#or it could be me simply misremembering

[iamanartichoke]

Real talk: I thought Tina Turner has been dead for years. I thought she died in the 90s or something.

[cabeswaterdrowned]

honorable mentions:

Ronan being senselessly turned on by Adam on a motorcycle in Call Down The Hawk, eliminated for not technically being a car but still impressive

Jordan stealing Declan’s car and in doing so feeling closer to Hennessy while also closer to Declan.

Adam teaching Gansey about fixing cars.

The picture in Adam’s glove rendezvous has a the man (who looks like Greenmantle, which is to say like a combination of Ronan and Gansey, which is to say he looks like Declan but I digress) standing next to a German made car.

I could have sworn in addition to the Gansey comparing Adam to the Pig scene there was a scene where Ronan did as well but I looked up every time the word “Camaro” is mentioned in the Dream Thieves + The Raven King (only books with Ronan pov chapters) and did not find this so I wonder if I made it up, or saw someone else misremember and then adopted it in my memory. Someone enlighten me if not. There are certainly others but I either couldn’t remember them or couldn’t find text evidence to confirm they were real. Of course, you might say that some of these were likely more intentional from a doylist pov than others, however the text is the text and motifs are motifs. I am simply an academic presenting my findings to you all.

Also the Latin line is said twice once when the Camaro breaks down Ronan says it jokingly to Gansey in the scene where he also puts a leg over Adam’s, then Adam remembers it after a breakdown in TDT as applying to how he’s a “trainwreck” right before finding himself in Ronan’s dream. Feel the others are self explanatory enough but thought this one merited explanation if you haven’t reread recently.

[pumpkinmetaphor]

Ouran, Performance, Audience

Okay I said I was going to write this and I can't look at it anymore so posting. Anyway, performance in Ouran is interesting and we’ve all been chatting about it lately. Each character puts on an “act” for the guests, each character puts on another “act” for the people around them. It’s a testament to how well the characters are written that we can unravel these performances throughout the text. I still think there’s several levels of reading the characters and the text as well. 

Ouran is satire- hence why they’re essentially parodying these archetypes. But Ouran is also self-aware, self-referential, and meta. Characters break the fourth wall. They’re, at varying levels, aware of being in a story. We have characters who obviously break the fourth wall (Kyoya looking right into the camera in episode 1, for example. I would say Tamaki’s “homosexual supporting cast” speech, except it’s kind of an anomaly for him) and characters who are resistant to any sort of self-reflection that might lead them to any sort of conclusions like this (Hikaru.) I will at one point go through the entire manga again and count how many times each character narrates– which, to my recollection, is uncommon outside of Haruhi (MC obvs, and framed as talking to her mother) and Kaoru (framed as talking to himself/ the audience/ Hikaru-that-lives-in-his-brain) but I could be misremembering.

This is generally played for comedic effect. Tamaki breaks the fourth wall when it’s funny. Kyoya plays dumb about plot conventions (such as “we have birthdays here?” “I don’t know what you’re talking about.”) when it’s funny for him to do so. 

Anyway that’s just my setup. I want to discuss the Paris Arc, specifically whatever is going on with Kaoru. 

Read More because this is 2k words.

Kaoru is an interesting character because I think the performance is a little more pronounced. There’s reason to interpret he generally controls the scripts, his host club act is a bigger deviation from his natural personality, and fundamentally, as a person, Kaoru is less solid in his sense of identity. 

Which does kind of beg a question. The version of Kaoru the host club girls get is clearly fake. But the Kaoru most people get is some form of a mask. Kaoru reflects Hikaru– which is what Hikaru needs until Kaoru fears he doesn’t. Kaoru seems to take Haruhi’s assertion that he’s the “less evil one” to heart. I think neither Hikaru or Kaoru know what Haruhi is going to say is the difference between them in Episode/Chapter 5 because they themselves don’t know– aside from this very philosophical “well the one who is you is the one who is not me and the one who is not you is me etc.”

Anyway, we all kind of understand the general baseline– Hikaru is going to grow up, fall in love, and spread his wings– Kaoru is afraid this means Hikaru will leave him behind. This is the plot. 

But I think a lot of this comes down to “the thing they won’t be able to share,” which is presented to us in the form of that cookie. Haruhi notes that Kaoru will just give whatever it is to Hikaru. Hikaru ultimately snaps the cookie in half and forces Kaoru to take half of it anyway. This kind of embodies the fundamental difference between them, in my book. 

(Ch. 45, various spliced together pages) Hikaru: It is literally not on Hikaru’s radar that there might ever be anything that he and Kaoru do not share. He does not conceive this on any level before the Paris Arc. Kaoru will literally always be here, he is a constant that Hikaru cannot conceive losing. Hikaru’s not afraid of Kaoru abandoning him– he may be, afraid something will happen to Kaoru that will take him away, but he’s not afraid of Kaoru choosing to leave. Why would he? Kaoru is the one person who cannot betray him. 

Kaoru: It is a given that Hikaru will one day leave. It is simply the only way. Hikaru will grow up and, for various reasons, Kaoru will not grow with him. And Hikaru will choose to leave– this will not be a betrayal, it’s just how life works when you’re not the main character in your story. Your carriage turns back into a grubby ole pumpkin and you’re left all alone. 

After the cookie scene, Kaoru tells Hani that he has feelings for Haruhi. This is, in my opinion, when Kaoru takes the reins of the narrative. Of the carriage, so to speak. The carriage in the anime exists on the condition that no one acknowledges that they’re in a love story and “breaks” the found family. Kaoru saying he’s in love with Haruhi steers the narrative on the course to the inevitable. 

Which is great!

Except is Kaoru in love with Haruhi? 

My hypothesis: it literally doesn’t matter. Kaoru’s feelings for Haruhi do not drive the narrative. Kaoru talking about it does. He could be lying. He could be mistaken. He could be genuinely in love with her. It could be an idle crush. It doesn’t matter. It’s the performance of this love for the appropriate audience (aka: Hani, Hikaru etc.) that matters.

I think the base reading of this arc is that the cookie is Haruhi. Haruhi is the one thing they can’t share, right? They can’t like, keep eating biscuits out of her mouth and licking her face if Hikaru wants her to be his girlfriend and Kaoru wants her too. While I don’t think it’s incorrect to read this as a concern Kaoru has, I don’t think it gets to the heart of the issue. 

So, performance!

Kaoru puts on his little act for Hikaru throughout the Paris Arc. Generally tormenting him, ostracising him. In a way giving him a taste of what Kaoru goes through in a zillion Hika/Haru fanfictions or Kaoru’s own nightmares. This culminates in the date, where Kaoru basically brings Haruhi on the date he asked her on first (before giving it to Hikaru) and hitting every single mark that Hikaru missed. Not that anyone is enjoying themselves regardless to be honest. 

And of course, at the end, he kisses her and Hikaru sees and runs off upset. 

Except we, the audience, know Kaoru kisses Haruhi on the cheek. It’s a clear enough stage kiss from the art. Just close enough for us to understand that, from Hikaru’s perspective, Kaoru kissed her on the mouth. We’re bystanders, watching this plot unfold. Hikaru is Kaoru’s intended audience– that’s who he’s performing for. 

So what’s the difference then between this scene.

And this scene?

Well, first: what else can be the one thing Hikaru and Kaoru can’t share? If you go one level further, I think you come to the conclusion that Hikaru is the one thing they can’t share. After all, Hikaru cannot keep giving half of himself, half of his time, energy, love, self etc. to Kaoru all the time, and grow up. They suffer a classic case of enmeshment. Kaoru determines that Hikaru needs to be shoved out of the nest– and that the only way to do that is to stab him in the back. 

I don’t think Kaoru is trying to make Hikaru hate him. I do think what he’s trying to do is make Hikaru realise that he’s a person? Who is capable of betraying him, just like any other person. As long as Hikaru believes that Kaoru is “the only person he can trust,” he’s never going to grow up. By knocking himself off that pedestal in Hikaru’s eyes, Hikaru is forced to see him differently and Kaoru is prepared to accept however Hikaru might feel about him in the aftermath (though assuming he’ll drastically distance himself). 

(Side note. I think Hikaru and Kaoru internalise their maid-related-trauma slightly differently. While Kaoru’s fear is abandonment, Hikaru’s fear is betrayal. They just manifest similarly because there’s a lot of crossover. This is sooo long already, I’m not getting into it unless someone asks lmao.)

Loop back to the image again then. What’s the difference here? Well, it’s still a stage kiss! They both are. But, with one fundamental difference. 

Image one, Hikaru is Kaoru’s audience. He is performing to trick Hikaru (and possibly anyone else, like Hani and Mori, watching). But reality is clear to us, the reader.

Image two, you are Kaoru’s audience. He is performing to trick you. (but reality is clear to Hikaru, the participant)

Like, that’s pretty in your face huh? Faces obscured in a way that you don’t infer it as a cheek kiss as easily as you do with Kaoru and Haruhi. It’s also on the left page of the physical edition, meaning you have to skip to the next page to see the aftermath:

Kaoru’s not just tricking the audience. He’s queerbaiting the audience. Typical.

Firstly, I do think one can be led to the conclusion that if the one thing they can’t share is Hikaru, not Haruhi, that means Kaoru is not in love with Haruhi but is in love with Hikaru. In fact, I think that’s kind of the point with these panels. It’s framed as a bait-switch, which only works if the audience misinterprets the kiss. My ultimate conclusion therefore is that there is no textual romantic incest occuring. It is enmeshment at a bare minimum though. But that's another topic, another day, for somebody else.

