"Billy wasn't sure what the creature ransacking his train car was.”
Alternatively, Billy feeds a stray and ends up with a roommate.
WC: 1215
Serendipity (n): the occurrence and development of events by chance in a happy or beneficial way.
Billy wasn't sure what the creature ransacking his train car was. Granted, the train car wasn't in the most hidden place ever, but he had made sure to ward it against most creatures. The ward would have made one unable to see the train, and if they somehow saw it anyways, they would have been turned around. He usually was pinged if anything passed his wards, which was why he was so blindsided to see something moving around in his train car. It seemed that this one had slipped through his protections.
The creature was strange and almost hard to look at directly. Its blinding white hair moved independent from the wind and twined around its long, pointed, mint colored ears. It was also small, small enough that Billy thought it could comfortably fit into his cupped hands, and wearing some sort of skin tight suit, black with a stripe of silver along its torso. Or what appeared to be its torso, Billy couldn't really tell when its lower body faded into a long tail.
From his perspective, it seemed to be rummaging through where he usually hides his food, showing slivers of its white paws. Did it pass through the barriers he set because it was hungry?
Billy approached the creature quietly, making sure not to get too close, he wouldn't want to startle it. His efforts were in vain though as the creature snapped its head towards him. It's glowing eyes like headlights, as if staring into Billy’s soul. The green in its eyes swirling hypnotically as the creature bristled at his presence.
Billy watched, amused but vigilant, as the creature puffed up like a cat. Even going so far as to swat a couple times in his direction. So far, it was quite harmless, but the buzzing in the back of his head that he usually equated to Solomon told him to be careful.
Billy slowly dropped to his knees, mindful of the creature's reaction, and shifted his bag to his front. He shuffled through his bag and brought out the small piece of jerky he was saving for later, sliding it slowly towards the creature.
The creature tilted its head, staring at the jerky suspiciously before taking a few steps to paw at it. It apparently passed its test as it devoured the jerky surprisingly fast for its small size. While it seemed to be starving, thankfully it didn't reflect onto its body. It wasn't gaunt or thin, but actually quite plump. Perhaps it just didn't eat for a day or two?
Billy took a small step forward, then a few more when he realized the creature was focused on eating. “So,” He began softly, the creature startling as if it was just realizing he was so close. “What are you doing here, little guy?”
It stared at him silently before once again tilting its head. It was cute, Billy realized. The chubby cheeks and button nose paired with big, shiny eyes made it endearing to look at. His expression melted slightly as he took a closer look at the creature.
The creature's ear flicked as it padded up to him, paws on Billy’s knees. It let out an unintelligible sound, layered and harsh to Billy's ear, yet somehow melodious. Billy blinked, not expecting that noise. The creature looked at him almost expectantly, eyes shining brightly.
Billy hesitantly brought his knuckles closer to the creature, feeling its cold nose as it sniffed him. It was clearly unimpressed and trilled for more food. Billy chuckled under his breath as he brought another piece of jerky to the needy creature. It gobbled it up swiftly, looking up at him and once again begging for more, its eyes almost sparkling.
Billy folded under the cuteness overload and retrieved a sandwich from his bag, splitting it in half. He was worried that it would eat more than it could handle if he kept feeding it. He knew very well what that felt like.
The creature blinked at him, once, twice, before giving him a small, pleasant trill and headbutted his fingers. Billy cautiously set his hand over its silky hair? Fur? All he knew was that it felt divine, though not in the godly way.
“What are you?” Billy asked as he wove his fingers through its hair, genuinely curious on what species the creature was. He had inputted a lot of creatures in his ward but he had no clue what this one was. The tingling at the back of his head spoke otherwise, Solomon knowing very well what it was. He could transform and ask Solomon, since he couldn't really speak to him unless he was Captain Marvel, but that would just scare the creature.
