Houses at Argenteuil by Claude Monet (1840 - 1926)
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-Portrait of Patience Escalier, Shepherd in Provence-
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Ecce Ancilla Domini (The Annunciation), circa 1849
Dante Gabriel Rossetti
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Scenes from the Life of Christ: 23. Pentecost, Giotto, between 1304 and 1306 (fresco in the Scrovegni Chapel, Padua)
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Dagger. 18th–19th century. Credit line: Bequest of George C. Stone, 1935 https://www.metmuseum.org/art/collection/search/31841
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-Entrance to the Village of Voisins, Yvelines-
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Antoine-Christian Zacharie called Tony Zac – Female Companions of Sappho (ca. 1868)
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Lamentation by Peter Paul Rubens (1577 - 1640)
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‘The Suicide of Cleopatra Bitten by the Asp’ Giovanni Pietro Rizzoli, known as Giampietrino, sixteenth century, oil on wood, 28 ¾ x 29 ½/ in. (73 x 75 cm), Musée du Louvre, Paris
Cleopatra was a powerful woman indeed. Queen of Egypt (69-30 BCE), she was successively the wife of her brothers Ptolemy XIII and Ptolemy XIV, who sent her into exile. As mistress of Julius Caesar, however, she was to return to power and, with the assistance of Rome, strove to restore Eeypt's hegemony over the Mediterranean. After the death of her lover, Caesar, she married Mark Antony, who offered to divide the East with her. Threatened by this confederation, Caesar's heir Octavian fought Antony and Cleopatra's troops at Actium, roundly defeating them. In order to save their honor, the only option for the defeated was to commit suicide. Until the very end, Cleopatra controlled her own life and those of the men around her. She is for this reason a prototype of the dangerous femme fatale.
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