Secondly, I think this is because the audience is, regardless, on the wrong track. Or at least not the full track. We have access to the narrative when other characters don’t, but we’re still reading the story Kaoru is telling. We’re still the audience to his performance of the story. It’s easier for Kaoru to tell a story that’s all about his brother– he’s been doing it his whole life. He’s not the main character, after all. So he’s telling us a story where the one thing they cannot share is Hikaru, telling all the other characters a story where the one thing they can’t share is Haruhi. 

So the one thing they can’t share is something more nebulous. It’s the identity. 

Which feels like a contradiction in a way, because the identity is Hikaru, isn't it?

They can’t be one double act, split down the middle. They can’t be one seed sprouting two leaves. They can’t be two halves of one cookie, or two halves of one soul. And the problem is, Kaoru views everything as something Hikaru has split down the middle and shared with him– and now he has to give it all back. 

I don’t really think Hikaru views “their room” as being “his room, that I share with Kaoru.” But I think Kaoru does. I think Kaoru views everything as something Hikaru has shared with him, right down to his own personality, his own face. Hikaru cannot leave, cannot grow up, unless Kaoru stops pretending to be him and gives him the half of his identity back to make one whole, true Hikaru. 

Only problem is, Kaoru has to cut that tricky spare leaf off. After all, when he gives Hikaru back the identity, Kaoru won’t have one. Kaoru is defined as being “the one who is not Hikaru.” My brother is Hikaru. The one who is not my brother is me. And how do you define that? When your brother is no longer there, who are you? 

That’s why it’s important that Hikaru dyes his hair. Because I don’t think him dyeing his hair matters if the issue is Haruhi (Haruhi can tell them apart anyway). I don’t think it matters if the issue is Hikaru (this would not, in isolation, fix Kaoru's thought process). 

It is however enough for Hikaru to be able to illustrate to Kaoru that their identity is inherently interwoven, not necessarily shared. It doesn’t matter if Kaoru is the same as Hikaru or not– because Kaoru is who he is. That may have been affected by the fact that they’re twins, but his identity is not negated by it. Kaoru's identity is not inherently a performance just because it reflects Hikaru, and he doesn't lose it when he ceases to reflect Hikaru.

(breathes)

CAVEAT AS ALWAYS: I am reading the English translation. While it is the official Viz Media translation, something is always changed in translation, localisation, and interpretation. With the assumption that everyone here is reading the manga in English (sweeping assumption, sorry) this is therefore a reading of the text inherently coloured by the site of circulation (English translation, volume compiled) and the site of audiencing: aka the fact that I am an English-speaking, European, media studies/animation academic, speaking on an largely American blogging platform to the like, twelve Kaoru stans that follow me. It also means your interpretation may be very different to mine! Anyway If you read this far, congrats! You deserve a cookie– whatever that might or might not signify.

[wayfayrr]

Hello! If I may, I’d like to make a request.

When I was little (between 4 and 8), my brother and I played Ocarina of Time constantly. It was our go-to game when hanging out. We replayed it and found all secrets and stuff. I was wondering if you could do a platonic self aware OOT!Link one shot? One where Link considers the player to be like a sibling to him since they grew up together in a way?

Thank you so much! I really enjoy your work ❤️

you're very welcome anon! this was such a sweet request to write!! I went with the post timeskip link for this seeing as I've already written one for Majora's mask link and I thought it would be more interesting to have that difference between the two pieces <3 I hope you'll enjoy this

[masterlist]

“Hey, I’ve been wanting to ask for a while… do you still have that old copy of Ocarina of time we used to play together? I’ve been kinda wanting to replay it. It’s a bit of a pain to get a new one or an emulator though so…”

“Uh? I think so, I can check in my attic later and drop it around your place tomorrow if I can?”

“That sounds perfect, thanks for the favour man.”

That was a fairly productive phone call, now I hopefully won’t have to mess about with an emulator or shell out for the subscription to play it again. Seeing as Nintendo doesn’t want to make their old catalogue accessible. All I need to do on my end is to wait and possibly google how to set up an N64 in the meantime.

Turns out that we did still have the old thing, and that it isn’t all that hard to set up either so it’s not like it takes too long for me to hear the calmingly melancholic tones of the game’s opening theme. Our old save file is still there too, although some of the stats on the file seem to have gotten a little bit corrupted because I’m convinced we completed it fully. Although it’s been what like 10 years or more since I would’ve last played, it makes sense that I might just be misremembering things. No harm in seeing where we left off though is there?

Well even though the file says otherwise, looking through Link’s inventory really wants to disprove that - there’s something with the same sprite as Zelda’s letter where it should just be an empty slot. It’s not got a name, if I hover over it it simply brings up a missing value error and the button prompt me to read it. It’s not like there’s any issue if I did open it, it’s an old save file so even if it does corrupt I won’t lose anything. 

Nothing happened, just a fade to blank before it glitched out and the inventory screen popped back up so that I could close it and have a look around…

How did Link turn around as I was paused in the inventory and how did his face get so close to the screen?

“[Name]? I knew you’d be back at some point! I knew you wouldn’t just leave your older brother for good… you wouldn’t would you?”

“...How do you know my name..?”

I know that Ai has gotten incredibly good recently but this is an N64, an unmodded one at that, so whatever the hell is happening right now can’t be due to that. This feels like it could be the start to a creepypasta though with everything going on right now - is this like a real life ben drowned - no it can’t be, he’d be crying blood if it were the case and he wouldn’t be as friendly either. 

“Because you told me it all those years ago when you first played through the game? You always spoke to me like I was a real person, like you saw me as your older brother, so it’s only natural that I started to see you like a little sibling right? Then when you disappeared I got so worried, It’s been so long but you’ve gotten so much older! Did you pull the mastersword yourself, because this much time can’t have really passed can it?... Can it?”

He looks almost like he’s about to cry, I should be caref- why am I so worried about hurting the feelings of a fictional character? Is it cause he sees me like a sibling, a younger one; because he knows me from when I was younger; or because he seems so attached to me already? Maybe I should just… turn it off so I don’t have to deal with it.

“I don’t remember how long it’s been, a good few years at least, Since I’ve played it. I wasn’t exactly planning to-”

“Is that what you used to control me!? I’ve never been able to get a good look at it before. Would you mind bringing it closer?”

“...Yeah I can bring it closer.”

The way he interrupted me was so so sad, he’s forcing himself to be cheery when he looks like he’s about to break down, like how an older brother would act. He really sees himself as my older brother doesn’t he? I have to admit that the way he’s leaning against the screen like an excited kid is also pretty cute I won’t lie to myself, if it weren’t for how insane the situation is I don’t think I’d mind him being my younger brother. He’s younger than me now anyway so that makes far more sense. 

Is the screen cracking beneath him? 

It’s definitely cracking under his weight, there are seconds left before it shatters.

“It’s so simple and yet it was the reason that you were able to-”

Glass can only last so long. And now he’s out, lying on my floor in a shocked heap with glass shards surrounding and covering him. After a couple of seconds of neither of us knowing what to do, we both snap into action at the same time, while I try to help him up and check for any serious wounds… he’s just laughing with the widest goofiest smile on his face, grabbing at my arms like I’m nothing but a wisp of a dream. 

“I - wow I - I could never have imagined that I could - that this - that this was even an option for me…”

“But I can be your brother in person now can’t I?”

[alicethepiper]

here's the counterpart to my other post about the desks in the s.t.a.r.s office. there's audio this time, but no music unfortunately. you can hear the mr. raccoon bobble head thingy in the background though. i'm dumb and didn't know that was making the noise. oopsies.

so the desks in og2 are all one desk, but in remake they're two desks pressed together into a row. everyones looks basically the same. we have two additional desks in the back, though, near where rebecca's desk in og2 is. i didn't see any of rebecca's boxes specifically (there were a lot of boxes everywhere) but the green satchel health kit first aid thingy (that i assume is hers) is on the wall. idk which desk is supposed to be hers, but i think it's the one with the cds.

Jill's desk is different here too - in og she had a picture of some guy on her desk but now it's a picture of a dog. the beret/hat is still there, so i'm guessing that desk is hers. the desk next to hers has a lot of cds on it, though. it looks like piano music to me, and we know jill plays piano because of the first RE game (from what i remember) but that's about as far as my knowledge on it goes. i think rebecca can also play piano but i could be misremembering the 10 seconds i've played of RE0. idk who that desk belongs to, but it's the only additional desk that actually has any stuff on it, so i think it's rebecca's. all of the bravo team stuff is pretty much packed up (which could be because they're all dead, minus rebecca). so following that logic, the desk with the cds would be rebecca's - all of the other desks are packed up (and all of the other desks, coincidentally, belong to dead people). and i can see rebecca being put next to jill after bravo got wiped out (or even before, since i believe they're the only two girls in s.t.a.r.s and that feels like something the dudes would do. like a whole "lets put those two together so they can bond about being women or something" idk. im rambling. idk who that desk belongs to but i think it's rebecca). i can also see rebecca requesting to be put next to jill. idk too much about chief irons (except for literally all of the bad stuff he does in the game) but i wouldn't be surprised if he was a fucking creep towards jill and rebecca (he also may have only targeted rebecca, since she is a rookie and is also pretty timid, in comparison to jill who is simply not, therefore making her an easier target. i literally have nothing to base this on, i'm just speculating).

