#but like. its definitely not something that always holds up upon relisten

[jojotier]

ghost quartet is one of those amazing musicals that the first time you see it and the full brunt of it settles on you, your brain chemistry gets changed, and then on every subsequent relisten theres diminishing returns until you realize youre just looking at this self contained circular story which cares more about justifying its own metacontextual existence of storytelling and being experimental instead of caring about having characters strong enough to keep you coming back or like. good music.

[borisbubbles]

Eurovision 2010s: 90 - 86

90. Suzy - “Queiro ser tua” Portugal 2014

~Huawei Wa Wei~

I have mentioned earlier that Moran Mazor is arguably the saddest NQ, but Suzy is definitely up there in people whose success I was rooting for. Indeed, I mostly love Suzy because she was a TRAGICALLY ROBBED UNDERDOG.

You see, Suzy was ~BULLIED~ from the moment she had won FdC, and beaten Catarina in the F2. Now, I personally don’t mind “Mea Culpa” itself (my favourite was the drunken pirate hag known as 😍 ZANA 😍, but that’s for another ranking). However, I don’t think I’ve *EVER* witnessed a fanbase as  downright evil as the Catarina stans. These ‘people’, by the lack of a better term, make the Beyoncé and Ultimo fans appear like kind and rational people. These... self-proclaimed ‘eurovision fans’ tried to intimidate Suzy into quitting by sending her death threats, all because she DARED to beat their erstwile female-mediocre flavour-du-jour. Who the fuck does that? Human pieces of shit, that’s who. 😤

There’s an *additional* sociocultural connotation to the entire Suzy vs Catarina debacle, but my friend André, who is Brazillian and has Suzy in his 2014 top three made a great post about the issue back in the day, so I’ll just quote him for those who want more backstory:

Quero Ser Tua belongs to a music genre called "pimba", which is perceived by the Portuguese middle and upper classes as tasteless and vulgar because of simple melodies and dirty metaphors (the latter not present in Quero Ser Tua). So they despised Suzy and (...) went in a fucking frenzy [when she won FdC], attacked the composer of Quero Ser Tua (also the father of pimba music), and accused him to rigging the televote and even started dozens of petitions (alol) and regularly vandalised Wikipedia writing that Portugal's entry was "disputed" or that Catarina was the real winner (holy alol).  This drama speaks to me because Quero Ser Tua and pimba music in general sound like other genres of popular music we have here in Brazil that are also derided by the snotty-nosed middle class as vulgar and devoid of "culture", often with racial connotations on top of the social class ones. To me, Suzy's victory (rigged or not) has a political message: pimba IS culture, like any other kind of music, and it deserves to represent a country as great as Portugal because it's part of their culture and they should be proud. It's definitely a bigger statement than the bourgeois, mediocre Mea Culpa and I am proud of every Portuguese that voted for Suzy to win. <3

As for ~my~ layman’s opinion, well, I just think the song possesses some great summer sprit.😊  It’s a colourful explosion of cheerful accordeon, moody percussion and ethnic frivolity. 😍 Listening to “Quero ser tua” makes me very happy about 100% of the time, almost as much as the knowledge that, after being disliked for most of the pre-show, Suzy won everyone except for her most diehard haters over, becoming someone who is now almost unanimously deemed one of the most robbed NQs. STAY PRESSED, HATERS. >pasta :victorydance:

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89. Jana Burcheska - “Dance Alone” F.Y.R. Macedonia 2017

[2017 Review here]

Like many of the 2017 entries, my passion for Jana dropped over time. Make of it what you must but I think the live of “Dance alone” kind of cheapens it... and you know what I think about cheap and trashy, I LOVE THAT OBVIOUSLY.😍

However, I also think the cheapness does Jana dirty, because “Dance alone” also happens to be one of my favourite songs OF 2017. Its 80s synth sound and high voltage fierceness left me bald and straight UPON IMPACT, with madly quotable lyrics that I STILL use in friendly banter to this day. 😍 

The awesomeness is only further enhanced by Jana, who is -independently from her song- also one of the best humans in 2017. I absolutely ADORED this goat-voiced gremliness from the SECOND she spent her first interview shading the fuck out of Rykka 😍 (check the 2017 review for the dirt) and then proceeded to troll the press people by teasing that she actually couldn’t sing for no reason. 😍

