11000thdragoon

[11000thdragoon]

Yeah yeah so Jinu committed crimes against humanity and killed people and all that but I can totally look past that cause he's hot...

Making fun of Rumi's teddy bears and choo choo trains pants?

UNFORGIVEABLE.

Straight to the darkest pits of hell.

[11000thdragoon]

I'm going to write a post talking about Rumi from Celine's POV cause I think that's how she viewed it. Celine was like I love my daughter with all my heart and even though she has this chronic condition I will do everything to fight it and give her a chance at this world.

Not realizing it's not possible and could very well destroy Rumi.

[11000thdragoon]

The Matriarch Isn’t the Villain. She’s the Mirror

I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.

These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.

And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.

Alma is still stuck fleeing the colonizers.

Ming is still afraid of her true self.

Celine believes that fear and mistakes must be hidden.

It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.

And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.

They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.

What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.

The house is destroyed in Encanto.

Mei accepts her full self.

So does Rumi.

And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.

Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.

And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.

These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.

These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.

But it’s not just their story.

One day, we’ll be the older generation.

And we’ll need to be humble enough to learn from the ones after us.

So don’t be a fool.

We may be Mei, Rumi, or Mirabel today.

But tomorrow, we could be Ming, Celine, or Alma.

And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.

So let’s have compassion for all these characters.

Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.

∘₊✧──────✧──────✧₊∘

If you’re curious, I’ve written more on K-pop Demon Hunters:

A post on the mental health themes woven through the songs — right here.

A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.

An analysis about Rumi, Jinu, and the danger of sinking together — here.

Some book recs for each of the K-pop Demon Hunters characters — here.

[11000thdragoon]

As Gwi ma grew more powerful the demons started appearing closer and closer to daytime with larger coordinated attacks. Previously they fought them all at night but as the honmoon was fading and Gwi ma strengthening it really was becoming a doomsday scenario.

[11000thdragoon]

More things I noticed about Rumi-

Cause I'm normal about this. 8th rewatch btw. :)

So when she coughs for the first time in the beginning it's treated as this big thing like it shouldn't happen. Which makes me curious that if due to her demon blood she doesn't get sick so that's why it was out of whack for her.

Second, I have a headcanon that when Rumi first met Zoey/Mira she was probably polite but distant and didn't open up to them forever until Zoey wore her down. Like Mira would've definitely been making overtures but would also be getting angry that she felt Rumi was stuck up while Zoey was 100% just constantly giving Rumi the puppy love treatment.

Hence why when she got exposed to be a demon and their argument Rumi was heartbroken when Mira raised her weapon obviously but her desperate plea for Zoey felt like they shared more of a connection than Mira.

In reality, Mira and Rumi probably clashed a lot and while they do deeply care for each other, easy for them to get heated while Zoey is the glue that really holds things together and smooths it over most days.

Second is during the dinner when Mira and Zoey make fun of Celine you can see the hope in Rumi's eyes-like she's thinking, "Do they feel the way I do? Are they sick of the lies too? Could I tell them? Could I be...me?" And you can see such desperate longing in her eyes and then they immediately say that Rumi has to hide it and she just gets so down, like her hope was snatched away.

Of course if that had happened movie would've been like 20 mins but y'know.

Anyways.

[11000thdragoon]

Ryu Mi-Yeong Headcanons

her stage name is Yuhwa (the Korean goddess of willow trees, has sun connotations and is the mother of the mythological founder of the legendary first kingdom of korea, please ask me about her story, its so cool)

does identify with her stage name, but isn't defined by it (still prefers being called Mi-Yeong)

as previously theorized here, she's a massive fucking nerd

knows kkot-mal (꽃말), the traditional Korean flower language

identifies very strongly with her Korean identity and is fiercely patriotic

like a true nerd, every aspect of her fits have meaning

most definitely an undiagnosed ND, still have no idea what she is tho

is an orphan and spent her preteen-to-teen years in an orphanage

comes from a long line of oral storytellers

hails from Jeju Island, a region known for its diverse, largely intact musok and storytelling practices