wesker's desk just has a lot of books on it. it seems like in remake everyone has their own desk rather than sharing, so i don't think enrico's stuff would've been in there (meaning, i don't think he was the one who had been holding onto a picture of rebecca). ultimately, i agree that the photo of rebecca is just an easter egg and not anything to do with canon as far as capcom is concerned, but if it were to be looked at that way then: in og2, wesker probably shared a desk with enrico, so it could've been either one of them (maybe both?) who had a sus photo of rebecca. and in remake, it's just wesker who has the photo, since enrico probably has his own desk (since everyone else does, and also there are two new desks added in the back - either of which could be his). i would say that remake puts it there just to stay faithful to the original, but the remake version of the photo is significantly worse (somehow??? like, why did you go in THAT direction??) so capcom didn't improve. good job.

conclusion: wesker had the photo of rebecca for sure in remake. he may have shared that photo in og. everyone has their own desk in remake, they shared in og. and in remake, i think rebecca is the desk next to jills. also that photo looks nothing like her so i'm just gonna pretend that wesker used one of those ai thingies and typed in: "rebecca is the new rookie. pls put her in green basketball clothes. also put her in sexy pose, thx" and just printed off the one that either didn't have fucked up hands or didn't show her hands at all.

that's it. thank you for coming to my ted talk. (it isn't even mine) (it was an ask that @highball66 got) (i'm just the private investigator hired to take the photos lol)

[revalition]

OCT 23 - PERCEPTION See, hear and smell everything. Let no detail go unnoticed.

perception my beloveds. my lovelies. my darlings. this one is pretty different from what we usually do, idk I wasn't feeling super excited about drawing their design multiple times so just let Conceptualization do whatever they wanted... :)

one thing that was important to me was they don't! get to have hands! because there is no Perception (Touch)! That is Interfacing's job, Interfacing is the fingers (and H/E coordination is the rest of the hands I guess)

anyway lots of quotes and rambly thoughts under the cut!

Okay I have to share this quote from a ted talk we (primarily Logic) watched:

"Imagine being a brain. You're locked inside a bony skull, trying to figure what's out there in the world. There's no lights inside the skull. There's no sound either. All you've got to go on is streams of electrical impulses which are only indirectly related to things in the world, whatever they may be. So perception -- figuring out what's there -- has to be a process of informed guesswork in which the brain combines these sensory signals with its prior expectations or beliefs about the way the world is to form its best guess of what caused those signals. The brain doesn't hear sound or see light. What we perceive is its best guess of what's out there in the world." - Anil Seth

and I was like oughhh this really makes me reconsider how I see Perception's role. There's other evidence that Perception's existence is more "in" the brain than many of the other skills... like, the physical brain, not the mind. Perception (Smell) even directly communicates with the Limbic System, who refers to them as the olfactory system. I touched on it a bit in my electrochemistry post but the olfactory system and limbic system share pathways in the brain which might be why those two are more connected. Of note -- the olfactory system is *only* smell, not any of the other senses.

limbic system even acknowledges it's unhealthy of perception to linger on the apricot smell so much. which is true -- you can even get the thought "Apricot Chewing Gum Scented One" which gives +2 to Perception upon completion.

It also raises the question of if perception observes all the senses and simply labels for you which one they are using to make the observation, or if each of the 5 senses is independent. bet you can't guess what our headcanon is on that :) (subsystem perception and drama my most beloveds)

is this making any sense?? are you seeing my vision here

anyway look how silly they are now <333

thank you perception (sight) it's a trivial check but I like that you could still fail it and just... not be able to see what the lieutenant is showing you

on the same vein I remember something from a while ago where someone had 0 perception and couldn't interact with any doors? My first playthrough I had 1 motorics and I feel like I remember putting something on that dropped my perception to 0 and I couldn't get into my room at the whirling... but I could be completely misremembering both these things. If this rings a bell please tell us haha

perception in the dream :(((

perception (smell)'s comment here is so funny to me. they are *so* excited to sneeze

your nose denying rhetoric's claims to smelling communism never stops being hilarious. it did *not* tell you that and it is not taking responsibility!

WHY is this perception (hearing) ????

nooo detective hyperopia go get reading glasses. Also harry can go find the prescription lenses and put them on and perception is like no! -1 perception! nausea-inducing hell glasses! which -- fair, they're the wrong prescription and probably for nearsightedness. but harry probably is like what do you waaant

yes yes I love this one

hghh perception fail nooo

does our harry have tinnitus? :(

thank you for the clarification on the speaker quantity

they get so excited when they get to smell something!!

perc (sight) calling you sir?

they like the well laid pallet <3

🥺

hggh perc (smell) is so funny

this whole thing, of you sniffing your nasty toilet ledger, is *so* funny. "Quelle fuckin' surprise" lives in my head and has been integrated into our vocabulary

a few more for the alternate dialogue choices!

Love this one... it's so cool.

super trustworthy perc (hearing) over here

rare wonderful perc (taste) !!!

thank you for the insight. this is a medium difficulty check btw

ty perception (sight) ily

description of how evrart's container smells if you were wondering...

though the perception passive fails are also always delightful --

PERCEPTION (SMELL) - ... an office? Something officious? Is that a word? There's a bit of dust in the air that may be triggering your allergies.

that is a word, but that's not what it means love. Authority is officious, not the shipping container

ough this one is such a cool quote. and it upsets you.

I just suffered volition damage from another perception quote (not included here) dammit. this game. Ily perception but also why you gotta perceive so much

love this one. love that perc (sight) is able to read the headline on a scrap of newspaper drifting by (legendary difficulty check)

lastly including this one... one of only two difficulty 20 passives in the game. The electrochemistry check is difficulty 14 -- he can pick up on it long before your nose has a chance to. the smell will haunt you forever.

there are also a few instances of Perception having dialogue without the sense being specified. I picked through my DE screenshots but didn't have any instances so I'm unsure if it's a fayde quirk or not. I feel like I remember seeing it happen in game but... not certain. It is interesting though, might happen when you're using multiple senses at once. Also seems to happen in instances where the touch sense would usually come in (there is no perception (touch)).

I assumed for ages that perception was the 5 senses, so realizing there's only sight, hearing, smell and taste was surprising. Interfacing takes over the touch aspect pretty much entirely. And the inland is your 6th sense ofc <3

also our Logic is the neuroscience nerd so if our amateur insights are wrong go ahead and call him out :)

Ok! that's it for perception!! not gonna finish skilltober by end of october but that's okay, it'll trail into early november a little

[miraculouslbcnreactions]

What do you think about the fact that the female secondary characters seem to be getting akumatized much more often than the male ones ?

The female antagonists Chloe and Lila have been akumatized in double digits by this point but the male antagonist Felix has never been akumatized.

Kagami has 5 Akuma episodes but Luka only has 2.

Juleka got akumatized many more times than any of the boys from the class/hero team even tho she only has 1 (weak) Akuma form.

Even Alya has been akumatized more times than Nino despite the fact she's supposed to be a safer secret keeper than him.

To me this kinda looks like the writers are playing on the "women are much more emotional than men" steoretype. I know there's the pigeon dude with 70+ akumatizations but he's clearly supposed to be just a gag character and only 2 of his akumatizations got episodes dedicated to them while the secondary female characters akumatizations get much more focus. I'm asking you if this interpretation of the writers' intent with the disproportionate akumatizations ratio between genders has any merit or if maybe I'm looking too much into this.

While there are many things about the show that I'm happy to label as pretty sexist, this is not one of them. I don't have the hard data to back this up and I don't feel like doing that much leg work, so you could have a valid point and I'm just misremembering, but I think the girls get akumatized more simply because the girls get more screen time and narrative importance. Alya, Marinette, and the girl squad get a fair number of episodes while Adrien and Nino barely have a friendship and the guy squad really only gets solo screen time in Party Crasher.

The same thing goes for the villains. Lila may disappear for seasons at a time, but she's still has an active role in at least 20 episodes. Meanwhile Felix has an active role in, like, five episodes? And Chloe is basically a constant presence! It makes sense that Lila and Chloe would get akumatized more and that's not even getting into the complication of Gabriel probably not wanting to deal with an akumatized Felix.

Once again, this is just me going off of my own memory, so feel free to fact check me and track character screen time to see if I'm right!

[gayofthefae]

The fun thing is they did EXACTLY what tricked me in season 3 with Mike and El again. But this time I know better.

Character A wants character B to reciprocate their feelings the whole season. At the end character B says that they do and we get no response from character A, but it's simply because the plot moved on too quickly. We assume that character A is happy and there is no need for confirmation because last we checked, them receiving this from character B is what they wanted so receiving it should be the end and we don't need the reaction.

...but we do. Oh, we do. It is factual, undeniable including to shipper as it is not even contradictory that Mike could not say it back to El in 3x08. And that was hidden subtly but he couldn't he didn't. I'm sure plenty of people misremembered him saying it but he. did. not. We know this. So why is this time with El any different?

I know better now. I know lack of confirmation is pertinent. I know it's never "safe to assume" ANYTHING. If it isn't confirmed, it didn't happen. Brenner was alive and Mike couldn't say I love you and loads of other things that we presumed did or would have happened that they later came back and said "who told you that?"

[chai-lemonade]

Small rant because I am PISSED at Collegeboard.

I’m transgender and was finally able to get my name changed (not legally, simply as a note in my records and my birth name made invisible to others) in my email and school system; which is connected to Collegeboard as I take numerous AP classes and the PSAT (and eventually an important SAT.) I received about 5 different emails congratulating me for being BrAvE eNoUgH to add a preferred name to their system, all of which used my deadname to congratulate me. On Changing My Name. It felt ironic, so I just laughed it off.

Than the problems began.