Which brings me to the live act which.... conceptually is a match to the song, but which also doesn’t do it justice. Don’t get me wrong, Jana contorting her body as she’s assaulted by a Carolean windmachine sustains the crap out of me, but I have always thought “Dance alone” had more potential than shown in the live. (Getting rid of  the “Wishing you could hold me close” closer is particularly upsetting imo.) Moldova and Azerbaijan would’ve turned “Dance alone” into an EASY top 30 in this ranking, but in the hands of Macedonia it’s a mere top 90 for me. 😭

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88. Lake Malawi - “Friend of a friend” Czech Republic 2019

only a friend of a friend of a friend of a friend of a friend of a friend of a friend 

Lake Malawi live the ultimate BorisBubbles dream: IMMENSELY annoying song whose appeal hinges entirely on how uncomfortable it makes other people, somehow convinces about ~95% of the loyal eurofans that it’s a fantastic masterpiece. 😍 ADVERSI-DEITIES 😍

Of course, the axis around which Lake Malawi spins is Albert, a human spark plug and mankind’s youngest thirty year old. Seeing Albert fling himself around the stage, never losing his entheusiasm is the main reason why “Friend of a friend” exceeded my already high expectations! Another, slightly-less awesome reason however is the D-sound-like staging:

It really just is a clever, likable entry. Of course, that doesn’t take away that “Friend of a Friend” is objectively one of the most irritating songs ever, making it anathema to the televoters’ tastes <3 😭(😍)

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87. Jamala - “1944″ Ukraine 2016

It is only FITTING that Jamala and Lake Malawi rank alongside each other, star-crossed lovers that they are. ALBERT x JAMALA 5ever:

A greater love story than even Alfred x Amaia. However, this post is mostly about Jamala, so LET US discuss a great, if controversial winner. I will start with a small caveat and say that “1944″ isn’t the song for me. One of the biggest dealmakers in Eurovision songs for me is replayability “1944″ just doesn’t have that quality for me. I only really relisten to it when I must, for rewatching purposes. However, that does make the few times I DO revisit “1944″ all the more magical to me. If we take on board that songs are a means of expression, then “1944″ is one of the best songs ever, for the themes it expresses are all too real. I don’t even NEED the gutwrenching, defiant lyrics to *FEEL* the pain the nation of Ukraine is going through. The act sends shivers down my spine, body aching all the time. The Jamala Tree is one of modern Eurovision’s most iconic visuals: 

Of course, that ALSO makes “1944″ one of the most notoriously political entries of all time. Now, other fans of Jamala might argue that, “No, it’s not about the Crimean war at all, just the historic deportation” and well... no? There is a reason why Jamala wrote this song *NOW* and not the last time she entered Vidbir. It *is* Jamala’s way of coping with the Russian invasion, something which *also* ties into her own family history. “1944″ is a very elegant, tasteful middlefinger aimed at Putin, but it’s a middlefinger nonetheless. However, what if it is? The Ukraine vs Russia conflict is a notoriously heated one and potshots are to be expected. If I have to chose between an open attack and a backhanded one (such as that rubbish entry from the Tolmachevy Sisters, or the two rubbish ones by Julia Samoylova), I will always pick the former. 

Overall, I greatly appreciate “1944″ and think it’s a great winner. The composition is evocative of both Ukraine’s history and musical traditions, as well as their current predicament, making “1944″, despite pertaining to a specific year, a timeless experience. It is very deservingly considered one of Eurovision’s best winners by the fanbase, and I hope it remains a favourite for future generations to come. 

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86. Joan Franka - “You and Me” The Netherlands 2012

Yes, Joan ranks one spot above Jamala lmfao. EXPECT THE UNEXPECTED!!! 😈

Back in 2012, I obviously was a feverish Joan stan, mostly for Ironic reasons: “LMFAO JOAN TARD... it’s YOU... and ME! SO SILLY <3″ -- me Circa 2012, when my wit amounted to calling lovable dimwits “tards” and quoting song lyrics. 

In 2019, I can say that... I still love Joan for her ineptitude and frivolity, but with the added layer of *genuinely* loving Joan for Joan. From the consistently offkey singing, to dressing up like a Lakota warchief (completely oblivious to how inappropriate this is 😍), to the bonfires (pandering to the Land Of Fire, Azerbaijan 😍) and the general-happy-go-lucky vibe, “You and me” just feels so.. real? Like a real person regaling real stories of a real romance with a real (boy)friend. It is so disarmingly earnest, which of course, being stuck in 2012, meant that it was unceremoniously offed by the professional juries. TOO PURE FOR THIS DAMN’ WORLD. 😭

Since this update booted the final entries from Portugal, Macedonia and the Czech Republic, I’ll disclose my final thoughts below, as to not disrupt the ranking:

PORTUGAL:

Honestly, a pretty good chart for Portugal, despite being the fourth country to be fully eliminated from the ranking. I was hoping that Salvabrat would have started a hot streak, but alas. Portugal just keep getting screwed over by subpar staging and their own stubborness, leading to insistent dismissal by the fanbase. I fucking hope people (Portugal deniers) come to their senses though because they are consistently robbing one of Eurovision’s best fucking countries. 

