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Fyodor Dostoevsky, from a letter featured in "Letters of Fyodor Michailovitch Dostoevsky to his Family & Friends,"

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head empty, no thoughts. just this lauren bacall fancam in to have and have not (1944) from twitter on repeat

and the accompanying tweet

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Ernst Haas “” Hydrangea “ Geranium petals and hydrangea, California ” 1982 (1993 print) Dye-transfer Print (color) 30.4 × 44.8cm

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His eyes were hungry for her beauty

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Jeune fille sur la passerelle des arts, 1962. Janine Niépce. Gelatin silver.

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The caos of stars✨

"And I'd choose you;

in a hundred lifetimes,

in a hundred worlds,

in any version of reality,

I'd find you and I'd choose you,"

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Cortili di Milano

Milano Courtyards

Mario De Biasi

Testi di Guido Lopez, didascalie di Mario Palumbo

Ed.Celip, Milano 1990, 157 pagine, 155 foto a colori anche a piena pagina, 24x32cm, Cartonato editoriale con sovracoperta

euro 30,00

email if you want to buy booksinprogressmilano@yahoo.it

Milano nei palazzi privati, cortili, giardini, salotti

02/12/24

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“Eres tan valiente y tranquila, que en ocasiones olvido que sufres.”

Ernest Hemingway

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History of Russian Costume

from the Eleventh to the Twentieth Century

catalogue compiled by T.S.Alyoshina, I.L.Vishnevakaya, L.V.Efimova, T.T.Korshunova, V.A.Malm,E.Yu.Moiseenko, M.M.Postnokova-Loseva,E.P.Chernukha

The Metropolitan Museum of Art, New York 1977, 116 pages, 14x21,5cm, ISBN 0-87099-160-4

euro 75,00

email if you want to buy booksinprogressmilano@yahoo.it

The Glory of Russian Costume exhibition which this publication accompanies was created on the basis of materials drawn from the collections of leading Russian museums: the Pavlovsk Museum; the Arsenal Museum, Leningrad; the State Museums of the Kremlin, Moscow; the State Historical Museum, Moscow; and the State Hermitage Museum, Leningrad. At the time, the exhibition of Russian costume was shown abroad for the first time, but in Russia these items, along with an enormous number of others, are shown in their respective museums for visitors to enjoy. Costume, as part of the material culture of society, reflects the history of the people. In this way, this exhibition as presented to an American audience went far beyond the framework of a narrowly professional one, and is definitely of great interest to the widest circles of the population.

The exhibition acquaints the visitor with the traditional shapes of Russian clothing, as well as with the character of the later all-European type of costume in Russia. The collection includes more than 500 authentic examples of clothing dating from the eleventh to the beginning of the twentieth century. The art of Russian costume is arranged chronologically into three sections: Russian Costume from the Eleventh to the Seventeenth Century, Folk Costume from the Eighteenth to Early Twentieth Century, and Urban Costume from the Eighteenth to the Early Twentieth Century

29/11/24

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Y la mia me espanta

Tu tibieza me estorba.

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Now you are gone,

your fingerprint remains

and I feel nostalgia.

Nostalgia of eternity

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Stairs in the streets of Leonforte, Sicily

René Burri, 1956

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"And I dream too much and I don't write enough and I'm trying to find God everywhere."