#this is what I do when I cope with my issues

[oversensitiveandoffputting]

Stolas self-sabotages just as much as Blitzø does. Blitzø’s is just much louder and angrier. He is a flash of intense emotion that pushes you away. Stolas’ self-sabotage, in keeping with his character, is much quieter. He purposely puts himself in very uncomfortable and triggering situations (the Anti-Divorce party, the Anti-Blitzø party…lots of anti parties going on in Hell) because he thinks he has to. He assumes others don’t want to be around him so he doesn’t even try to socialize or form deep connections. And I think it’s worth mentioning, for all his talk in Look My Way about wishing he could see past the defenses Blitz has put up to cope with a harsh life, Stolas’ walls are just as strong, possibly stronger, and he has absolutely no intention of weakening them any time soon. Ever, if he gets his way.

Like, Blitz will mask his pain with jokes, but he’ll still…say it. He’ll still say he has daddy issues. He’ll stay say a Prince could never love an imp and he lashed out in fear. He’ll immediately follow it up with something disingenuous, but the words will still leave his mouth.

But remember in Apology Tour? “I’ve never seen you throw them back this hard.”

Blitz is still on the arc of learning to humanize Stolas instead of putting him on a pedestal, but the pedestal thing is partially Stolas’ fault. We don’t know what Blitz knows about Stolas other than Stolas has a kid, had a wife, collects carnivorous plants, is a gay man, and has an imp butler. Maybe he knows some other things, but we don’t know what else, if anything. Considering Stolas’ MO when he’s overwhelmed is to peace out, and Blitzø has abandonment issues…

But Stolas never told him about Stella. Or Paimon. Or that Octavia is a “precautionary heir.” Or the arranged marriage. Or that the other Goetia think he’s a joke. Or that he’s a rape survivor. Or that he struggles with severe mental health issues. Or even that he’s still injured from Striker’s knife wound.

So, if Blitz hadn’t sabotaged everything first, Stolas definitely would have been the one to do it. Probably so subtly, in such small ways, Blitz wouldn’t have even noticed until he came home from work and Stolas wasn’t there, his stuff gone and there being no indication as to why or how to reach him, most likely because the image he was trying to craft of being normal and put together finally cracked. Better get out now before they realize you’re not who you tricked them into thinking you were, right? Blitzø just loves the mask. And the mask has to fall off at some point. The show has to end.

[80rosequartz08]

Vivziepop Can't Write POC

TW/CW: Racism, S/A mention

Surprisingly Vivziepop's work actually has more POC characters than I first realized. And all of them are...less then splendid.

Valkyrie

Valkyrie...poor, poor Valkyrie...

Forever cursed to sit in the back, shut up, and only stand up and contribute when her white savior girlfriend either royally screws things up or needs moral support.

I've spoken about my strong feelings on Valkyrie many times before in previous posts so I'll only really give one new shred of criticism I've realized: Making your main POC female cast member a former genocidal murderer who spent supposed years killing her girlfriend's kind is...a choice.

Emily and Sera

My biggest issue with Emily and Sera (especially Emily) is that you can hardly even tell that they're meant to be Black. Their skin is a weird dark grayish brown, their features are stock and bland (both of them lacking proper noses), and their hair is some puzzling mix of straight and poofy.

And the writing of them both is also unimpressive. Emily is a carbon-copy, stock "Bubbly young girl" archetype who never really does much other than sing and move around. She acts more like a piece on a chessboard than a character, simply moving and doing what the scene needs her to do. Sera on the other hand, is a personality-less stick figure who just kind of does things because...the plot requires it. Also, great move Vivzie! Making one of the main villains a Black woman who endorses genocide and has to act like a babysitter/manager to the loud, obnoxious, hate-spewing white guy. How progressive!

Velvette (Kind of?)

I...actually have no real words to say about Velvette. Which sounded like a positive until I realized the reason I had nothing to say about her is because she does nothing. Like, ever.

She just kind of stands around being annoying and ignoring her fellow Vee's whining fits and sex crimes. Jeez, uh...that argument between her and Carmilla was stupid, I guess?

Velvette: She sure is one of the characters of all time!