NORTH MACEDONIA:

Sean Tarbuck from ESCUnited nailed Macedonia the best: they are a country of amazing music and utterly disastrous lives. They are probably the single worst stagers in Eurovision? The numbers don’t lie, with a qualification rate equivalent worse than San Marino’s. Just look at what Slovenia and Serbia are doing, Maco, and you’ll be fine!!!

CZECH REPUBLIC

There isn’t much to say about the Czech, but they’ve finally contributed with an entry I not only liked, but loved. I do think we are in the beginning years of a Czech Golden Age though and if they can keep that hot streak going, Eurovision might be coming to Prague very soon (ie: within the next five years.)

[melekseev]

so i FINALLY bring you my esc19 toplist, all under the cut, with short comments.

also be aware i literally... enjoy my top 31. so twenty something places might sound bad.. BUT THEYRE REALLY NOT, I JUST LOVE A LOT. i went into this year thinking it was weak, and then after i had this playlist on so much, hello, i love a ton. nevertheless, just my taste and opinions and good luck to all of them~

1. France ABSOLUTE KIN G stuck in first place because this is undoubtedly my most listened song this year, and i'm absolutely hooked on it. i am somewhat worried about that coming revamp, but. but i fcking love this song, and he improved those vocals like d amn 2. Russia i.... am in love. every time i hear this song it gets me into that sort of dramatic ecstasy and it's so big and beautiful that it just... it kills me. i die. thats it 3. Italy soldi is still my jam, and i adore it to bits 4. Slovenia this masterpiece is one i just want to protect. so soothing, i LOVE listening to it, it's just ethereal 5. Netherlands this song, at one point, was almost at every possible spot on my list from middle to top 15, but then it stuck with me and now it's utter love 6. Hungary i adore his voice, no bias. his whole vibe, his unique delivery and technique, that folky sound, like... yes please 7. Switzerland i am not ashamed to say i am utter trash for this song. every single part i love about this. like holy shit, this time switzerland better make it thEY EARNED IT 8. Australia she is QUEEN, i considered dropping it from my top 10 when trying to readjust ONE TIME and upon relistening i instantly was like "okay no way it's going anywhere", i just unironically love it a LOT 9. Norway actual legends... this song just cheers me up to SUCH an extent! love the joiking... i love eveything, bless you norway 10. Belgium at first, i had issues with it, because i wanted a bigger drop near the end, but now i'm just absolutely... in love... it convinced me. the instrumental, the building up, the dark undertone, just. i adore this 11. Poland oH I LOVE THEM SO MU CH. li s t en. i can't explain it, but they give me like a lowkey vibe of soft punk-rock theme but also like...?? japanese pop?? but no, it's polish and slavic and traditional and i'm really really vibing with it, because some of it is familiar from my own culture, and these girls S LAY 12. Albania albania always delivering those vocals.. i love the mystical vibe with the ethnic sound, it's simply gorgeous 13. San Marino can you believe i unironically HONESTLY thoroughly enjoy this song?? serhat is an icon, but his voice actually really fits with this song and i always get super into it. i'm so happy this exists lmao 14. Azerbaijan i'm very very much into this song, and i'm EXTREMELY curious to see how he pulls this off live as it seems to be such a radio song, but i have hopes. i just dig it, like... like a LOT 15. Czech Republic this is the most chill song this year, and despite the silly, easygoing lyrics it's just... extremely fun, and it's been my jam since it came out 16. Croatia listen. l i sten. i love... theatrical. i love big strong voice explosions. this CHILD is talented as fuck. i know many people hate this, but the song actually grew on me, and then today i just honestly love it. i wish the whole song was in croatian, but even with the not so great lyrics, i'm eating it up and singing along. i know he won't make it, but oh well. it's okay Roko, i love your voice and song 17. Armenia i really love this one, too. she convinced me further in amsterdam bc she absolutely killed it (although i feel like she had a nervous slip in the very beginning) but then after that.. holyshit. such a tiny girl with such a huge voice 18. Spain honestly, if you tell me earlier it would end up this high at one point i wouldn't believe you.. i never /hated/ it per se, but i also wasn't really impressed or as into it as most people were. i think the revamp was the one that convinced me in the end, because it forced me to face the fact that i do honestly enjoy this more than i want to. also now im nostalgic