retainer" relationship, and has been thinking and acting in accordance to his position as a kuroko. He's sometimes missing, but he has a cute side. And, he has a nice voice (thanks to Toriumi Kosuke-san!).

"What are your impressions of Kaguragi (including Kaku So), and were there any memorable moments during filming?"

Kanzaki: He's big! Of course, he's also tall, but his muscle mass and costume makes him look even bigger. In his spare time, he does muscle training with Masato Yano-san and others, and he'll work on his shoulders using a folding chair, so he's definitely stoic! Other than that, when the Director gave me the "OK" for a take in the film where I use a trampoline as Kuroda, he was happy and said, "You did it!" He's a magnificent man, not only with his body but also with his kind heart, it's as if he's Toufu's mother nature!

"Give a message to the character you played!"

Kanzaki: I read somewhere that originally there was no role for "Kuroda," but I started speaking lines along the way, and I'm grateful for this blessed year. Once the matter with the Uchu King has been settled, please take a good rest.

"What was your most memorable moment in King-Ohger?"

Kanzaki: It's episode 9, where I spoke as Kuroda for the first time. It was also fun to mess around with the other retainers! As for Toufu, it would be episode 37. It was like a Taiga Drama that condensed Kaguragi's past, which had been told little by little in the main story and the film into this one episode, and I was relieved that abit of Kuroda's past was also revealed.

"A message to all the retainer members of the other countries!"

Kanzaki: Boshimar-sama (Fukuzawa Jubun), I have fond memories of being mistaken for (Masato) Tsutamune-san when I first met him (laughs). He has a strong passion for acting, and I learned alot from him. I got goosebumps when I played the role of a soldier against him! Douga-sama (Morioka Yutaka), It was great that you got to play the role of a handsome old man with a family. On the other hand, when you were being interviewed in various countries, you were really funny and your actions were cool! Your style is good! Shiokara-sama (Chiwata Yuhei), He was always thinking stoically and calmly about how to make the viewers happy, which was a great inspiration! His style is good! Sebastian (Yoshimitsu Hiroto): Thank you so much for talking to me in your spare time and for thinking about a bunch of ideas for the flow of the performance on set! It's a pity that you couldn't do a backflip……If the opportunity arises, let's film it! Morphonia-sama (Hasegawa Kasumi), She had a "floaty" vibe, but she knew what was expected of her and was very stoic on the inside. It was wonderful to see her naturally embody what a senior colleague once told me, "Create fans among the staff." It's a pity that she couldn't do a back handspring……please do it if the opportunity arises! Gerojim-sama (Saitou Kenya, Suit Actor), With Gerojim's arrival, the retainer team became even more lively. The delicate acting that linked Seki Tomokazu-san's voice with his large body was wonderful! It's a pity that you couldn't perform a reverse somersault……If the opportunity arises… (laughs).

"Please give a message to the fans of King-Ohger."

Kanzaki: Everyone, thank you so much for supporting King-Ohger. It was a very meaningful year for me, as I was able to see the scenes in a different way than usual in the Action Club, I was able to appear on TikTok while rubbing shoulders with talented performers, and I was able to become part of the merchandise. Thank you so much for your letters and presents as well! I'll study so that I won't have any trouble when Kuroda appears again, thank you for your continued support!

Seki Tomokazu (Gerojim's VA) Profile: He's a Kaijim equipped with mayfly BNA and can mimic the appearance of humans by applying light refraction. He's currently working with Jeramie, who has become the king of the Bugnarak.

"Please tell us what you respect about Gerojim."

Seki: Ultimately, I think it's his unwavering faith. Even when he's lost, troubled, or frustrated, in the end, he tries to follow through with his beliefs. I respect his heart and attitude, which is like a blue flame, quiet but never extinguished.

"What are your impressions of Jeramie, and during recording, were there any episodes with memorable moments?"

Seki: First of all, I'm disappointed that I didn't get to work with Ikeda Masashi-san, who played Jeramie, even once during recording. When I saw Jeramie's performance during the broadcasts, I felt that his soft demeanor, intelligence, and his somewhat lonely appearance were all wonderful. I'd like to directly talk with him in person someday!

"Give a message to the character you played!"

Seki: I'm so glad you found a nice place to belong. I hope you'll feel safe and secure at Jeramie's side for all eternity.

"What was your most memorable moment in King-Ohger?"

Seki: That we were all able to ride the Shugods with the kings! I've ridden in Robo's as an enemy in previous productions, but I think the opportunity to ride a Robo in the Super Sentai series is very valuable! Even though it was just my voice, it was great to feel like I was in the fight with them!

