#could also be sylvia

[virtkha]

lord dominator pwns peepers live 4k

^ obvs her

[fictionadventurer]

How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?

[cherrytastiq]

i liked this show a lot. my slop

[flownwrong]

5x05 Mirrors // 5x09 Lagrange Point

[narfin-frood]

IM SO OBSESSED WITH YOUR AU AND ART its soooo so so good. Im curious how does Sylvia and peepers interact in this au? Is it similiar to canon with peepers being upset that Sylvia and wander might have bad influence on mr meteor and Sylvia simply finding peepers super annoying or is there something diffrent going on? I love these little critters yes

WHY THANK YOU ANON!! and sylvia is VERRRRY protective over wander, so their first few interactions are very hostile, but as a sylvipeepers friendship truther i think they end up like they do in canon with a sort of Begrudging respect for one another, at least enough to work together for a common good.

sylvia is fully, painfully aware that what wander's doing isn't healthy for anybody involved, but try as she might, she can't sway him away from it, so she resolves to just keep him as safe as possible. when she realizes meteor and peepers aren't really a threat, it becomes less about protecting wander from those two, and more about trying to keep the peace between them, and sometimes even protecting them from whatever wander's new scheme is to integrate them.

since we're on the topic of sylvia and her relationships to everybody, i'll respond to this question from @temmtamm as well:

sylvia met wander sometime just before The Big Catastrophic Event, and i think that instead of being a bounty hunter, she'd be something more along the lines of a private eye (or something)? working alone, paid by some asshole who wants information on the wandering weirdo's whereabouts, and subsequently charmed by wander's whole Everything enough to quit her job and join his emo band.

i think when Big Catastrophic Event happens, it's very early into their friendship, like less than a year or so, and since they go through it together, they end up sticking together for a very long time, because nobody else would possibly Understand.

[thesecondsanctuary]

Btw has everyone seen this unused shadow crystal light world text 🙂

[nomadic-star]

can we all collectively agree that this video sucks so much ass

[fumifooms]

Typing the nightmares bit here made me think again about how Dunmeshi is a lot about promoting community— and that, even when community is a lot of what hurts characters. Like, everything is social, humans are social creatures with social lives, it’s hard to avoid, but still when looking at the dungeon lords’ troubles… Troubles with feeling secure within relationships, with feeling like they belong in their society or community, feeling rejected or unsafe or Other.

Struggling with judgement and superstitions like Laios, Falin and Kabru. Struggling with racism like Chilchuck and Kabru. Struggling with strict conformism like Senshi. Ableism, xenophobia, colonialism, hierarchy, Mithrun, Thistle, Namari. All victims from all exclusionist societies one way or another. Again, rejection, on both a wider and interpersonal level.

Ultimately Dunmeshi is about how good community is to have while uplifting everyone’s quirks and differences, but you can’t help but see how exclusionary and harmful some groups are and how identity, especially identity in a social setting, is what characters struggle with the most. What Laios is tempted by is to leave the weight of a human identity behind, flee everything human and social as a monster. With how difference or stepping out of line hurts people consistently across the board and how humanity & social bonds are sometimes framed as the source of pain, you can’t help but wonder a bit if this doesn’t lend itself to promoting a sort of self-less social system, like an ecosystem that behaves like some hivemind of mother nature, but no no that’s what the series is condemning—

The dungeon is not about how an ecosystem (a social life, a hierarchy, a community) is a well-oiled, scientifically calculated machine but about how every being in an ecosystem has a different role and behavior, and how each one is important specifically because their differences are complementary. Diversity is not only a strength it’s essential. Bonds are not only important they’re essential. Otherwise what will you do when a god needs slaying and you don’t have an hungry furry around, huh? What will you do when the dehydrated samurai and the dehydrated elf and their friend circles won’t eat your sister? But more seriously, a lot of the beauty of Dunmeshi’s cast is how truly different they are, in the way they think, in the judgements they hold, in the way they’ve lived. And even in the face of that how our protagonists have always reached out— how Dunmeshi says that it’s good to seek to understand what you do not. Differences can be overcame, differences can be celebrated. A monster is not a being of good nor malice, it just is, and it deserves to be considered a living being, too.

No no no but like, approaching this on an emotional level rather than societal one again— Dungeon Meshi showcases being human as a prison of sorts in many ways, especially in a social and emotional sense. Characters spend a lot of time being worried about laws and reputation, about social judgement and social rejection. Chilchuck, Toshiro, Namari, Marcille… Senshi prefers sidestepping the entire thing and keeping to himself. And on the other hand, Izutsumi doesn’t like her body and doesn’t want to deal with her emotions, she has to accept herself even if being a beastkin has attracted disdain and mistreatment to her. Your identity is not fully your own, it’s framed and shaped by those there to perceive, judge and shape it like reputations. Similarly, your feelings are your own, but shame, hurt, pride— sometimes you’re compelled against your will by others, by relationships, to feel. Laios is the most flagrant and literal example, wanting to become a monster with the mind of a beast to flee the trauma and emotional toll of human society.