her father died as a result of police brutality

and her mother was incarcerated for speaking up about the Jeju Uprising/Massacre

was the proto-visual and lyricist for the Sunlight Sisters

definitely snuck in some love songs dedicated to Rumi's father on the Sunlight Sisters discography

would stim to anything with a beat, but especially anything that had pansori influences

contributed full-on pansori tradional songs and pansori was a massive influence on her

her weapons were ssangdo, dual swords wielded by elite warriors during the Joseon Period (contemporary demonstration can be found here, tho I imagine Mi-Yeong's blades to be smaller/shorter)

[11000thdragoon]

Rumi never wanted to take up too much space.

Celine said the golden honmoon would rid her of her patterns, but Rumi wondered, in the quiet hours of the night, if it wouldn't just seal her away with the rest of the demons. Why would the honmoon preserve her just for having some human blood? So Rumi did her best to not leave an impression anywhere she went.

The only personalizations she made to her room were a few photos of her girls and one of her mother, pictures she couldn't quite get herself to hide away. She convinced herself it would be fine, when if the golden honmoon sealed her away, at least the photos left behind weren't of herself.

(Zoey commented on her lack of decor in her room once, lying on her bed after songwriting had brought them into the room so Rumi could get her guitar. She bemoaned the lack of anything personal, no posters, no group photos, not even any books she was fond of, just some hunter readings from Celine.

Rumi had paused in her strumming, taken momentarily off guard, before carefully shrugging. She claimed she didn't have any posters she'd want up, that the pictures she had were all she needed, that she did enjoy the hunter books and didn't have time for frivolous readings besides.

She claimed that she liked her room spacious and uncluttered, claimed that it made it easier to relax if she didn't have things in her view vying for her attention.

Zoey didn't point out that the last statement was a lie, and a pretty poor one at that, given she could relax just fine on the couch with the TV on and Mira and Zoey talking. That she could relax fine in either Mira or Zoey's highly decorated rooms.

Zoey gave a long suffering groan instead and claimed she needed to live a little, to at least put a picture of the three of them on the wall. Rumi laughed it off, though, and strummed once more at her guitar, steering the conversation back to safer waters.)

She made sure to sequester her belongings where they belonged (in her room, packed away in closets or dressers or boxes, to make for easy clean up after she was gone, she wouldn't burden her friends with cleaning up after her) before every show, just in case it was this show, this performance that turned the honmoon gold.

(Mira asked about it once, when she was packing her bathroom supplies into neat containers. Asked why she didn't just leave them if she was going to take them back out again after the performance.

Rumi had given her a smile that was only a little forced and replied that she just liked to be prepared. It was barely even a lie.

Mira narrowed her eyes, obviously unsatisfied at the non answer. She asked what Rumi needed to be prepared for, reasoning that they weren't leaving the tower anytime soon, and the surely wouldn't bring all of her supplies if they were besides.

Rumi gave a little laugh and a shrug and claimed habit from tours and an inclination towards cleanliness. It was a flimsy answer, and one that left Mira visibly unsatisfied, but it was all she had at the time. Mira allowed the feeble excuse though, seeing the walls coming up and knowing the line of questioning would be shot down harsher if she kept prodding.)

She didn't stock the kitchen with her own preferred foods, leaving the space for Mira and Zoey to claim.

(She tried not to be flattered when her favorite snacks and meals would end up in the fridge anyway.

Tried not to make it too obvious when she burned through the snacks and meals, unwilling to allow her mark to remain for too long. Especially not in a common area like the kitchen.)

[11000thdragoon]

Amazing story. I need 50,000 more words please and thank you.

Rumi never wanted to take up too much space.

