#I can see that being a thing in certain circumstances

[queerbuckleys]

i made a short post here referring to my own experiences and wanted to expand on it, you can reblog both of these posts btw. I am only writing this all down because the way some of you have spoken about chris and his decision very much bothers me. trust when i tell you i do not want to completely lay out my trauma on the internet for all of you to read, but if it makes one of you understand why this works, why it is important, then it will have been worth it to me.

When I was 12 my father was diagnosed with frontal temporal dementia. the adults in my family and his doctors decided that it was best for him to be moved to a a full time care facility. The next year, and after hearing, seeing, and understanding my father's condition and where it would go, I, at thirteen years old, made the decision to say goodbye to him, that I did not want to hear about what levels of deterioration he had reached. I wanted to remember him as he was when he remembered me, and all the adventures and fun things we did together.

I made that decision. I made it because it was easier than watching him deteriorate, forget who his sister, his brother, my brother, my mother, and me. And I knew that at twelve and thirteen. It was never a decision I ever thought I would have to make, it wasn't a decision I should've had to make.

Now, the important part, over the next few years my decision was questioned and ignored by the adults in my life and even my brother, some of the questioning I can understand now that I am older, but it should have never reached the level it did. My aunt and uncle would openly discuss his condition over dinner when he came to visit, and I would run away to the restaurant bathroom and cry my eyes out until my mom came to get me. I was forced into visiting him in his care home, which ended with it causing far more harm than good. Only then was my decision somewhat respected, it took me being retraumatized for it to be taken seriously.

Despite all of that, I do not regret that decision.

I can't know how I would be different if none of that happened. But at this point in my live, eleven years and some therapy later, I am fairly certain I would be less traumatized, carry less resentment and anger, if maybe my mom had spoken up at those dinners and made arrangements to get updates without me next to her trying to enjoy my pizza. Had I not had to see my own father forget my name and then have some sort of mini medical emergency. Had my brother heard me in a way only a sibling could.

So, yes, Christopher at thirteen made a indefinite and truly most likely temporary decision to remove himself from an environment where he doesn't fully trust his sole and primary caregiver. He knows his dad loves him, Eddie made that so clear. And it could really be 5 minutes, 5 days, 5 weeks, and so on and so forth until Christopher is ready to come home. And him knowing that Eddie respected his decision and loves him no matter what is what is going to make that time shorter. If he had walked out with his father begging him to stay, to forgive him before he was ready, the chances of him coming back would in my opinion would be far slimmer than the circumstances under which he did leave.

with that i leave you this, "yeah people go away. and it's sad. and it hurts. but you know, not everyone goes away forever. sometimes they come back. and as much as we miss them, that's how happy we are to see them again."

[lucysarah-c]

Do you think that Canon Levi (While he is in the scouts, not post-war) would want a serious relationship or even a family? I love reading fanfictions about him falling in love with someone who is also on the scouts and even having a wife or kids, but he canonically is not a huge fan of marriages and Idk, maybe he doesn't like the idea of putting children in such a dangerous world, you know what I mean? What's your opinion? 

Hi, sweetheart! How are you? Ah, first of all, thank you for stopping by my inbox and asking for my opinion. I always get a little giggly when people ask for my thoughts on anything haha. I promise to do my best to reply to everything to the best of my abilities!

I agree with you to a certain degree, especially since you mentioned not "post-war Levi." I think post-war Levi is a completely different story, you know? This man sat down with two kids to tell them about his childhood and mother. Let's remember that Hange didn't even know about Kenny's existence during the Uprising Arc, which leads me to think that Levi didn't speak to anyone about his past before. Now he does? I mean, yes, it's a literary device—using characters completely alien to the idea to present a first-person POV of the character telling their past. I've used it myself in my main fic. But let's say that's not the case, and Levi is opening up like never before. He seems to be redoing his life and living happily after the war. I wouldn't be surprised if he decides to pursue a partner and kids for himself (if he wants, as kids and romantic relationships aren't necessary for happiness).

But Canon Scout Levi? Let me tell you, first of all, I don't think Levi really "believes" in marriage per se. I think he would treat his girlfriend as if she were his wife; he doesn't think of marriage much beyond "a tradition." Now, I do see him getting married if it would enhance the life or rights of his girlfriend. What do I mean by this? Let's say there's "social judgment" if his girlfriend is publicly in a relationship with him and "being with a man outside of wedlock" causes her social scrutiny—he may marry her. He knows firsthand how women are judged based on their "status" by his mother, so if he can step up and do the right thing, he will. For example, if he were to die and his partner couldn't land jobs because people judge that she's unmarried at her age, he would marry her. Or if she could get a pension from being married to a soldier, and every coin counts, Levi wouldn't mind it. That's what I personally think. Levi knows he won't be the one getting the sour end from not making it official, so he sees it as beneficial to make it legally official.

Then about kids, I don't see Levi "seeking" kids while he's in the Scouts. It's rather clear that Levi likes kids across the story, but he probably wants to give his kids the childhood he didn't have. And yeah, "kids only need someone who loves them, etc.," but the truth is kids need time, dedication, and MONEY. Three things that Scout Levi doesn't have lmao. So I don't see him canonically "seeking to become a dad." If there's contraception in Paradis, he's for sure using it. If there isn't, or accidents happen, and his girlfriend ends up pregnant, he would probably state that it's not the best timing for kids (especially if she's a Scout, as I doubt a woman would be allowed to be a soldier and also raise a kid. She would lose her job and stay behind to be a mother, which was usually the case back in the day). But if she decides to carry on, Levi, being an adult doing adult stuff, will take responsibility and be the best father he can given the circumstances.

Finally, about relationships… I'm a firm believer that you don't truly choose to fall in love or not haha. Like when it happens, it happens, like the cat distribution system lol. Once it knocks at your door, it's your time. Once again, I don't picture Levi going out of his way "searching" for romance. But if he slowly gets to know someone and likes them, and that person likes him back, then well… I don't know. Now that I'm rereading the manga, I'm more sure about this. Levi hardly seems "unapproachable," like "I'm so hurt, I don't want to let anyone in." On the contrary, you see he has good relationships with almost all the Scouts, even telling Nifa about Kenny out of nowhere. He's not one to fall easily, but if it happens, it happens.

I hope this was a good enough answer <3 Thank you so much for your ask.

Have a lovely day!

Stay safe!

[cosmicjoke]

I'm really sick of seeing posts from a certain subset of people in the Levi fandom "pushing back" on the fact that Levi is a good person. What exactly is the point of it? Just to be contrary? Just to seem like one of the "cool kids" who can be objective about Levi? As if acknowledging that Levi is a good person means you're biased about him? What a joke.

Him being a good person isn't an interpretation about his character, it's a fact.

I'd really love to know what apparently impossible standards one would have to meet in order to qualify as a good person, according to these people?

Because in my book, being a good person comes down to one very basic and straightforward quality.

Do you genuinely care about other people and living beings and want to help them in whatever ways you can?

If the answer is yes, then you're a good person.

Of course there can then be varying degrees of goodness. How much do you care, i.e. how much are you willing to personally sacrifice for the benefit of others? How far does your care go?

I call Levi exceptionally good all the time because not only does he care more about other people than any other character in the series, showing immense and deep compassion toward basically everyone, but he's completely selfless. He never takes anything for himself, but only constantly, consistently gives to others, often at the expense of his own comfort and well-being.

These fans that want to question Levi's goodness because he engages in quote on quote "morally dubious" actions like killing or other acts of violence, absolutely send me with their moronically childish view of the world, and also with how completely they miss the entire point of AoT and its themes. Judging one for their actions without consideration for context or mitigating circumstances is one of the main things AoT warns against, and yet these clowns go right ahead and proudly declare how they're doing just that with regards to Levi, acting as if that somehow makes them superior fans because they can be "objective" about him.