Valentino

Not even worth mentioning, you already know he's terrible.

Alastor/Husk

Oh dear god, Alastor...

Words fail me at how much of an insane fail both of these characters are. One is a offensive caricature of Voodou that would make Dr. Facilier roll in his grave, who's also somehow whiter than snow despite being half Creloe. And the other is a constantly complaining douche and a hopeless alcoholic, who has a whole song devoted to calling a sex worker a loser for being abused/not having a proper coping mechanism. Oh, AND he's enslaved by the other "Black" guy! HOW PROGRESSIVE 😀

Oh and Carmilla is there too, but I've been awake for too long and also have nothing to say about her :/

[yannaryartside]

WE NEED 5 SEASONS

Okay I need to vent a little. Please indulge me

This is for this article that says the 5th season is up to Storer.

Storer said they filmed most of season 4, and some things still need to be filmed. So we will have s4 next summer, and we don't know if there will be a 5th one.

I could put my hand on fire to my belief that we will have 5 seasons. Mostly, because regardless of the importance of showing “being trapped in negative patterns” that was s3 for multiple characters, is not gonna be a satisfying conclusion if all those patterns are resolved in one season.

Realistically, i would not make sense.

Even if you think Claire is Carmy’s salvation, this graceful, perfect angel that came to serve Carmy’s redemption, and when they get together, everything will be fine (that narrative sucks ass, by the way, is perpetually insulting to everyone that had ever had a mental illness to suggest them they only need to fall on the hands of someone that ignores all their defects and are determined to please them). You could believe this is all about self-sabotage, and Carmy will wake up next season, apologize to Claire, save the restaurant by ex-maquina magic, and get his happy ending. Yeah, that will be 4 seasons of a conclusive story and an objectively terrible narrative. It is also very insulting to every person who has a romantic partner who struggles with addiction and/or mental illness to tell them they need to be this fairy tale of a person who is Claire to bring "peace" to their partner and basically solve their life. Fuck that. I refuse to believe they are doing that on purpose.

But if they put the “sleigh of hand” and Carmy has to realize that his emotional dependence on Claire is toxic and only contributed to his depression and disassociation, since you spent all S3 pulling him in that direction, making him believe that is what he wanted/needed, you are going to need a whole season for him even to “scape the illusion.” All of this will align with the Bear having to close, Syd potentially leaving, and starting dating Luca. So, S4 is going to be the “wake-up call.”

S5 should be the season of creating new patterns. Carmy will get into therapy. Syd will come back. The two will create new recipes and work on the menu (collaboration, vulnerability). They will realize they have true feelings for one another. Each character will move towards the place they are gonna end up with.

If you created a whole season about "being in the freeze response" and another two previous seasons of extending trauma and bad coping mechanisms, you are gonna need more than one season to fix that; mental wellness is not like that; it should be treated like something that requires more time combined with efforts.

Not to mention, if SydCarmy is indeed happening, you have spent 3 fucking seasons creating distance between them. I also feel like so much of Sydney's life (to her and to us) is trapped around Carmy's issues, and it actually would make more sense for her to realize being with Carmy is too taxing for her, regardless if she had the most realistic tools to actually help him to grow.

You also had not given Sydney a proper arc to grow from her insecurities and follow her dreams. She still seems to be as insecure of her own skills as when she came in, because Carmy insist on creating a menu based on his trauma. Regardless of his good intentions and the beauty of their connection, she will leave the "bear narrative" as if Carmy is the closest thing she had to a chef David, as if Carmy was the monster she needed to endure to "grow" or "decide better." Fuck that.

[rekino2114]

Mutli request: Charlie (Undertale), Sophie (Walten Files), and Marin (Dress Up Darling) with an S/O that starts to go through a self doubt cycle, feeling that he's not good enough for his girlfriend.

Chara,sophie, and marin with an s/o who thinks he's not good enough for them

Chara dreemurr

Chara kinda feels the same, to be honest. She's practically a demon who slaughtered thousands of monsters in different timelines it's a miracle that she still has a soul, and you're a really nice guy. she still wonders why you're with her sometimes

She'll take a while to notice what's wrong with you, but when she does, she immediately asks you who made you sad, and where can she find them. After you explained how you felt she was flabbergasted, you were crazy if you thought you weren't good enough for her. If anything, you were too good and she told you exactly that.