"Please give a message to the fans of King-Ohger."

Seki: This year has flown by! I'm sure that everyone else feels the same way. However, I believe that the story will continue! Please continue to support King-Ohger, and let's see where we end up, together!

[aimarvelous]

Ohsama Sentai King-Ohger Photo Book: ~King of Kings~

Gira Husty Profile: King of Shugoddam, the most powerful country where the guardian god resides. Learning of king Racules Husty's goal of "prioritizing the unity of Chikyu, even at the expense of the people," he rebels against the world by playing the role of an "evil king" in order to protect everyone. His partner is God Kuwagata, and he arms himself with the KuwagataOhger armor.

Yanma Gast Profile: King of N'kosopa, country of technology. Born in a slum, he rose to the position of king with just his computer. He's a skilled engineer, and all of the equipment for the Royal Sentai was developed by Yanma. He's an ambitious man with a desire to improve, with many people looking up to and calling him "President" due to his yankii spirit.

Hymeno Ran Profile: Queen of Ishabana, country of fine art and medicine. While beautiful in appearance, she has an extremely selfish personality, and values "beauty" above all else. On the other hand, she has no hesitation in saving someone's life, and has the face of a doctor who brilliantly saves lives. She maintains a "selfish style" in battle, not caring about her surroundings, and fights using the King's Weapon: Scythe Mode.

Rita Kaniska Profile: King of Gokkan, country of ice and snow, they're the Chief International Judge who believes that neutrality is justice. They're always reserved and cautious, and don't show emotion, so they're often seen as a stubborn person……but, they actually have a compassionate side……? At the climax of the battle, they face the enemy with a cool style of "remaining immovable," unaffected by anything.

Kaguragi Dybowski Profile: Lord of Toufu, an agricultural country. He's always smiling and has a gentle and friendly personality. However, the truth is he's willing to use dirty tricks to protect his country, and has exceptional negotiating techniques to get things done to work to his advantage. He's concerned about his younger sister Suzume, who married Shugoddam's Racules.

Jeramie Brasieri Profile: Born to a father who was the sixth hero that saved mankind 2,000 years ago and a mother who was a Bugnarak, he has passed down the history of Chikyu for a long time as the "storyteller." His right arm is that of a Bugnarak, and he has a special ability to create strong webs from inside his body. His existence stirs up both the kings and Bugnarak, using words and actions that are difficult to read.

Racules Husty Profile: As king of Shugoddam, he united the five kingdoms with his unparalleled and overwhelming charisma, but was defeated in trial by combat with his brother Gira, and was dethroned as king. While Gira and the others were away from Chikyu, he became the king of Shugoddam and ruled the country as Shugo Mask……

Ohsama Sentai King-Ohger: Costume Guide The gorgeous costumes of the kings, which are reminiscent of the characteristics of each country. A guide to the current costumes and accessories worn by the characters since the beginning of the story.

Gira Husty (Top) Costume of Gira, who replaced Racules as king of Shugoddam. The cape remains the same, but the costume and boots underneath have changed!

(Middle) His recognizable oversized shirt and the bright red harness that highlight it. Red and black straps cross over the wide collar.

(Bottom) The brown boots were worn by Gira as he escaped during the beginning of the story. The necklace is designed with five pieces of red glass.

Yanma Gast (Top Right) Costume from the start of the new chapter two years later. The jacket has a design with a black belt hanging down. The cuffs have a zipper that can be opened and closed.

(Top Left) The wide pants are designed to be divided into upper and lower parts above the knee. The inner one has two lines on the front part. The color blue is used strikingly throughout.

(Middle) The cuff earring has ridges that grow alongside the ear, two chains, and N'kosopa's "King's Proof." The headphones have a cord connected to a switch.

(Bottom) Items that Yanma wears on his arms. The design of the shoes are silver with blue accents. They also have decorations that resemble headphones.

Kaguragi Dybowski (Top) A luxurious and gorgeous costume that just screams, "I'm the lord of Toufu!" The sleeves of the haori have a distinct pattern on both the front and back. The beehive like patterns are also a key point.

(Bottom) The footwear seen under his kimono are boots. Furthermore, the soles are shaped to be like geta.

Hymeno Ran (Top) From the new chapter, the shape of the sleeves and skirt have changed, and the large ribbon on the back is also one of its main features. The asymmetrical skirt produces cuteness and elegance. The tiara contains the "King's Proof."