I take my PSAT a few months ago, and when scores come out, I’m unable to access it. Period. I went back and forth over the course of 20 emails, giving over my information and communicating just to be told at the end that it was never an issue they could help me with and that it was a “login issue” and that was somehow my fault. That maybe I was just misremembering my password despite the fact that I could get into my account.

I called, and was told the same thing. I was eventually able to get my guidance counselor to physically print out my scores because that was the best she could do for me (still couldn’t access them through my account!) I scored within the top ten percent in my state and have a 3.9 GPA, which qualified me for a recognition program that gives out important scholarships (which I need any I can get or else I’m not able to go to even an in-state part-time college) as a First Generation College student.

I got an email notifying me of this, and when I clicked the link, I was immediately blocked through my account from the page, saying i was never invited to confirm my eligibility. I try again, same thing. I meet the requirements, but it won’t even show me the page. Once again, I realize that making two minuscule changes that shouldn’t have affected anything have blocked me from ANOTHER important thing for college. It has been a year since I changed my name and I am still unable to access anything through Collegeboard and have received zero help for the numerous times I’ve reached out.

While it’s not explicit transphobia, it is still a BLARING issue of bias programming; for a company that set aside the time to make code to send an email when you change your name, I absolutely should not be experiencing such major issues that are continually blocking me from important opportunities due to changing my preferred name in the system. I don’t know who else this has happened to, but I don’t think I’m the only one.

Sort out your bugs and stop forcing trans kids to jump through a million hoops to access basic features on your website and still be excluded from important opportunities before sending out your automated emails for pride.

[her-reidiance]

A Kindred Spirit's Revelations, or: How This Arknights Player only came to love Lappland infinitely more — a Treatise by Her-Reidiance

I have had so many thoughts about Lappland in Il Siracusano it's insane. She afflicts my brain like Oripathy. Please bear with me, below is a long post and contains spoilers for the event.

EDIT: This part is misremembered, I apologize. The Saluzzos took in Cellinia Texas 7 years ago, after the Texas famiglia was "liquidated" for rebelling against Signora Sicilia. Yet Salvadore also sent Cellinia to live with them before the purge.

Lappland and Texas have been through how much together... was Lappland infected after Cellinia was taken in? How did those changes start to show... slowly or rapidly? Did Lappland's obsession begin with Cellinia first leaving Siracusa, or was it prior to that? Despite what we do gain knowledge of in the event, there's still some open doors.

We do know that they know each other quite well, and there's still some vestige of trust before the event's conclusion, this being my favorite representation:

The fact that Cellinia doesn't even bat an eye at the fact that Lappland broke into a supposedly well secured prison, but also the fact that she accepts the treat that Lappland brought, only to then realize it's her least favorite flavor — a fact Lappland had to have known going into this — sets my heart on fire. They know each other so well! They're complementary, contrasting, they have intimate knowledge of each other (take this phrase as you will, I already know how I do) and they regularly stay in some sort of off-balance with each other.

But the fact is, Lappland's obsession with Cellinia isn't just some textbook stalker with a crush, like what most would initially think given what had been presented prior to Il Siracusano. As Lappland says herself:

Lappland grew up the perfect Siracusan, the perfect Donna in training, the perfect killer. She was everything that could be expected of a woman in her station. She didn't see any way out of that life. It's what she was born in, it's what she will die in. But then along comes Cellinia Texas, doing nothing to save her family's life when the time comes to exterminate them, simply walking away from it all, and then walking away from her years later to go to Lungmen. Whatever condition Lappland was in by then, a switch was flicked on nonetheless, and she realized: "Oh... if it sucks... I can hit the bricks!"

But could she, really? What if Texas came back to Siracusa, and found that she could not truly escape her destined life after all, that she was just as bound to this place as Lappland was and would die here? That was the real test, and thus the events of Il Siracusano take place. But, when all is said and done, and it's just the two of them alone in the park...

I love this so much because it illustrates that our favorite insanity wolf has evolved! There is progress in her character arc! It's in an absolutely unhinged direction but it is no less in character for it. Her obsession has left from focusing solely on Texas as the Ideal, and now focused on destroyed Siracusa as a sort of Anti Ideal. Lappland now knows she is not bound by fate or blood or destiny to the place she was born. She too can simply watch the flames consume her family, her life, and walk away. And unlike Cellinia, she intends to be the one to light the match. The narrative gestures to this as well:

Lappland is now able to face the world, the wide world around her, not just as backdrops to her pursuit of Cellinia, but as hers to explore, to enjoy, to destroy as she wishes!

This moment is so much to me. It's the sudden clarity in her vision that demonstrates that she finally sees Cellinia as her own person, as just Texas the woman. Texas the Penguin Logistics courier. Texas, the woman who left. And she's no longer Lappland Saluzzo, shackled to her family name or a predestined future as its leader. She's... just Lappland.

Part time soulmates, Full time problem. No other dynamic can sum them up. Texas still cares for Lappland, just as she does Giovanna, as a part of her past that she did not altogether dislike. But she also sees more clearly than either of them. Giovanna, stuck in the past when she was Cellinia's best friend. Lappland, presently stuck on destroying the city around her as a final show of independence.

Finally, Lappland leaves the city, after a couple of loose ends are wrapped up. She wanders the wasteland, where the freshly defeated Zaaro happens upon her.

She fights Zaaro for THREE MONTHS in the middle of desolate wastelands. In all of that time, Zaaro didn't kill her, because he came to realize that there was no point in it. There was no satiation to be found for doing so, and that her fractured mind makes her a perfect candidate to be his next Fang. She is an empty husk, a woman who has nothing to live for by herself, but she is full. Full of training, full of potential, full of a singular goal; she is perfect to serve as the vengeance that Zaaro wishes to exact on Siracusa for his failure. And so, they team up, forming a bond forged in mutual hate. Not unlike the original appearance of Eddie Brock and Venom, truly.

The timing of the Azione Solo stories seems ambiguous to me, but some of them definitely take place after the main events of Il Siracusano. Of course, while I'm on the subject, let's discuss Lappland's solo story. I believe I have space left for more pictures so I'll share a few.

The summation is that Lappland makes a minor cameo in Cellinia's, in which she leaves a radio for the Texas to find, and she also goes about rooting through her family's estate one more time. She finds a photo of her younger self, and reminisces slightly on it. In between there was also a musbeast that she found and decided to keep, until it was taken and slain by the Saluzzo mafiosos.

After reminiscing about her father, and how doomed he — and as a result, she — are by being born as Saluzzos, as part of the mafia famiglie system... she destroys the image, while lamenting briefly that once again, the beloved pet of hers was killed by her father, laughing maniacally. To her, there still is no escape, or at least that's one way her mind leans. She knows Cellinia left, but maybe... maybe she cannot. All she can do is burn it down so there is nothing left to trap her. Nothing left to come back to. Scorched earth.

Finally, she dismisses Capone from her tentative services, having recruited him and Gambino at the end of Code of Brawl. Capone at this point realizes a bit just how absolutely feral and insane his "boss" is, and he is ready to die trying to kill her to be rid of her, by holding a knife in his sleeve. Of course, this is Lappland we're talking about. She sees through it right away and expresses probably one of her more genuine selves by stating that he's making a choice, and that's enough for her. He's free to go. The duplicitous Lappland, who prior might just have killed him for the sake of... sport? Insurance? On a whim? Lets him go instead, because she respects that he is making a choice for himself, rather than what he had been doing all event, which is walking on eggshells around her and trying not to be killed by her. We leave Lappland's story for now with this:

This implies that she returns to the city at some point after contracting with Zaaro. This to me shows promise of a continuance of her character. Lappland, The Fang of Zaaro, 6-star Operator coming sometime. Maybe during the Laterano event? After all, there's much more questions left to be answered... like why Lappland, a Lupo from Siracusa, can use Arts so well; and implied to be a skill of hers before her infection... but that's a ramble for another post.

Thank you for reading, and I hope you all understand my kinship with Lappland a little better, or at least have a bit more appreciation for this wonderful, horrible, terrifying, beautiful creature.

[rulanarinrush]

a few more drdt ch2 thoughts, since i decided to not be lazy for once and rewatch the series for realsies. a follow up to this post.

My thoughts are below the cut. this isn't a definitive theory or anything, just rambling. I'd like to apologize for two things in the original post.

1 I misremembered Levi's family and forgot that he had a father. Sorry for spreading misinfo.

2. My wording in the original post makes it sound like it's completely obvious that a mechanism was used to kill Arei. It could be anything. Sorry if that post sounds brash or conceited.

As always, if there's something completely wrong, you can let me know.

You don't need to read the original post for this post, but I do want to restate some of my thoughts in it in a more concise way.

I think anyone could have taken the grippy tape used for the murder. (this is the part where rose fails the pullups of the recap video). I don't think it disappearing when Ace knocks Eden down is necessarily indicative that Eden or Ace had to take the tape, when it could have simply been knocked to the side, or Eden could have unsuspectingly given the tape to someone. Plus Levi didn't immediately go back to his room as far we can tell from Teruko's perspective, and there's a good chance that anyone in the rooms(but smart enough not to poke their heads out) overheard everything and could have investigated later in the night.

I don't know what's going on with Ace taking the resistance band or Nico (likely) using Hu's wire in their attempted murder of Ace. I imagine that will be elaborated on later.

