abyssinicn

[abyssinicn]

"𝐖𝐞’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐜𝐚𝐫𝐫𝐲𝐢𝐧𝐠 𝐚 𝐜𝐫𝐨𝐬𝐬 𝐨𝐧 𝐨𝐮𝐫 𝐛𝐚𝐜𝐤𝐬, 𝐬𝐢𝐧𝐜𝐞 𝐰𝐞 𝐣𝐨𝐢𝐧𝐞𝐝 𝐭𝐡𝐞 𝐖𝐞𝐢𝐬𝐬."

𝘵𝘩𝘪𝘴 𝘪𝘴 𝘢𝘯 𝘪𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘵/𝘤𝘢𝘯𝘰𝘯 𝘥𝘪𝘷𝘦𝘳𝘨𝘦𝘯𝘵 𝘳𝘰𝘭𝘦𝘱𝘭𝘢𝘺 𝘣𝘭𝘰𝘨 𝘧𝘰𝘳 𝘢𝘺𝘢 '𝘳𝘢𝘯' 𝘧𝘶𝘫𝘪𝘮𝘪𝘺𝘢 𝘧𝘳𝘰𝘮 𝘸𝘦𝘪𝘴𝘴 𝘬𝘳𝘦𝘶𝘻 / 𝘸𝘦𝘪𝘴𝘴 𝘬𝘳𝘦𝘶𝘻 𝘨𝘭𝘶𝘩𝘦𝘯 / 𝘴𝘪𝘥𝘦 𝘣. typical canon violence, blood and the like will be present here. crossover friendly, story driven, multiship/multi verse. please read rules and bio.

penned by; rei [ she/her; 33, central timezone ] guidelines | information

[abyssinicn]

I've been slacking on this page. Apologies for my silence. If anyone would like to write, kindly give this a like.

[abyssinicn]

"𝐖𝐞’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐜𝐚𝐫𝐫𝐲𝐢𝐧𝐠 𝐚 𝐜𝐫𝐨𝐬𝐬 𝐨𝐧 𝐨𝐮𝐫 𝐛𝐚𝐜𝐤𝐬, 𝐬𝐢𝐧𝐜𝐞 𝐰𝐞 𝐣𝐨𝐢𝐧𝐞𝐝 𝐭𝐡𝐞 𝐖𝐞𝐢𝐬𝐬."

𝘵𝘩𝘪𝘴 𝘪𝘴 𝘢𝘯 𝘪𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘵/𝘤𝘢𝘯𝘰𝘯 𝘥𝘪𝘷𝘦𝘳𝘨𝘦𝘯𝘵 𝘳𝘰𝘭𝘦𝘱𝘭𝘢𝘺 𝘣𝘭𝘰𝘨 𝘧𝘰𝘳 𝘢𝘺𝘢 '𝘳𝘢𝘯' 𝘧𝘶𝘫𝘪𝘮𝘪𝘺𝘢 𝘧𝘳𝘰𝘮 𝘸𝘦𝘪𝘴𝘴 𝘬𝘳𝘦𝘶𝘻 / 𝘸𝘦𝘪𝘴𝘴 𝘬𝘳𝘦𝘶𝘻 𝘨𝘭𝘶𝘩𝘦𝘯 / 𝘴𝘪𝘥𝘦 𝘣. typical canon violence, blood and the like will be present here. crossover friendly, story driven, multiship/multi verse. please read rules and bio.

penned by; rei [ she/her; 33, central timezone ] guidelines | information

[abyssinicn]

A slender brow raised at the name of the shop, though a soft huff leaves the assassin. Smart move on the name, he thought. A small quirk of the lips was given before he nodded in response. "I see." Ran spoke, looking away from the other only a moment or two "Would you like to accompany me?" Boy, he sounded like he was old when speaking that way. Now he understood why Yuki and even Ken had thought this. Hell, Sena had said something similar at one point. Problem was; he was just proper. Never having seen it any other way.

At feeling the gaze on him, Yamcha's own eyes went back to the other as he smiled, making himself seem as relaxed and friendly as possible. "Aya.. That's a nice name." It did sound a bit on the feminine side, but he wasn't one to judge since he's heard stranger even just among his friends. A small hum came from him as he tried to think of an answer to the question. "There's a little shop just a few blocks east of here. It's called the Bou-TEA-que. Real nice place with a cozy atmosphere."

[abyssinicn]

REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.