(Middle Top) The previous costume was made up of a top, skirt, and corset. The skirt has volume, with the front being short and the back being long. The corset is laced up at the back.

(Middle Bottom) The sequin encrusted tights are the same design throughout the entire story. Also, the glittering shoes made entirely of gold are one of Hymeno's signature items.

(Bottom) Hymeno's Favorite Accessories: Hymeno has a large number of accessories, including earrings, necklaces, and bracelets, which among them she'll use at random. This is the commitment to beauty!

Rita Kaniska (Top Right) From the new chapter, Rita's clothes changed to a shorter length jacket. The metallic purple collar accentuates the black base color of the outfit.

(Top Left) The previous costume was a tailcoat type of long jacket. The black cloth is decorated with snowflake like patterns. The design of the purple collar and cuffs are the same as the costume for the new chapter.

(Bottom Left) The black gloves are one of the most distinctive features of Rita's costume. The bracelet decorated in the center has Gokkan's "King's Proof." There's a similar emblem on the cuff earring.

(Bottom Right) Rita is characterized by their all black outfit. Their knee length long boots are of course, also all black.

Jeramie Brasieri From the new chapter, an elegant cape has been added to Jeramie's costume. In the previous costume, his right arm had a longer sleeve. The top is asymmetrical with the left side being longer.

Handwritten Messages Check out the handwritten comments from the cast!

Sakai Taisei (Gira Husty)

"What do you respect about Gira, the character you play?" The fact that he tries to understand people's feelings!!

"If you were a king, what kind of country would you want to build?" A country where children can eat until they're full!!

"What do you think is the best part of Gira's costume?" The cape he got from his big brother!!

"Please give a message to Gira!" I want you to be happy!

"Please give a message to the king cast members!" I'm going to rule the world!!

"Finally, a message to the fans of King-Ohger!" You guys are the gears~ ^_^

Watanabe Aoto (Yanma Gast)

"What do you respect about Yanma, the character you play?" His sense of distance and respect for people.

"If you were a king, what kind of country would you want to build?" A country where the youth are the driving force.

"What do you think is the best part of Yanma's costume?" The sandals that I literally ran in for a whole year.

"Please give a message to Yanma!" I'm on top!!

"Please give a message to the king cast members!" Thank you for the past year!!

"Finally, a message to the fans of King-Ohger!" Thank you so much for your support. Now, you can also be a Royal Sentai.

Murakami Erica (Hymeno Ran)

"What do you respect about Hymeno, the character you play?" Her inner strength 💛

"If you were a king, what kind of country would you want to build?" A country without war.

"What do you think is the best part of Hymeno's costume?" The asymmetrical design!

"Please give a message to Hymeno!" I'm encouraged by your nobility!

"Please give a message to the king cast members!" Thank you all for making this past year so enjoyable. Really, thank you so much 💛

"Finally, a message to the fans of King-Ohger!" Filming for King-Ohger has finished, but we'll live on in everyone's hearts! Thank you so much for your support!!

Hirakawa Yuzuki (Rita Kaniska)

"What do you respect about Rita, the character you play?" The part where they never waver.

"If you were a king, what kind of country would you want to build?" A country where many different languages are spoken.

"What do you think is the best part of Rita's costume?" The chain attached to the jacket.

"Please give a message to Rita!" You've got humanity and are cute :)

"Please give a message to the king cast members!" We're family! Thank you so much for the past year!

"Finally, a message to the fans of King-Ohger!" Thank you so much for loving King-Ohger so much!

Kaku So (Kaguragi Dybowski)

"What do you respect about Kaguragi, the character you play?" That he'll dirty himself for the sake of others.

"If you were a king, what kind of country would you want to build?" Protein supplied.

"What do you think is the best part of Kaguragi's costume?" The emotions (design) on the sleeves.

"Please give a message to Kaguragi!" Be selfish every once in awhile.

"Please give a message to the king cast members!" Thank you all so much, we're family forever.

"Finally, a message to the fans of King-Ohger!" Thank you so much for your support. Let's meet again soon!!

Ikeda Masashi (Jeramie Brasieri)

"What do you respect about Jeramie, the character you play?" His vocabulary.

"If you were a king, what kind of country would you want to build?" Peaceful World.

"What do you think is the best part of Jeramie's costume?" It gives off the feeling of a prince.

"Please give a message to Jeramie!" Thanks ^_^

"Please give a message to the king cast members!" I was really happy with the six of us!

"Finally, a message to the fans of King-Ohger!" Thank you for all the love and good dreams.