I think all the motives that I guessed in the original post are still the same. So like Min <--> Xander, Veronika <--> Hu, Levi <--> Arei, David -> Teruko. I think that based on foreshadowing, Veronika and Hu have each other's. (And, assuming either one was telling the truth, they don't have their own based on MonoTV's soft confirmation that he(?) didn't give any of the secrets out correctly. However in the original post I kind of(definitely) messed up by misremembering Levi's family. But I still think that the survivor's guilt secret has to be Xander's because Levi describes his disownment specifically as a good thing, and that he and his family were bad influences on each other. It's not necessarily logically inconsistent for him to both feel immense guilt over their deaths if they died and feel like being disowned was a good thing at the same time, but it feels incongruous with his line at the beginning of the chapter of simply doing "nothing" to grieve. This is also what makes me think that MonoTV intentionally messed up giving out the secrets, because if Xander and Min are dead, why wouldn't you just reveal their secrets as they are? Of course, it could add to the intrigue as it were since the "reveal" technically happens 4 days later, but it still feels strange. (And I think the survivor's guilt secret can't be Min's because she would have no reason to feel pressured to continue being the Ultimate Student if that were the case)

I think the reason Charles specifically refutes the time of death during the cliffhanger is because the note is a fake piece of evidence. Yes, there's only one garbage can on the floor but like... it's paper. You can fold that in your pocket or stick it in your underwear. Or just eat the note. I go into more detail on it in the original post, but basically I don't think it was possible for the killer to have actually known all the information in the note just from eavesdropping. Arei overhears a bit of Arturo's secret, and then intervenes. I think she would have noticed someone eavesdropping or walking past her based on the design of the first floor. The killer could have overheard everything after she intervened, and simply made the conclusion that eden had arturo's secret as he stormed off, and I know that arturo is a character that tunnel visions pretty hard on only the things he cares about, but it feels weird for him to have not noticed someone on his way out. I don't think arei and eden were talking loud enough for someone to have overheard in the cafeteria. and also, the part about a younger sister committing suicide is extremely specific (specifically, "responsible for"). I would not have been able to pull that out of my ass on a whim. I think the murder occurred in a spontaneous confrontation after the david and arei talk, and that's how the killer learned this information. (kind of like dr1 ch2) Supposedly, ASSUMING Ace's account of David and Arei's talk is at least a little accurate, Arei already let it slip that Arturo threatened Eden. I personally don't think it's a super stretch to guess that maybe she let a bit more slip out by accident with someone else. (Also Ace could have saved a bunch of screentime in ep10 if he wasn't so petty lol....). Another thing I want to note is that he says their convo took place at 7:30, the same time as the note. Maybe he's just bullshitting, but I could see this being Charles' "aha" way of leading into all the weird contradictions in this case if the note was actually used. Additionally, the note just feels... off to anyone that knows Eden. It reeks of manipulativeness in the subtext in a way that I think killer Eden would not use. Also, what do you mean "someone else" in the note? (The note is at 58 seconds of ep10) If someone else besides Arturo specifically found out that secret like... who fucking cares? No one really has an incentive to go Eden hunting on Arturo's behalf. This makes me think Arei let it slip that it was a "he" like Eden did, and what the secret is, but not specifically whose secret Eden received. Like an opposite oopsie of her conversation with David.

I still believe some sort of mechanism was used to increase the amount of force used to snap Arei's neck via the gallows, but once again, sorry for making it sound like it's "obvious". I don't know how this mechanism would work, just that it's probably related to the jugs of (likely) fish water.

So now that that's out of the way, here's some of my new thoughts:

The ball of clothes that Charles finds is interesting to me, since the killer used something starch-like to glue that clothes together into a bowling ball like shape, the killer probably didn't have the time to take it apart and just hid it in the dress up room. Anyway, I think the ball of clothes was probably used to get the rope onto the support rafters/beams(?) to elevate either the jugs or Arei(likely the jugs) to a greater height. Either that or it's to extend the rope so that when the rope unravels via the carousel at a very high speed, more force is applied to Arei's neck when she drops. Basically, I think the killer tied the rope to the ball, then threw the ball up towards the ceiling to loop the rope around the beam(? just gonna call it that...) and one time accidentally used too much force while throwing it, damaging the ceiling light. I don't think this is totally unreasonable since while it looks like a bowling ball, clothing is definitely less dense than an actual 13 pounder. Did I pull this outta my ass considering that's a pretty high throw? Yeah. But like, if Levi did it...

I don't remember where I saw something damaged in like this kinda straight line that implies a rope was tied, maybe I hallucinated that so I will not talk about it. (I think i legit just hallucinated an entire clue where paint came off...) But while I don't have any guesses as to what the scuff marks on the ground could be (it could have been a confrontation, but I do think that Arei was probably knocked out in the relaxation room for no other reason than a hunch.) I'm guessing that the reason it looks wonky is bc the killer wanted to cover up a footprint. Hu specifically mentions her heels leave marks, and while hoisting things up, the killer might have dug their heels in to pull the rope. And footprints can tell a lot, especially since everyone supposedly has the same outfit.(beyond just. shoe size.)

wishing myself a very go back in time and tell myself to pay more attention in mechanics class.

anyway. last thing. in episode 2, monotv specifically mentions the ground of the playground is made of the same ground as the turf. So if Arei were pushed to the ground, her body would have bruises but not scratches. This makes sense with Arturo's autopsy. But more importantly, he mentions that the stuff sticks to you, especially when wet. Since the jugs were likely filled with fish water, it's possible the killer stepped in a puddle and got some of the stuff on their shoes. Either that, or the killer took off their shoes because they were well prepared, and it stuck to their socks. or their grippers. don't think too hard about the last one. But anyway, I'm sure the killer learned from Min's jacket hiccup, and if so, that would make Levi extra suspicious since he says he went to do laundry around the time.

I think that's everything I want to say this time. Sorry that this is again so long for something that's just my thoughts and not a good theory. And probably not right. I still think that Levi, Hu, or Ace is the most likely culprit here, with Levi in the lead. Thematically, I don't think it makes sense for Arturo to be the killer since the chapter is about the appearance of being a good person(glitters), since he hasn't really shown an interest in that. Eden doesn't make since(to me) bc of what I said in the original post in that the note is so sloppily discarded. Whit is an absolute wildcard guess pick and while it's possible to create mechanism that breaks a neck while you turn around and aren't a witness to anything, discarding the evidence while walking backwards is a crazy. guess that's just a skill issue for me. Sure there could be an accomplice but I don't think so because I said so. See? No discussion (I'm kidding)

As a joke, I also just want to know. Does anyone know if David ate anything between his talk with Arei and the investigation? I think that realistically he took a sandwich or smth from the kitchen before going to the relaxation room, or ate after talking with Arei, but it would be really funny if Judas showed his "true" colors because he was actually just really hungry without dinner or breakfast. I mean I would also turn into the joker if I went that long without food, so I get it.

Also can someone who knows more about playgrounds explain to me why the fans on the ceiling of the playground spin clockwise instead of counterclockwise. Search engines aren't giving me an answer.

Lastly if dev somehow happens to see this, there isn't a tumblr announcement so I can't really thank you on an account but thanks for working so hard on the rest of chapter 2. I hope your health has improved and your break is restful. And of course, thanks to the staff too.

Here. For making it to the end(sprites belong to drdt dev, and I do not claim the original meme as my own)

[ashersbraincell]

Also got this silly guy earlier today and I was freaking out because I didn’t think to ss because I was just so spooked and shocked to see a pair of eyes behind Seb on the death screen, so fucking glad this happened to someone else so that I can have proof that it both exists and that I’m not crazy

Speaking of, though, I do wonder, as has been pointed out by commenters on the thread on the ss sent above, if the guy is the guy whose telling Sebastian what he can and cannot show us during death sequences. He is referred to as simply „he” and this mysterious „he” appears quite a bit throughout the game and is something I feel we should theorise more as a fandom.

One thing of note I noticed, and you’ll have to take my word for it, is the fact that He is mentioned during the little cryptic snippets of dialogue(?) when the lights flicker before an angler attack. As @clanwarrior-tumbly theorised, many lines suggest this to be the self-aware character we play as, but if that be the case then how come the player we play as knows this mysterious unnamed individual? This oddly strikes me as similar to the relationship many theorise Kris(a deltarune character) to have with Gaster, ie having been partially the reason why we as the player are thethered to the particular character that we play as. All I’m saying, it would be DOPE for this mysterious unnamed individual to be somewhat like W.D gaster.

One more tidbit I have been thinking of that I thought I’d mention, many people say that the „He” Painter refers to is Sebastian. I may be wrong here so please let me know, as Painter might’ve mentioned Sebastian by name and I’m just misremembering. Either way, if im NOT mistaken in this, I’d like to put forward the proposition that the „he” who promises both the good people and Painter freedom from the facility could be this mysterious individual. Even if it IS Sebastian and I was mistaken, I think we have good reasons to believe that the mysterious individual is giving direct orders to Sebastian, as suggested by „His rules, not mine” and the aforementioned event where what could be the individual in question appears behind Sebastian on the Death screen, almost like monitoring him

Since He monitors Sebastian on the death screen, Id assume, like Sebastian, he is aware of the „resets”, ie the player continuing past death in other runs of the game. My theory is, perhaps the freedom this individual offers isn’t just from the blacksite itself, but from the timeloop they all find them within as we, the players, play the game. Atleast in a Meta way, who knows

[thefirstknife]

After recovering from the doomed yuri (he said, like a liar), I had a moment to think about a little detail that I'm not sure was seen again or addressed at all?

In the mission where we go into the cache copy of the Infinite Forest, there were 4 doors in the central room.

One led to Saint-14's Tomb and the other led to what would be the Encore area. But I recall the other 2 doors had some distinctions from the others (clearly remember one having what seemed like scorch marks and/or ice?) that were inaccessible.

