they nicknamed her "the bolter"
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it turned into something bigger... somewhere in the haze, got a sense i'd been betrayed! your finger on my hairpin triggers...
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Don’t get me wrong because I genuinely think Taylor Swift is a talented lyricist but she really has not artistic growth… She has written the same exact songs four hundred times but now she just puts a random words generator. Like, some of those lyrics sound AI generated. And she’s 34 years old but her albums still speak on the same things. There’s zero evolution. Some of those lyrics feel targeted to a 19 years old that is in her “indie aesthetically bad boys that get high and I think I can fix phase” which is basically the same as her old material but way more cringey for some reason. And I’m not trying to compare but Beyoncé at that age was making Lemonade. It’s hard to think this is the biggest pop star the world has to offer us. This is white mediocrity. The songs are fun to edit over fictional characters but when you put into perspective her whole work is so lackluster. So utterly boring and predictable. Maybe she needs to take a break (?). And somehow, people and white music critics will pretend this album is comparable to the likes of Cowboy Carter.
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TTPD at it's core is about the slow, miserable death of a life you've imagined with a man you desperately wanted to be the love of your life and then the rush of a toxic situationship with a man more in love with wasting your time and the idea of you than he is WITH you, while you project your hopes and fears onto him because you're terrified no one will ever truly love you.
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from ‘our song is the slamming screen door’ to ‘ended with the slam of a door then he'll call her a whore’ is kinda a wild ride.
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All I've been thinking about is "You swore that you loved me, but where were the clues? I died on the altar waiting for the proof. You sacrificed us to the gods of your bluest days."
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Track 5 this… track five that… TRACK 10s ARE LYRICALLY SOME IF HER BEST SOMGES AND I WILL IN FACT DIE ON THIS HILL
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FYI, if a dude tells you he doesn't want to know about your past, particularly your past relationships, because it would "hurt him too much" or he'd get "too jealous" or whatever excuse, that is a MAJOR FUCKING RED FLAG and you need to run.
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if we know that you're losing me was written over two years ago, and this album is the secret she's been keeping for two years....... i wonder if you're losing me was when the dam burst. i've seen so many people talking about how already, this album seems like the gloves are coming off in such a different way than ever before. i wonder if once she realized that he was losing her, she started to realize the harsh reality of other parts of the situation -- that protecting him was killing her.
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were you sent by someone who wanted me dead? did you sleep with a gun underneath our bed? were you writing a book? were you a sleeper cell spy? in fifty years will all this be declassified? and you’ll confess why you did it, and i’ll say “good riddance”, cause it wasn’t sexy once it wasn’t forbidden. i would’ve died for your sins, instead i just died inside, and you deserve prison but you won’t get time. you’ll slide into inboxes and slip through the bars, you crashed my party and your rental car. you said normal girls were boring, but you were gone by the morning, you kicked out the stage lights but you’re still performing. and in plain side you hid, but you are what you did, and i’ll forget you but i’ll never forgive. the smallest man who ever lived.
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imagine you finally get to your eras tour show and she cut tolerate it
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