That's not being objective about Levi's character. That's being unfairly judgmental and prejudiced based on your simplistic, black and white view of morality. Similar to how Eren was unfairly judgmental toward Reiner and Bertolt, or how Jean and Mikasa were unfairly judgmental toward Levi, or how Gabi was unfairly judgmental toward everyone on Paradis.

You aren't a better or more objective fan of Levi's because you go around claiming he's a "morally grey" character or not "wholly good". You just don't understand what makes someone a good person at all. Levi isn't "morally grey". A morally grey character would be someone who's intentions are morally questionable, or who's morals are unstable and easily compromised or changed. That's not Levi. Levi remains consistent from beginning to end in his morality and intentions. All Levi does and tries to do is help others, in whatever ways he can. That's the only intent behind any of his actions. All of his actions are rooted in the fact that he genuinely cares about others.

If that doesn't define Levi as a good person, than nothing would.

[typellblog]

Suruga Devil - An Analysis

Something I’ve been thinking about is how even though Oshino disappeared six books ago, some way or another a specialist manages to crawl their way into every arc. Almost irregardless of the circumstances, these kids need someone to explain the problem to them. To bring them face to face with the truth they haven’t quite realised yet. 

In Hanamonogatari, though, advice might be the last thing that Kanbaru Suruga needs - despite, or perhaps because so many different people want to offer it to her. 

I’ll be riding my arc formula all the way from Bakemonogatari until the wheels fall off, so I think here I want to talk about the title again. 

Suruga Devil. Isn’t that odd? It almost sounds like we’re dealing with the exact same oddity as her first arc. Except there’s a different Devil-sama in this one, someone who has more devil parts than Suruga herself. Numachi Rouka is also an oddity, by virtue of being already dead, and by that logic Suruga must be the ‘victim’ of her haunting. 

The theory is floated here that all ghosts work similarly to Hachikuji. They hang around because of a certain regret, and people with a similar regret or issue are the only ones that can see them. What, then, is Rouka’s?

I think there’s something to be said for how obviously she wants to play basketball with Suruga again. 

Even in a series full of unreliable narrators Rouka is unique in that we don’t get to see her internal narration, just how she chooses to present her life story to Suruga. There are hints that she was spinning it a bit - Higasa mentions that ‘family issues’ Rouka hardly talked about also contributed to her suicide, not just the broken leg. 

Frankly I see in Rouka someone trying to put up a strong front to hide how severely something actually affected her. She refers to herself derisively as misfortunate, acknowledges the suffering that it caused her, but still tries to make herself seem distant from it, like it’s something she’s already dealt with. Like her misfortune-collecting has made her happy again. 

Her initial attitude is hostile, confrontational. She seems like she’s trying to upset Suruga, describing her own activities in a tone that makes it obvious how unapologetic she is about the scumminess of it all. She wants to feel powerful, in control of the situation, even if it means she has to come off as an asshole. 

In their final match Suruga leans into it, matching Rouka’s hostility and desire to compete with her rather than running away from it. I want to say it’s a way of paying her final respects.

Rouka says she didn’t feel like she ever suffered a clear loss in life. Her injury didn’t come from a dramatic final showdown. Losing her scholarship didn’t make it impossible to continue schooling. And her leg’s rehabilitation didn’t make it impossible for her to live on. But at the same time, all of these things ground her down until she didn’t know what to do. Rouka says you can run away from almost every problem, and she did. She ran away from school. She ran away from getting a job. And in the end, she ran away from life. 

Kaiki remarks to Suruga that she can’t run away from all her problems. In his case he makes it brutally literal, but in an emotional sense he’s not somebody Suruga can ignore either, this weird older dude that has a history with her mother. Koyomi and Hitagi apparently told her to run away as soon as she met him, but they must not have considered he might have no ill will towards Suruga, not do anything that justifies running away from him. 

When Rouka gets on top of Suruga and draws close enough to kiss, she could run. She knows she could run. She doesn’t. Did you want her to kiss you? Some things you can’t run away from, because deep down you don’t want to. Like the dark reverse side of a wish.

For Rouka, the Rainy Devil is a competitor. It actually does something to solve people’s problems, where her method allows these anxieties to work themselves out by having the people in question do nothing at all. Some things are only made worse by worrying about them - in the hands of the Rainy Devil these problems that may have worked themselves out over time instead get escalated into potentially life-destroying issues.  Rouka isn’t one to make use of the devil’s arm, Suruga thinks. She would simply run away from the problem, not rely on external means to solve it. She’s strong like that. Strong enough to pretend her problems don’t matter to her. 

Only to pretend, though. The phrase “It’s better to regret doing something than regret not doing it” comes up. Rouka is of course on the side of regretting not doing something. A third path between victory and defeat. It has its advantages, Suruga does acknowledge it. But it can’t resolve anything. Rouka’s problems still exist, she just isn’t facing them. What Suruga does is make Rouka confront her and in doing so symbolically confront everything. It gives her a clear reason for her loss. It lets her let go. 

I think the reason that Rouka is so confrontational with Suruga, so eager to play basketball again, is because she knew this on some level. She prefers to regret not doing something, but of course that means she still regrets not doing something. She still wants to do it, still wants to play a proper match and finish off their middle-school rivalry.

I wondered what Rouka’s specific regret was, as a ghost, and while that game is about as close as anything, it still feels like I’m missing the big picture. Rouka doesn’t just collect misfortune, she collects devil parts. The things that show up physically on your body to prove you made a wish. The things that remain so long as that wish isn’t granted. The physical manifestation of regret for a choice that still has Suruga checking the news every morning to make sure she didn’t do anything during the night without remembering. 

Hachikuji gets people lost because she is lost. Rouka frees people from the regret of doing something because she herself never did anything about the situation she found herself in. It’s why she’s so interested in hearing the stories, along with the devil parts. People who did something she could never do. People who failed and became even more unfortunate than her, thus proving her right. 

She takes the devil parts from people who don’t want them anymore. You can’t run away from something if you really do still want it, but Suruga is well over it at this point. Consider how Suruga deals with the devil’s continued presence in her life. Refusing to run out of fear that someone might be faster than her. She used the arm to pursue Hitagi to the point of destruction, but in equal measure refused to do so, and in doing so was unable to replicate Koyomi’s success. In that sense, when Kaiki says you can’t outrun everything, he’s telling her that it’s okay to lose. It’s okay to try, and then fail. It’s okay to just hand the arm over to Rouka and move on. 

Higasa remarks that Suruga seems too positive of a person to have heard the Devil-sama rumor - because that’s the type of person Suruga is seen as. Polite, enthusiastic, direct, a star athlete, a hard worker,  a rich kid, a goody two-shoes. The type of person who would take issue with Rouka’s methods. Rouka expects a fight, because in a lot of ways Suruga is Rouka’s opposite, someone who would slap her in the face upon hearing about what she’s doing. 

At the same time, Suruga is the type of person to immediately second-guess that reaction. She lets Rouka’s hand sit on her chest for an uncomfortable length of time (the symbolic gesture associated with taking her devil arm!) because she feels bad about hitting her. Of course she would. She straps her arm to the wall at night because she’s scared of hitting someone again.

In other words, contrary to expectation, she’s the exact type of person that would encounter Rouka. The correct type of person to hear the Devil-sama rumor. The type of person that’s still burdened by the regret of a wish that turned into an obsession. Exactly the type of problem that can be solved, will be solved, simply by doing nothing. 

I said I still wanted to talk about the arc formula, and here it raises an interesting question of where exactly the specialist comes in. Kaiki, of course, is prominent in this novel - but even though he helps, he hardly explains anything. He has a policy, Rouka tells us, of only sharing half his information. It’s a little like Oshino’s rule of balance, but even less helpful. He shies away from the spotlight out of what I imagine is self-preservation - running away from Koyomi and Hitagi in Karen Bee, blatantly subverting their expectations that he explain Karen’s oddity. He does it anyway, but it’s pointless. The fever disappears on its own. 