....What's up with that?? There was speculation about where those could lead, but then I don't think we ever went back there to check?

Of course, I could just be misremembering things (it's not like my heart was mercilessly torn out from my chest, no no. I'm very capable of rational thinking at the present, yes)

No you remember right! They're there, I went batshit insane about this when I first got there. Took additional screenshots on my other visits and wrote up my observations in one of the posts, but I'll drop the screenshots here again because they're better quality/angles.

The icy gate is Europa gate. It literally uses the same textures and ice and snow:

Normal Sol Collective Vex come out of that gate during the fight, aka the ones you'd find on Europa. This isn't too big of a deal overall because those Vex are just the standard Vex units in the system. However, the other gate? The grassy one? That's the Black Garden gate:

During the fight, Sol Divisive Vex come out of it. This means that the Europa gate doesn't just have random Vex, it's like that on purpose, otherwise this one could've also had the Sol Collective, rather than Sol Divisive. The distinction between them does matter. Could just be for the purpose of showing off different units and all; not necessarily some huge hint but still. I don't think I'll ever stop thinking about it.

It's a really big area with a lot of stuff that's really unique, such as these various gates. It hasn't been used for anything other than this mission. Was it just a nice setpiece for a really important mission or is there something more here that might be revisited? No clue, but it looks like something that could be used at a later date.

You can return here from Encore, but I don't think it's intended. You can't come back when you're at the start of the mission; there's a turn back zone. But when you return to the starting area while doing the secret chest, you can go back fully to this room. And it's a little weird. The radiolaria pool on the floor is not moving or damaging you, for example, which means that it's not intended to go back. But if you want to go explore the area, you can!

I have no idea if they ever plan on expanding on this. The whole idea is super intriguing to me. Nessus has these "archives" that can apparently go to different places? At least Vex-controlled ones like the Black Garden and Europa (I'm thinking it's possibly connected to the Nexus/Glassway). Can these be tuned to make other areas accessible, even if they're just archived? And obviously a really peculiar detail is that they specifically use the Infinite Forest portal, including being able to go to the Infinite Forest archive, in the case of Saint's tomb at least.

Obviously this went beyond the scope of this season, but when it comes to the Vex and their abilities and options, I am very intrigued by this whole area and what it may be capable of. Also, better image of Descendant Wyverns which are unique units made only for this mission (that I am aware of):

Used only once, here. They have to have made them to be used at some point again in the future.

Certainly one of the most fascinating areas that just looks like something other than simply a setpiece for a one-time mission. The whole concept of it is really intriguing as well because if we could possibly access some of these other archives, could we learn more about the Vex and their plans? Uncover some of their secrets? Find a way to fight them better? Do these archives contain information about the actual places like the Black Garden and Europa, or are they just archives of simulations from the Forest? Or both? Also, which collective controls this archive even? One of the gates leads to the Black Garden and Sol Divisive isn't on good terms with the rest of the collectives, so how are they dealing with that?

These are questions for another day, I suppose. *punches through the drywall*

[ideasarestuckinmyhead]

Oh Lucien my beloved?!!?

How about Angel playing with his tail in some sense could be sfw or nsfw, headcannons or short fic

Whatever you are okay with doing really, have a nice timezone and I adore your work!!

What a lovely tail.

Also the dish I described in here is one my mom makes <33 It's so fucking good bro. It doesn't have a name I think? We just call it the chicken w white rice n sauce. Wish we still had it I'm hungry now....

Angel smiled looking at Lucien's tail, then wondered what it felt like? Along with what it was like having a tail of their own? Thought rushed through their head with what if's and how so's?

Lucien on the other hand was ordering ingredients for dinner. But the name of what it's called was on the tip of his tongue. Glaring at the phone trying to figure it pit so he decided to ask his partner.

"Angel dove? I was thinking of making that one dish. What was it called again? It has chicken, white rice, steamed vegetables and cream of chicken sauce-" explaining the dish's containments Lucien didn't notice Angel trying to touch his tail.

Rambling on Luciens words were blurred in Angel's mind. They were giggling how when they tried to catch the tail it moved from their hand if it got close. It was probably because the demon was doing it off instinct, small imps would play with the taller demon's tail.

"...Angel? Dove? My perfect Angel cake-" Cooing out names Lucien was interrupted by feeling a hand on his tail. Turning his head he saw Angel giggling and his tail held gently in their hand. Huffing out a laugh the red demon turned his body looking down at his partner.

"Care to explain? Not that I mind just curious?" Asking for Angel's thought process. His partner wrapped their arms around the tail and smiled.

"Just wanted to grab it is all~" Giggling out, Angel got another hearty laugh from the demon. He was wondering when they were going to touch it.

"I see, now can you help me figure out the dish name? I forgot where I saw it on....many that red it website. Or whatever it's called." Whispering to himself he turned back to the phone. Angel simply took this to continue playing with the tail, tracing shapes on it.

"Ack-" Stuttering out the fluff part of the tail hit their face. Giving Lucien a glare, he chuckled to himself as he scrolled through reddit. The demon is always misremembering what things are called.

[cal-daisies-and-briars]

Hiiiii cal!!! I’m so glad you’re enjoying writing this way because I love getting to read these snippets - it’s like a bunch of mini cliffhangers that prompt my imagination to go wild and it’s so much fun!! I’ll be sending emojis for as long as you’re wanting them!

⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️⚡️(they’re getting a house! And about to get married!!! And i might be misremembering but i don’t think you’ve done a detailed buddie wedding in any of your fics yet? I’m very excited to see how you do it!!)

🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨(the shenanigans and tomfoolery of being bad at hiding a secret relationship… it amuses me so!)

🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸(as i’ve said many times before, my love for this fic goes beyond words!! And you’re venturing into truly riveting territory here i’m so pumped!!)

🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮(my heart breaks for babby - my typo for baby bobby and i’m keeping it - my dear sweet babby)

🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟🧟(i can already feel this one becoming my new obsession! Idk why i thought it was going to be something shorter when you first started posting about it but i was thrilled to see that anticipated chapter count on ao3!)

👑👑👑👑👑👑👑👑👑👑👑👑(islands in the stream has been stuck in my head all day and i blame you! I’m so looking forward to the madney sweetness!)

🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼(oh my god cal the angst! It’s angsting!)

💐💐💐💐💐💐💐💐💐💐💐(huge fan of mays crush being named april - it makes me giggle every time)

🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮🦮(cranberry my baby! And the covidness of it all is so vivid - i’m loving the buck-chris dynamic!)

I never count the amount of emojis i type as i go so i’m always a bit shocked at how many sentences i’ve requested of you when you post the reply 😬 thank you so much for putting up with my crazy requests it brings me such joy!

I hope you have a lovely weekend and week!!

SO AS I WAS FILLING THIS OUT MY FUCKING LAPTOP CRASHED. WHICH SUCKS BECAUSE IT HAS TAKEN ME HOURS AND HOURS ACROSS TWO DAYS. FUCK. Let's see if I can find the sentences I wrote again.

For TWATYTK and Zombies, those parts have already been posted, because as I said, this was taking so long. GAH!

I had a whole message typed out about how much I appreciate you. You are so kind! IT'S LOST TO TIME NOW.

I think this was what I had for ⚡️:

---

Their next call is to the scene of a fire. 

This should not be especially eventful, considering that they are firefighters and all. And, for the drive there, it isn’t. The transit process? Just fine. 

It’s the rest that sends Buck into a tailspin. 

He spends the ride seated next to Eddie, thighs touching. They’re back being partnered together. Sadie earned her shield a couple months back, and has been working as Ravi’s partner since. Buck is pretty proud of her - and himself, for training her. He liked working with her a lot. But he’s happy to be back where he belongs, in terms of workplace duos. 

Buck and Eddie - okay, mostly Buck - talk everyone’s ear off about the house for the time it takes them to get to the fire. They should possibly be a little less giddy headed towards an actual three alarm fire, but at that point, Buck thinks his mood simply can’t be shaken. How naive. 

It is perhaps due to this focus on the house, which is nowhere near the direction they’re headed in to get to this fire, that Buck doesn’t realize what is in the direction of the fire. In his defense, neither does anyone else! Not even Eddie! Even Bobby, who knows better where they’re going, doesn’t put the pieces together. 

Maybe it’s because they spend so much time driving around the city. Here and there. Fires and car accidents and medical emergencies everywhere. Everywhere looks familiar! They could all be city tour guides. It’s not like driving through a city where you only know a few places, so the places you know feel like beacons.

Or Buck is just making excuses for his lack of attention. Either way. 

Really, it’s not until they turn onto the street that Buck notices. Though, it’s a long road, and they’re still a few miles out. 

“This is weird,” Buck says. 

“What is?” Sadie asks. She’s sitting across from him. Noticing his sudden onslaught of nerves. 

“We’re on the same street as the wedding venue.”’

That makes Eddie look. He’d been typing a rather long message to his mother and not paying much attention to where they’re going. At Buck’s words, his attention snaps to the window.

“Shit, you’re right.” 

Well, obviously Buck knows he’s right. 

“Bobby,” he asks. “What’s the address of where we’re going?”

“Uh, it is…” Bobby reads. “Oh.”

“Oh?” Buck repeats. He grabs Eddie’s arm. “Oh? Oh, what?”

“Okay, well first let’s remember we don’t know how bad it is yet,” Bobby says, maintaining a steady facade. 

“Bobby, it’s a three-alarm fire!” Buck exclaims, voice raising an octave.