She tried to be more affectionate to you after the conversation (even if she still blushes a lot) she'll also remind you of how much she loves you and how you changed who she was completely, you both helped each other with your self doubt issues.

"Hey, y/n listen to me, how the heck did you start thinking that? Did somebody tell you cause if they did, I swear I'll......no? Alright, just don't think stuff like that anymore. You practically restored my faith in humanity. If anything, I don't deserve you"

Sophie walten

Sophie also feels like she doesn't really deserve you, but it's more because of what she puts you through, she vents to you about her trauma a lot,not to mention all the times you have to wake up to comfort her about a nightmare she had, she thinks she's pushing too much on you and that you're the best person she ever met since you didn't leave her because of that.

She noticed how you felt pretty fast, probably because it's the same way she feels. She was the one to comfort you this time around, hugging you and telling you how much you truly mean to her and how you helped her cope with everything.

She smiles more around you after, trying to physically show you how much you had a positive impact on her life. She also tries to rant less around you as she thinks it might annoy you. She'll always comfort you whenever you're down though, just like you do with her.

"Babe please don't say stuff like that, you're a great guy, and genuinely the best thing that ever happened to me, I.....don't know where I'd be If it wasn't for you, I love you so much please never forget that"

Marin kitagawa

Marin showers you in affection and compliments every 5 minutes, always calling you the best boyfriend ever and the light of her life, she makes you feel so cherished, but you still thought you didn't deserve that. She was so beautiful and nice and you were just an average guy, you thought you didn't deserve her.

She noticed almost immediately what changed in you. It was because you reacted to her daily hugs and kisses with less warmth than usual, so she decided to ask you what's wrong and not leave you alone until you told her the truth, your well-being is the most important thing in the world to her.

She was quite literally speechless when you told her the truth. How did you ever think about something like that? In her eyes, you're literally the most perfect person in existence, and you think you're not good enough for her? She can't have that. She will be twice as affectionate and loving to you after that (which is saying a lot) you'll never go an hour without hearing how awesome you are and how you always make her feel on cloud nine while she hugs you soooo tightly.

"W-wait, are you serious? Baby, pleeaaaaase don't say that. You're like the best. Have I not told you that enough? Cause I'll yell it at you until I lose my voice if that's what it takes. Literally every day I ask myself how I ended up with an angel come to heart, I love you so so so much and you are waaaaaaaay more than enough"

[borderlinereminders]

You say things got so much better for you but then post about going in and out of depressive episodes and just that’s not very hopeful and I’m wondering what the point is in trying 😭

Hi anon,

I understand your anxiety. And those feelings of “what’s the point”. And I’m so sorry you’re struggling with them.

I’m currently being looked at for bipolar disorder. The depressive episodes are a separate issue from a lot of the things I talk about.

My depressive episodes, while hard, are more manageable for me because of the coping skills. Before I began learning to work on my urges, I ended up in the psych ward a couple times a year.

And because my relationships are healthier now, I have access to support and people I can lean on when I need to.

I also see a “light”. I’ve learned that just because it feels like this darkness is forever (thank you emotional permanence issues), doesn’t mean it is. Which makes it feel less hopeless. The knowledge that the darkness will pass makes it more doable. Before, I’d give into urges because it felt like it was forever. I’d try and end my life to escape. Now I realize that I don’t need to do that to escape. I just have to ride it out.

Things being better for me don’t mean they’re perfect. But I’m happier. There’s things in my life I enjoy. People I love. And my quality of life has definitely improved. 🩷

I promise that things can improve for you. And they won’t be perfect. But you can still find ways to cope, and things to smile about, people to love and things to experience.