[abyssinicn]

the art of intimacy

a variety of actions or prompts consisting of nonsexual acts of intimacy and devotion! note: prompts are set as the receiver performing the actions/initiating; send "+ reverse!" to swap roles.

[ TOUCH BASED ]

my muse brushing or playing with your muse's hair. my muse reaching for your muse's hand. my muse resting their head on your muse's shoulder. my muse embracing yours in a hug. my muse moving to sit or stand closer to yours. my muse taking your muse's hands in theirs, blowing air into/onto them to warm them up. my muse pulling your muse into a dance.

[ ACTS OF SERVICE BASED ]

my muse cooking yours a delicious meal/dessert. my muse bringing yours breakfast in bed. my muse washing your muse's hair. my muse bringing yours a drink/snack while they are busy. my muse folding your muse's laundry. my muse holding the door for yours. my muse buckling your muse into a vehicle. my muse running yours a warm/hot bath. my muse planning a date/vacation with your muse.

[ OTHER / MISC. ]

my muse sending yours affectionate messages. my muse writing yours a letter. our muses cooking/baking together. our muses playing a game together. our muses sharing space and doing their own thing. my muse reading to your muse. my muse singing to your muse. our muses taking a walk together. my muse shares a dessert with your muse ( and feeds it to them ) my muse sharing a blanket with your muse. my muse gifting yours with flowers. my muse surprising yours at work.

[abyssinicn]

right place, right time prompts.

so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.

[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.

[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death

[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).

[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.

[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.

[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.

[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.

[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.

[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.

[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.

[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.

[ HIDDEN ]: the sender hides the receiver from pursuers.

[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.

[ HERO ]: the sender tackles the receiver out of the way of an attack.

[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.

[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.

[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.

[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.

[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.

[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.

[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.

[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.

[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.

[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.

[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.

[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.

VERBAL PROMPTS:

" they're with me. "

" i was with them all night. "

" hey! these guys bothering you? "

" i wouldn't do that if i were you. "

" you must've really pissed those guys off, huh? "

" follow my lead... "

" don't worry. you're safe here. i won't let anyone hurt you. "

" you're lucky i found you when i did; those people were right down the street. "

" get in the car! now! "

" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "

" you can come out now. they're long gone. "

" nobody's going to hurt you like that again. "

[abyssinicn]

MISC SENTENCE STARTERS WITH A DASH OF ANGST

❝ i can't even say he deceived me. i knew exactly what he was and i jumped in anyway. ❞

❝ i think eventually i got so used to the chaos and the pain and the toxicity i began to look for it. ❞

❝ i never got a chance to discover myself. i never had that privilege. ❞

❝ you can tell me anything. i mean i can't promise i'm good at keeping secrets, but i'm a hell of a listener. ❞

❝ no one wants to yearn anymore. ❞

❝ i'm doing some of my best work here and you don't even have the decency to roll your eyes at me. honestly it's hurtful. ❞

❝ i know what you're thinking. ❞

❝ if i ask for your help are you gonna make a big deal out of it? ❞

❝ can we just be normal for like two seconds for once. ❞

❝ i would say i don't know what's wrong with you but i actually do and that's the problem. ❞

❝ against my better judgement i trust you and i think that says a lot about the state of the world right now. ❞

❝ i don't actually care but i'm bored so i'm here. ❞

❝ last time i listened to you we almost died. ❞

❝ i would've come sooner. i would've been here if you'd only asked. ❞

❝ i don't want to hurt anymore. ❞

❝ you don't have to hurt anymore. you can let go of those burdens. ❞

❝ it'd be a lot easier if i actually cared as little as i pretend to. ❞

❝ i do need you. i wouldn't be here if i didn't. ❞

❝ sometimes you don't know it's wrong until it's too late. sometimes you don't know you're being hurt until you realize you're in pieces. ❞

❝ pretending you don't need people doesn't make you strong it just makes you a jackass. ❞

❝ you're gonna be okay. eventually. but first you gotta not be okay for a while. it's gotta suck so you can actually recognize when you're alright again. ❞

❝ you shouldn't have said that. ❞

❝ sometimes i wish they had done something worse. then it'd justify how hard it's been to get over it. ❞

❝ i wish you actually understood me. ❞

[abyssinicn]

If Ran had been younger, he would have completely ignored the man next to him. But he'd learned to be accepting - kind, even, and learned that it was okay to have conversation every once in a blue moon. The redhead tilts his head as violets locked on to Yamcha, his expression shifting slightly from its usual stoic to slight curiosity, Yamcha? That was quite the interesting name. "Aya." The assassin had defaulted to using his nickname - or, defaulted to using his sister's name as a coer for the time being. "Perhaps you can tell me where the nearest place to have some tea might be?"