“And the wedding is in days,” Eddie adds, voice wavering with stress. “There’s no time to do any repairs, even if it’s not totally ruined.”

Days. Days. What the fuck are they going to do?

“Okay, let’s not jump to any conclusions. Technically, the address is for the building next door,” Bobby explains. “Everything might be fine.”

Everything is not fine. Quite the opposite, in fact. 

Two minutes after his painstaking revelation, Buck finds himself standing next to his fiancé on the street in front of their wedding venues, watching it plume with smoke. The wind blew the flames from the building next to it, and the roof caught. It won’t fare as badly as the other building, but it certainly won’t be available for their wedding. 

They are getting married.

In three days. 

Their wedding is in three days. 

Their wedding is in three days and has no venue. 

Because their venue is burning right in front of him. 

Their venue was also their caterer, so add that to the fucking fire. 

“Buck! Eddie!” Bobby calls. “Work first, react later!”

Easy for him to say! It’s not his wedding venue! 

“Come on.” Eddie tugs on his turnouts. “We’ve got to go.”

Buck feels like he’s been possessed by a heap of barbed wire. 

He turns his head to Eddie. His eyes are bugged out so wide they might pop from his head. An absurd but sticky thought pops into his head. 

“You jinxed us,” Buck accuses. 

“Buck!” Eddie complains.

---

And 🚨:

---

“Okay, that makes sense. Was it his family?”

Buck nods. “They were religious. Conservative. Southern.”

“I can relate,” Eddie tells him. 

“Eventually, I just wanted to be able to relax, though,” Buck says. “I made him promise we’d do it at the end of the tour. Not to his family. Just, to friends… And in public.”

Eddie’s expression softens as he realizes.

“And then he died.”

“Yeah.” 

And then he died. 

“I’m so sorry,” Eddie exhales.

Buck shakes his head. His eyes start to sting. 

“It’s stupid, Eddie. I know there’s no logic behind it. It just feels like once something is out loud, it can be taken away.”

Eddie nods, understanding the thought process. 

“We both know I can’t promise you I won’t spontaneously die,” he says. “Especially in a global pandemic.”

“I know,” Buck nods. 

“But, uh…” Eddie sighs. “It’s like you said when I was worried about Chris, right? I’ll just have to prove it to you.”

“Prove it to me?” Buck asks.

“Yeah,” Eddie nods. “I’ll just prove that we get to have a life together. Even if we’re both a little bit scared of dying.”

“I’m scared of you dying,” Buck reminds him. 

“Okay, well we’re at an equal risk, so… Not the point, actually. Buck, the point is, I’ll show you every day, alright?” Eddie promises. “We get to have this.”

Buck takes a deep breath. He leans forward in bed and grabs Eddie’s hand. 

“I don’t know if I’d believe anyone else,” he says quietly. 

Eddie shuffles up the mattress, closer to Buck.

“Believe me,” he says. 

“Okay,” Buck relents. “But only because you’re very pretty.”

Eddie smirks. “It’s a gift.”

“Mmm, or a trick.”

Eddie chuckles and kisses his temple, right beside the birthmark. 

“I love you,” he says. “That’s not going anywhere, okay?”

“Okay,” Buck breathes. 

He decides to try his best to believe him. 

---

And the 90 sentences I wrote for this damn 🩸:

---

But it does show Buck what she’s up to. 

It kind of makes him mad, actually. Eddie has gone to such intense, devastating lengths to hide himself. Meanwhile, his attacker has been out here, just living life. Posting about walks through the park and her latest baking experiment. How is that fucking fair? 

It’s not. 

It’s not fair. 

And while Buck knows what he has to do isn’t fair either - isn’t right or human or good - he tries to keep that in mind. 

She ruined Eddie’s life. Twice. She didn’t have to do that. Now, what choice does Buck have? 

February 10th, 2025

Eddie does something on Monday that he perhaps should not do. Something the tiniest bit risky. After his call with Adriana, he’s feeling that a bit of risk taking to get his life back where it needs to be is necessary. And anyway, he’s not doing anything illegal. Not doing anything wrong. Nothing he can be arrested for. 

He’s picking his son up from school. 

Chris pauses, exiting Durand School to see Eddie in the driver’s seat of the truck. His eyes widened with nerves for a moment. Eddie felt a rush of guilt. He doesn’t want to make Chris worry. Doesn’t want to cause any undue stress. He just wants to feel like a normal dad again, picking his kid up from school. 

But then Chris breaks out into a wide grin, and Eddie feels his whole body relax. 

“You came!” Chris exclaims, surprised, when he reaches the vehicle. 

Eddie climbs out to help him into the front seat. Not that Chris needs a lot of help anymore. Mostly just someone to hold his crutches and bag. 

“I did,” Eddie confirms. He tries to keep his voice even. 

“You’re not worried?” 

“No,” Eddie says. “Well, maybe a little. But I’m not doing anything I’m not allowed to do.”

Chris thinks about this. “I’m glad you came today.”

“Me too,” Eddie decides. “Do you want to grab ice cream or something on the way home?”

Chris narrows his eyes. “I’m not a little kid, remember?”

“Jeez, I didn’t know ice cream had an age limit,” Eddie frowns. “Buck will be devastated to hear this. You know how seriously he takes his Neapolitan.”

Chris smirks. “Fine. Okay. I want ice cream.”

Eddie grins. “Thought so.”

Fifteen minutes later, they’re sitting on a little patio, under the shade of an umbrella. Eddie is in the darkest seat, also covered by sunglasses and a hat. Chris sits in the sunshine, spooning strawberry ice cream from a little paper bowl. 

“So, I wanted to run an idea by you,” Eddie says. 

“Me?” Chris asks. 

“Yeah, you. Who else?”

“I don’t know,” Chris shrugs. “What is it?”

“Well, I think I need to get a job,” Eddie says. 

“But you can’t be a firefighter,” Chris fills in.

“No,” Eddie says. “I don’t think I can.”

“So, then what?” 

“Well, May suggested I look into telehealth services. Like a hotline for medical advice or something,” Eddie says. 

Chris nods. “You’d be good at that.”

“Thank you,” Eddie replies. “But, uh, I did a little research and I think I found something different that suits me even better.”

“What is it?”

“Well, there’s this nonprofit that operates out of Los Angeles looking for people with medical experience. Nurses. Doctors. Paramedics.” 

“Like a charity?” Chris asks. 

“Yeah, but I’d get paid,” Eddie says. “It’s a job. Bringing emergency medical care to people who maybe don’t feel safe to call for help.” 

“Like… You?” Chris whispers the last part. 

“Yeah, but not just like me,” Eddie explains. “All kinds of people. People facing deportation. Homeless people. People who can’t afford an ambulance ride. Stuff like that.”

---

This is easier to count again haha 🔮:

---

Buck wakes up with his cheek pressed into the bannister support poles of Bobby’s apartment stairwell. He can feel their imprint as he woozily pulls his upper body upright. His head is pounding and he feels vaguely nauseous. Almost like he’s been drugged. Though, the comedown when they’d been spiked with LSD had been far more gradual than the sudden, brutal snap back to reality that had been whatever that was. 

Not a coma, he realizes. If he’s sitting in the stairwell to Bobby’s apartment, not a hospital room, then it wasn’t a coma dream. Kind of an insane regular dream, though? And why had he passed out in the first place?

Acutely aware he won’t find any answers here, parked on his ass, Buck pulls himself to his feet. Slowly, and gripping the bannister for support, just in case, he straightens out his body. His legs give a little wobble. 

What the fuck happened to him?

Partway down the stairs, Buck looks up and down. Should he go out to the Jeep and risk driving home? Feeling like this? He supposes he could call Eddie. Eddie would come for him, no questions asked. He knows he could ask Bobby for help, too. No matter what just happened between them. But his brain is battling two contradictory memories; the fight he had with Bobby in the kitchen and the memory he somehow intruded on of Bobby at his father’s funeral. If that was even real. The easy thing to do would be to go downstairs and call Eddie, not deal with any of it. Hold onto the only thing he knows really happened. 

With a sigh, Buck turns and climbs the stairs. Up towards Bobby’s. 

The moment his foot hits the landing on Bobby’s floor, Buck sees the breathless, similarly disoriented face of his captain jogging down the hallway. He looks pale. Hair a little mussed. Half his face is red, like it’s been pressed against something, too. 

---

A bunch for this guy here 🧟:

---

“May is awake and lucid,” she says. “She’s asking for you.”

Athena grabs one of Hen’s hands and squeezes it. 

“Thank you. Thank you.” 

Then she hurries off in the direction of her daughter’s sickroom. 

Hen doesn’t go after her. She waits, lingering, to speak with Bobby. 

“Did you find Michael?” She asks. 

Bobby shakes his head slightly. 

“It looks like he was infected in the initial outbreak or sometime soon after.”

Hen’s shoulder sag. “Damn it. Poor Athena. Poor kids.” 

Bobby nods. He doesn’t know what else to say. Yes. It’s horrendous. Everything is always so horrendous and everyone’s families are always dying. 

“We should ask her to stay,” Hen says quietly. “She’s a friend. We trust her. The kids will be good for Denny.”

Bobby knows they have enough food to stretch to more than just the three of them. Plus, more hands means more potential to harvest more. Fish more. Preserve more. 

“It’s not just my decision,” Bobby says. “We’ll have to discuss it as a group.”

“No, but it’ll go whatever way you want it to go,” Hen says. “You know that.”

He does. 

“I think it’s a good idea, Hen. But I want everyone’s input.” 

“Like you did with the radio?” She asks.