Where Meme’s balance is to make sure he doesn’t interfere too much in others’ problems, ensure his surprisingly impressive spiritual abilities don’t create further disturbances in the course of solving them, Kaiki’s balance is to make sure he always has another opportunity to mess with people in the future, to ensure his practical-minded refusal to believe in spirits entirely doesn’t end up biting him in the ass. 

Even so, we’ve come to expect someone to come and clear things up, explain that which our protagonist was too slow to grasp on their own, put a neat little tie on the end of things. Like Tooe Gaen, perhaps? Deceased but apparently no less of an authority on the supernatural. “The motivation for justice is envy of evil,” we’re told, explaining precisely what left Suruga so unsettled about Rouka. Rouka did what she could never do, just like Suruga did what Rouka couldn’t. 

It’s a nice enough explanation, putting things into the dualistic perspective that Tooe seems to prefer. “If you can’t be medicine, then be poison, otherwise you’re just plain old water.” It doesn’t matter if you help others or hurt others as long as you do something, act in accordance with your nature, don’t let yourself be bound by the restrictions of society or conscience. Those are the type of people she seems most interested in, and the type of person Suruga ought to become as a result of this arc - someone who acts, as opposed to the inactive Rouka. 

And yet neither her nor Rouka seem to fit into Tooe’s format. Rouka, despite being plain water, is still muddy. A swamp. That mud, composed of everyday misfortune, is nothing nearly so interesting as to be called poison. Suruga is even more confused. A flash-flood, capable of clearing up the dirt that Rouka collected?

Suruga didn’t envy Rouka because she was evil. The implication there is that Rouka took pleasure in shattering social boundaries that Suruga felt obligated to stick to. But Suruga has already experienced what it’s like to violently pursue one’s own wishes in disregard of the feelings of others. It’s not fun! Suruga is jealous of, if anything, Rouka’s coolness. Her ability to roll with the punches, accept what happened to her with a laugh, shamelessly use her misfortune and pitiability as weapons. 

And Rouka, despite how she presents herself, was quite clearly not evil. Her offered ‘help’ is for entirely self-centered motives, and yet she’s much more concerned with the lives of others than her own. She does act like she doesn’t care about the people asking her for help, but all the same she does redirect those with more serious issues to the correct services. She did say she genuinely wanted to help Hanadori Rouka, the girl she met with the left leg, which is surprising from the perspective of Suruga’s vague animosity towards her, but completely understandable if you just think of Rouka as a normal girl. 

Suruga is neither good nor evil, as Koyomi puts it at the end of the book. She didn’t do the right thing, or the wrong thing. Neither did Rouka. They simply couldn’t look away from one another. Looking away, like running away, is only something you can do if you don’t really want to look. Even if Suruga ran away Rouka would have kept haunting her. She had the qualifications for it. Similarly, I feel like Rouka simply couldn’t look away from people’s misfortune, from the devil parts. Oddities arise for a reason, people have to want them on some level, and perhaps that’s true from the oddity’s side as well.

Speaking of Koyomi, though, he’s the last to give advice. He encounters Suruga at her lowest point, where she doesn’t know what to do, and quite literally helps her get back on her feet. His specialist qualifications are a bit iffy, but this is a timeskip - he’s in college, he’s more or less overcome his coming of age stuff. The thing is, his advice is to ignore everyone’s advice. For Suruga to act like herself, act on her instincts. To do neither the right thing or the wrong thing. 

Ironically, characteristically, she takes the advice anyway.

She’s immediately less unsettled around Rouka, more confident in how she wants to play it. I think about her bluntly stating she’s an exhibitionist. It’s a pervy joke, something that’s been oddly absent in this book so far. One of the things we realise, looking at the world from Suruga’s benefit, is that her perversion, her exhibitionism, frankly even her queerness and interest in BL was much played up for the benefit of Koyomi. At the same time, though, I don’t think that makes it somehow false or an inaccurate representation of herself. She was able to be more overt with these things around Koyomi, because he was accepting of it, and that’s a largely positive thing. 

It’s not a coincidence that her meeting with Koyomi gives her the confidence to be more like that with Rouka, or that this line about exhibitionism actually ties into an important part of her character. You see, right after, Rouka says it must have been tough for her to conceal the devil’s arm. 

I think about the arm as representative of the stigma of queerness, as something that paints her desire for Hitagi as animal and violent (even as it’s capable of finding perfectly healthy expression on the flip side), as something that she has to conceal from others. Recall how in Suruga Monkey her being a lesbian is revealed right after the arm itself, and it’s her sexuality that Koyomi finds the more shocking. 

From that perspective, you could think about Rouka as helping the devil part bearers integrate into society by removing the outward signs of their queerness, their difference. She takes it all on herself, with her oddly dyed hair, baggy tracksuit, put-on limp. She takes it all on herself because she no longer needs to live in normal society. No longer can. 

It kind of explains more of Suruga’s hesitance to let Rouka go. It’s not like she wants to keep the arm. It’s not like it represents the truth of her sexuality in itself. She was gay before the arm and will be after. I think it moreso represents Tooe’s approach to identity and self-change. You can be whatever you want, but becoming is an inherently painful process.

We’d like to think that Tooe’s message was that you should learn to change yourself rather than relying on suspicious magical artifacts, but the fact that she exposed Suruga to that risk in the first place indicates she’s fine with danger as a teaching device. Fine with her daughter becoming poison. Maybe even fine with her killing someone.

In the end, all the arm does is give her an inferiority complex. Her admiration of Hitagi, her graceful running style, is built on the fact that Suruga herself doesn’t feel she can run like that. She’s faster, but also uglier, more desperate. Her admiration of Koyomi, his self-sacrificing nature, is built on her shame over not being able to help Hitagi more herself. She’s self-effacing, but also uglier, more jealous. 

Suruga is glad to lose the arm, but she still feels uneasy about Rouka getting it. About being saved by someone else. Aren’t people supposed to just go ahead and save themselves? In this one thing, at least, Rouka is a more helpful specialist than even Oshino Meme. 

On that topic, the last person to give Suruga advice is Rouka herself. At the end of their second meeting, Rouka tells her to live a normal life. Do all the things I couldn’t do. She’s a negative example, telling people to not end up like her. Just stay in the closet. This, too, will pass.

That, kinda sucks though. Integrate into society? Drop all visible signs of your queerness? Get a boyfriend? Rouka’s channeling old tragic yuri tropes for the last time she thinks they’ll ever meet. 

Is that really what Rouka thinks? Does she really envy Suruga’s potential to be normal? To get a job? Because the opposite is precisely what Suruga envies about her - Rouka’s ability to ignore social expectations. The thing is, after their final match, the advice changes again. Who cares about studying for exams? Just start playing basketball again. This is really the only thing I can imagine Rouka envying Suruga for. It’s the path where she gets to make use of her arm again. 

Saying that basketball is representative of Suruga’s queerness here is even more of a stretch than applying that to her arm, but there’s at least one important respect in which the analogy kinda works. 

The way she wins the game. 

Basketball is a game for more than one player. The phrasing is a little awkward - ideally it would read “Basketball is a game for two players” to make the comparison to romance even more explicit, but - that isn’t true, is it. So the fact that there are exactly two of them playing becomes a little more significant, I think. 

They have to combine their efforts to get the ball into the hoop. That’s a disingenuous way of putting it, when they’re on opposite sides, but it’s still true. Rouka, after all, couldn’t get it in alone. That wasn’t her aim in the first place. She was just trying not to lose. 

Suruga didn’t just let her lose decisively for the first time, she also let Rouka win. Rouka wasn’t passed to, much, when she used to play. This is the first time she realises that basketball can’t be played alone.

