PALESTINIAN FAMILY FORCED TO RESTART FUNDRAISING - PLEASE DONATE!
PROGRESS: £520 / £35,000
a little while ago, I was contacted by Amal Abushaban, a Palestinian mother of 5, for help regarding her Gofundme campaign.
In summary, after spending months raising over $13,000 for her family, she attempted to withdraw the money. She did everything right, she answered Gofundme's questions, she provided the details of her beneficiary and she contacted their support team - only to be left in the dark until an email came one day, notifying her that her campaign had been closed and all donations were now in the process of being refunded.
I tried kicking up a major fuss about it online, as well as trying to pester Gofundme Support on my own account, but all it did was send me in circles as I desperately pleaded for the Gofundme Support person I was assigned to at least re-instate the damn fund. Even worse, Amal got her first email today about refunds going through.
Regrettably, Amal is being forced to start over completely in her fundraising efforts. Her beneficiary has started this Paypal fund for her. Please donate and share!
PROGRESS: £520 / £35,000
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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i wasnt gonna say anything else on the austria matter but holy shit mclaren as a team is so embarrassing
like for comparison, checos car got absolutely demolished in monaco by kmag and you didnt see red bull as a team stoop as low as mclaren has with this incident, especially with the recent comments from both their team boss and social media team (which are simply fueling the flames that yhe british media has created and is continuing to flame)
mclaren is acting like max pulled a fuckin silverstone 2021 51g crash on lando's ass, AUSTRIA WAS LITERALLY JUST TWO DRIVERS DRIVING ON THE EDGE
mclaren had a shit car for multiple years and has forgotten what it feels like to have their driver involved in simple hard racing, its genuinely so fuckin embarrassing of them
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Say it with me kids
Andrew never thought he was hallucinating Neil
"you were supposed to be a side effect of the drugs"
His FEELINGS for Neil were supposed to be the side effect that would disappear once he was sober.
"I'm not a hallucination"
Andrew never thought he was, Neil misinterpreting this because Andrew speaks in riddles half the time is acceptable since he canonically has to have everything spelled out for him when it pertains to people's feelings toward him. I.e. being called a friend, thinking Andrew will choose Aaron over him, etc.
"you are a pipe dream"
This is both Andrew correcting Neil and a statement about his feelings toward Neil. A pipe dream is defined as an unrealistic and unattainable goal or an impossible hope. This sentence is as close to a confession of feelings as we get from Andrew. He WANTS.
This is the same scene, mind you, where Andrew says he hates Neil. And that's relevant because in order to hate something you have to care. This entire exchange happens in response to Neil expressing his desire to protect Andrew. When was the last time someone wanted to protect Andrew at their own expense? Insisted that Andrew was important?
"if it means losing you, then no"
Andrew knows Neil is real and here and he Wants him but Andrew is not delusional and knows that wanting things is pointless and only leads to pain.
"you are a pipe dream"
As much as this is a confession, it is also Andrew denying himself what he wants by declaring it impossible. Why hope for something when it's impossible anyway? When Neil finally finds out about Andrew's attraction to him he's shocked.
"you never said anything"
Why would he say anything to Neil or proposition him if it's impossible? Neil has said he doesn't swing and Andrew does not Want.
"nothing will come of it"
Andrew will not ask for something when he knows the answer is no. He's through being disappointed.
"I am self-destructive, not stupid"
For someone self destructive, this sure is an act of self preservation. Andrew won't pursue something pointless. He would rather pine and wait for it to pass than subject himself to trying to hold on to something he cares about. Not again. Never again.
"I know better"
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