Bobby raises his eyebrows in surprise. “Buck told you?”

“Oh, yes.” She says. “Wanted to get ahead of it, I guess.”

“Do you think I did the wrong thing?” Bobby asks. 

Hen might be the only person he’s willing to ask this of. The only person whose answer he really wants to know. 

“No,” she says. “I don’t think you did the wrong thing. But I’m worried about him anyway.”

“Me too, Hen.” Bobby admits.

He’s always worried about Buck. All the time. Every minute. Even when Buck hasn’t done anything deserving of Buck’s worry. 

One day, Buck is going to finally let himself realize they’re all dead. Maddie. Abby. Every person he knew and loved before this. He’ll realize they’re all gone. And Bobby worries, every moment, that it will destroy him. He worries he won’t find a reason to keep pushing forward.

---

A few here 👑:

---

Chim finally gets a chance to talk to Hen about it, privately, somewhere around four in the morning. They’re in the ambulance, driving back from yet another party gone wrong that resulted in a hospital transport. At least this time no one puked. Just a badly broken ankle from a drunken trampoline adventure. 

“So you forgot to get her number,” Hen says. “Can’t you go back?”

“Stroll up to a gated mansion tomorrow and say, ‘hi, I’m the guy who kissed your daughter while you were trying to set her up with rich hedge fund types?’ I don’t think so, Hen.”

“She’s probably trying to find your information, too,” Hen tries. 

“I hope,” Chim grumbles. 

“And, hey, you’re very findable on social media,” Hen adds. “She won’t have trouble.”

“Should I message her brother?” Chim asks. “Is that crazy? He was nice!”

“Mmm, maybe wait until you’ve slept for all forms of communication,” Hen advises. “She knows you’re at work, anyway. She won’t be expecting to hear from you.”

“Right. Right. You’re so smart. Why are you so smart?”

“I had a nap in the bunk room while you were at the party.”

Damn. Yeah. A nap would make him sharper. 

“So, it’s just a waiting game for now,” Chim sighs. This is not helping with the resounding feeling that he may, in fact, be a complete fool.

“I think so,” Hen agrees. “Sorry, Chim.”

👑👑👑

By some stroke of fate, he’s not waiting very long. 

When they park the ambulance in the engine bay and climb out, sore and tired, Chim is met with the sound of a strangely familiar voice. One he thinks he may just be hallucinating. 

“You’re the captain? That’s so cool!” He hears. “That means you’ve been doing this forever, right? You know a lot about it?”

---

OKAY BACK TO OUR REGULARLY SCHEDULED PROGRAMMING! THAT IS WHERE MY LAPTOP ABANDONED ME.

30 for 🔼:

---

She accepts the cards she’s been dealt, just like last time. After all, didn’t she shuffle the deck?

She sees her son as much as she can. She goes back to her office admin job as soon as she’s able. She misses Eddie’s shield ceremony. His request. She avoids his parents while they’re in town altogether. Her choice. 

Other than coworkers, she really has no adults to see. Compounded with that, she and Eddie have made the decision not to tell family - even Christopher - until her second trimester. So Shannon finds herself existing in this strange vacuum of silence. Again, one of her own making. But difficult to navigate nonetheless. 

That changes about seven weeks after her accident. Completely unintentionally, she might add. 

None of it was ever a plan in her head. 

She’s been seeing a physical therapist for her shoulder. Her ankle has healed on an intended timeline, not causing her much additional trouble. Her shoulder, on the other hand, has been a source of difficulty. Perhaps with everything else changing in her body, it can’t quite figure itself out. It wouldn’t be the only thing. 

She’s thirteen weeks along now. Almost at that second trimester mark. Almost at the point where not only will they be able to tell people, but they’ll have to. Namely their son. She’s not really showing per say, but she certainly feels bigger and tighter. Her chest is another matter entirely. 

So, to paint the picture, there she is; thirteen weeks pregnant with a man whose trust she shattered, shoulder hardly functional, sitting in the waiting room of her physical therapist in loose sweats and her baggiest tee shirt because nothing fits her boobs properly anymore, and who walks in? Or hobbles in, rather? Her soon-to-be-ex-husband’s best friend. 

---

33 for 💐 (YEAH THANKS I THOUGHT APRIL WAS FUNNY):

---

She orders a wine spritzer. April orders a cider. They sit in a corner booth and for a good few minutes, it’s awkward as hell. Neither of them really seems to know where to start. Which makes sense, because they didn’t exactly have any solid communication foundations to begin with. May is reminded, strangely, of the time Sue left her and Claudette to sort out their issues in the quiet room, right before the fire at Dispatch. Not that she thinks this will end the same way, obviously. 

“Listen,” May starts after the server brings them their drinks. “I’m sorry if I misunderstood things. I really got the sense you didn’t like me.”

April frowns. “I’m not sure how, honestly. I was trying pretty hard to get to know you.” 

“I think I definitely, uh, read things wrong,” May admits. “I’m definitely… Confused about things. But, come on, April. You have to admit, you were acting super competitive with me in class.”

Her brows furrow, hazel eyes giving the impression she’s sifting through memories. 

“Was I that bad?” She asks. 

“Yes,” May insists. “You disagree with everything I say. You compete over grades. When you did better than me on the criminology midterm exam, you literally said April always comes before May.” 

April’s cheeks redden. 

“Oh my god,” she mumbles.

“You did say it!” May reiterates. 

“No, I know,” April says. “I’m sorry, I just… God, it’s stupid. You thought I was serious?”

“Well, yeah?” 

April takes a long sip of her cider.

---

45 for darling Cranberry! 🦮:

---

Cranberry brings Chris the ball, pressing it eagerly into his hand. 

“Ew, so much slobber,” Chris complains, wiping his hand on his pants. Luckily, laundry day is tomorrow. 

“Well, you’re the one who keeps throwing it for her,” Buck says. He’s just been snapping photos to send to Eddie. 

“Gross, Cran,” Chris chides, and throws the ball again, a little absentmindedly. This time, the ball goes high. Higher than Buck would have liked. And at an awkward angle.

Cranberry twists her body as she jumps, catching the ball midair. When she comes back down, she fumbles, front left paw hitting the ground hard and buckling under her. She yelps and stumbles forward. 

“Cranberry!” Chris shrieks. 

Buck lurches forward to where they’re playing, straining his leg. 

Cranberry stands and stumbles a little again. She lifts her injured paw, favoring it. Tail tucked between her leg, she limps towards Buck, seeking comfort.

Buck lowers himself down as quickly as he can manage to examine her. 

“Are you okay, baby?” He asks. 

“Did she break her leg?” Christopher asks, bottom lip trembling.

Buck lifts Cranberry’s injured leg. It doesn’t look broken. He flexes it. Her elbow and shoulder move without resistance, but she fights him when he tries to straighten her wrist. It can move, it just hurts her. 

“Is she okay?” Chris asks again. 

Buck feels a pang of annoyance. 

“This is why I asked you not to throw it too high,” he grits out. 

Tears spill out from the boy’s eyes. 

“I-I’m sorry, Buck.” He blubbers. “I didn’t mean to hurt her!”

Buck clenches his jaw. He feels unreasonably angry and panicked. If Christopher had just listened this wouldn’t have happened. 

“I know it was an accident,” Buck manages. 

“I’m sorry, Cranberry,” Chris cries. He takes his glasses off to wipe his eyes. 

“I think it’s just twisted,” Buck says. “I’m going to bring her inside and call the vet to see if she needs to get checked out. Okay?”

[sideblogdotjpeg]

ok soo i was trying to figure out how pib's character fit into the thematic web of the neverafter and it made me think of like. pib & aesop acting as foils wrt to the concept of morality in fairytales

i think pib, in a very roguish way, represents moral neutrality/amorality. he will lie, cheat, steal and kill happily and unrepentantly (because lying is SOO much fun) - but he also does it without any real sense of malice or greed. like its important that the core of the original puss in boots story was him lying in order to help tomas. pibs lies are never centred around hurting anyone, but rather to help himself and his friends.

conversely, i think pib also recognises the need to do traditionally "bad things" to survive. like he WILL absolutely give the mule the shit for betraying them, but ultimately also understands that it was what was necessary for him to survive. and he cant fault him for seeking safety and refuge. which is why i think pib could represent a kind of amorality (or at least morals in the fairytale sense). like literally adhering to a universal moral code is simply unimportant to him. not a factor of consideration. he is protecting himself and his friends, and thats what matters (and of course what else should matter to a tricker cat)

this is in contrast to aesop who is like, from his introduction, defined by his strong sense of morality. he is also fundamentally a good person, but he believes that that goodness is manifested through behaviour that adheres to a moral code. his stories are strictly cause and effect. you act good, you are rewarded / you act bad, you are punished. also, beyond that, i also get the sense he thinks his stories are superior for having that stricter morality? (hopefully i didnt misremember this bit, but) he says that the neverafter is more susceptible to corruption BECAUSE of its lack of moral clarity & rigidity. but it seems that he believes the world SHOULD operate within that strict moral system (aka he is a TOTAL SNITCH!!). thus, in contrast to pib's amorality, aesop represents a hypermorality - adherence to a universal moral code that allows for no exceptions no matter what.

- also, side note, from this framework it might also explain why pib & pinocchio team up at the beginning. like pinocchio IS in the transitory stage from the aesop-like fixed moral to the kinder neutrality of "lying cant be bad if it saved my father" -

anyways! idk if this is something that will ever come up or was intended. PROBABLY not! but its an interesting parallel i think!!! ummm neverafter fr makes my brain go brrrrr