And, well, when you put it in that sense, basketball isn’t just representative of romance, it’s representative of life in general. When you look back on Rouka’s backstory, at this point, one thing stands out. She never relied on anyone else. She never had anyone to rely on. It’s so bad that she ends up in Suruga’s orbit. The anime opening portrays what it might be like if they had a closer relationship, but that’s something that had to be invented in retrospect, because they really didn’t talk much. They didn’t even properly play against each other much. But when it comes down to it, Rouka is drawn to Suruga’s family inheritance of the devil parts, Suruga’s family inheritance of an annoying conman uncle, and in the end, back to Suruga herself. 

Suruga’s not the only person who ever truly understood her, as you might expect from a school rivalry situation. Suruga is simply the only person in a position where it’s even possible to truly understand her. The only person that could have drawn that final dunk out of her. The only person who could remind Rouka that she really did enjoy basketball, enjoy life.

In doing so, it serves as a reminder to herself, as well. 

Thanks for reading, everyone! Call this the Pride Month special, even though I didn’t discuss the queer themes of this story as much as I would have liked. Next: Otori. Oh boy.

[canisalbus]

i've returned for 2 seconds to tell you that they're not leaving my head. (sort of unrelated but i've been thinking as well. what if vasco died before machete ? what would go down)

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[sensitiveheartless]

I saw your “two wolves” art after the latest manga chapter so I have an idea, but I still gotta ask- HOW ARE YOU COPING AFTER SEEING DAZAI SHOT UP LIKE THAT??? Do you think he’s dead dead, or that there’ll be a timey wimey rewind thing where he’ll come back? I desperately need him alive, but I also don’t want them to lose memories of this, ya know? Do you think this is all part of some great SKK plan (operation goodbye?👀) or is Dazai really just losing for the first (second, if you count Oda 🙈) time in his life?

To be honest, the very first post I saw about the new chapter was Nawy’s analysis of the bullet impacts in the wall, which quickly convinced me that Dazai was not actually shot in the head, so I haven’t been worried at all 😅

But even if the being-able-to-talk-after-getting-shot-in-the-head thing was just an oversight on Asagiri’s part, I still wouldn’t be convinced that he’s gonna stay dead, because people just don’t tend to die in this manga. Really the only major character that’s died so far is Oda, and that was in a flashback that served a narrative purpose. There’s not much narrative weight to Dazai dying at this point in the story, and in this manner. It doesn’t feed into his character arc, and the rest of the agency isn’t even there to be affected by it. To have it happen so far away from the rest of the main cast would be…weird.

…Plus since Dazai is a) Asagiri’s blorbo and b) a big draw for a lot of fans, it would be very bold to kill him off lol — so be it due to timetravel, skk shenanigans, or a secret third thing, I genuinely think he’s going to be fine!

All that said, even if this is all part of some grand overarching scheme, I remain convinced that Dazai was not expecting Chuuya to shoot him in the shoulder first, because that seemed like genuine outrage on Dazai’s part XD

[novelconcepts]

The degree of RAGE I feel every time I listen to an interview with and/or about a nonbinary person/character, and the interviewer just is allergic to they/them pronouns. Like. My dude. My good bitch. My brother in Christ. The whole POINT of this conversation is the enby thing. How are you failing THIS badly?!

[alchemist-shizun]

I've come to the realization that I've known about mdzs for about 4 months and so far I've been juggling in my head 3 different songxuexiao fic ideas (ones actually not ship fic only about post canon song lan and inner turmoil which we love) and SOMEHOW all of them involve little kids to a certain degree, either raising them or having a group of little ducklings following u everywhere u go.

This is a first and a pattern I wasn't expecting but I guess I'm welcoming it!

[jaanlouis]

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[gailynovelry]

Having Toybox thoughts rn, don't mind me if I post the actor's core character beliefs on main;

Kelly believes that he is a bad person, no matter what anyone says.

Vio believes that he is a bad person, despite what everyone else says.

Sable believes that they are a bad person, because of what they think everyone must be saying.

Pumpkin believes that she is a bad person because of the things he has done.

Redd believe that they are a bad person because of the things she has been unable to do.

Sapphire believes that she is a bad person, and justifies it because this is a dog-eat-dog world here.

Aure is unable to think of himself as a bad person in any capacity, or his entire worldview will fall apart.

Ivory believes that she has proof that everyone is a bad person, and that the proof also applies to herself.

Furthermore, for the Playwright and the Doll (player character);

The Playwright believes that humanity's nature is so base as to make everyone a bad person, and that they are simply proving this true through the time loop.

The Doll believes that humanity's nature is not inherently evil, and that the conceit of the timeloop forces everyone involved to carry out bad actions, as influenced by the beliefs that they already have.

[birdofmay]

And again, as always: It would be nice if you guys could stop making this about yourselves. Whenever we post about our particular experience, people who normally can speak, but used to struggle with it, or struggle under certain circumstances, add on something to talk about themselves. This eventually leads to people talking about something completely different, and ignoring what the post was about at first. Make your own post. We are constantly spoken over even in online spaces, and that's especially unfair because we struggle to communicate even more than other autistics. Don't derail posts about people who never learned to speak from the very beginning and won't learn it ever. That's unfair.

Sometimes I see people on here who want to be good allies to nonverbal autistics, but at the same time don't understand nonverbal autism at its core.

Most of us, who are nonverbal "from birth", struggle with language, to communicate, and to understand complex concepts. That's why we never learned to speak at all, ever.

But their strategy is to "hand us the mic" and ask "What are some misconceptions about nonverbal autism you'd like to discuss?" and expect us to respond.

"Misconceptions" is an abstract concept. Most of us can't just come up with an answer; my mind, for example, goes completely blank when I read this.

I wanted to talk about allies assuming that our brain works similar for at least 2 weeks, but it's only now that I am able to write something. 2 weeks!

Sure, there are autistics who can't speak due to apraxia, and who don't struggle with language otherwise, apart from the "not being able to speak with their mouth" part. But that's rare.

Even my ability to express myself well is rare. I am not your average nonverbal autistic. I am very skilled compared to the rest of us.

One thing about "never learning to speak" is that most of us really really struggle with language, and with understanding big words and topics. Not everyone, but many of us. That's why most of us aren't on social media.

Whenever I write "educational" posts, my inbox is flooded with follow up questions I just can't answer without help. Because most of the time I don't understand the text. I regularly have to close my inbox because people assume that I can process the text and respond like everyone else can. But having these abilities is an exception within autistics who never learned to speak from the very beginning. It seems normal, but those people just are the loudest. Because they're on social media and love to participate in discussions.

Most of us can't do that.

I'm glad that I made some speaking friends here who made an effort to understand us thoroughly, and they now often repeat what we think and want "but louder". Listen to them, most of us can't advocate for ourselves. They're not speaking over us, they're helping us to communicate without draining our energy.

And for everything else I have some posts linked in my pinned post because I can't just participate in discussions.

[scentedpeachlandcreator]

You want to manifest your dream life?

I gotcha! This post is right here to make you stop over-consuming content about LOA and finally be able to manifest your dream reality!

Decide:

Okay, so you first need to decide what you want to manifest.

You want to live in a penthouse and in a Big mansion with your family or sp? you Can! You want to wake up in a magical world you created Guess what? Yes, you Can!

Do you want to wake up with your desired appearance from head to toe? Yes, you Can. And when I say you Can that means you're fucking limitless don't let anybody limit you, 'cause you’re the creator of your own reality, not theirs but yours, and you create the rules here!

throw logic out the window! cause it won’t get you anywhere if you still ask “if i can manifest that and that..”

Okay, so when you decide what you want to manifest you might wonder what will you do next?

Well, it's simple really. just decide that you already have it.

But how?