[mamawasatesttube]

sorry I hit send too soon that's embarrassing I was trying to ask if you had suggestions on comics with Cassie S in them? I've never read any stories with her and you seem a resident expert

fklsdjf i did laugh at the ask simply saying "i never". but yeah totally!! with the caveat that i def wouldn't call myself an expert on the wonderfam - i've only read wonder woman (1987) so far, and honestly overall i mostly only know anything abt dc's postcrisis era - but that being said, here's what i'd posit as the cassie basics:

her origin is in wonder woman (1987) #105. in general, she has a lot of background appearances in byrne's run on ww87 (so from #101 - #136), so for a good sense of her relationships with diana, her mom, etc., i'd def rec those! #113 is her debut as wonder girl, and #122 is also a pivotal cassie issue (the one where she gets her powers officially). she continues to have appearances in eric luke's run, which is after byrne's, but tbh eric luke kind of sucks balls (read: his run is full of racist bullshit, especially wrt bana-mighdall, but we can get into that lore in another post!) however there's some stuff in there with artemis being the one who specifically trains cassie, and one arc that i would rec for cassie in particular is #156-#158, which deals with cassie's insecurities around the role of wonder girl getting exploited by a mind-reading and mind-controlling villain who tricks her into trying to kill diana. i don't love some parts of it, but i think it is fascinating for cassie.

cassie has a lot of other fun appearances in wonder woman (1987) - honestly i rec the whole run bc i just loved reading most of it, and her relationships with diana, artemis, and donna are all sooo good - but the meat of her appearances + the run people tend to know her most from is young justice (1998). this is the one where she's on a team with kon, tim, bart, cissie, anita, slo-bo, and greta! she's elected team leader and they do shenanigans.

after that comes titans/young justice: graduation day, which is certainly a comic. it's pivotal for cassie in that it's where donna dies and she is Fucked Up about that. this informs a lot of her early writing in teen titans (2003), which is like... how do i describe tt03. it's not a good comic but it introduces so many ideas and so many themes that are utterly fascinating and sooo dissectable. what the fuck is going on here.

kon dies in her arms during infinite crisis (2005), which takes place around issues #32-#33 of tt03. and she kind of uhhh joins a cult to cope in 52, which i think more people should talk about. she rejoins the titans in tt03 #34 and continues to do stuff from there on. yippee. she also has a miniseries, wonder girl (2007), which is set in the tt03 era following the amazons attack storyline.

but overall i have to say my favorite cassie era is her early days. when she's just hanging out going YEAAAA!!!! >:D every time she gets to watch diana punch someone. so i'd def rec her ww87 appearances because i love herrrr ♥

[lavenderr-starrs]

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[deoidesign]

.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[roobylavender]

im really sorry if this question ends up being repetitive: but, if not for bruce’s over reliance on dick to regulate his thoughts and emotions, why would dick grow up into feeling like he needs to repress his emotions so much and his eagerness to act as people’s support? i know youve spoken about wolfman and his altering of their relationship but if ntt is generally an accurate portrayal of an adult dick, to me this nevertheless sounds like the consequences a parent-child relationship where the responsibilities are titled too much towards the child

i suppose this could also segue into asking for recs that would help me better understand your interpretation of their relationship 👀

not repetitive at all! to me the irony of wolfman's depiction of dick lies in that it is simultaneously something you can logically ascertain from prior canon but not for the reasons actually presented by wolfman. if that makes sense. he does extra work that isn't actually necessary to help explain why dick would act the way that he does because there's plenty of reasons for it without rewriting his history with bruce to have always been suppressed and edgy and dark. to me it makes far more sense to capitalize on the inevitable disconnect between bruce and dick as an adult and a child. batman: full circle is a good example of that dichotomy (and although it was published in the early 90s it built on mike w. barr's prior understanding of the relationship between dick and bruce that he wrote into the early 80s). bruce's primary concern for the people he works with is never standards or finesse but safety. he worries constantly about others coming to harm under his watch and with a child in particular those worries were exacerbated. he ran a tight ship not because he believed dick had anything to prove but because the only way dick could keep being robin was if he went about it safely. that was obv easy for an adult to understand. but not so much for a child