Celine said the golden honmoon would rid her of her patterns, but Rumi wondered, in the quiet hours of the night, if it wouldn't just seal her away with the rest of the demons. Why would the honmoon preserve her just for having some human blood? So Rumi did her best to not leave an impression anywhere she went.

The only personalizations she made to her room were a few photos of her girls and one of her mother, pictures she couldn't quite get herself to hide away. She convinced herself it would be fine, when if the golden honmoon sealed her away, at least the photos left behind weren't of herself.

(Zoey commented on her lack of decor in her room once, lying on her bed after songwriting had brought them into the room so Rumi could get her guitar. She bemoaned the lack of anything personal, no posters, no group photos, not even any books she was fond of, just some hunter readings from Celine.

Rumi had paused in her strumming, taken momentarily off guard, before carefully shrugging. She claimed she didn't have any posters she'd want up, that the pictures she had were all she needed, that she did enjoy the hunter books and didn't have time for frivolous readings besides.

She claimed that she liked her room spacious and uncluttered, claimed that it made it easier to relax if she didn't have things in her view vying for her attention.

Zoey didn't point out that the last statement was a lie, and a pretty poor one at that, given she could relax just fine on the couch with the TV on and Mira and Zoey talking. That she could relax fine in either Mira or Zoey's highly decorated rooms.

Zoey gave a long suffering groan instead and claimed she needed to live a little, to at least put a picture of the three of them on the wall. Rumi laughed it off, though, and strummed once more at her guitar, steering the conversation back to safer waters.)

She made sure to sequester her belongings where they belonged (in her room, packed away in closets or dressers or boxes, to make for easy clean up after she was gone, she wouldn't burden her friends with cleaning up after her) before every show, just in case it was this show, this performance that turned the honmoon gold.

(Mira asked about it once, when she was packing her bathroom supplies into neat containers. Asked why she didn't just leave them if she was going to take them back out again after the performance.

Rumi had given her a smile that was only a little forced and replied that she just liked to be prepared. It was barely even a lie.

Mira narrowed her eyes, obviously unsatisfied at the non answer. She asked what Rumi needed to be prepared for, reasoning that they weren't leaving the tower anytime soon, and the surely wouldn't bring all of her supplies if they were besides.

Rumi gave a little laugh and a shrug and claimed habit from tours and an inclination towards cleanliness. It was a flimsy answer, and one that left Mira visibly unsatisfied, but it was all she had at the time. Mira allowed the feeble excuse though, seeing the walls coming up and knowing the line of questioning would be shot down harsher if she kept prodding.)

She didn't stock the kitchen with her own preferred foods, leaving the space for Mira and Zoey to claim.

(She tried not to be flattered when her favorite snacks and meals would end up in the fridge anyway.

Tried not to make it too obvious when she burned through the snacks and meals, unwilling to allow her mark to remain for too long. Especially not in a common area like the kitchen.)

[11000thdragoon]

On Rumi and Jinu, the power of love, salvation, redemption, to look past hate and the demons we have-

So let's talk about Jinu a bit here.

And like how he was a huge part of Rumi's journey, not only as a potential lover but also as a representative that there's more to being a demon than just eating souls, something Rumi never considered. And probably was not considered by several generations of demon hunters, until earliest that we know of being Rumi's mom.

Apple don't fall far from the tree is all I'm saying.

And this but unironically, in a deeper sense than just a joke or haha they both were into demons.

To all the demon hunters and for the teachings that passed down to Rumi from Celine, demons are just evil. Nothing good, nothing redeemable, just pure evil. And granted, most of them are-you don't sell your soul out of virtue most times. But also, most of then weren't given a chance to be good, and never had a shot.

For when Gwi ma eats the first three souls shown that he gets in the prologue/opening, he immediately spawns three demons. These demons are fully demonic, not just fallen humans.

So we can now confirm there are two demon types-souls eaten by Gwi ma and fully demonic, and souls tempted that fall but retain some of their humanity.