By simply deciding that you already have your desires/dream life in your 4D/imagination.

using methods:

Now you might need to use methods and by methods that means techniques that will help you achieve your desires and that make you fulfilled, you Can Also create your own method that suits you well.

Note: you don't need to do a certain method that everyone uses and that doesn’t resonate with you.

You Can click here and here you will find all the methods that were used in the LOA community.

my favorite: affirming and this method (click here!).

Then when you start affirming for your Desires or use methods to manifest your Desires you might encounter some issues with the 3d.

Things start going the opposite and you’ll start giving up and doubting yourself and the law.

And that when it comes to the important thing to do and it is called persisting.

Persist:

when you see things start going up the opposite way (in the 3d) and that is when you need to do your job by persisting in the idea of already having your desires in the 4d, by being consistent and stubborn in your assumption.

that it! easy right?

you might have some questions about all of this and how to react in certain situations with the 3d I advice you to read these posts and documents:

This one , this , this , this , this one, this, this.

and lastly, stop it like really stop consuming info and not applying the law, you can still be on this app but just don’t be obsessively always here, always waiting for a new post to make you realize what method or technique or what it is will make you manifest your desires.

remember the key is self, and yes you, the reader who is reading my post, you have such infinite power inside you that could change your whole world 360 degree.

remember to trust yourself and to have faith in the unseen, you can do it I have my trust in you, and always remember that some people were in extremely difficult circumstances and they did what? yes succeed, by having faith in the unseen and persisting in their imagination and now they’re living their best life.

be gentle with yourself, take care of yourself, and prioritize your mental health.

Summary:

: ̗̀➛ decide what you want to manifest.

: ̗̀➛ affirm (or use any methods).

: ̗̀➛persist.

chao chao!

xoxo, Eli.

[androgynealienfemme]

"We go from store to store, trying to things on and inspecting them. I give my opinions on dresses and shoes, blouses and lipstick colors. Sometimes I say things that make the other women look at me, agape, as though my mouth has been possessed by that flighty queen from Queer Eye even while the rest of my body still looks like any other big dumb boy's. I say that I like a skirt but I wish it were bias-cut instead of A-line, or that I am not fond of the fashion for surplice tops, or that the post-WWII idiom in shoes this season is amusing but rarely looks good on actual feet, or that I like the look of a bolero jacket. I know the names of colors, heliotrope and coral and Nile blue, and I can say without hesitation whether a lipstick might look better matte with a bit of powder.

These other women look at me with wonder, their boyfriends and husbands having made a fetish out of refusing to learn such words under any circumstances, as though merely pronouncing the word "periwinkle" or "princess seam" could easily turn a strong man gay as a box of birds. They say to her, "That's your husband?" in voices that loiter between admiring and disgusted, as though they know that there's no force on earth that could make their men or boys take such interest in their clothing and they think they might really prefer that to the spectacle of me, filling an armchair, legs crossed ankle over knee, looking just right until I say "tea length."

The point is that she wants other girls to see what it looks like to have a boy so cracy in love with you, as I am, that he will spend an afternoon talking about capri pants to have a boy so delighted by you that he never calls you by your name, but addresses you always as "beautiful girl," or "my love" or occasionally and with great fondness, "boss." To have a boy who will happily fetch your next-size-down and carry your bags and charm the salesclerks at the register without flirting overmuch and just generally try to make himself as useful as possible, all for the dizzy and undying pleasure of making you happy. And even though I am not a boy, I look like one, and so I can be complicit with her in this kind of wonderful afternoon, part indulgence of her great beauty and style, part guerilla feminist activism.

Later, when we walk through the mall or down the sidewalk, me laden with packages that are clearly hers, I watch the eyes of the people we pass: the women who look at me with a certain longing, wishing they had their own boys to carry the bags. The men who look at her with an unmistakable hunger, wishing that they had the honor of schlepping for a girl like her, and then look at me with a certain edge of disbelief, not quite clear about why I get to squire this marvelous example of femininity around when they are clearly wealthier, more handsome, better hung. I have learned to meet all of these gazes with a calm kind of sweetness. There's no point in defensiveness or sheepishness or challenge. I'm the one holding her bags."

"Being a Shopping Switch” Butch is a Noun essays by S. Bear Bergman (2006)

[dandylovesturtles]

Made myself emotional over the “Leo and Donnie chose to be twins” headcanon.

———

“By the way, it’s Leo and Donnie’s birthday next Thursday. You’re coming, right?”

Draxum looked up from his work organizing next week’s lunch schedule to look at Michelangelo, sitting on the counter and swinging his feet. Celebrating individual birthdays wasn’t a thing that the yokai did, but Draxum had been forced to accept that the boys could not be dissuaded from this human tradition. He’d been to two birthday parties now, for Michelangelo and Raphael respectively, eating cake and presenting them with some small trinket he purchased.

He’d known that he would have to go to more birthday parties at some point. But he wasn’t expecting two at once.

“Why on the same day? I can’t imagine the blue one wanting to share.” Actually, he couldn’t imagine Donatello wanting to share, either.

“Oh,” said Michelangelo with a laugh. “That’s ‘cause they’re twins!”

Draxum stared at him. “Twins? What kind of nonsense is that?”

Mikey tilted his head. “What do you mean?”

“They’re entirely different species, for starters,” Draxum pointed out.

“I mean, we all are, but we’re still brothers.”

“Yes, by virtue of your shared DNA donor and the circumstances of your raising.” Draxum waved that off. “But “twins” refers to a situation where two children are born at once, especially as the result of a split of a fertilized egg. Which is absolutely impossible in the case of Leonardo and Donatello. Even if I were to be charitable and simply consider them “twins” for having the same hatch day, I can tell you they do not.”

“Uh, okay,” said Michelangelo, unimpressed. “But they’ve always been twins, so I don’t think it matters to them.”

“Why not? I would think it would matter to Donatello especially, since he claims to be scientifically minded.”

Michelangelo laughed. “Not everything is about science, Barry. Not even to Donnie.”

“Then his decisions about when to apply science and when not to are inconsistent and confusing.”

“Well, it’s their birthday, so they get to pick.”

“I am certain that is not how birthdays work.”

“It’s how it works for us!” Michelangelo slipped off the counter. “We’ll see you on Thursday, right? It’ll mean a lot to them if you come!”

Draxum was fairly sure Leonardo in particular would prefer he didn’t, but that didn’t matter. Now he had a mission: he had to correct this strange incongruence.

“Yes, I will be there.”

“Yay!” cheered Michelangelo. “Okay, see ya Dad!”

He squeezed Draxum around the waist on his way out. Draxum was finding he didn’t mind that as much as he used to.

———

Leonardo and Donatello’s party was just as loud and obnoxious as the other two. Blue and purple decorations covered every inch of the old subway station, strange music blared from unseen speakers, and a horrendous amount of junk food was spread out over a table. It was the same group of people present today as there ever was, the eclectic mix of humans and yokai that the boys considered family, but it felt like a crowd three times the size with the amount of noise being made.

Draxum stood off on his own for most of it, his slim birthday present already delivered to the table stacked with gifts. He’d been a little shocked when Donatello and then Leonardo came by to say hello, since he’d been prepared to be ignored by both of them. It was… nice, maybe, that they did that. Even if Leonardo just wanted to make jokes at his expense.

For most of the party, the two birthday boys seemed to be competing with each other for attention. In fact, the longer he took it all in, the whole affair seemed like a clash of ideas. The purple decorations were neat and tidy, geometric patterns and hard angles. The blue decorations were whimsical, uncoordinated, and haphazard, and there were places it seemed someone had deliberately covered up some of the purple with the blue. Leonardo wanted to play rock music and Donatello wanted to play techno. The cake was a mess because they’d both requested different themes for the decorations. There were arguments between the two of them every few minutes, and according to the human girl April this was “typical behavior.”