He had partially been expected to be told to keep quiet by the stranger, so relief washed over him when the guy actually began to return the conversation. He perked up at the question of his name, starting to smile as he glanced over at his new acquaintance. "Yeah, it's Yamcha. What about you?"

[abyssinicn]

A hum of agreement left the man as he slowly turned, violets gazing upon the other for a few long moments. He had forgotten what conversation had been like before he entered the life of an assassin. His head tilts before he moves to sit, "So it seems." He voiced, also taking a moment to lean back, "We'll be stuck together for a while, I suppose." His arms come up to cross over his chest, "You have a name?"

It was almost hard to hear the soft-spoken response through the patter of rain. Yamcha paused before going back to making sure his hair wouldn't get messed up. He supposed his current company wasn't the most conversational, at least with strangers.

He cleared his throat and leaned back against the wall after getting his hair taken care of, having sneakily used some ki to dry it off enough. "Looks like it'll be going for a while.." He probably shouldn't bother the stranger, but he had a hard time tolerating long silences.

[abyssinicn]

[abyssinicn]

&. 𝐡𝐚𝐥𝐥𝐨𝐰𝐞𝐞𝐧 𝐭𝐡𝐞𝐦𝐞𝐝 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  an  assortment  of  dialogue  prompts  that  are  a  mix  of  horror,  humor,  and  happy  hauntings!  feel  free  to  change  how  you  seem  fit.  )

❛ you say beetlejuice three times. and i’ll say candyman five times. then we get them to fight. ❜

❛ that’s your face? oh, i thought it was a mask. ❜

❛ if you ever get scared, you can hold my hand. ❜

❛ how late do you think the blood bank stays open? ❜

❛ what slasher do you think you could take? in a fight, i mean. ❜

❛ and the walls will ooze green slime?! wait, they always do that. ❜

❛ holy shit, you should have seen the look on your face! ❜

❛ these pumpkins may be tiny, but they give so much serotonin. ❜

❛ on halloween we dress as skeletons. but in reality, skeletons dress as us. ❜

❛ do you believe in ghosts? ❜

❛ i think we’re being followed. ❜

❛ well, one of us is going to have to change. ❜

❛ don’t tell me you’re afraid of the dark. ❜

❛ we’re not alone. ❜

❛ i see dead people. ❜

❛ i said, look behind you. ❜

❛ do you think ghosts ask if they believe in humans? ❜

❛ i heard the houses here give out huge candy bars. ❜

❛ it’s like we’re too old to trick or treat and too young to die. ❜

❛ hey you need a… hand? ❜

❛ halloween is the perfect day to hide a body in plain sight. ❜

❛ it’s just a mask, don’t worry! ❜

❛ have you picked out a costume yet? ❜

❛ i can read your fortune. it says you’re a nerd. ❜

❛ get in loser, we’re going to spirit halloween. ❜

❛ did that ghost just spell ‘get out’ wrong? ❜

❛ if you can’t summon the flames directly from hell, store bought is fine. ❜

❛ if a zombie apocalypse started on halloween, it would take a while to realize. ❜

❛ you frightened me. do it again. ❜

❛ wanna see something scary? ❜

❛ i came here expecting a trick, but you’re a real treat. ❜

❛ i don’t think we should be here. ❜

❛ maybe i’ll summon a demon so i can hang out with someone. ❜

❛ what i want to be for halloween is loved. ❜

❛ what’s your favorite scary movie? ❜

❛ i’ve seen enough horror movies to know where this is going. ❜

❛ some people have swimming pools, other people have private cemeteries. ❜

❛ they really need to add bloopers at the end of horror movies. ❜

❛ you alright? you look like you’ve seen a ghost. ❜

❛ that’s fake blood, right? ❜

❛ i could have sworn we were just here. ❜

❛ do not say we should split up. ❜

❛ did the eyes in that painting just move? ❜

❛ i think it’s found us. ❜

❛ scared? i’m not scared. ❜

❛ you can’t help the dead. they’re beyond help. ❜

❛ whatever you do, don’t look behind you. ❜

❛ i think i’m getting pretty good at this pumpkin carving business. ❜

❛ the scariest thing about halloween is that rent is due the next day. ❜

❛ …and they were never heard from again. ❜

❛ i know this isn’t your area of expertise, but is this guy dead? ❜

❛ why does that grave have your name on it? ❜

❛ i could really go for a hot chocolate right now. ❜

[abyssinicn]

@dragvnsovl / continued from this.