In this line of thought, caring about people is a shackle in itself too, Chilchuck wishes he could be free of caring, for the party but also for his wife leaving him.

- Fyodor Dostoevsky, Crime and Punishment

Chilchuck who doesn’t want to still be hung up on his wife even though he’s deeply hurt who pretends being mad over it who throws his arms up in the air and does nothing about it, even if he brushes it all under the carpet and acts like it’s barely a bump in the road who still speaks of his wife in present and future tense. Who can’t move on yet can’t find the strength to reach out and try and be rejected and hurt all over again. It’d be simpler if he didn’t care about what happens to the rest of his party, if he didn’t feel the urge to risk his life for them so they might be safer. It’d be simpler if he just never opens up to anyone again, if he just doesn’t try, if he keeps to himself and sabotages relationships and forces himself to believe that he. Doesn’t. Care.

Falin also was shackled not by anger but by love. Again that Dunmeshi theme where humanity and feelings and care can feel like a prison, on both ends (caring and cared for)! But connections and care are what it means to be human and none of us are free of them. None of them. Not even Senshi the thriving hermit. Senshi being a recluse who despite always staying at an arm’s length of people as a mentor figure or a temporary guest or a friendly business partner because memories of his first party still haunt him and he thinks the conflict was his fault and that he can’t fit into a group, like with the orcs… Who despite that does want to help others, tags along with groups, even if just for a fun time not a long time. And yet when shit got serious with Laios’ party, he stayed. Even though he keeps exploring post-canon, much like Izutsumi and the other characters still figuring some things out, even though it might feel so much easier to live a quiet life of solitude, he still wants social connections and can’t keep himself from caring.

"What do they call it- it’s like something about love- where it’s like Love compells you- like kinda forces you to act against your own volition- love calls you to be something other than you are, it challenges you and yet you want to be compelled by love, you want to be subsumed to something larger."

- Cj the X, How Jordan Peterson’s Suits Taught Me Fashion

[lloydfrontera]

when theo and sylvia have their first child rakiel spends the entire pregnancy suggesting silly names, getting more and more ridiculous as time goes on and as he tries to take their minds off any complications that could come up from a child being born from two different species that aren't always biologically compatible. he's pretty sure he loses any naming rights he ever had for the rest of his life some time around the sixth or seventh month but it's worth it when he gets a soft snort from his brother or an amused eye roll from sylvia.

he is not prepared when theo carefully puts into his arms a tiny bundle of blankets wrapped around an even tinier baby and tells him his name is Adrian.

he will spent the next couple decades holding a grudge over the fact no one warned him beforehand and he therefore spent his first ever meeting with his nephew ugly crying the entire time. there went his chance of being the cool uncle >:c

[relicsongmel]

Over 2 years later and I still can't believe Gamefreak forced bisexuals all over the world to do the impossible and make a choice between THESE TWO

[yournormalidiot]

The greaser girls (Angela, sandy, Sylvia, Cathy and evie) would fucking lovveee going to discos if they were irish and in modern day

[fandomwe1rd0]

If I had 2 nickels for every time a tv show had a talking planet in a romantic context, I'd have 2 nickels. Which isn't a lot, but it's weird that it happened twice, right?

[sysig]

For Requestober: Would you please draw some platonic/ambiguous fluff of Commander Peepers with Wander and/or Silvia? ^^

I love the grumpy little guy, he deserves all the love in the world <3

Day 4 - Don't tempt me

[celestial-nights18]

It took a whole 30ish hours but I finally beat Potionomics: Masterwork Edition🥳

I haven’t seen many newer uploads of the game since the update (featuring the amazing voice acting) so I wanted to know if anyone of the 20 fans I’ve seen would be interested if I uploaded some voiced cutscenes from the game.

Here’s what I recorded during my first playthrough (cozy, free love)

All Boss Finn rank up scenes

Everyone’s (romantic 💕) 7 rank up scene

Everyone’s (romantic 💕) 10 rank up scene

All Boss Finn Scenes

Final Haggling Session (End of Boss Battle)

After credit Haggling scene w Helen

End Credits

Currently in the process of finishing everyone else’s rank 11 scenes

It’s not a lot but I picked the bits I thought were really cute or just might want to look back on later 😊

If anyone is interested in these let me know, I should be able to upload them to either here or youtube

[soullessjack]

i know we’re balls deep in destiel again But since revival talk is upon us again can i possibly pitch to anyone my jack guesses . Pretty please

[ezekiel13]

I hated poetry until I was 13

Do you know what made me stop?

I sat next to this girl in English. We did not get along. She threatened to kill me a few times, standard stuff.

She hated it when I recited the poems we learnt. So I started memorising them. (We did not have to. We had to know quotes for our GCSEs)

And in memorising some of the poems to annoy this girl I hated, I gained an affection for them and started to understand them

And then when I was 15 and in my English GCSE I:

1) Did much better than I thought possible because of how much effort I put in, all of which stemmed from a petty hate

2) OMG FUCKING HELL THIS POEM IS SO GOOD SEAMUS HEANEY HOT DAMN (unseen poetry)