But why? They weren’t really twins. They didn’t have to share this day.

Hopefully Draxum’s plan would fix all this nonsense.

When it was time for gifts, Leonardo loudly declared that he was going first, sparking an argument. They squabbled for a bit before agreeing to play rock-paper-scissors, which was apparently what they did every year.

Leonardo won the game and celebrated obnoxiously while Donatello scowled at him. Then he gestured at the gift table - which Draxum, in his efforts to stay out of the main throng, was closest to.

“Hey, Barry! Grab me a gift! Make it a good one.”

Draxum sighed but reached over to take one of the blue packages, checking the tag to make sure it was for Leonardo. “This one is… to Leo from Donnie,” he read.

“Oh no, not that one. Our presents to each other are always last.”

“Because they always get sappy about it,” said April with a laugh.

“Do not!” yelled Leonardo at the same time Donatello hissed, “You take that back!”

“Uh, yeah you do, and you know I’m right.”

Draxum ignored the petty argument to look back at the gift table. If they weren’t going to be satisfied with his choice, he might as well give them his own gift.

He lifted it, in its sensible brown packaging, off the table and handed it over.

“Why not start with this? It’s to both of you from me.”

“Both of us at once?” asked Leonardo. “Oh man, you’re throwing off our whole system, Barry.”

“Yes, but he’s giving it to you,” Donatello pointed out, “which means my turn is still next.”

“Uh, no, if it’s for both of us then it counts for both of us, which means it comes back around to me!”

“Ooooh no, you do not get to loophole your way into opening two presents in a row-“

“Ahem!” Draxum loudly cleared his throat, getting their attention. “Would you please just open it?”

“Yikes,” said Leonardo. “Touchy.”

“Some people just don’t understand the sanctity of opening birthday gifts,” said Donatello with a sniff. But he leaned in to watch as Leonardo tore off the wrapping paper and opened the box.

They were both silent for a moment, staring at it. Then Leonardo said, “Uh, no offense, Barry, but what is this?”

“It’s a… scientific study on how twins are formed during the gestational period,” said Donatello, pulling the paper clipped thesis from the box. “Oh, there are more in here… Also about twins.”

“Uh…” Leonardo blinked at it, clearly bewildered. Well, he was always a bit slow. “Thanks…? I think?”

“Not that I don’t appreciate the scientific literature,” said Donatello, “but this isn’t really my area of study and Leo does better with training manuals and textbooks than research papers.” He looked up at Draxum. “Is there something about this we aren’t getting?”

“Yes there is,” said Draxum, sweeping his hand around at the entire party. “I am here to correct your mistaken assumption that you are twins.”

The room fell silent. Donatello set the paper back in the box, staring at him. Leonardo’s brow creased in anger.

“We are twins, though,” he said, setting the box aside like it was burning him.

“No, you are not. There is simply no way that the two of you could be twins. It is biologically impossible.”

“You think that I’m so stupid I don’t know that?” Donatello demanded, getting up from the chair he was sitting in. “Are you doubting my intelligence?”

“Yes, if you honestly think you are twins with him, then I am.”

“Uhhh, Draxum,” said Michelangelo quickly, stepping between him and the now furious Donatello, “this was a… funny joke, but you can stop now-“

“This is not a joke. I am simply explaining the facts.”

“Yeah, well,” now Leonardo was on his feet, too, “the facts are that me and Donnie are twins. Always have been, always will be.”

“You are not,” Draxum insisted. “And given what I have seen here today, I’d think you’d both be relieved, since you clearly don’t enjoy being twins!”

Both boys looked like they’d just been slapped in the face. The rest of the room had gone completely silent, like everyone was collectively holding their breath.

Donatello broke first, turning on his heel and marching out of the room, his hands balled into fists and his shoulders hunched up as high as they could go. “Dee!” called Leonardo, and then he was scurrying off after him. There was the sound of a heavy door slamming, then silence.

It didn’t last long.

“Draxum!” roared the rat, actually getting up from his chair to get in Draxum’s face. “You come in here and upset my boys on their own birthday!?”

“Seriously not cool, Drax,” said the human April. Cassandra shook her head in shared disappointment behind her.

Draxum pushed Lou Jitsu back, scowling at his accusers. “I was only explaining reality! This is really the rat’s fault for letting their delusion go on so long.”

“Delusion!?”

“Barry!”

“Rat!?”

“Ooookay,” said Raphael suddenly, stepping his way into the middle of the fray and starting to herd Draxum back toward the exit. “That’s enough of that for now.”

“I am simply trying to explain-“

“Trust me, hoss, you wanna step away from this one,” said Raphael, and his tone was angry but surprisingly measured. “Come on.”

They retreated to the sewer tunnels outside the subway station. The smell was much worse out here, and Draxum wrinkled his nose.

“Alright.” Raphael heaved a sigh, folding his arms. “So here’s the deal. Mikey likes you, and I guess I kinda do too, so I’m gonna try to help you before you completely torpedo your chances with the rest of the guys. Which, you kinda did already, but maybe we can turn it around.”

“I still don’t understand why they’re so upset,” said Draxum. “Surely it was obvious they aren’t twins.”

“Uh, yeah, they know they aren’t twins by bio-whatever,” agreed Raphael. “They ain’t stupid.”

“Hmm.” Draxum turned up his nose. “Donatello isn’t stupid, maybe.”

“Leo ain’t stupid, either, he just pretends like it.” Raphael pinched his brow. “Listen, that isn’t the point - the point is they already know they didn’t come from the same egg or hatch the same day or whatever. They’re just twins anyway.”

“But how? That doesn’t make sense!”

Raphael sighed again. “Alright, look. Dad didn’t know when we hatched, right? But we all wanted birthday parties like we saw on TV, so he let us pick.”

“Yes. And for some reason Leonardo and Donatello chose the same day.” Draxum could figure that much out on his own.

Raphael nodded. “I was the biggest and oldest, and Mikey was the littlest and youngest, and Leo and Donnie were just kinda sandwiched in the middle. I think at first they just wanted a thing. Somethin’ that set them apart from me and Mikey, ya know?”

“Not really,” said Draxum. Raphael glared at him, and he sighed. “But go on.”

“So they picked the same birthday and called themselves twins. I think Pops just so glad they were actually getting along that he agreed to it. And I think he thought once we got to the day, and they realized they were really gonna have to share it, they’d both demand their own day instead. I know I thought that was gonna happen.” He smiled at the memory. “But the day came, and… they fussed the whole time just like they do now. Arguing about what kind of cake they wanted and who got to open their present first. But they didn’t ask to split. They kept it the same day, and they kept calling each other twins and it just stuck, until we didn’t question it anymore.”

“…They are both stubborn,” Draxum pointed out, and Raphael laughed once.

“Yeah, guess they are. But that’s not what this is.” Raphael shrugged. “They chose each other back then. Maybe at first it was just to have a thing, but then it became real. And every single year they keep choosing each other. That’s why they’re twins.”

Choosing each other as twins… Draxum furrowed his brow. “It’s not normally a choice,” he pointed out finally.

“Yeah, well, our family doesn’t get a lot of choices, so just let ‘em have this one, okay?”

“…Fine,” Draxum finally relented. “As long as it’s noted that this is purely a social designation, and not a biological one.”

“Uh, sure, whatever.” Raphael rolled his eyes. “Glad we got that cleared up, though. Think you can come back to the party and behave?”

Draxum wrinkled his nose at that phrasing, but nodded. “Yes. I will not bring it up again.”

“Good!” Raphael’s smile abruptly transitioned into something much more dangerous. “Because if you make my little brothers upset on their birthday again, I’ll remind you what it was like when we were enemies.”

Then the smile was back. “Now let’s go in!”