It wasn't expected to rain today.

He hated rain as it reminded him of the night so long ago. Having not brought an umbrella, Ran brought the collar of his coat up higher as he quickly made for a place to get out of the rain. When he was finally under cover the assassin held his coat closed over himself still, violets gazing up at the sky. Movement had caught the man's attention as his head slowly turned to see a dark haired stranger seeking cover from the pouring downfall of rain. Brows furrowed a moment, his gazing taking the other in.

He hadn't seemed like he was going to attack him. But then, that could always change. ".....It is." Ran answered softly, his attention going back to the rainfall.

[abyssinicn]

“But if I’m dark I’m strong as my own darkness (…)”

— Alice Notley, from Selected Poems; “30th Birthday,” (via violentwavesofemotion)

[abyssinicn]

🐝  *  ―  𝑵𝑶𝑵-𝑽𝑬𝑹𝑩𝑨𝑳 𝑨𝑵𝑮𝑺𝑻 𝑷𝑹𝑶𝑴𝑷𝑻𝑺. (  some triggering content ahead. add " + " to reverse the action.  )

[ wipe ] sender wipes away receiver's tears [ hurt ] sender hurts receiver with words [ lonely ] sender finds receiver alone in a dark room [ wounded ] sender patches up receiver's wounds [ crying ] sender finds receiver crying [ help ] sender runs to receiver when they scream for help [ nightmare ] sender wakes receiver up from a nightmare [ dying breath ] sender talks to receiver before dying [ hold on ] sender pulls receiver into their arms [ anger ] sender takes their anger out on receiver [ argue ] sender gets into a heated argument with receiver [ scared ] sender scares receiver [ sick ] sender cares for receiver while they are sick [ palm ] sender places a hand on receiver to stop them from doing something [ fight ] sender gets into a physical fight with receiver [ comfort ] sender tries to comfort receiver [ blood ] sender notices that receiver is bleeding [ collapse ] sender collapses into receiver's arms [ pressure ] sender puts pressure on receiver's wound [ slap ] sender slaps receiver in the face [ panic ] sender helps receiver through a panic attack [ lie ] sender catches receiver in a lie [ sobs ] sender sobs uncontrollably while receiver holds them [ hiding ] sender finds out that receiver has hidden an injury from them [ death ] sender just died, receiver finds out [ chin up ] sender lifts receiver's chin to stop them from hiding their tears [ fears ] sender talks to receiver about their fears [ scream ] sender screams at receiver [ coping ] sender teaches receiver some coping mechanisms [ loss ] sender is there for receiver after they've lost someone important to them [ needs ] sender asks receiver what they need [ bullet ] sender takes a bullet for receiver [ bruises ] sender finds bruises of unknown origin on receiver [ rainfall ] sender finds receiver out alone in the rain [ hospital ] sender wakes up in a hospital bed and finds receiver sitting by their bedside [ intrude ] sender walks in on receiver treating their wounds [ calming ] sender tries to calm down receiver [ inspection ] sender holds receiver's face while inspecting an injury they got [ rescue ] sender carries receiver to safety [ clean ] sender cleans blood off of receiver's body

[abyssinicn]

First Meetings Sentences, Vol. 3

(Sentences for muses meeting for the first time. Adjust phrasing where needed)

"What am I supposed to call you?"

"You're following me. I don't care to be followed."

"Hey, you're that guy, aren't you?"

"I don't even know your name."

"You must not know who I am. Want to find out?"

"We don't know each other well enough for you to say something like that to me."

"You're not what I expected."

"You look like a man who could use a drink."

"You have me confused with somebody else."

"Well, that is an interesting way to say hello!"

"From your description, I expected you to be a lot taller."

"Who told you where to find me?"

"I know who you are!"

"How long have you worked here?"

"Say, why don't we carry on this delightful conversation over a cocktail?"

"I heard you were looking for me?"

"You've been following me since I arrived, haven't you?"