Jinu obviously being one of the latter also makes me believe Rumi's father was and therefore most Saja demons are fallen humans possibly.

But here's the thing-this means all of demon kind is enslaved, either tricked or consumed, and they don't start evil but become it. So demons should not be viewed with hatred but instead sadness and kindness, that they have to be released from their hell.

And a clear point of this is-blind hatred of something is wrong, and that's a huge point the story is trying to make.

But it also ties into Rumi-for Jinu begins to show her not all demons are just bad, that some of them are just really messed up people who made a mistake. Even though they were big mistakes, they still deserved compassion, not just blind hatred.

Hence when she first tries to kill him and says he can't feel, he tells her about his experience, and shows compassion for her in the bathhouse by covering up her arm, which Rumi probably thought at some that if Mira and Zoey found out-

maybe they'd try to kill her for being a half demon.

Probably in a moment of fear, depression, and insecurity when the bad thoughts come in but she probably has had those thoughts.

So Jinu saving her, covering it up as she was trying to kill him, telling her she's not a mistake, etc. all reinforced in her the idea that maybe demons aren't all bad and maybe they're just trapped and need to be freed.

This idea-of treating something she had always been taught to hate-with kindness and compassion and forgiveness is what healed her voice.

And it was taught through Jinu-through the dates they had, the funny little things he did that had no purpose, how awkward and silly and very human he was, he showed her he was a human still, just lost in the darkness who needed to be save, and that he could feel and perhaps even feel things like love and joy snd kindness and regain his soul.

Like him placing the flowers down instead of tossing them, holding onto the card and the bracelet, tying the handkerchief around Rumi's arm, trying to be better and when he saw the card for his soul he wanted so desperately to believe there was a chance for him.

And Rumi did too-not just for Jinu, whom she was coming to love, but also for a chance that if he could feel love and be saved maybe she could too, in the sense that maybe her parents were in love and her birth wasn't a mistake or a terrible tragedy and she was once meant to be loved for all of her, the pain and misery and love and kindness she had.

So in the end, when Jinu finally sacrificed himself for her, it was to give all of himself literally for someone else-without thought of himself, of ego, of anything, to throw himself into the pain to not only be free but to give his freedom another, for someone and something he loved, proving she wasn't a mistake and what they had was real cause why else would he give it all up for her when he was about to get all he ever wanted?

To do the right thing.

For his humanity-and the person who gave it to him, Rumi.

[11000thdragoon]

I think Demon!Rumi HCs in the fandom tend too much towards the bestial and don't take advantage of the fact she's the daughter of a Jeosung Saja, the psychopomps who carry the names of the dead on crimson cloth.

She's always just a little cold. Not corpse cold, but just a little cool. She doesn't overheat easily, and she's fine at temperatures most people would find uncomfortable (Helps with the long sleeves in summer. She's genuinely fine with it) (She has definitely shocked Zoey and Mira awake by surprising them with cold feet)

When she goes "full demon" she doesn't have horns or a tail, but her lips turn the blue of hypothermia, her extremities turn the purple of frostbite, and her gums recede ever so slightly, making her fangs ever more noticeable.

When she wants to be, she can become very, very quiet. Part of this is undoubtedly her hunter training, but sometimes it's as if she simply doesn't create noise.

The teleportation does not help this.

She finds that she always has an inkling of when someone near her is going to die. Sometimes it's a cold sensation in her gut, sometimes it's an unnatural shadow dogging their feet, sometimes it's a series of Final Destination style omens only she can make sense of.

And this isn't even accounting for how her Demon heritage interacts with her Hunter heritage (See how I didn't even mention her patterns)

[11000thdragoon]

Can't really emphasize enough how when Rumi is clearly having one of the biggest most earth shattering problems she could have (voice is failing) she does not go to Celine at all or even suggest it, it's Zoey who does and even then it's shot down quickly.

Clearly pointing to a huge rift has opened between Rumi and Celine.