He walked back to the subway station, leaving Draxum to follow on his own. Draxum couldn’t help but sigh wistfully.

Raphael would have made a great general for his army.

———

The boys had already returned by the time Draxum got back. They were opening more gifts, and he noted they were wearing hoodies now - though they had apparently decided to swap their signature colors. They were smiling and chattering, and any hint of their earlier upset was gone.

Until Draxum stepped into their line of sight, and both of them went rigid, wary of him.

Apparently just talking to the red one was not enough. Draxum would have to do more. What a pain.

But he didn’t want the boys to hate him. So he sighed and launched into it.

“I… am sorry. I shouldn’t have said you aren’t twins.”

The boys looked surprised at that; slowly, their posture loosened back up.

“And… to make up for my present, I will… take the two of you wherever you want to go in the Hidden City.” The next words were painful, and he ground them out. “My treat.”

Leonardo and Donatello shifted their gaze from him to each other. They were silent, but it didn’t seem like they needed to talk to have a conversation.

Then they finally looked back at Draxum, slow grins growing over both their faces.

Eerily matching, very evil grins.

“Oh,” said Leonardo, happily menacing. “I think we can think of something.”

“I concur,” said Donatello in the exact same tone.

Oh, thought Draxum. Maybe they really are twins.

[charliemwrites]

Mister(s) Steal Your Girl — part 3

(I seriously need to come up with an actual name for this series before it sets in)

Introducing his grand horniness- John “Soap” MacTavish

No Content Warnings

It’s been six, coming up on seven, dates with Kyle. A dwindling part of you feared that after the absolutely mind-blowing night you two shared, he’d ghost you or something.

But nope, the morning after was spent in one of his jumpers, receiving kisses and breakfast and tea. The two of you watched movies all day until he drove you home, kissing you at the door. He let you keep his jumper.

Not three days later, he invited you to a movie you’d both been excited to see, and giggled over the popcorn bowl like teenagers. He didn’t even mind that you leaned over to whisper during certain parts, or the ramble you went on afterwards. (When you apologized for overanalyzing and talking so much, he gave you a bizarre, almost offended look. “Don’t you dare stop,” he huffed, “you’re way better than radio. What did you think about that after credit scene?”)

A few days after that, he called with apologetic news.

“Being shipped out for a couple weeks. Shouldn’t be anything too dangerous, and I’ll call when I can,” he explained.

You told the nervous little twist in your gut that you knew this about him. That this is Kyle’s job, not a convenient excuse to ignore you.

“Stay safe regardless,” you murmured earnestly into the phone. “I‘ll… I’ll miss you, Kyle.”

“You’re getting the biggest hug when I get back, darlin’,” he promised.

He kept to it too. Called at odd hours sometimes - once during dinner with your fiance even. But Brandon is always taking random calls nowadays, so you figured, given the circumstances, it’s not such a big deal to excuse yourself either.

On the other end of the call, Kyle sounded a bit tired, but happy to talk to you. He couldn’t tell you anything about what he was doing, but shared some smaller, safer details. That the tea was shite because Soap kept over-steeping it. That his lieutenant was big enough to body slam him during sparring practice. That Captain Price wishes you well and promises to bring Kyle back in one piece.

You even heard one of his teammates in the background, asking Kyle if he was “chirping at his new bird.” Soap, as you found out. They sound like a good bunch.

When Kyle comes back, you offer to welcome him at his apartment. You bring a little plate of cookies and a pack of his favorite beer, hoping it’s not too much. But when he opens the door, his expression melts before he scoops you up in the big hug he promised.

“You’re a fuckin’ dream, ya know that?” he murmurs, tucking his face against your neck.

You spend the whole weekend with him, kissing at the stitched-up knife wound on his muscled arm. Otherwise, all in one piece.

“Would you… want to meet my mates sometime?” he asks as you’re getting dressed for work Monday morning.

“Of course,” you reply instantly. Realize that might be too eager. “If you want to introduce me, that is.”

“I want to show you off to the bloody Queen, babes.”

You giggle, crossing the room to drop a quick kiss on his lips. He tries to draw you in for something deeper, but you wiggle and swat at him, complaining that he’ll make you late.

It’s good, you think. Blissfully good. Honeymoon phase, maybe, but considering how far off your actual honeymoon is, you feel like you deserve this. Kyle is a wonderful partner - kind, attentive, respectful. He listens, he cares, he’s independent of you and respects your boundaries. Sometimes you can’t believe you were ever nervous about this open relationship thing in the first place.

On Wednesday of that same week, Kyle tells you that Soap is going to visit and is eager to meet you. He was thinking dinner and drinks, come back to Kyle’s apartment afterwards. You readily agree.

The next day, a bouquet comes in. It’s a beautiful, though not extravagant, arrangement. Calla lilies, roses, and hydrangeas. The note that comes with it says, “Wanted to make a good first impression in case Kyle told you lies.” It’s signed “Johnny.”

You send a picture to Kyle, amused and a bit endeared. It brightens the rest of your day so much that you barely notice Lucy’s usual snide comments.

On Friday night, Brandon is unexpectedly home. Usually he doesn’t even come home from work on Fridays anymore - or at least he didn’t before you met Kyle. Lately, you only pop in if you’ve forgotten something for your overnight bag. You had to stay late at the office today, though, and your apartment is closer than Kyle’s.

“Was thinking we could go out tonight,” he tells you.

“Oh,” you say, taken aback. Not just by the invitation, but by the mix of emotion in your gut. Some of it is excitement and relief, but not as much as you’d expect. It’s warring with unease and reluctance, a bit of frustration that now of all times he wants to reconnect.

“Um, raincheck?” you offer, smoothing down your dress. It’s a new one you picked out with Kyle; you’re hoping he (Kyle) will notice. “I have plans.”

Brandon’s brow furrows, smile going tight. “You can’t reschedule?”

God you hate confrontation and he knows that, doesn’t he? Why is he pushing?

“Well I don’t know when I’ll get to see them again,” you explain.

Suddenly the tension in his shoulders eases. “Oh, is it a few people then?”

“Just a couple. I’m meeting one of them for the first time.”

“Have fun then,” he says, fishing his phone from his pocket. Like you’re not even there anymore.

You blink, then your phone buzzes with a message from Kyle and you hurry out the door.

“I knew you’d look terrific in that dress,” he says as soon as he sees you.

Thoughts of Brandon, that strange interaction, and those churning feelings all disappear in an instant. Kyle just has a way of soothing you.

The restaurant is one that has quickly become one of your favorites with Kyle. Good food, good drinks, quiet and relaxed atmosphere. You like the funky artwork and squishy booths.

Soap (Johnny?) has already gotten your party a table, and stands as the two of you approach. You nearly stop right there, and then almost trip a bit as momentum urges you onwards. Manage not to make a fool of yourself, but you still boggle at him.

Because Kyle? You thought he was a fluke. Just too handsome to be real, never mind tall and fit and friendly and— well, anyway.

You thought he was a fluke.

But Soap/Johnny is goddamn handsome too! Trim stubble, pretty eyes behind thick lashes, a soft-looking Mohawk that gives him a boyish charm without seeming immature.

“There you two are, thought ye stood me up!” he greets, drawing Kyle into one of those friendly man-hugs with the shoulder pats that look like they hurt.

“Youre a cheap date anyway, MacTavish,” Kyle replies, gently easing you forward with a hand on the small of your back.

“Och, don’t bad mouth me in front of a lady,” Johnny/Soap complains, then turns his twinkling gaze to you and offers a hand. “John MacTavish, but this bampot calls me Soap.”

“Not Johnny?” you ask curiously.

You take his hand, find callouses similar to Kyle’s. But his palm is a bit broader, a scar along his thumb - from a burn it looks like. Just as warm, just as careful. A firm, but not tight shake.