It gave him a look before resuming its lunch, finishing it in record time. Apparently, it deigned him worthy of its presence on his lap as it kneaded his legs then curled up onto them. The purring surprised him, pausing when the creature gave him an impatient look when he halted his ministrations on its hair.
He resumed, of course. Why wouldn't he? It was a nice reprieve from fighting villains as Captain Marvel and watching out for himself when he was on the streets. It was just a quiet moment between him and the strange creature that broke into his home.
…He hadn't realized how lonely he was before this.
He had friends, of course. Freddy, Tawky Tawny, and the Justice League. But… this just wasn't the same. As good as a friend Freddy was, he doubted that he would be willing to just sit and enjoy each other's company silently. Freddy was a huge superhero fan and couldn't help but talk about them in excitement. Not to mention his analyses on Billy’s techniques as Captain Marvel.
The Justice League wasn't any better. They had a professional relationship, thinking of him more as a coworker than a friend. The times he tried to deepen their friendship by inviting them out, he was unfortunately turned down. It seemed that they got along better when they were in battle than not.
Billy usually went to Tawky Tawny for advice, but Tawky Tawny never turned down the opportunity to just spend time in the other’s company. Unfortunately, those times were far and few between, usually because Tawky Tawny was traveling or busy with something else.
With this creature— he’d have to name it eventually, Billy thought absently—all that was expected of him was companionship, nothing more.
Billy felt a cool paw pat his face, the creature looking up at him concerned. His eyes widened before he let out a huff, ruffling its hair. The creature let out a disgruntled chuff and phased through his hands then batted at them, settling down once more on his lap once it was done.
It hadn't been with him long, all he had done was give it some food, and it was already trying to comfort him. Admittedly, it wasn't the best comfort, it stopped once he focused on it, but it wasn't something he expected from a creature he met not an hour ago.
Billy smiled, eyes soft. Perhaps it could stay, if only for a while.
Whipped this up in a couple hours while trying to get out of my funk
Thanks for reading!!
Ao3
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Title: Waiting for a ceasefire
by Raghad Qanou
follow her on tumblr: @rhq274
gfm campaign vetted by nabulsi
to my moots and lovely lurkers alike- i would like to highlight the latest art campaign submission as it comes from a very special person.
for those who haven't had the chance to meet her yet, this is raghad. please take some time to read her introduction in her own words:
"Hello, I am Raghad Qanou, a medical student from Gaza City. My people and I have been subjected to genocide for more than 230 days. My family and I have lived through various types of torture and inhumane conditions. This link is my only chance for me and my family to escape death and try to start over. This is not easy. But we are trying, and we would be happy to have you help save our lives and our future"
(share full original tumblr post here) | (read her full story on her gfm page)
raghad used to live a life just like us. i can't speak for all of you- but i think it's safe to bet that a lot of us here are/were college students. people who worked tirelessly to earn degrees in order to get our dream jobs. my own college years, while hard, make up some of the most joyous memories of my life thus far.
raghad has been stripped of those moments- as was the rest of her family (8 in total, 6 of them children). they have been displaced 7 times, desperately trying to stay alive so they can get the chance to truly live once more.
i strongly encourage you all to learn raghad's story on your own. she spent a lot of time and effort to write it herself while suffering through inhumane living conditions. it is the least you can do to show your support for her and her family.
the next thing: share her story with your friends and family.
and finally, for those able to contribute financially: donate! her family's campaign has been vetted by trusted sources and still need our support to reach their goal. their campaign has received very little traction and it has been active since march
the stats so far: £2,207 raised of £55,000 target (~4%)
in an effort to get this post to trend further: here's a poll (do not vote until AFTER you reblog this post)
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I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.
It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.
(Long post under the cut. I'm so sorry I just kept going.)
First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.
Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".
The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.
Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.
So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.
Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers
Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly
Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.
Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy
...do you... see what's going on here?
(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)
The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.
The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.
Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.
Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.
But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.
Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.
Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?
Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.
Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.
Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)
Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.
Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.
As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.
...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.
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