towards anything spanish, even if its different, bye 19. Finland yes, this might be nothing special, but i just... enjoy it. i genuinely do, and there are certain parts i especially love, and so therefore. like. yes. 20. Estonia as much as i didn't want to like this originally, i do. like, i really do. it just happened, and i'm not mad about it 21. Romania this song is a big grower for me, and to this day the more i hear it the more i get into it still 22. UK Michael's live delivery elevates this otherwise not so amazing song like... so much. i feel like the UK does tend to send songs with this particular theme, but i actually enjoy it quite a lot when he's doing it live. his voice is impressive, and so... here he. 23. Sweden these two ^ i always moved around together for some reason, as if they were linked, which might be because John wrote both songs, although i learned that later(??? but in the end, i feel like i prefer UK a bit more. this is also really good though, it works, and it has a great vibe for esc 24. Portugal so this one slipped quite far off, as with time i sort of lost the enthusiasm for it. i still find it unique and enjoy it nevertheless though, so it could definitely be worse 25. Greece i'm in quite a pickle because after not necessarily being super into this song, i started to really like it (VOICE, BRUH) but then the amsterdam concert happened. I KNOW she was sick, though, so i sort of have this on hold. if she delivers later, which i'm sure she will, she stays, but if not, this might drop a few slots 26. Lithuania this is another song that just makes me happy and makes me smile, and i can't explain it. i love lionboy. i'm just here for it 27. Serbia her voice is quite literally pristine, i love that she's singing in serbian, and i do appreciate her a lot as i honestly enjoy this song when it's on. it tends to slip my mind, though, which i hate it does, because it's beautiful and i'm rooting for her 28. Cyprus super unpopular opinion, but i actually like this a lot more than Fuego, and don't necessarily compare the two. HOWEVER i do kinda feel like i'm seeing the same thing from the same country, like, immediately after, which makes me a little less excited about it, oof 29. North Macedonia see, the message is very nice. the song actually grew on me a bit compared to the first time i heard it, but i still just... wish it was better. i like it overall, but it's just about pushing it 30. Israel he's actually very talented and on point vocally. the only reason it's not higher is simply because it's just not really my style, but it's one i still appreciate on stage 31. Georgia there is something about this that i like. i respect him, and when near the end there's sooo much power, then especially i really dig it 32. Montenegro the revamp did help them quite a lot, but overall it still kinda feels like a high school chorus, and i'm just not really for it 33. Moldova her voice is really nice, and despite how i found it just... done several times and kind of boring (oops), her live made me appreciate this just a bit more 34. Ireland i feel like this song is just kind of... there, for the sake of being there. it's not even bad, it's just... meh? 35. Malta that chorus is a major turn off for me, and it's neeeearing that point where a song just starts to annoy me... which i feel like is worse than simply not liking something, so it's on thin ice 36. Austria first of all i think her voice is very lovely. BUT... after about the 4th yo-o-o-ouh it does tip and starts to annoy me, which i wish it didn't, but... but it does 37. Belarus i wanna talk about how they had a huge shot with Michael Soul, but i will not go down that road and focus on Zena. this song just feels like a mess to me. like... a young britney spears song, but bad. i really don't get the appeal, at all 38. Latvia hhhhhhh. this one annoys me so much, i just can't begin to explain. it's flat, repetitive, and the chorus (??) fries my nerves in a matter of seconds, IM SORRY 39. Denmark oof... o o of. i don't want to be rude but basically this feels exactly like what you'd expect a junior eurovision song to be like.... except those are actually better. it's just... no. no. way too much sugar. it’s all just... no 40. Germany speaking of songs that annoy me? i feel like this is definitely the one i can't stand the most. *screeches* SISTAH x4 41. Iceland listen i'm not going to talk about this for long but basically i really heavily dislike this for a few reasons and can never listen all the way through without like.. suffering. the funniest thing is that i love the beat. but then.. the singing (NOT even the style) it just. it makes me angry, cuz this could be good. but it's not. also i don't like the pretend-gay stuff. but that's just me