"Do I know you? You look so familiar."

"Do you know this city well?"

"To what do I owe the pleasure of your company?"

"Who are you? I've seen you someplace before."

"Is that seat taken?"

"Who are all these people?"

"Who the hell are you supposed to be?"

"I've heard stories about you. They can't all be true."

"I don't believe we've been formally introduced?"

"It's exciting to have someone new to talk to!"

"Don't get many visitors here, do you?"

"Can you just explain exactly what you do?"

"They told you I was crazy, didn't they?"

"I'm sorry, I don't know your name?"

"We've never met before, right?"

"What's your name anyway?"

[abyssinicn]

&. 𝐚𝐧 𝐚𝐬𝐬𝐨𝐫𝐭𝐦𝐞𝐧𝐭 𝐨𝐟 𝐝𝐢𝐚𝐥𝐨𝐠𝐮𝐞 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.

( this is basically just a very self indulgent list of various fluff, angst, and suggestive themed dialogue sentence starters. )

❛ i could keep you safe. they’re all afraid of me. ❜

❛ i’m trying to fix your hair, so hold still. ❜

❛ your heart is beating so fast right now. ❜

❛ promise me you’ll still be here when i wake up. ❜

❛ you’re not as bad as everyone says you are. ❜

❛ i thought you’d like some company. ❜ 

❛ clean yourself up. you're getting blood all over the place. ❜

❛ here, give this a try and tell me what you think. ❜

❛ you can kiss me, you know. ❜

❛ come back to bed. ❜

❛ you look good like this. ❜

❛ working together again, it’s just like old times. ❜

❛ how is it you always know what i need, huh? ❜

❛ you’re lucky you got away with only a scratch. ❜ 

❛ i can’t imagine losing someone like that. i’m sorry. ❜

❛ you know you can always talk to me. ❜

❛ the only one who gets to kill you, is me. ❜

❛ so, what do i owe this pleasure? ❜

❛ ah, so you aren’t heartless after all. ❜

❛ may i have this dance? ❜ 

❛ it’s okay, you can touch me. i won't break. ❜

❛ enemies make the best lovers, you know. ❜

❛ hold still. this might sting a little. ❜

❛ we can't keep doing this. ❜ 

❛ you look like you've got something to say. ❜

❛ just relax and let me take care of you. ❜

❛ thought you’d be lighter without all that blood. ❜

❛ i had it under control. you didn’t need to do that. ❜

❛ everything looks so beautiful from up here. ❜

❛ you treat all your ladies like this? ❜

❛ well? how do i look? ❜

❛ can’t sleep? ❜

❛ do you mind if i smoke? ❜

❛ i’m scared of ending up alone. ❜

❛ i don’t think i’ve ever seen you smile. ❜

❛ how long has it been since you've slept? ❜

❛ you are losing my interest, and that’s very dangerous. ❜

❛ i’d suffer hell if you’d tell me what you’d do to me tonight. ❜

❛ you look really pretty right now. ❜

❛ i’ve never cared for anyone the way i care for you. ❜

❛ i’m not wearing any underwear. thought you’d like to know. ❜

❛ just a few more stitches and you’ll be as good as new. ❜

❛ i’d say we make a pretty good team. ❜

❛ i want you to forget this ever happened. ❜

❛ i'm here for business — not pleasure. ❜

❛ if i didn't know any better, i'd say you were jealous. ❜

❛ you'd look better down on your knees. ❜

❛ fine, keep acting like you hate me. ❜

❛ kiss me again. ❜

❛ are you asking me out on a date? ❜

❛ just sit there and look pretty and let me handle this. ❜

❛ you okay? caught you staring off into space again. ❜

❛ well, i do feel better now that you're here. ❜

❛ i'm not drunk enough for this. ❜ 

❛ why is it whenever we see each other, you’re covered in blood? ❜

❛ i was wrong about you. ❜ 

❛ the first time i met you, i had no idea you'd mean this much. ❜

❛ you gonna be a good girl / boy for me? ❜

❛ i’m not afraid of you. ❜

❛ books mean more to me than people anyway. ❜

❛ i just wanted to say thank you for protecting me. ❜

❛ how about a kiss goodnight? ❜

❛ i don’t have time for distractions right now. ❜

❛ you shouldn’t be out here by yourself. ❜ 

❛ if i have to think about one more thing today, my head will explode. ❜