a-sodding-story
a-sodding-story
DO NOT PANIC!
3K posts
we always find something, eh didi, to give us the impression we exist?
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a-sodding-story · 8 years ago
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Alberto Savinio (Italian, 1891-1952), Fleurs étranges [Strange Flowers], 1930. Oil on canvas, 54 × 45 cm.
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a-sodding-story · 8 years ago
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Skeletons Fighting Over a Pickled Herring by James Ensor (ca. 1891).
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a-sodding-story · 8 years ago
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Dame Autumn Has A Mournful Face by John Atkinson Grimshaw (ca. 1871). Oil on canvas.
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a-sodding-story · 8 years ago
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Chill- October by John Everett Millais (ca. 1870). Oil on Canvas.
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a-sodding-story · 8 years ago
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Park Row, Leeds - John Atkinson Grimshaw, 1882
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a-sodding-story · 8 years ago
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Fang Lijun (Chinese, b. 1963), 1997.10.1, 1997. Acrylic on canvas, 46 × 51 cm.
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a-sodding-story · 8 years ago
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Woman with a Yellow Bodice. Odilon Redon (1840 - 1916)
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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a-sodding-story · 8 years ago
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Paul Henry (French, 1848–1905) A Section of the Constellation Cygnus (August 13, 1885) Albumen silver print from glass negative
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a-sodding-story · 8 years ago
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WILLIAM MERRITT CHASE the-mirror
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a-sodding-story · 8 years ago
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Jasper Francis Cropsey (1823-1900)  
Autumn Landscape, 1879
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a-sodding-story · 8 years ago
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Grant Legassick’s Multilayered Urban Visions
Grant Legassick was born in South Africa. He traveled extensively around Europe, Asia, the Middle East and Australia.  Throughout his travels he experimented with his style of photography, developing and refining his instincts for elements such as composition, exposure and light.
Legassick’s background in visual effects, combined with his intuitive photographic style, has enabled him to produce a collection of unique works. Merging cutting edge digital mastery with beautiful scenes, his technique and the resulting images find a new depth to photography, whilst offering a modern and fresh visual approach to the subject.
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