to bruce these worries were practical and par for the course (as well as an expression of his love and protectiveness) but for dick their consequences formed the crux of his entire world. as a child he idolized everything about bruce. his heroism. his work ethic. his skill. his resolve. his preparedness. if dick couldn't live up to the standard he set for himself in idolizing bruce then what could he ever hope to amount to? that was the thought constantly going through his head. and it's why the bulk of his childhood and primary tenure as bruce's partner was so precariously protected by the fact that nothing bad ever really happened during it (and admittedly this framing is convenient because even chronologically speaking nothing very significant happened in their history with each other until dick left for university in 1969) (i know dixon opted to write that whole shtick with dent in his version of events but personally i never found it necessary to do so). there is enough there in the idea of dick working hard for the course of a decade to embody who he believed bruce to be that lends itself to it eventually being difficult for him to healthily express himself once the rift between them actually began to emerge

because what about bruce was there to actually see that was broken and dark before dick became an adult? i know a lot of dick fans hate batman #408 because they don't like that it enforced "retirement" upon dick (which i personally believe is a conclusion they come to because of the way batman #416 re-framed the same scene) but to me that's an inaccurate reading of the text. batman #408 was about bruce (admittedly far too belatedly) recognizing that he could not in good conscience continue to ask dick to go out and be a vigilante on what he considered to be his own "orders". he viewed dick's close call with death at the hands of the joker as something directly of his own making. although their tenure with each other had been wonderful if dick wanted to continue to be a vigilante it had to be on his own terms and of his own volition. obv that was logical to bruce and it was something dick managed to accept in the moment. but it's still hard to go from always having a purpose alongside someone you idolized to finally being entrusted entirely to forge your own

in general i like the idea of dick the adult becoming privy to all of the personal problems and conflicts that come with being a vigilante. he was conveniently shielded from a lot of those problems as a child because all he had to do was be bruce's partner and hope to live up to the title. bruce had no reason to trauma dump on him or talk about his worries and concerns at length with him because it was never supposed to be dick's job to field those worries and concerns in the first place. he was a child. the only thing bruce wanted to do was to help channel his emotions through an outlet and provide him with a home to grow up in. but when you become an adult often that dynamic shifts. you're still not responsible for fielding those worries and concerns but you can perhaps be trusted with them. that's why i like the framing in batman #408 of dick now being a man. it's a subtle way to frame the double-edged sword of adulthood. the world is in your hands now but so will be the horrors that come with it. coming to terms with the real world that bruce lives in should be hard for dick. coming to terms with who bruce is when he's not perfect should be hard. coming to terms with how quietly bruce kept his grief because he did not see fit to overwhelm a child with it should be hard. that dichotomy of dick both wanting to be bruce's brother and his son should form the crux of their conflict with each other because you can't hope to be someone's equal and someone's protected at the same time in that kind of relationship. for dick to transition into the position of equal he has to expose himself to the fact that bruce is not in fact an idol but someone irrevocably human. and that should interfere significantly with his head and his own standards for himself

[alchemiclee]

I really hate when people say this. if I dont record, I cant "enjoy it in the moment" because I dissociate out of my damn mind and then have no memory of it! recording helps ground me and keep me focused in the moment! let me do what I need to in order to enjoy things you soggy potato 😭

plus, as a photographer/aspiring videographer who hasn't had the luck to become friends with bands and work with them, IM DOING A THING I ENJOY AS WELL, SO SHUT UP LMAO. I enjoy doing video and photos MORE than standing in a crowded, overwhelming room watching people do stuff on a stage. THATS LIYERALLY ME LIVING IN THE MOMENT DOING A THING I ENJOY!!!!! WHY IS THAT WRONG?!

[astralarias]

I hate how I can be told how much I’m loved and I DO believe it but then sometimes my brain tries to work twice as hard to convince me it isn’t true. I don’t wanna be constantly asking my friends for reassurance because that’s not fair for them and this is something I have to learn to deal with internally (because this is not an external problem, its a deep wound I have that makes me feel unlovable / unworthy) but I’m always having to go back and read messages where people say they love me to convince my brain I’m okay enough that I can USE the coping methods in the first place.

[longeyelashedtragedy]

i feel really sad. just squashed under the heavy weight of sadness

[loumauve]

14.25 hours until anaesthesia, not looking forward to it whatsoever. at least still having to do cleaning in preparation is keeping the panic somewhat at bay, but fuck if I'm not anxious as hell