[11000thdragoon]

When Rumi cries confronting Celine, it's a single tear from her demon eye, cementing that demons feel nothing but pain and misery and the half that is rejected does feel and isn't just evil.

[11000thdragoon]

Rumi's patterns-Rumi is a rapunzel story-And a fight with Celine-

Some people have said Rumi would go no contact with Celine after the events of the latter parts of the movie. I think she already was by the time the movie started, hence we never see her reach out or even want to talk to Celine when her voice fails until it's the point where she is becoming a full demon and losing all control in her darkest hour.

So Celine is shown hanging around Huntr/x tower/the bat cave in the flashback when Rumi says maybe they'll understand and Celine says no, to always cover up her patterns. However, as shown Rumi is still wearing lighter clothing that shows off her midriff and arms so her patterns hadn't spread yet.

As she grew closer to Mira and Zoey, spent more time getting to know girls her own age, having good times, still having to constantly wall herself off even when she just wanted nothing more than to tell them the truth was clearly destroying her, and hence the patterns are growing. It's eating her up inside.

Cause I suspect that under Celine Rumi was never allowed real friends or to get close to anyone else her age since Celine was afraid as a half demon if something went wrong Rumi would be exposed and/or a kid would die. Which is understandable, but Celine was really unfair and unjust about how she kept Rumi so isolated for probably most of her younger years.

So Zoey/Mira are her first real friends-Huntr/x is the first significant time she's allowed out in the world-and now she's able to have friends and wants nothing more than to be normal.

Rumi is a rapunzel story, complete with the super long hair (that probably can't be cut save for weapons made from the honmoon). She's kept away from others cause of powers, grows up stilted and alone, then finds her way to finally start being normal.

And here's where the fight would happen-As Rumi grows closer to Zoey and Mira but can't ever feel truly one of them (which we see from the separation of her dressing room and bedroom and no bathhouse trips) her patterns would start growing. She would never have had friends before or known the possibilities of the world, so when she was just with Celine being trained in that temple looking area she would've been content cause she didn't know. But as soon as she knows there's way more to life, like rapunzel, she would start getting angry.

So I have a feeling that as her patterns starts to grow, Celine and her start getting cold and Celine puts more pressure on her until one day while Zoey and Mira are out maybe at a spa trip, they blow up. Rumi is caught sneaking out, scolded by Celine, lashes out, gets angry, shows the first sign of demonic energy and breaks shit, right? Like furniture or something.

After a huge fight, Rumi forces Celine to leave. Says she won't do this anymore with her there, and wants her gone and she'll find another manager. Zoey/Mira come back none the wiser cause Celine covers it up, saying she has to go for some other reasons (new hunters or something) and therefore she'll get them a new manager.

Thus Rumi is already no contact by the beginning of the movie with Celine.

And the only time she goes back is when she's lost everything. To ask Celine to inflict her with one final responsibility-basically implying you clearly hated me, now you get to erase me for good, to fix me with one act.

Which of course finally cracks through Celine's armor and finally makes her realize how much she fucked up. Hence Rumi shakes off her attempts to cover up again, cause her whole life has been a lie as a princess sitting in the metaphorical tower and she wants to be among people.

Hence the promise she tentatively makes before the Golden performance and how she says she wants to go the bathhouse with Mira and Zoey is her wishing so much to finally be able to get outside of the tower walls, to let someone in.

And then it all goes wrong.

I really need fanart of Rumi as a rapunzel. Them calling her royalty, the walls analogy used by Han the quack and yet not quack, the fact she lives in a literal tower.

[11000thdragoon]

Two little fun facts about Rumi-

It looks like in most scenes Rumi's left eye is a little lazy, usually veers towards the center. Unless it was just a problem with the model/animation, I would love if this was intentional and was just one of the small imperfections we're all born with.

Seen here it might be all three of them and therefore animation but I notice it most on Rumi.