“You can call me anything you like, lass,” he says. From the corner of your eye, you see Kyle choking back a laugh. Johnny it is, you figure.

“Wait ‘Soap’ is a callsign right?” you ask as Kyle herds you into the booth.

“Right-o,” Johnny replies, smiling.

“Does Kyle have one?”

The grin that he gives you would make the devil sweat. As it is, Kyle groans and shoots you a betrayed look.

“Oh does he, lass.”

You light up, grin right back. “Tell me?”

“As if I could say no to a pretty face like that!”

And so begins a long, warm, perfect night. Johnny is great company. Welcoming and friendly, quick to smile, sharp witted. You could sit all night listening to him and Kyle quip at each other, but they’re so careful to keep you included and engaged.

Johnny even offers you some of his chips when his order comes, and you’re too delighted to say no. Not that Kyle seems to mind, encouraging you to steal a couple for him since Johnny keeps whacking his hand away.

The night ends back at Kyle’s. You whip up another batch of cookies with some suspiciously new-looking baking ingredients. The boys keep you company while you work — Kyle mixes the batter when your arm gets tired and Johnny keeps your wine glass full. In the end, you let them each get a lick of the dough spoon.

Eventually, you move to the couch, climb on together. Kyle, for some reason, scooches you into the middle instead of one of the ends, but you don’t mind and neither does Johnny, it seems. They argue over a movie to put on, but it doesn’t matter because the three of you talk through most of it anyway.

The second movie is your pick, which is your downfall. You barely get halfway through before dozing off. End up stirring to muffled laughter and harsh whispering. You’ve slumped into Johnny, you realize, seeing Kyle’s broad smile.

“Oh,” you hum, trying to sit up. “‘M sorry…”

“You’re alright, lass,” Johnny murmurs, gently nudging you back down.

“Kyle?” you ask, yawning.

“Still watching the movie, sweetheart. You can go back to your nap. Soap’s nice and warm, yeah?”

You hum, snuggle in again. He is comfy. “So are you.”

Another quiet chuckle. “I know, love.”

He rouses you later — the movie must be over, you think blearily. Kyle scoops you up, plants a kiss on your cheek as you tuck in.

“Say good night to your teddy bear, baby.”

“‘Night, Johnny,” you mumble, nuzzling your face into Kyle’s neck.

“‘Night, bonnie.”

You wake first the next morning — rare and precious. Kyle is lying behind you snoring softly, arm around your waist. You wiggle around to watch his sleeping face for a minute, appreciating the peace in his features. Drop a whisper-soft kiss on his cheek and then slip out of bed.

He grumbles a bit, but you coo at him to go back to sleep and he subsides quickly. Once you’ve freshened up in the bathroom, you pad out to the living room. Johnny is up as well, watching tv on low volume with a coffee on his knee.

“Mornin’,” he says.

“Good morning,” you chirp back, continuing for the kitchen.

“You’re up early,” he observes, following.

“Slept well,” you reply, grinning. “Thanks in part to you. I hope that wasn’t uncomfortable.”

He ducks his head a bit, a light flush blooming across his ears and cheeks. “Nah, can’t complain about a pretty girl fallin’ asleep on me. Means I must have made a good impression, eh?”

“Oh! That reminds me - those flowers were gorgeous. Did you know calla lilies are my favorite?”

“Aye, Kyle’s been talkin’ about ya nonstop since ye met.”

It’s your turn to flush, and much brighter. You hurriedly turn to the cabinets.

“Well, thank you. I loved them.”

“Yeah? I’ll send you more then.”

Startled, you whip around on him, mouth stupidly open as you try to find a response. “You really don’t have to do that!”

“But what if I want to?”

And if you were struggling for words before, you’re hopeless now. So you just throw your hands up with a little “gah” sound and turn back to gathering ingredients.

“What are we making?” Johnny asks, taking mercy on you. Not that using that sly “we” isn’t devastating to your composure.

“My super special flapjack recipe,” you answer. “Could you get that big bowl down for me?”

He steps past you to do so while you dig out the measuring spoons from the dishwasher.

“If they’re as good as your cookies, then I’m gonna need extra PT after this weekend.”

“Good,” you reply, smug, “that’s my goal.”

“Dangerous woman.”

You snort, holding up a wooden spoon. “Oh yeah, I’m a real threat brandishing cooking utensils at a special ops guy.”

“Och, don’ sell yourself short - my nan used to be a menace with those things!”

Kyle exits the bedroom fifteen minutes later to the smell of cinnamon and his best friend with a face full of flour.

“…Do I even want to know?”

“Just be glad she’s on our side, Garrick.”

[cherubfae]

Omg hi! I'm a new follower and I just read your piece of the hazbin cast w/ reader having a panic attack and it was so sweet 🥺If possible could you maybe do the same cast of characters but with what they would do if the reader was on their period/period comfort?

Awww, thank you! yes!! Of course!! ☺️💘✨

taking care of you on your period || hazbin x reader

With Alastor, Lucifer, Charlie, Vaggie, Husk, Angel Dust, and Vox

tags: fluff, comfort, afab gn!reader, I decided to go with ftm for angel in this to try it out (lmk what you think!!) :3, periods in Hell are worse than on Earth I feel like that fits, suggestiveness in luci's || Minors don't interact!

Alastor

"Oh, dear, why are you curled up on the floor in the fetal position? Are you hurt? I smell blood." Alastor coos in crackling static. He nods his head, listening to you explain despite you being facedown in said carpet. He'll procure a hot water bottle for your tummy, some aspirin, and some bitter, dark chocolate. He'll even go get one of those sugary iced coffees you love so much. Given the circumstances, Alastor may even allow you to touch his ears, but his mindful of his antlers if you know what's good for you.

Lucifer

Oh no, his poor sweetheart! The King of Hell goes full Mama Goose mode (you can see where Charlie gets it from) and hunts down whatever he thinks you may need. He'll create a little nest fort for you, spooning you from behind and nuzzling his face in the crook of your neck. He's also not opposed of other ways of relief. In Lucifer's own wise words, "Bow-chick-a-wow-wow." (As long as you're up for it, he's not opposed to giving Charlie a sibling.)

Charlie

She's on it instantaneously! Running around scavaging all sorts of items from tampons to pads to candies-- she's not sure of your preferences, so she gets all of them! Only the best for her sweetie pie!! Huddles extraaaa close to you in your shared blanket cocoon, feeding you chocolates and giving you sweet nuzzles.

Vaggie

Immediately sends you off for a hot bath while she changes and washes the sheets so that they're nice, warm, and fresh. She also will prepare your favorite pajamas and snacks, digging through some films for one to watch. Vaggie will do what she can to make sure you're well-rested, hydrated, and most importantly; comfortable.

Husk

Immediately goes to the women of the hotel and asks about what sort of toiletries the hotel has to offer. He's discreet about your situation and grateful for their help. He wants you to feel better as soon as possible even if that means your symptoms haven't fully gone away yet! The scent of blood is strong on you and if he can notice you from a mile away, he's certain others have too. So, he creates a little nest for you two, the bar is closed down for the day, and cuddles you close to his chest.

Angel Dust

He'll spoon you from behind, resting his warm hand on your tummy. From what Cherri has told him, this shit's worse than when you guys were alive. Hell really does have a hard-on for torturing people. Angel will be as vigilant as he can, getting you whatever you may need, reassuring you gently that just because you have your period doesn't change who you are as a person nor how you idenitify. You're you, no matter what your body does or doesn't do.

Vox

|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024

What's that? Oh, shit, that's when you-- yeah? Oh, okay got it. That sounds like that sucks. Yeah, he doesn't mind grabbing some things for you but he's a bit stiff when it comes to comfort. He knows what it is for sure and he'll do his best. Velvette might tear him a new asshole. He does genuinely want you to feel better, he doesn't like seeing you in pain. He's just a little lost.