[aimarvelous]

[aimarvelous]

[aimarvelous]

VOGUE Girl of the Month: Sugisaki Hana (2021.06.30)

On her ideal type of man:

"I am attracted to people who like to talk. So it'd be better if we had similar sensibilities or common interests. I'm usually an indoor person, watching movies and cooking at home, so I'd be happy with someone who doesn't mind spending time at home."

On romance:

"If I really like that person, I would tell him. I'd feel embarrassed, but I won't hesitate. I'm the type of person who wants to honestly express my feelings with my own mouth.

It's not that I want to be in love all the time, but when I fall in love, the usual scenery looks different and my everyday life feels richer just by thinking about my partner while shopping, so I want to cherish the time I spend in that state.

My ideal relationship is a calm one where both parties respect each other. However, the love stories that I remember are often intense and disturbing. Experiences that makes me very sad, hurt, or angry inevitably remain vivid in my mind."

On acting:

"I try to avoid intense emotions in my daily life as much as possible. But with my current job, there were times when I needed to dig it up myself. When I encounter such feelings, I usually tell myself 'I won't forget this feeling,' and write it in my diary. There were some emotions that I didn't understand while I was playing the role, but now I can only after experiencing them for myself. I think the acting profession, where all your experiences are put to good use, is both really mysterious and interesting."

On fashion:

"I still wear a lot of Comme des Garçons, and more of Maison Margiela recently. I tend to choose black clothes because I felt like bright colors didn't suit me, but I was recently reminded of the appeal of black which can look completely different depending on the material and the way the light hits it. I've been wearing more clothes of various colors compared to before too."

On music:

"I generally like J-rock, and often listen to Andymori and Kaneko Ayano whose lyrics I find appealing. I've also been recently listening to music that I knew existed but had never listened to before, such as Fishmans and Yura Yura Teikoku."

On her day-off:

"Basically, I'm lazy but like to eat, so I cook a lot. I have a personal rule which is to not care about how much time I spend doing what I like. I feel that cooking satisfies my 'creative urge,' so I think the time I spend cooking is also a way to relax."

On books:

"I read magazines and cookbooks, but my latest recommendation is a book by Kudo Rain called, 'Watashi wo koufuku ni shinai hou ga ii' (You better not make me hungry). It's a collection of essay that describes daily events and feelings through food. I think her writing is honest, lovely, and wonderful. Her essay collection, 'Singing Ghost' is also very good. She's my favorite author."

On acting challenges:

"I'm not skillful at all. Even now, there are certain things I'm not good at expressing, but after doing 'Ochoyan,' I've been able to calmly explore the reasons why I can't do them. I used to get depressed and feel regret then would try do my best again after awhile, but I'm trying to stop being depressed in the first place. Focusing instead on how I can solve it, I gradually feel like I'm getting better at overcoming them."

On seizing opportunities:

"Even if you're unsure whether it's doable or not, you have to be confident in yourself and say 'I can do it.' For me, negative feelings rarely produce positive outcomes. That's why I think it's important to believe in one's self. Although it's difficult to balance both, it's also not good to be overly-confident and stop listening to the voices around you. I think it's just as important to doubt and ask yourself, 'Is this really alright?'"

As an actress 10 years from now:

"To be honest, aside from me looking forward to the people and different kinds of works I will encounter from here on, I don't really have much of a vision for the future. I hope I can continue to take on challenges while having fun."

Source

[aimarvelous]

I’ll give you a pair of comfortable shoes when I get paid. You got me these high heels so that I could listen to you, right? That’s true. Then it’s enough. What? Well, because that means you’ll always be there when I have them on, right?

[aimarvelous]

It’s just a scar from middle school… I see… Then I’m glad.

[aimarvelous]

恋です！～ヤンキー君と白杖ガール～ - We live in different world.

[aimarvelous]

[aimarvelous]

cute♡

[aimarvelous]

When I get payed, I’ll give you a pair of comfortable shoes. These shoes are so I can hear you right? Yes. Then it’s okay. When I wear these shoes, you’re always gonna be there right?

[aimarvelous]

Koidesu! (2021) ep02

Sugisaki Hana x Sugino Yosuke

[aimarvelous]

-It could have been an aggressive approach. -No way!… I was worried since I heard your face was injured.

Koi Desu: Yankee-kun to Hakujou Garu Ep. 1

[aimarvelous]

kiss…

[aimarvelous]

KISEKI: SOBITO OF THAT DAY (2017)

[aimarvelous]