Second, riffing from that post that says one of Rumi's demon powers is to be super quiet (also in the movie as we see her sneaking up on Jinu, a literal demon, twice) I could totally see her using it to jumpscare Zoey/Mira sometimes. Or imagine her following them to the bathhouse wanting to go in and never working up the courage or fighting off any demons who appear so they can relax and don't have to work.

Would be so kind of her and sad.

[11000thdragoon]

Some notes about KPDH I need to expand on-Zoey was the glue holding Huntr/x together really.

Celine and Rumi probably had a big fight after a while and this resulted in Celine leaving and Rumi's patterns growing.

Rumi was definitely no contact with Celine cause of said fight and this also accelerated her patterns.

A headcanon I have is before your Idol when derpy the spirit tiger brought the bracelet to Jinu who ignored it he would've gone and found Rumi and given it to her.

And maybe, a certain dad sent the spirit tiger. Or is the bird.

Maybe a bit much.

As I'm realizing I'm pretty clearly neurodivergent sometimes I get hyperfixated on certain stories that will just take root in my brain.

[11000thdragoon]

Rumi's trauma

Rumi definitely has some separation anxieties from her mom and dad that are a whole other thing she needs to unpack.

She's really messed up.

I kinda wish she had a scene where they could go into that, cause it's clear that after she is attacked by fake Mira/Zoey on stage and finds the real ones, after they confront her and begin to fear her/back away Rumi instantly goes demon mode as it taps into what's clearly a deep trauma for her-

She thinks her mom died and dad left and she was never good enough for anyone.

This has clearly caused a huge amount of insecurity in her, that Celine even with the best of intentions, buried under a pile of mental problems and created one of the biggest faultlines you ever can in a person's psyche-that they can't be who they are and will never be accepted.

Hence when Mira and Zoey back away just slightly, even though they don't seem to fully understand what they are doing and are just shocked, Rumi immediately flips. It's the one thing she has never been prepared to deal with-losing the ones she loves again.

And furthermore, at the start of the scene they play the lullaby that Celine used to royally screw up Rumi's head-I mean, coach her into being a huntress as if to say:

"Hey, she was right. They saw the real you, and it was the end of it. It was all your fault. And now they will leave. Just like your parents."

And then she tries to go find Jinu who has been the only one who's understood and consoled her for being a demon, only to see him with the fake demons and understand that he used all her weaknesses against her.

And then by declaring himself nothing but a demon and saying for her to look at herself, that what they had was fake, it's just the nail in the coffin.

So her whole world shatters-she finally was revealed in the most traumatic way possible and basically the entire world shut her out for it. That's so traumatic.

And so she goes to the person whom she probably had a falling out with at some point (hence Celine isn't manager and Rumi's demon patterns only started growing recently).

And says-kill me. You've always made it clear I was a mistake to be fixed.

Basically.

I don't even have a good resolution for this post cause we really needed a scene for Rumi after she warped out from Celine's that showed how she reconciled who she was (and maybe got some help from an asbentee father figure).

I'll make a final point to say-having the world deny who you are can lead to you giving up. But there's always a life worth living, even if you're broken.

[11000thdragoon]

Let's be honest, Bobby falls into the stereotypical mom role and Celine was the stereotypical dad.

Celine: repress your emotions, don't show anything, we can fix everything, doesn't accept weakness.

Bobby: shows emotional vulnerability, has snacks and food perma ready, tries to reach out and provide for them, always supportive even if he doesn't understand what they're doing.

Bobby mothering Rumi back to a mental state she can face Celine in would 100% be what happens. And also helping her deal with the conflicts she has over Jinu. And helping the girls get together.

Kpdh headcanon

*Rumi goes no contact with Celine until she is ready to confront her again*

Bobby: hey girlssss!

Rumi: your my dad now, we’re getting soft tacos later.

Zoey and Mira: *nods nods*

Bobby: … well shit alright